Tag: Hulu

  • REVIEW: ‘Shoresy’ is Even Better Than ‘Letterkenny’

    REVIEW: ‘Shoresy’ is Even Better Than ‘Letterkenny’

    Every so often, a show comes seemingly out of nowhere and takes the world – and internet – by storm. Hulu’s Letterkenny is that series. The series spun out of a YouTube video by series star/creator Jared Keeso and was initially titled Letterkenny Problems. Since being ordered to series, there have been ten seasons of Letterkenny. It’s a simple concept that excels in great character development and storytelling. Which is why it is unsurprising then that Hulu and CraveTV opted to crate a spinoff focusing on the fan-favorite, wise-cracking, and often inappropriate hockey player that loves to give Riley and Jonesy a hard time. Shoresy has a lot to live up to and yet it succeeds with flying colors.

    With a single episode, Shoresy proves Keeso isn’t a one-hit-wonder. After the blazing success of Letterkenny, a series that seemed to garner attention almost overnight, it’s no wonder why Hulu and Crave TV ordered the spinoff. Shoresy recaptures that magic from the first season of Letterkenny with such ease. In fact, while Letterkenny might’ve spent time on trying to get Wayne to fight again, Shoresy spends time trying to make the character more than a fighting asshole.

    Those expecting Shoresy to talk about banging everyone’s moms will be delightfully surprised to learn the character is given room to be more than the naked handstand guy who thrives on torturing others. Yes, he’s still frustrating. And yes, his trademark “give your balls a tug” line is still very much there. But there’s also a heck of a lot more to the show. In fact, there are moments in which Shoresy feels like a more defined series than its predecessor. Unlike the original series, Shoresy doesn’t need to take time to establish itself – the series knows what it wants to be and delivers on its intent from the very beginning.

    One of the things that makes the series all the more enjoyable is seeing how Keeso successfully navigates the character. Playing two characters that exist within the same universe can be a bit difficult; it’s also probably why Shoresy’s face is hidden in Letterkenny throughout his appearances. Trying to make viewers understand these are two very different characters despite Keeso playing both roles can be a hard sell. And yet, Keeso does such a great job at changing up his mannerisms and speech to ensure Wayne and Shoresy are not one in the same. It’s a pretty difficult task, given the characters do share a fair amount of character traits, but Keeso manages to do so with ease.

    More impressively, though, the supporting cast manages to shine just as much as Keeso. When the series focuses solely on hockey players, it is vital that the show makes it a point to make the characters feel like a proper team. The sense of comradery needs to be felt by the audience. Sure, the other players don’t get as many lines as Shoresy, but the supporting cast is a delight and they do get in on the action. Unfortunately, those looking for Letterkenny actors to pop-up, don’t expect too many. There are a few that do appear – J.J. Frankie is one of them as he’s on Shoresy’s new team. However, there is a nice little surprise for fans of a certain chaotic Glen. (No, he’s not there as Glen, but the always great Jacob Tierney does make an appearance.)

    On one hand, it seems wrong to compare Shoresy to Letterkenny. Yes, they are within the same universe, and yes, Keeso created both series. But they are incredibly different. There’s no denying Letterkenny is great – there’s a reason millions around the world have taken to the series – but Shoresy feels like an upgrade to an already great world.

    The series is being billed as a limited series, however, by the end of episode six, it is clear that Shoresy isn’t over just yet. With most shows that bill themselves as a limited series, an open-ended ending could be frustrating. That isn’t the case with Shoresy, though, because by the end of the season there’s such a rich amount of character development that it becomes difficult to part with these characters. For leading man Keeso, balancing two hits shows could prove troublesome, but one thing is for certain: Keeso knows how to deliver a smart television series and Shoresy is proof that he’s one of the best talents on the small screen these days.

  • Hulu Developing an Adaptation of ‘A Calculated Man’

    Hulu Developing an Adaptation of ‘A Calculated Man’

    The news comes courtesy of Deadline with the outlet revealing the streaming service has put the AfterShock comic into early development. A Calculated Man is a crime story from Paul Tobin (Bunny Mask) and artist Alberto Albuquerque (The Amazing Spider-Man). It follows Jack Beans, an accountant that finds himself living in witness protection after betraying his former employers – the Pinafore crime family. Growing tired of his life in witness protection, Jack tries to reclaim his old life in a story that promises murder, mayhem and mathematics.

    Peter Calloway, who is a co-executive producer on the series, will serve as showrunner. He previously worked on Freeform’s Cloak & Dagger based on the Marvel Comics characters as well as FX’s Legion adaptation. Calloway will also write on the project. He also has a relationship with AfterShock Media having previously worked with them on the title Shadow Doctor.

    It’s not often that a story grabs you by the throat and heart at the same time. A Calculated Man did just that. The moment I read Paul and Alberto’s beautifully bonkers book, I was excited to bring it to the screen. Doing it at Hulu — with their commitment to unflinching, unique stories — is a dream come true.

    Peter Calloway

    A Calculated Man’s first issue will debut on June 15th. The project is still in the very early stages of development at Hulu.

    Source: Deadline

  • ‘League of Extraordinary Gentlemen’ To Be Adapted By Hulu as a Film

    ‘League of Extraordinary Gentlemen’ To Be Adapted By Hulu as a Film

    Mortal men are, once more, attempting the unthinkable by adapting an Alan Moore project into a live-action feature. This time, it’s a reboot of the League of Extraordinary Gentlemen, the film that not only made Moore swear off from ever signing off on adaptations of his work but also the film that ended Sean Connery‘s esteemed career. The unfortunate mortal tasked with helming this project is Justin Haythe, who penned the acclaimed film Revolutionary Road several years back. Hulu is the studio behind this reboot and the plan is for it to be a feature instead of a series.

    For the uninitiated, the League of Extraordinary Gentlemen is a pulp comic that sees literature’s most famous characters get together to fight global conspiracies. The 2003 film barely resembled Moore and artist Kevin O’Neill’s wildly complex world and it’s a tall order for this feature to live up to the comic. As faithful as Zack Snyder‘s adaptation of Watchmen was, even that film failed to capture the nuances and thematics of Moore’s writing. The least this film can do is not be as bad as the 2003 version.

    Source: THR

  • Hulu Cancels ’M.O.D.O.K.’ After One Season

    Hulu Cancels ’M.O.D.O.K.’ After One Season

    In unsurprising news, Hulu has opted not to bring M.O.D.O.K.back for another season.

    The news comes courtesy of Variety, with the outlet revealing that the stop-motion animation series has officially been canceled. The series was meant to be part of a series of Marvel animated shows on the streaming series consisting of M.O.D.O.K.Hit MonkeyTigra and Dazzler, and Howard the Duck. The plan was for these shows to then crossover in an event series titled The Offenders. However, after Marvel Television ended, with Marvel Studios taking over projects on the small screen, those plans were scrapped.

    The 10-episode series focused on M.O.D.O.K. and his pursuit to try and one day conquer the world. However, after years of setbacks and failures, M.O.D.O.K. managed to run A.I.M. into the ground. He was forced to deal with being ousted from A.I.M., while also trying to fix his crumbling marriage and family life. 

    M.O.D.O.K.’s cast consisted of Patton OswaltMelissa FumeroAimee GarciaWendi McLendon-CoveyBen SchwartzBeck Bennett, Jon Daly and Sam Richardson.Oswalt and Jordan Blum created the series and also served as executive producers on the series. The series was also produced by Jeph LoebBrett CawleyRobert MaitiaGrant GishJoe Quesada, and Karim Zreik.

    While M.O.D.O.K. has been confirmed to be canceled, Hit Monkey has not been confirmed to be canceled. However, it is expected that series will also not be coming back for a second outing. An official announcement should be coming soon.

    Source: Variety.

  • REVIEW: ‘Crush’ on Hulu is a Delightful Young Adult Film

    REVIEW: ‘Crush’ on Hulu is a Delightful Young Adult Film

    Every so often, there comes a young adult film that leaves its mark as a delightful coming-of-age story. We’ve seen this with Pretty in Pink and most recently Netflix’s To All the Boys I’ve Loved Before. It’s usually because they contain a certain level of authenticity to them; they manage to be heartfelt while maintaining a raw level of honesty. Crush is one of those films.

    Like Love, Simon before it, Crush is a long overdue young adult dramedy that tells the story of Paige, a socially awkward artist, forced to join her high school’s track team to avoid suspension. If it sounds ridiculous, that’s because the concept is ridiculous, and yet it works. Crush manages to be charming, funny, heartbreaking, and honest. The best thing about Crush is that it feels like a film that’ll find a long life for movie fans because it is the type of film young audiences have needed.

    Rowan Blanchard and Auli’i Cravalho, who are both members of the LGBTQ+ community, star in this delightful rom-com as Paige and AJ, respectively. Paige is an out and proud lesbian, while AJ is the mysterious bisexual twin sister of Gabby, Paige’s longtime crush. They’ve barely interacted, but soon find themselves thrown together to train, with AJ being instructed to ready Paige for track. What ensues is a chaotic story about first loves and heartache. Both actors are great in their roles, especially Blanchard, who gives it her all as the socially awkward Paige, but they shine most when they share the screen together.

    And while the young cast steals the film, it’s hard not to highlight the performances of Megan Mullally, Aasif Mandvi, and Michelle Buteau. The always fantastic Mullally plays an incredibly supportive mother to Blanchard’s Paige. She’s a woman who believes sex positivity is important to teach and has always accepted her daughter for who she is – although sometimes she can be a bit too supportive. While Mandvi is the track coach, who nearly regrets putting Paige on the team until he meets her mom. Every interaction between Mullally and Mandvi is absurdly wonderful, but the best adult performance belongs to Buteau. She has limited screen time, but Buteau delivers some of the best lines throughout the film.

    Is Crush awards worthy? No, not at all. Does it deserve its spot at the table with films like Pretty in Pink and Love, Simon? Absolutely. Crush is a darling young adult film that pulls at the heartstrings for all the right reasons.

    If you need another reason to give Crush a chance: Natasha Lyonne, who starred in the classic But I’m a Cheerleader and currently stars in Netflix’s Russian Doll, is one of the producers on this film.

  • ‘Love, Victor’ Heading to Disney+ After All

    ‘Love, Victor’ Heading to Disney+ After All

    Disney+ is backtracking on Love, Victor, and will now stream the series starting with its upcoming third season. The service was originally set as the home of the LGBTQ romantic comedy when it was debuting in 2020 but found itself pushed to Hulu after Disney executives decided its exploration of teen sexuality and alcohol use weren’t the right fit for their brand.

    Now, shortly after the company has begun to make a stand against Florida’s “Don’t Say Gay” law, they will be bringing the queer love story back to their domain. The change will happen concurrently with the release of the show’s third and final season on June 15. Hulu President Joe Earley had the following to say regarding the announcement:

    We are proud of ‘Love, Victor’ and are excited to bring it to the widest possible audience on June 15 by making the full series available on both Disney+ and Hulu to celebrate the final season and LGBTQIA+ Pride Month. In addition to highlighting this groundbreaking series, this will give subscribers a chance to sample more content that is available across our streaming services as we have done with titles like the Academy Award-winning ‘Summer of Soul (…Or, When the Revolution Could Not Be Televised),’ ‘Man in the Arena: Tom Brady’ and ‘black-ish.’

    Joe Early

    The series is based on the hit film Love, Simon. It focuses on Victor, played by Michael Cimino, a new student at Creekwood High School juggling home life and questions about his sexual orientation. Nick Robinson, who played the titular character in the original movie, serves as a producer and the show’s narrator. Thus far, Love, Victor has been acclaimed by fans and critics alike, earning multiple GLAAD Media Awards and becoming the most-watched drama on Hulu during the week of its premiere. Hopefully, audiences are also able to enjoy the final season, on whichever streaming service they like.

    Source: Variety

  • 20th Century Studios’ ‘The Princess’ Heading to Disney’s Streaming Services in July

    20th Century Studios’ ‘The Princess’ Heading to Disney’s Streaming Services in July

    It looks like Disney is continuing to build its 20th Century brand as a way to produce films and offerings for their streaming services. It has been announced that The Princess will premiere globally on July 1st. It’ll be made available under the Star banner in specific locations, its US release will be through Hulu and Star+ in Latin America. Le-Van Kiet of Furie fame is in the directing chair with The Kissing Booth‘s Joey King taking on the titular role.

    The story focuses on a strong-willed princess that does not want to be forcefully married to a sociopath. Yet, as retaliation, her father locks her up in a remote tower of his castle. As you might expect, her suitor has his own plans to take the throne and she’s forced to protect her family and the kingdom. King is joined by Dominic Cooper, Olga Kurylenko, and Veronica Ngo. Kiet is working off of a script from Ben Lustig and Jake Thornton with Neal H. Moritz, Toby Jaffe, and Derek Kolstad in the producing chair.

    It’s another 20th Century production that ended up as part of their streaming service repertoire, similar to No Exit recently. With the cinemas being filled with mostly well-known IPs, it’s unclear if this will be Disney’s overall strategy moving forward or if they’ll also give these smaller productions a chance in theaters. It would be a shame that after purchasing 20th Century Fox that most of their originals end up only as streaming services.

  • REVIEW: ‘Deep Water’ Shows Its Hand Too Early

    REVIEW: ‘Deep Water’ Shows Its Hand Too Early

    There was quite some excitement to see the return of director Adrian Lyne, who hasn’t made a film since 2002’s Unfaithful. His psychological thriller Deep Water explores the story of a married couple that has fallen out of love, but their mind games might have deadly consequences. With a star-studded cast including Ben Affleck, Ana de Armas, Tracy Letts, Lil Rel Howery, and more, it seemed like the perfect blend with the promise of a suspenseful erotic thriller. Yet, the film underdelivers on both sides by showing his hand too early and taking away any suspense that could’ve been built throughout the film’s nearly two-hour runtime.

    The premise promises that this Hulu original film would explore a tug-of-war between a couple that is pushing each other to extremes. Ben Affleck and Ana de Armas do play their parts well when it comes to this romance that has lost its spark–ironic given they were dating for some time. Most of the movie’s conflict is carried by Armas‘ Melinda Van Allen, who pretty openly cheats on him; something that is put into the spotlight very early on in the film and was highlighted in the trailers. She consistently pushes him to the edge throughout that leads to some dangerous consequences. Sadly, her character feels maliciously one-note, even if there are shining moments where you get a better grasp of why their relationship is the way it is.

    Deep Water review – erotic thriller loves Ben Affleck's slack-jawed look |  Movies | The Guardian

    The only issue is that it’s not as interesting as the film tries to play it. We don’t really get a moment with Affleck‘s Vic to really understand what he sees in his wife. He’s a typical “I love her no matter what” type of guy, but there’s never really a moment that sells you on it. Plus, it drags Armas‘ character down an extra notch because she’s always portrayed as the bad one just pushing him. It’s there to make his character look good, but the film reveals way too much that it doesn’t really convince you that he’s a good guy. They want you to sympathize with him, but then they kind of just have him stare a lot and not even hide aspects of his character that should’ve been built up and kept a secret until much later in the film.

    What adds to that issue is that there’s no redeeming factor or even a playful evil to balance it out. Armas‘ character is built up without a goal in mind. All she does is provoke him but you’re never sure what she’s getting out of it, especially given the film’s overall direction. It creates a disconnect between the story and the character’s development. Actually, it’s better described as character whiplash, because some scenes don’t flow as well as they should. Melinda suffers the most because she never is consistent with her actions. After an emotional moment, she just boomerangs back to default and there’s nothing later on to add any real tension.

    Deep Water (2022) | MUBI

    As I am writing this I realize that the only character with an arc is Tracy Letts‘ Lionel Washington, who barely has a role in the story. Even the rest of the cast is just there to spout exposition or react to whatever is happening. Lil Rel Howery gets one or two funny scenes, but the rest of the cast or mostly forgettable. In a way, it makes you wonder why they had such an extensive cast of characters to begin it if none of them factor into the story in any way. It’s a shame to just use them as window dressing, especially because the film undermines their mission to make characters look better than they are if only the film didn’t flat out tell you. They don’t factor into the story, they’re distractions at best.

    That’s kind of the core issue though, there’s no real suspense because everything is pretty obviously laid out. When a major turning point in the story happens, it’s not shocking nor is it leaving a lasting impression because the film doesn’t let it stick with you long enough to make it suspenseful A lot of this film was eerily similar to Gone Girl for me. The only thing that was missing would be the media subplot and it’s a more one-sided take on the story. Yet, unlike that film, it doesn’t feel as tightly knit to make it feel more like vignettes than a full-encompassing arc.

    Deep Water' trailer: Watch Ben Affleck, Ana de Armas in new Hulu movie

    It just can’t build suspense because it shows its hand too early and it’s trying to be clever about it. Worse, it doesn’t even add anything besides what you would expect. Even the “erotic” aspect is half-baked. It would’ve worked exactly the same without its inclusion. It’s sad to say it because the conflict of love and passion is the most interesting aspect of the film. In a way, if Deep Water was purely about exploring Vic’s obsession with his wife and never knowing if she really was cheating on him, it could’ve worked better as a psychological game. If it focused more on the erotic thriller aspect, the film could’ve benefitted and focused more on its characters.

    As it stands, the film simply lacks the punch to really nail its concept. If you’re looking for a decent distraction and something to fill that Gone Girl vibe, the film might be for you. Personally, if it kept more elements vague, the film would’ve benefited greatly from it. There is some nice cinematography here, and the music does add a little flair but the lack of suspense kills any mood it’s trying to create. It’s a shame that Lyne‘s return to directing isn’t as memorable as one would expect from the former Jacob’s Ladder director, but perhaps dipping his toes with this project could lead to him pursuing more in the future.

  • ‘Don’t Breathe’ Director Fede Alvarez Working on New ‘Alien’ Film

    ‘Don’t Breathe’ Director Fede Alvarez Working on New ‘Alien’ Film

    Ridley Scott has been hyping up the upcoming Alien spinoff series that’s heading to FX and Hulu. Most of his iconic film franchises are currently making the jump to long-form storytelling, which did add some concern that we might not get any new films for some time. Luckily, it seems that the franchise isn’t leaving its cinematic roots behind, as a new film has been announced by The Hollywood Reporter. Not just that, but Don’t Breathe director Fede Alvarez will take on the sequel.

    The horror veteran has also dipped his toes in classic franchises before, as he was one of the masterminds behind the Evil Dead remake from 2013. Scott is also returning to the franchise as a producer. Yet, the curious reveal is that this might not be a cinematic offering, as it seems to be part of the 20th Century’s goal to release ten films a year on its streaming service.

    There’s no word what part of the timeline the series might explore, but it does seem like it’s focused on the Aliens timeline rather than the Prometheus prequels. With a series on the horizon, it also seems like it’ll be removed from that storyline. We’re probably still quite some time away from this release. So, for now, we can only speculate what the future has in store for us with this franchise.

    Source: Hollywood Reporter

  • Nico Greetham Joins Final Season of Hulu’s ‘Love, Victor’

    Nico Greetham Joins Final Season of Hulu’s ‘Love, Victor’

    Nico Greetham is joining the cast of Hulu’s Love, Victor.

    The news comes courtesy of Deadline, with the outlet reporting Greetham is joining in a recurring role. He will be playing a character named Nick, a new friend Victor (Michael Cimino) meets at church.

    The Hulu series Love, Victor is a companion series to the film Love, Simon. That film starred Nick Robinson as the titular Simon, a high school student trying to be comfortable with himself – and not hiding who he is for the sake of others. The Hulu series, Love, Victor, is much the same, this time turning its focus on Victor Salazar. Having just moved from rural Texas to Atlanta, Victor is just trying to fit in at Creekwood High. However, Victor is still trying to find out who he is, and that includes trying to comprehend his sexuality, which is a difficult task in a super religious family. Luckily, Simon is on hand to help Victor learn to accept his authentic self and that he is worthy of love.

    Greetham is perhaps best known for his role as the Yellow Ranger/Calvin on Nickelodeon’s Power Rangers Ninja Steel, however, he has also appeared in American Horror Stories and American Horror Story: Double Feature for FX

    Source: Deadline.