For the first four episodes of Agatha All Along, creator Jac Schaeffer let fans dabble in their theories about who Joe Locke‘s Teen may or may not be. Thankfully, following Agatha Harkness’ heartbreaking trial, there’s no longer any doubt about who Locke is playing or who is in charge on the Witches’ Road.
Those who have enjoyed the mystery of Teen’s true identity shouldn’t despair now that the show revealed him as Wanda Maximoff’s son, Billy. Indeed the mystery was spoiled long ago and more mysteries are yet to be solved. While fans may find themselves a little too focused on the “revelation”, perhaps a little more attention should be paid to the enormous power Billy displayed in the episode’s final moments where he not only took control over two other witches but, possibly, the Road itself.
While Marvel Studios has yet to officially acknowledge Teen as Billy Maximoff, aka Billy Kaplan, aka Wiccan, Episode 5 of Agatha All Along crowned the Demiurge-to-Come and, in doing so, subtly referenced one of the character’s more popular arcs, The Children’s Crusade. Following Agatha mocking Teen for being like his mother, the character proved her right by displaying not only the magnitude of his power but also his apparent lack of control of it when he unleashes it.
Of course, the real question here is if Billy has been capable of these great feats of power all along, why has he been so meekly playing along on the coven’s trip down the Witches’ Road? Or has he been meekly playing along at all? At his strongest in the comics, Billy was a reality warper capable of creation, transmutation and essentially accomplishing any and every thing he wished. Sure, he’s out of control at the end of Episode 5 but what might we have missed along the way?
John Stewart and Hal Jordan are two of DC’s most compelling characters, and Lanterns brings them to life in an original detective story that is a foundational part of the unified DCU we’re launching next summer with Superman.
-DC Studios’ co-chairs James Gunn and Peter Safran on Lanterns
Via social media, Max revealed that Rebel Ridge breakout star Aaron Pierre and Primetime Emmy Award-winning actor Kyle Chandler (Friday Night Lights) have been cast as John Stewart and Hal Jordan, respectively.
Meet your #Lanterns. Aaron Pierre is John Stewart and Kyle Chandler is Hal Jordan in the new HBO Original Series from DC Studios coming soon to Max. pic.twitter.com/bXbU9l4Pjs
Previously described as a “terrestrial-based investigation story” that “plays a really big role leading us into the main story” in the DCU’s first chapter of stories, Lanterns will revolve around the central characters finding an “ancient horror on Earth.” Word is that Jordan will be a grizzled vet–which makes Chandler a great choice–and that Stewart, played by the up-and-coming Pierre, will be a new member of the Corps working with him as “supercops on Precinct Earth.”
We have a few other Lanterns peppered in there but this is really a terrestrial based TV show which is almost like True Detective with a couple of Green Lanterns who are space cops watching over Precinct Earth in it they discover a terrifying mystery that ties into our largest story of the DCU.
With any luck, Marvel Studios’ well-documented Multiverse Saga struggles may be on the way to being a thing of the past. Not many studios could have survived the deluge of debacles that Marvel rolled out in 2022 and 2023; however, following a string of successful projects in 2024, it seems as though Kevin Feige and crew–under a mandate from Bob Iger–have found a way back to the top of the food chain. And while the return to form is a welcome one, projects such as Eternals, Thor: Love and Thunder, Ant-Man and The Wasp: Quantumania and Secret Invasion still exist and the events depicted within them cannot be entirely discounted as the MCU forges ahead.
The studio’s mid-2023 course correction hasn’t had time to be fully realized as yet but with a somewhat improved Captain America: Brave New World and a much-improved Thunderbolts* headed to theaters in 2025, the enjoyment of the fruits of Iger‘s mandated labor is within reach. Not every project was given the same grace as those two, however, and as the second half of the Multiverse Saga gets rewritten on the fly, it’s clear that some of the studio’s original plans will never come to fruition. Eternals 2? Nope. Thor 5 starring Hercules/ Maybe. The Kang Dynasty? Ope. Armor Wars? We’ll see. However, even though direct sequels and the big ideas set up to unfold within them may never see the big screen, recent rumors about the future of the MCU may provide a gateway to make good on a pair of projects that probably should have turned out quite a bit better than they did.
Whatever the plans for Phase 6 were in 2022, they have become something quite different in 2024 No one change can tell the whole story of what went down behind the scenes but the shift in the studio’s plans for director Destin Daniel Cretton are very telling. Once on track to helm two of the studio’s most important Phase 6 films (a Shang-Chi sequel and Avengers: The Kang Dynasty) is now helming Spider-Man 4. 1+1 means Spidey 4 is now pretty damn important to whatever plans Marvel Studios has for to start bringing the Multiverse Saga to a close.
Recent reports indicated that the fourth installment in the Tom Holland-led franchise underwent an overhaul that saw it evolve from a street-level team up to a multiverse story and recent rumblings have begun to reveal the nature of the new script written by Spidey vets Chris McKenna and Erik Sommers. Should the latest rumors prove true, Marvel Studios and Sony will expand their collaboration beyond their already impressive efforts and will oversee a creative crossover event of unprecedented magnitude. An increasingly louder and louder buzz points towards Marvel incorporating Sony’s most marketable Spidey-adjacent star, Tom Hardy, into the MCU following Venom: The Last Dance. Furthermore, as Hardy’s Eddie/Venom joins the narrative, so will the film’s villain, Knull, the creator of the symbiote race and one of Marvel Comics’ most powerful and frightening new villains. And incredibly enough, Knull has connections that extend well-beyond the Spider’s web that could easily be weaved into the character’s MCU arc and, in doing so, make good on a pair of moments that currently sit near the top of the studio’s list of recent missteps.
As fans prematurely bemoan Spider-Man 4 potentially telling “another multiverse story” (like the last one was sooooooo bad), the true nature of Knull and the storytelling potential it offers is being overlooked. Sure Spider-Man: King in Black would feature two characters who originated in a universe other than Earth-616’s but recent retcons to the history of the Klyntar have blazed a trail that, quite honestly, Marvel Studios’ Parliament would be foolish not to explore on the MCU.
The Retcon is On…Hopefully
Retcons have allowed comic book writers the ability to make changes great and small to previously established canon in order to make room for (sometimes) exciting new stories. So far, this is territory into which the MCU hasn’t waded very far but should they choose to work with Sony to bring the terrifying King in Black into their sandbox, they have a great opportunity to easily retcon some small pieces of previous films which might, in the end, make them feel a little more important.
Thor: Love and Thunder had plenty of problems and though the film’s cold open wasn’t one of them, the type of increased creative collaboration with Sony that would allow Marvel Studios to include Knull in Spider-Man 4 could work in favor of at least making the fourth Thor film feel a bit more important than it did. Though it wasn’t seen on screen, the battle between Gorr’s god, Rapu, and the Dark Shadow Lord that left the former dead played out on the pages of 2013’s Thor: God of Thunder #6. However, in Jason Aaron’s iconic run, the character who fought the gold-armored god (and was stabbed in the melon by a spear!) was Knull. And just as in the film, and as one might expect from being stabbed in the head, Knull appeared to be dead and his Necrosword was scooped up by Gorr, who then used it to butcher gods across the cosmos.
It took Knull more than one hundred years to recover from his wounds. After his recovery, the primordial god began to use his powers to create the symbiotic parasites that eventually became the Klyntar race of which Venom is a member. It’s not entirely clear how long Gorr was actively killing gods in the MCU but the point of retcons is that it doesn’t really matter. Thor: Love and Thunder‘s Dark Shadow Lord could easily be retconned as Knull and the Shadow Realm and Shadow Monsters Gorr had access to in the movie could easily be tied to Knull’s title as the King in Black and the god of darkness. Truthfully, it would be incredibly foolish of Marvel Studios not to take advantage of the opportunity to make these changes should Knull be part of the plans for the MCU’s Multiverse Saga.
Thanks to one of the film’s stingers, Kit Harrington‘s Dane Whitman seemed to be destined to do…something…after Eternals. Whitman’s destiny as the Black Knight was teased before being interrupted by the offscreen voice of Samuel L. Jackson‘s Nick FuryMahershala Ali‘s Blade. Two years later, Blade still hasn’t even begun production and Harrington‘s MCU future remains dishearteningly undefined. However, Whitman’s Ebony Blade could be the key to unlocking the potential of one of those two characters and possibly even both.
Marvel Studios has made it clear they’re not interested in pulling directly from the pages of Marvel Comics and in this case, that could work in their favor. Whitman’s Ebony Blade has an interesting history that itself was retconned during the King in Black limited comic book series. Its MCU history is completely unknown which means the creatives have been handed a blank slate and could smartly craft something that could allow Harrington to bolster the supporting cast of Spider-Man 4 while making the Ebony Blade an important MacGuffin in the battle against Knull.
While there once was some chance that Harrington might lead a Black Knight solo project that could serve to tell the long history of the Ebony Blade and the cursed knights who wielded it over the years, that’s incredibly unlikely to happen now given Disney’s new marching orders for their major studios. However, tossing Whitman into the mix of Spider-Man: King in Black would allow for a far more condensed version of the story to be told, as happened in the King in Black event series. And while a one-to-one adaptation of that won’t happen, that’s in the best interest of the potential story. For a long time now, Marvel Studios’ plots have always been simpler than those speculated or made up by fans and it could happen again with Whitman’s Ebony Blade. In the comics, the blade was forged from a substance known as Starstone which was created during the Big Bang. A powerful relic from the beginning of time, the Ebony Blade was sought after by Knull during his attempted conquest of Earth. It’s easy enough to imagine Knull, an Eldritch god who himself came to be during the birth of the cosmos, seeking out such a relic as he comes to Earth-616 in Spider-Man 4, giving Whitman a reason to have existed in the MCU in the first place and allowing for the Eternals‘ stinger to have some serious significance rather than being yet another throwaway scene. Ali’s Blade could provide some exposition while also helping fight off Knull’s horde of invaders and most everyone would start feeling quite a bit better about most everything.
Of course, everything you just read is dependent, first and foremost, on the rumors of Knull joining the MCU being accurate. Beyond that, it’s not hard to start to see pathways that would allow for “yet another multiverse” movie to be one of the more exciting films in what remains in the Multiverse Saga while also upping the profile of some of the MCU’s less-than-beloved projects from its first half.
When it premiered on Disney Plus in 2022 Lucasfilm’s Star Wars streaming series, Obi-Wan Kenobi, debuted as the service’s most-watched series opener ever, surpassing even the incredibly popular first season of The Mandaloian. Though viewership declined over the course of the series, the Ewan McGregor-led project was generally well-regarded critically and included some incredible and iconic moments, including a reunion between Obi-Wan and his former Padawan, Darth Vader.
That is not an active development. But I never say never, because there’s always the possibility. That show was so well-received and [director] Deborah Chow did such a spectacular job. Ewan McGregor really wants to do another. Everybody’s all hands on deck with what we’re doing right now, as you can see by what we showed everybody [at the Celebration]. We’ll turn our attention to that again maybe down the road.
-Kathleen Kennedy on a second season of Obi-Wan Kenobi
During an appearance at Los Angeles Comic Con, McGregor revealed to the audience that he and Lucasfilm were “exploring ideas” for a sophomore season of Obi-Wan Kenobi.
Ewan McGregor says they’re "exploring" ideas for Obi-Wan Kenobi Season 2, and he wants to wear the Clone Wars armor and do more flashbacks with Hayden Christensen. The crowd went INSANE. #LACC
Among those ideas is one that will certainly thrill fans of Lucasfilm’s iconic animated series, Star Wars: The Clone Wars: a further reunion with McGregor’s prequel co-star, Hayden Christensen, that would include potential flashbacks to the Obi-Wan and Anakin’s time in the Clone Wars!
I was saying this to someone earlier. That armor! Putting on that armor would be a great joy. Then me and Hayden can really get back together.
While ideas are wonderful, there’s plenty a slip twixt cup and lip. However, McGregor remains one of the studio’s most iconic, beloved and marketable stars and may be one of the only stars of the franchise capable of willing something into being.
In the simplest terms, MCU fans would be best served by forgetting Marvel Studios 2022 SDCC and D23 presentations ever took place. Just over two years later, the studio’s plans for their Multiverse Saga have been turned upside down and inside out. However, after going through an unprecedented rough patch, Marvel has begun to emerge and, it seems, learned and evolved and righted the ship.
As part of the unexpected struggles, many of Marvel’s previously announced and planned projects have been delayed while others face an uncertain future. However, with a new path to the end of the saga outlined, the studio has been able to begin roughing out the supporting pieces that will flesh out the story around the two Avengers centerpieces.
With the studio’s 2025 projects all seemingly moving along as expected, the Parliament has turned its attention to its 2026 slate and it has started to come together quickly. Though nothing has been officially announced by the studio, it’s beginning to look like 2026 will shape up as follows:
Blade (February 13, 2026)
Avengers: Doomsday (May 1, 2026)
Spider-Man 4 (July 24, 2026)
Doctor Strange 3 (November 6, 2026)
To be clear, as of now only Avengers: Doomsday, set to be directed by Anthony and Joe Russo, has been announced by the studio. However, Destin Daniel Cretton recently boarded Spider-Man 4, choosing to direct it rather than a Shang-Chi sequel, and Sam Raimi is reportedly nearing a deal that would see him back at the helm of the Doctor Strange franchise. And yes, even Blade, which has been searching for the proper creative mix for over five years is reportedly still working toward eventually hitting the big screen.
Caveat emptor certainly applies heavily here as the studio has never faced a more uncertain time than now; however, it is clear the powers that be have been working toward putting together a 2026 slate and have made some legitimate progress. And for a studio trying to scale back its output, 2026 is shaping up to be one of its biggest years ever.
According to THR, James Hawes has agreed to direct the first two episodes of Lanterns. Over a career that has spanned three decades, Hawes has directed episodes of sci-fi staple Doctor Who, Penny Dreadful and, most recently, AMC’s Snowpiercer and Apple TV’s Slow Horses.
John Stewart and Hal Jordan are two of DC’s most compelling characters,and Lanterns brings them to life in an original detective story that is a foundational part of the unified DCU we’re launching next summer with Superman.
Described by DC Studios’ co-chair Peter Safran as a “terrestrial-based investigation story” in the vein of HBO’s True Detective, the series will be focused on Green Lantern Corps members Hal Jordan and John Stewart who “find this ancient horror on Earth, and these guys are supercops on “Precinct Earth” which will play “a really big role leading us into the main story” of the studio’s initial shared narrative.
Marvel Studios took a very focused approach to the 2024 summer convention circuit. Rather than present an updated future slate full of projects tied to dates they might never meet, the studio chose instead to focus on the short term, showing off 2025 projects such as Captain America: Brave New World, Thunderbolts*, Fantastic Four: First Steps, Daredevil: Born Again and Ironheart. Sure, the revelation that Robert Downey Jr. was returning to the MCU to play Doctor Doom for a pair of Avengers films was a wonderful surprise and a tease of what’s to come but overall, SDCC and D23 felt very different than prior cons in which the studio let fans peer 3 or 4 years into the future.
The studio’s concentrated efforts on stage reflected changes behind the scenes that had come with the return of Bob Iger to the Disney throne. Following a string of projects that weren’t up to the standards of success expected by Marvel Studios, Iger mandated the studio slow down and seek to get things in order. Indeed each of the 2025 projects shown off at the summer cons was delayed from its original release date and that scale of delay will, of course, create a domino effect. However, despite the delays, the studio seemed intent on staying the course and wrapping up its Multiverse Saga by mid-2027. It’s a confusing calculus but after what amounted to a year’s worth of delays, the studio’s decision to keep the same fixed endpoint meant some projects simply were not going to make the cut and reading between the lines, one of the reasons SDCC and D23 were focused on 2025 was because Marvel Studios hadn’t quite figured out what they were doing next. However, that’s all started to change.
In the past two months, the pieces of a potential 2026 MCU slate have started to fall into place. The studio is still seeking a new director for Blade, perhaps in hopes of having it in theaters in February 2026, ahead of Avengers: Doomsday which is still on track for a May 2026 release. Destin Daniel Cretton paused work on his Shang-Chi sequel to take on directorial duties on Spider-Man 4 which Sony is expected to schedule on July 24, 2026, a date recently abandoned by Marvel Studios. That leaves only one more film in 2026 and while fans have had plenty of ideas about what it might (or should) be, a new report has likely eliminated the need for guesswork and theorizing.
According to Jeff (The In) Sneider, Marvel Studios is seeking to reteam with Doctor Strange in the Multiverse of Madness director Sam Raimi on the as-yet-untitled third installment in the Doctor Strange franchise.
Should the studio close the deal with Raimi for Doctor Strange 3, it would very likely indicate a desire to have the film in theaters on November 6th, 2023, placing it between Avengers: Doomsday and Avengers: Secret Wars which is the studio’s first scheduled 2027 release.
It was a fun challenge, and a little scary. Most of the work was done by [screenwriter] Michael Waldron, who is a really big fan of the Marvel Comics and has friends on the WandaVision writing staff, so we would communicate with each other, the WandaVision team and ours and the Spider Man: No Way Home team, and we would keep abreast of their changes. And even while we were shooting, they were shooting, and we’d be making changes based on changes that they made, because we really wanted this to be the next installment. We really wanted it to be a really good — not sequel, but a very logical next step for the fans.
-Sam Raimi on directing Doctor Strange in the Multiverse of Madness
Three and a half years after Marvel Studios’ first Disney + streaming series, WandaVision, took audiences by storm and led to a weekly deluge of theories and speculation, the studio’s latest series has followed a similar pattern. Through its first four episodes, Agatha All Along has been highly entertaining and despite being plagued by plot leaks, has managed to keep general audiences in its trance and keep them guessing. While the series’ biggest mysteries are yet to be revealed, Agatha All Along has further carved out space in its own corner of the MCU that’s being curated by series creator and WandaVision writer Jac Schaeffer. And it seems as though the studio is more than willing to let Schaeffer continue to work her own brand of magic.
While Agatha All Along is the first project delivered by Schaeffer after signing a three-year overall deal with Marvel Studios and 20th Television it certainly won’t be the last. Already rumored to be developing a Scarlet Witch solo film, Schaeffer is quickly becoming one of the studio’s most valued creators which means she may find herself incredibly busy over the next few years.
Jac is unbelievable. Any chance I get to walk around that woman’s imagination is like a gift. She’s an absolute genius storyteller.
-Brad Winderbaum, head of streaming, television and animation for Marvel Studios.
Though the Scarlet Witch solo project is something Schaeffer is keen to make happen, it’s only a rumor at this point; however, it is worth noting that after developing a Vision-centric WandaVision follow-up series for some time, Schaeffer departed that project, handing it over to Star Trek: Picard Season 3 showrunner, Terry Matalas. It’s worth asking why Schaeffer would leave a project she had begun to develop and the simplest answer is because she needed more time to develop another project. And while the Scarlet Witch film may be that project, a new report by a Marvel Studios insider may provide another option.
According to Daniel RPK, Marvel Studios is developing an Agatha All Along spinoff series that will feature the search for Tommy Maximoff.
While it’s long been believed (and may still be true) that Tommy would have a role in the studio’s VisionQuest series, RPK’s report seems to indicate that this series is quite separate from the upcoming Paul Bettany-led spinoff. To be clear, the insider’s report does not indicate that Schaeffer is working on the project but given how Agatha All Along concludes, it’s very reasonable to assume that is the case.
After undergoing a significant post-production overhaul, Captain America: Brave New World debuted a thrilling trailer that had fans up in arms over Marvel Studios revealing Harrison Ford‘s President Thaddeus Ross as Red Hulk. Believing that the studio let the cat out of the bag too soon by revealing what many believed would be a surprise twist saved for the film’s third act, fans were mildly bewildered by Marvel’s decision. As it turns out, the studio may have another trick up its sleeve.
According to a report by industry insider Daniel RPK, The Walking Dead: Dead City and Ghostbusters: Afterlife and Ghostbusters: Frozen Empire actor Logan Kim has joined the MCU as Amadeus Cho. And while I’m not willing to spoil any plot details, I’ve been able to confirm that Cho will make an appearance (and a very minor one at that) in Captain America: Brave New World.
Introduced in the pages of Marvel Comics in 2005, Cho is one of the Marvel Universe’s smartest characters and was a child prodigy. In his earliest adventures, Cho befriended Hulk and became a sidekick of Hercules’. More recently, Cho absorbed the powers of Hulk from Bruce Banner and became the Totally Awesome Hulk. With ongoing rumors of Captain America: Brave New World potentially setting up a World War Hulks project, the appearance of Cho certainly seems more than a coincidence.
Rumors of a World War Hulk(s) project date back to 2021 when Geeks World Wide first reported that Marvel Studios was developing a project. At one point, it was believed that the studio had regained the rights to distribute a Hulk solo film and that they were ready to begin production on the film in 2022. Obviously, that didn’t happen and MCU star Mark Ruffalo downplayed the notion that such a project was in the works. Though the addition of Cho to the MCU in no way guarantees the studio is finally ready to move on the World War Hulks project, it also feels like it might just push the (green) door open a bit more.
As James Gunn and Peter Safran work to build out their vision of the DCU, the DC Studios’ co-chairs have made it clear that the shared narrative will extend beyond the screen and into multiple other media. Live-action streaming series, animated streaming series and video games will all help create the all-new, all-different canon of the DCU and part of the plan to maintain a sense of continuity is to have one actor play a role across all the different medium. As an example, Frank Grillo will enter the DCU as the voice of Rick Flag Sr. in the animated Creature Commandos and then reprise the role in live-action in Season 2 of Peacemaker.
Television, movies and games all intertwine within the same universe. We’re going to cast actors that are going to be able to play the characters in this, as well as in other things, some of which we’ve already cast.
-James Gunn
According to Gunn, part of the reason that they’ll seek to maintain continuity between the different projects is to ensure that all DC Studios’ projects are in equal ground. “We don’t want the series to feel in any way like step-children or lesser than,” said Gunn in a 2023 interview. It’s an intriguing way to move forward as it may continue to allow, as is the case for Grillo, actors to enter the DCU first with their voice before physically embodying their character.
With that notion in mind, the recently announced animated film, Dynamic Duo, could become the door through which the DCU’s Caped Crusader enters the chat.
Animation will lead into live action and back into animation. It’s a way to tell stories that are gigantic and huge, but without spending, you now, $50 million an episode.
-James Gunn
As part of the initial reveal of DC Studios’ Chapter One: Gods and Monsters, The Brave and the Bold was announced and described by Gunn as “a very strange sort of father-son story.” As one of the first five movies to be announced, it was easy to assume that The Brave and the Bold would make its way to screens sooner rather than later but for a multitude of reasons, that’s not yet come to pass. And that brings us to the newly announced Dynamic Duo.
It’s important to note that as of now, there’s no clarity on whether or not Dynamic Duo will be set within the DCU, only that despite Matt Reeves‘ 6th and Idaho producing the film, it is not set in Reeves‘ Batman Epic Crime Saga. Indeed earlier this year Gunn cautioned that not every DC Studios’ animated project would be set in the DCU and Dynamic Duo may be the first example of that; however, if it is not, then it seems extremely likely that a project which features two Robins would also include Batman. In fact, Reeves pretty clearly indicated it would.
I have wanted to make a film with Arthur and Swaybox for many years, and for that film to be Dynamic Duo, an incredibly special and unique Batman and Robin story for families, is a dream.
With a script by Coco and Lightyear scribe Matthew Aldrich already in the works and a director on board, work could begin on the project at any time which means casting could get underway imminently. When that happens, will Gunn be searching for the voice of (and eventually the face of) the DCU’s Batman? Hopefully, given his social media presence, that question is answered by Gunn before long.
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