The next season of Titans looks quite promising, as the team is leaving Gotham behind and faces a new threat. Many were caught by surprise when they announced that Titus Welliver will take on the role of Lex Luthor in the next season, which opened up many new story possibilities for the HBO Max series. With a release planned for November, the DC TV show used the opportunity to show off and tease what the future has in store for the team at New York Comic-Con. There, they may have given away a little hint at a future appearance with the prop sets being showcased at its booth.
Among the many little teases of what the future has in store for the Titans series. Our very own John Sabato got a chance to visit the booth and noticed a rather interesting little set prop from the upcoming fourth season, the glasses of Clark Kent. So far, the only main Justice League member that made an appearance was Iain Glen taking on the role of Batman. Now, it seems that Clark Kent’s glasses will be sued in the fourth season, which means there’s a chance that Superman could make an appearance.
The inclusion of Superman would make sense given Lex Luthor’s role in this season. Plus, we finally get to spend some time with Connor, who is a clone of him and Lex. We haven’t gotten a chance to explore how he would react to his existence or generally what it means to have another Kryptonian in his life. Lex’s role could also add some tension between these two as Connor tries to find his own place in this world beyond just being a member of the Titans.
Even with HBO Max’s purge of its many animation offerings, it seems that one series remains strong. DC’s quicky and heavily R-rated Harley Quinn got a new season release but also has a spinoff series in some form of development. Now, it seems they have one more special to surprise us with, as HBO Max has announced that they have a new Valentine’s Day Special set for next year’s February.
The special will be titled Harley Quinn: A Very Problematic Valentine’s Day Special and has released the following logline to tease what we can expect from the project.
The special will feature Harley and Ivy celebrating their very first Valentine’s Day together, while also revealing how the rest of the ragtag crew spends the gushiest, mushiest, most romantic day of the year
The third season of Harley Quinn has seen quite a successful run with an early fourth season renewal in August. As many DC projects got scrapped left and right, it’s a showcase of just how popular the R-rated project is. There’s still no word though where the Kite Man-focused project currently stands as we haven’t heard if it survived the HBO Max purge. Given the character’s popularity, it does seem safe to say he’ll likely still be chasing his dreams.
Mindy Kaling has been busy during New York Comic-Con promoting her upcoming HBO Max series, Velma. The darker take on the Scooby-Doo franchise explores the story of Velma Dinkley before she joins Mystery Inc. or even is a thought. While details have been sparse, it looks like we finally got the full cast revealed for the series.
Mindy Kaling takes on the role of Velma while Sam Richardson joins to take on the iconic role of Norville, better known as Shaggy. Glenn Howerton will play the series’ take on Fred with Constance Wu taking on the role of Daphne. They are joined by Frank Welker, Jane Lynch, Russell Peters, Wanda Sykes, Melissa Fumero, Gary Cole, Ken Leung, Stephen Root, Cherry Jones, “Weird Al” Yankovic, Sarayu Blue, Yvonne Orji, Fortune Feimster, Ming-Na Wen, Shay Mitchell, Debby Ryan, Karl-Anthony Towns, and Kulap Vilaysak.
The first time we got a good look at the project was with a still during May’s upfronts, where they first confirmed their take on Velma will be of South Asian descent. The new take will definitely be interesting but it highlights how the franchise continues to be quite popular and open to many different iterations throughout the years. We’ll see if the childhood classic finds its footing as an r-rated project.
One of New York Comic-Con’s most exciting panels is for Velma, a new animated series from executive producer Mindy Kaling and showrunner Charlie Grandy. The former TheOffice breakout, a multifaceted talent in her own right, will voice Velma Dinkley in a reimagining of the character that sees her come from South Asian descent. Velma, who is billed as “the mystery before the Inc.”, will explore the origins of the title character and the rest of the iconic Scooby-Doo gang from an adult-oriented viewpoint. Kaling and Grandy were on hand at NYCC to discuss the series in-depth for the press, and Murphy’s Multiverse was in attendance to make note of it all.
Kaling began the panel by explaining that Velma was chosen as the protagonist because she offered the most unique perspective for storytelling. She also mentioned that she was happy to play the character because Dinkley was always the one she related to the most. Projects like Spider-Man: Into the Spider-Verse and Riverdale were mentioned as inspirations for telling diverse stories about teenagers in the modern world, with a change to adult-oriented comedy giving fans of the franchise a new way of looking at the Scooby-Doo universe. Kaling clarified the series will not be for children and will cover topics like “teenage urges“. Grandy mentioned he wanted to take a look at why a group of kids would commit their lives to hunting criminals and solving murders, which Kaling ensured the press would be actually sort of terrifying.
Finally, the creative team confirmed Velma would take cues from the original 1960s series but would mostly have its own voice. Fans can expect to see origins for Velma’s famous “JINKIES!” catchphrase, and Shaggy’s well-known nickname. He’ll be called by his birth name otherwise. Velma’s relationship with her father will also be a major part of the series, something Kaling was especially excited about. More will be revealed when the cast and crew take the Main Stage later today, but for now, fans can feast their minds on more Velma information than ever before.
It’s awesome to see social media and friends’ reactions of what’s happening in House of theDragon. When an adaptation sticks as closely to the source material as House of the Dragon has, knowing what’s coming is a gift and a curse, especially trying to piece together how the show is going to adapt the book moving forward, and not spoiling stuff for you nerds. Let’s get into it.
Family Reunion
The episode opened in Driftmark, the seat of house Velaryon, where the Targaryens and Velaryons, and most of the King’s court have arrived for Laena Velaryon’s funeral. Very sad, very awkard, especially when Vaemond Velaryon started his funeral speech and monologued on about how they need to keep their blood pure and strong, a direct shot to Rhaenyra’s (possibly illegitimate, who could know!) children, prompting Daemon to chuckle loudly and put the attention on him instead of the kids. Good guy Daemon!
There was a lot of staring and tense conversations in the beginning of this episode, especially with Viserys (looking a hell of a lot better than last episode) trying to reconcile with Daemon and being spurned, Corlys seeing Laenor be drunk as hell waist-deep in the sea and basically screaming to Qarl to go get him, raising everyone’s attention, and ending with Viserys calling Alicent by his first wife’s name, Aemma. Get wrecked Alicent, you idiot.
Aemond and Jace’s brief reunion scene with the two of them standing awkwardly together, with Aemond seeming to try and start a conversation before walking off was of interest.. It’s a good addition, showing that the kids are being forced to hate each other by their parents, and their reluctance to do so.
Vhagar
Aemond has been pining for a dragon for a while now and refuses to wait any longer, especially with the largest dragon in Westeros there for the taking. The first ride looked like Aemond was trying to hang onto a 747 as it climbed higher and higher. Tom Cruise is probably asking for a dragon to ride for the next Mission: Impossible movie after seeing this episode.
Vhagar’s roars and flight wake up a number of people in Driftmark, specifically Rhaena and Baela, who in turn wake up Jace and Luke to confront who was riding the girls’ mother’s dragon. They meet Aemond in a tunnel coming from the beach and it’s pretty clear that a little power in the form of a flying nuclear weapon has gone straight to Aemond’s head. The four Velaryons start arguing in protest that Aemond stole Vhagar, starting a brawl that ends with everyone beating the hell out of everyone. It ends quickly after Aemond gets Luke by the throat with one hand, and a rock in his other ready to come down on Luke’s face. As he starts gloating and calling Jace and Luke bastards, Luke gets his hands on a knife it and slices Aemond, taking out his left eye. The Lore clearly states his right eye was taken out, so this episode is sadly a 1/10 on book accuracy.
Most importantly, the largest living dragon switched sides from the Blacks to the Greens, as pointed out by Otto Hightower. The results of this trade might become real sooner than you think.
Greens and Blacks
The brawl between the children brought both families together, screaming at each other, with the King trying to make amends. Viserys trying to patch things together and seeing everything slip out of his fingers is becoming a bit of a bad habit.
Jabs were tossed back and forth between Alicent and Rhaenyra, but the biggest was the allegation of who Jace and Luke’s father is. Aemond, being the little brother quickly blamed Aegon, who declared to the entire room that “Everyone knows. Just look at them.” Viserys quickly denounced these claims and put into law that anyone who is spreading these vile rumors will have their tongues out.
As the King went off to bed, Alicent went a little nuts and called for Criston Cole to bring her an eye from one of the boys. Smart guy Cole pointed out he’s sworn to protect her, not to maim children for her. Rageful, Alicent being the genius she is, decided to snatch Chekov’s dagger from Viserys and do it herself! Stopped by Rhanenyra, the two have a bit of word play that ended with Alicent slicing Rhaenyra’s arm, showing everyone in the room that she is a grade A psycho. Also, this is first blood to be spilled in the Dance, and it happens to be Aegon the Conqueror’s knife with the Targaryen prophecy forged into it.
This entire scene seems like a direct parallel to Season 1 of Thrones, where Joffrey is attacked by Arya’s direwolf. It ended with Robert succumbing to Cersei and ordering Ned to kill Sansa’s direwolf. Viserys however puts a stop to it. A stronger man than Bobby B.
After the showdown, Rhaenyra came to the conclusion that she needs strength from her husband, something she doesn’t currently have. But would with Daemon. They had a quick little romp on the beach for old times’ sake, and then they started their scheming. Daemon, in his henchman cloak, tossed some 30 pieces of silver to Qarl for the service of killing Laenor and escaping to Essos. And they did have a bit of a duel within Driftmark, where after Corlys and company find a burned body and mourned for Laenor…butour guy is revealed to have lived, those silver dreads shaved right off! Rhaenyra and Daemon are good guys!
Things to Come and Critiques
Helaena’s Dragon Dreams keep coming up, but what is it she’s prophesizing? Her prophecy from the previous episode paid off as she noted that Aemond would have to close one eye, which he happened to lose, in order to get a dragon. This episode she’s quoted as saying “Hand Turns Loom” (Could be literal, as Otto the hand has been creating a rift and seeds of war, spinning the loom) “Spool of Green, Spool of Black” (Back to the Loom. Green is Hightower, Black is Targaryen), and “Dragons flesh, Weaving dragons of thread” (More Loom! Targaryens creating war banners).
The show is leaning heavily into showing that the Blacks are the right side to cheer on, which is something that is a bit of a disappointment when it’s so clear that everyone on both sides sucks.
Laenor surviving and leaving his family seems a bit hypocritical. Earlier in the episode, he doubled down on his commitment to Rhaenyra; suddenly, he’s fine with leaving everyone, including his dragon Seasmoke? Throughout the books, the bond of a dragon and rider is for life. How is Seasmoke going to bond with a new rider when Laenor is still alive?
It seems as thought Episode 8 might see another time jump, aging the kids up for the Dance. The 9th episode of almost every Season of Thrones was where the shocking spectacles took place. Ned’s death, The Battle of the Blackwater, the Red Wedding, the Battle on the Wall, Dany and Drogon in the fighting pit, and the Battle of the Bastards were all EPISODE 9 events. Episode 8 is the deep breath before the plunge, and so far, there are no signs that House of the Dragon will be doing things differently.
“There are decades where nothing happens; and there are weeks where decades happen” – Lenin – ME
HBO Max has set Emily Watson (Chernobyl) and Shirley Henderson (Bridget Jones’s Baby) to lead its Dune series, Dune: The Sisterhood. The news was revealed by the streamer on Tuesday afternoon. Watson and Henderson will portray the formidable Harkonnen sisters, Valya Harkonnen and Tula Harkonnen, respectively. The Harkonnen sisters are part of the Sisterhood, a secret organization of women who will eventually go on to become the Bene Gesserit.
Like the film by Denis Villeneuve, Dune: The Sisterhood is inspired by the books by FrankHerbert. The Sisterhood takes place 10,000 years before the ascension of Paul Atreides and focuses on the Harkonnen sisters as they “combat forces that threaten the future of humankind, and establish the fabled sect known as the Bene Gesserit.”
Along with starring in Chernobyl, Watson has starred in the Little Women TV mini-series, Punch-Drunk Love, and Tim Burton‘s Corpse Bride. As for Henderson, along with starring in the Bridget Jones films, Henderson has appeared in Happy Valley, Marie Antoinette and Harry Potter and the Goblet of Fire – she also voiced Babu Frik in Star Wars: Episode IX – The Rise of Skywalker.
Diane Ademu-John (The Haunting of Bly Manor) serves as the creator, writer, co-showrunner and executive producer on the project. She’ll work with Alison Schapker (Lost) who also serves as co-showrunner and executive producer. Johan Renck (Chernobyl) is set to direct the pilot episode and will also serve as an executive producer. Denis Villeneuve (Dune) is also executive producing with Jon Spaihts, Scott Z. Burns, Matthew King, John Cameron, Cait Collins and author Brian Herbert.
HBO’s hit series House of the Dragon returned this week to remind everyone that, in it’s heart of hearts, it’s really just a big budget soap opera. The episode begins with a funeral and ends with a wedding, both of which are lined with the messiest of family drama one could possibly imagine. Nanna Blondell‘s Lady Laena Velaryon has recently died by self-inflicted dragon immolation, a real thing, and now everyone from both sides of the Velaryon-Targaryon family tree must unite at Driftmark to say their goodbyes. Unfortunately, neither of these bloodlines can ever maintain niceties, and the gathering quickly devolves into drunken shenanigans and children beating the life out of each other in the middle of the night. Normal, typical reunion stuff.
Emma D’Arcy‘s Princess Rhaenyra Targaryan clings to what she has, ultimately wedding her Uncle Daemon (played by Matt Smith) after faking the death of her husband Ser Laenor (played by John Macmillan). The Queen Regent, Olivia Cooke‘s Alicent Hightower, can’t handle the situation and tries to cut a person’s eye out after her own son is attacked, but everything turns out alright when young Aemond (played by Ewan Mitchell) bonds with a dragon well beyond his own years. It’s quite a bit to pick through, but here at Murphy’s Multiverse, that’s never been a problem. So, without further ado, here are the best and worst moments from this week’s episode – Driftmark.
BEST – The Funeral
There’s a lot of good in Driftmark. In fact, it was actually kind of difficult to select a specific part of the episode as the very best it had to offer. However, one would be remiss if they didn’t single out the opening funeral sequence as the epitome of what the entire series has been over the last several weeks. It’s one of those rare television moments when every major player left on the board is in one place at the same time, and they all act exactly the way viewers would hope. Tom Glynn-Carney‘s Prince Aegon immediately gets drunk, Laenor stands forlorn in the water, Daemon laughs at the most inappropriate time, Rhaenyra and Alicent are at each other’s necks, Harry Collett‘s Prince Jacaerys is thinking about his illegitimate father, Paddy Considine‘s King Viserys goes to bed way too early, and Matthew Needham‘s Lord Larys Strong stares unabashedly at the Queen for far too long. It’s a chaotic masterpiece.
Every minute of the funeral that passes is more entertaining than the last. It’s the show at its very best, with high-stakes politics and poor familial relations clashing to create the kind of drama tornado fans and critics both live for. The rest of Driftmark is also incredibly well-done, but the first chunk sets the tone so beautifully it simply must be recognized. More of this in the future, please.
WORST – It’s Still The Incest
Truthfully, it’s insane how many times this website has had to state that incest is bad. True to its source material, it seems House of the Dragon will continue to double down on incestual romance for the long haul. While it might have been more fun if the series kept examining the false marriage between Rhaenyra and Laenor, it will instead pivot to showing a lot of an uncle making love to his niece in a super uncomfortable manner. Strap in, because it appears this whole family-that-hates-each-other-but-also-really-loves-each-other vibe is part of the show’s package deal. With any luck, the creatives will at least include less graphic visuals in the last few episodes of the season. Until then, viewers can only hope Rhaenyra one day sees the light and moves on to another Ser Harwin Strong.
Finally! The time jump I’ve been promising you all has come. It’s been 10 years since we last saw Rhaenyra, Viserys, Alicent, and company, and they’ve been busy in the meantime. Let’s get into it.
Rhaenyra and Alicent’s Children
Another promise delivered! The opening scene is Rhaenyra giving birth to her third son, Joffrey, named after Laenor’s old boyfriend who got rendered to a pink mist last episode by Criston Cole. Her other two sons, Jacaerys and Lucerys, are also shown in this episode. They look vastly different from Alicent’s children, in part that they lack the Targaryen silver-platinum hair. Instead, they have darker hair, and look quite similar to someone who has only been in the background of the first 5 episodes-Harwin Strong, who is their real father. It seems like this is a pretty open secret, as Criston Cole goads Harwin into attacking him after setting the older Aegon on Jacaerys in the practice yard, and very obviously not training Rhaenyra’s boys with nearly the same enthusiasm as he is Alicent’s. If people did not have suspicions about the Crown Prince’s lineage, there are certainly questions now. This forces Rhaenyra to send Harwin away, back to his family seat of Harrenhal with his father, who resigns as Hand. Sadly we only got one episode of Harwin being a major character, as the castle was torched and both he and his father perished in the flames, all orchestrated by the other son, Larys the Clubfoot. The Curse of Harrenhal and all of that.
Another interesting dynamic in this episode is that Aegon is relatively friendly with Jace and Luke, and even pulls a prank on Aemond (who everyone hates) with the two boys, promising Aemond that they have a dragon for him and bringing out a pig. Aemond is desperate to have a dragon, whining to Alicent that the boys are picking on him. That’s when we see Alicent’s third child, a daughter by the name of Helaena. Helaena appears to have what Targaryens call “Dragon Dreams,” which are prophetic visions. Pay attention to her words during Aemond and Alicent’s conversation. Later, Aegon was confronted by Alicent about the prank, and he’s pretty quick to throw Jace and Luke under the bus, knowing that Alicent will believe him without hesitation. Alicent warns Aegon that if Rhaenyra comes into power, Aegon would not live. He must be ready to take the crown, by force if necessary, which leads us to the surrounding drama in the King’s Court.
Drama in King’s Landing
From the opening sequence, we can see that the rivalry between Rhaenyra and Alicent has grown exponentially. Alicent demanding that Joffrey immediately be taken to her after the birth is a pure power move, and Rhaenyra deciding to take Joffrey herself is an answer back that she won’t be bullied. Alicent can’t help but make a remark to Laenor to keep trying, maybe one of these children will look like him. She’s both alerting Rhaenyra that she knows her secret, as well as she is hoping to get a reaction for the King to see. Speaking of which…
King Viserys Targaryen I, also known as the Westerosi Rickety Cricket, is in rough shape these days. His left arm is gone, hair is falling out, teeth look grotesque, and he’s getting wheeled around everywhere. Iron Throne wounds are not to be taken lightly it seems, and this decade has been hard on him. This does not stop him from being elated for a new grandchild, as well as watching his sons and grandsons practicing in the courtyard. He’s hoping that if they all grow up and play together, this will make them closer. I wish you were right, Viserys.
The most important scene in this episode was the small council meeting. There are various concerns, notably a Bracken and Blackwood conflict (remember the boy proposing to Rhaenyra and got laughed out? The boy was a Blackwood, the man he killed was a Bracken. LORE), and the Stepstones are being taken over again. Alicent brushes these off, and in turn the king does as well, but Rhaenyra raises objections, again highlighting their rift and different leadership styles. After this, Rhaenyra proposes to Alicent that Jace and Helaena be betrothed, combining the two houses. While it does seem like a very good match, it would all but eliminate Aegon’s claim. It seems like everyone but Viserys sees this, who is blissfully ignorant in his grandsons’ parentage. Even if he knows, he does not care. They are his daughter’s children, and she is a Targaryen. What’s the problem?
After the refusal, Rhaenyra decides to wash herself of King’s Landing and go back to Dragonstone, leaving her father in Alicent’s clutches.
Daemon and Laena
Everyone in this episode seems to have aged up except Daemon, who will live at this age forever it seems. Daemon and Laena Velaryon have wed, had two daughters, and another is on the way! They’re chilling in Pentos across the Narrow Sea, and Daemon is happy to play bodyguard for the host they’re staying with. It seems like Daemon has turned a page, going from a warrior to a dutiful husband and father. Sure does spend a lot of time in the library, though. Wonder what he’s trying to find about the old dragon riders of Valyria.
Unfortunately, this all came to a full stop. Laena talked about her wanting to go back to Westeros, to not die old and fat but as a dragon rider. She received her wish maybe a little earlier than expected. While in labor with her child, she was unable to push the baby out, and as both the maester and Daemon start speaking of a c-section, the same operation that killed Viserys’s first wife in the opening episode of the season, Laena escapes out and to her dragon, Vhagar, demanding that it burn her alive to end her suffering. Metal as hell.
Thoughts Moving Forward – Spoilers
I wouldn’t expect any more time jumps this season, though I would expect that Viserys will die in the next couple of episodes, acting as the catalyst for the Dance of Dragons. Helaena having dragon dreams is an awesome addition, specifically muttering that “He’ll have to close an eye”, and “The last ring has no legs at all. He has eyes, but cannot see.” The first quote can apply to multiple characters in the full Westeros timeline, but the second is a little more specific. Who is the last king in Westeros? He wouldn’t happen to not be able to use his legs, right?
Alicent presentation as an outright villain is problematic. She has very real concerns about Rhaenyra, and about her ability to be a monarch, and she’s been fed lies from her father to fear for her children’s safety. One of the best parts of this story is that there are no good sides, and each will do horrific things to the other. I really, really hope that they don’t try to influence the audience to choose Rhaenyra OR Alicent’s side.
One last fun fact. Every single Targaryen that has been named king or queen and sat the Iron Throne (Until Robert Baratheon. LORE) had silver-platinum hair. Something to ponder.
House of the Dragon is back, and this time, people are older. The show traversed a full ten years in only one week’s time, replacing the incomparable Milly Alcock and Emily Carey with the equally-as-impressive Emma D’Arcy and Olivia Cooke. Despite a full decade’s worth of potential character development, it would seem not much has changed when the series’ sixth episode, The Princess and the Queen, starts ticking. Princess Rhaenyra is now the mother of three children, fathered by someone who is definitely not her husband, and nobody seems to think their lack of white hair is suspicious. Nobody, that is, except for Queen Alicent Hightower and her entourage of sketchy male cohorts. Tensions start to rise as Alicent and Rhaenyra challenge each other in King’s Landing, and secrets about the latter’s romantic history begin to resurface.
Meanwhile, Matt Smith‘s Prince Daemon Targaryan learns that married life might not be all that he’d hoped it would be, and Paddy Considine‘s King Viserys Targaryan learns that living ten years past ones expiration date might not be as comfortable as he’d imagined. From there, in classic Game of Thrones tradition, everything starts going downhill – or, more accurately, up in flames. After all, this is the House of the Dragon. Join Murphy’s Multiverse as we dig into both the best and the worst The Princess and the Queen had to offer.
BEST – The Birth of Joffrey Velaryon
The Princess and the Queen opened with the first of two birthing scenes present in the episode. Viewers are introduced to an adult Rhaenyra while she’s in the midst of delivering her third child, whom her husband eventually names Joffrey Velaryon after his deceased lover. It’s a messy scenario, but it’s an incredibly effective way to demonstrate just how headstrong the Princess has become in the years since fans last saw her. Immediately after giving birth, Rhaenyra receives word that the Queen would like to see her old friend’s newest son. Knowing this is likely some sort of power move, the King’s heir decides to walk Joffrey to the Queen herself, in spite of the fact she had only just pushed out the afterbirth.
The move is perhaps one of the single coolest things any Westerosi character has ever done. This goes without saying, but as one learns in biology class, birthing a human is not an easy task. Standing up from said task, coated in sweat and bleeding, and trucking it directly to face a personal rival is the epitome of a power move, one-upping Alicent tenfold. Not only was the sequence great for the story, but the camera work was excellent as well. The first several minutes of the episode was some of the best shot footage the franchise has seen, and one can only hope it’s a sign of what’s to come in the final few entries of the season.
WORST – Prince Aegon II Targaryan
Folks, there’s a new Joffrey Baratheon in town. Previously only seen as a newborn baby, Tom Glynn-Carney‘s Prince Aegon II Targaryan is shown as a full-blown young adult in The Princess and the Queen. As it turns out, he’s simply the worst. From the moment he makes his onscreen debut, he’s actively working to make the lives of much more likable characters miserable. He starts with a pig-themed dragon prank on his younger cousin, moves on to – *ahem* – revealing himself to the entire kingdom, and eventually plays fairly dirty in a sparring session with the same aforementioned family member. If the history of this franchise has taught viewers anything, it’s that this behavior will get worse before it gets better. In fact, it probably won’t get better. It will just keep getting worse and then Aegon will die or he won’t. Hopefully, and this feels weird to say about a minor, the show lands on the first option. (It won’t.)
Following the announcement of Jodie Foster and Kali Reis leading the fourth season of True Detective, HBO has begun filling out the ensemble for the series. John Hawes, Christopher Eccleston, Fiona Shaw, Finn Bennett, and Anna Lambe are all set to take part in the hit premium series.
The fourth season has the official title of True Detective: Night Country. The season is said to follow Detectives Liz Danvers (played by Foster) and Evangeline Navarro (played by Reis) as they investigate the mysterious disappearance of six research station workers without a trace. Night Country promises a deep dive into the dark mysteries of both eternally icy Alaskan wilderness and the personal struggles of the protagonists. Below is a description of each of the newly revealed ensemble members for the season.
John Hawes is playing Hank Prior, a police officer with both a quiet demeanor and troubled history.
Christopher Eccleston is playing Ted Corsaro, the regional Chief of Police that has professional history with Liz Danvers (Jodie Foster’s character).
Fiona Shaw plays Rose Aguoineau, a mysterious survivalist living in the region.
Finn Bennett is set to play Peter Prior, the protege and apprentice working under Liz Danvers.
Anna Lambe is playing Kayla Malee, a regional nurse who appears overprotective with her family from strangers.
True Detective: Night Country is currently in the pre-production phase. With that in mind, it wouldn’t be out of the realm of possibility to believe the new season will be released on HBO and HBO Max by late 2023 to early 2024.
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