Murphy's Multiverse

Tag: Hulu

  • It’s Not All Connected: Marvel Exec Clarifies the Studio’s Recent Rebranding

    It’s Not All Connected: Marvel Exec Clarifies the Studio’s Recent Rebranding

    “Mr. Stark, you’ve become part of a bigger universe; you just don’t know it yet.” When Fury, Nicholas J. dropped that bomb on Tony Stark in the MCU’s first-ever post-credit scene in 2008’s Iron Man, the Marvel Cinematic Universe took flight. Over the next decade, the MCU expanded in ways nobody could have ever predicted. Through an onslaught of Easter eggs, cameos, name drops and references, the largest interconnected cinematic universe in Hollywood history became so popular that Anthony Mackie‘s Sam Wilson could show up in Ant-Man and everyone in the audience knew who he was….hell, they knew who Ant-Man was! So ingrained in the experience of the MCU was that connectivity that in 2018, Marvel published an MCU guidebook titled “It’s All Connected.” Fans fawned over every fragment of connectivity, theorizing which character might show up where and how each post-credit scene might set up the next big thing. Doctor Strange! Reed Richards! Mephisto! But then, a funny thing happened on the way to the Multiverse.

    With the dawn of Disney Plus, the rate of expansion of the MCU increased. New, unfamiliar characters were introduced, causing a sense of disorder and uncertainty among fans. Entropic chaos ensued. Once the strength of the franchise, the MCU’s connectivity–along with a few less-than-successful projects–quickly threatened to cripple it. As Bob Iger returned to Disney, Marvel’s top creatives began to formulate a response to the dilemma and by the time Echo debuted on Hulu and Disney Plus in January 2024 and fans were introduced to the Marvel Spotlight banner, the studio’s solution began to become clear: the MCU would no longer be all connected but rather, through a series of moves behind the scenes, become à la carte.

    Marvel Studios is now–at least in part–reborn. As the studio forges ahead through its uneven Multiverse Saga, fans will find themselves on more of a choose your own adventure journey that Marvel hopes will help keep attracting new viewers. Following Echo, X-Men ’97 became the first production to debut under the new Marvel Animation banner. This Fall, Agatha All Along will mark the debut of the resurrected Marvel Television banner. The hope, according to Marvel’s head of streaming, television and animation, Brad Winderbaum, “is to “signal to the general audience that we’re creating a lot of options, and you can follow your tastes within this brand.”

    There was a lot of pressure post-‘Avengers: Endgame’ on the public to feel obligated to watch absolutely everything in order to watch anything. Part of the rebranding was a signal to the general audience that we’re creating a lot of options, and you can follow your tastes within this brand. Some will be more comedic, some will be more dramatic, some will be animated, some will be live-action. Marvel is more than just one thing — it is actually many different genres that just happened to coexist in a single narrative.

    -Brad Winderbaum

    Even as the Mutliverse Saga moves ahead, the rebranding does not create different universes within the MCU. That would be messier and increase confusion. Instead, as Winderbaum points out, “the characters still live and breathe in the same universe, but the interconnectivity is not so rigid that you need to watch Project A to understand Project B.” In that sense, the experience, says Winderbaum, should become more akin to that enjoyed by comic book readers who can pick up a Captain America comic without worrying about what’s going on in the most recent run of The Avengers. “The hope is that, like the comics, you can just pop in anywhere and have a satisfying experience. We’re trying to dispel the idea that you need to do any kind of setup work to watch anything else.”

    Iger’s return to Disney also came with a mandate that some of the larger studios–Marvel included–pull back a bit on the quantity of their streaming output. According to Winderbaum, that’s something that Marvel Studios had already begun working on. So, in addition to the reduced pressure to watch everything because “it’s all connected”, there’s also a reduction in content which should add up to an increase in quality and, hopefully, a better experience for the audience. “We were already, as of two years ago, adapting our process from being, you know, fill the service as fast as possible no matter what, to a more considered approach,” said Winderbaum. “I really like the idea of two shows a year, especially because we are developing more than we make. We used to treat the shows like the features where we’re gonna make a show and that’s it, we’re going to hit a release date, hell or high water. Well, it’s hard to do for a two hour feature, it’s even harder to do for, six, seven, eight, nine hours. So now we have a more traditional approach.” And so while the studio may have a lot of projects in the pipeline–like the LONG-GESTATING Nova series–there’s no guarantee that they’ll hit D+ soon, if ever; only that if and when they do, they’ll have been carefully curated.

    Ultimately, the rebranding changes absolutely nothing for your average MCU superfan. The banner that hits the screen for a few seconds won’t stop the completist from watching everything and criticizing the VFX; however, the strategy behind the rebranding isn’t aimed at those fans but rather at drawing new viewers in without overwhelming them. For a studio that hopes they have a whole lot more stories to tell, that’s the only way to stay in the game for the long haul.

    Source: Variety

  • Disney and Warner Bros. to Release Streaming Bundle

    Disney and Warner Bros. to Release Streaming Bundle

    It was inevitable, but the time has officially arrived. Netflix has long dominated the streaming market and to remain competitive, we’re going to see the first cross-company partnership in the streaming market as Disney and Warner Bros. announce a Disney+, Hulu, and Max package. There is no exact release date outside of plans to have it available by the summer, though it’ll support ad-free and ad-supported models.

    There’s a lot of streaming services out there, which is going to continue reshape the way we view the offerings. While many still love comparing it to basic cable bundles, this was an inevitable development to push forward on their hopes to make these cost sinkers profitable. Plus, Netflix remains dominant in the market and the challenge is an open invitation to the major companies to do something to gain a higher churn rate and subscription growth.

    Disney and Warner Bros. is also quite an interesting combination given there are quite a few challenges for whatever they plan growing outside of the United States. Max isn’t available in many countries and it’s shows are available through services like Sky in some European countries. So, it’s uncertain if perhaps there are plans on how they want to grow their worldwide growth or rather this is a pure US-centric move like with Hulu.

    Source: Deadline

  • ‘A Court of Thorns and Roses’ Not Moving Forward at Hulu

    ‘A Court of Thorns and Roses’ Not Moving Forward at Hulu

    On Monday, TV Line announced that Hulu is no longer moving forward with the previously announced adaptation of A Court of Thorns and Roses. The hugely popular book series, written by author Sarah J. Maas, is a BookTok darling and seemed like a huge catch for the streamer. It’s currently unclear why the series is currently not moving forward, however, TV Line also confirmed 20th Television/Disney currently have no plans to shop the project to other outlets. The decision not to shop the project around could suggest it’ll be reworked/redeveloped at a later time, although that has not been confirmed.

    The news of the show’s status comes shortly after the Television Critics Association’s winter press tour. During his presentation for Disney, Craig Erwich, president of Disney Television Group, was asked to comment on the status of A Court of Thorns and Roses. However, at the time, Erwich simply noted that there wasn’t much he could share. “That show has been in development, but I don’t have any news to share today.”

    The show was being developed by Ronald D. Moore and Maas. It’s of note, as of November, Moore had told TV Line that the project was still in development, explaining they had written some scripts. At the time, Moore told the outlet they were waiting before things really moved forward. “I think the whole town is kind of waiting to see if we have actors before things really move forward, but it’s still in development.”

    Source: TV Line

  • ‘Echo’: Critical Response to Marvel Studios’ First TV-MA Series Begins to Roll In

    ‘Echo’: Critical Response to Marvel Studios’ First TV-MA Series Begins to Roll In

    Marvel Studios latest streaming series, Echo, was the subject of worrisome rumors both during and after its production. Rumors ranged from the show being cancelled to being totally reshot and just about anything youight imagine I’m between. Ultimately, it was cut down to five episodes and became the first MCU series to have all its episodes released all at once. Combined with the fact that advanced reviews for the series were embargoed until the same time the series released on Disney Plus and Hulu, all these factors had fans concerned that Echo was going to be a major critical disappointment. At this time, that hardly seems to be the case; in fact, the series has played relatively well with critics.

    As reviews continue to roll in on Rotten Tomatoes, Echo is piling up for positive reactions than not, sitting at 71% positive.

    Many critics are lauding the show’s use of its TV-MA rating and comparing it favorably to the streaming series created by Marvel TV for Netflix and in the mid-to-late 2010s. On that note, Echo’s 71% sits higher than both seasons of The Punisher (Seasons 1 and 2 ended up at 68% and 62%, respectively) and both seasons of the critically panned Iron Fist which was regarded as Netflix’s worst effort (Seasons 1 and 2 ended up at 20% and 55%, respectively).

    Critics are also praising star Alaqua Cox‘s performance as Maya Lopez and the supporting cast of Devery Jacobs, Chaske Spencer and Tantoo Cardinal leading the way. The ability to tell a personal story set in a corner of the MCU far away from the main events of the Multiverse Saga also allowed viewers the opportunity to not have to have much in the way of prior knowledge (indeed EVERYTHING needed to understand the series was shown in the series). With Marvel Studios creating a new production banner–Marvel Spotlight–for Echo, it seems more of these smaller scale stories are on the way.

  • Sydney Freeland on the Importance of Maya Lopez’s Past in ‘Echo’

    Sydney Freeland on the Importance of Maya Lopez’s Past in ‘Echo’

    Marvel’s upcoming streaming series, Echo, represents a new type of project for the studio. Not only is it the first TV-MA project, but it’s also the first to roll out under the new Marvel Spotlight banner. According to the studios, Marvel Spotlight projects will bring “more grounded, character-driven stories to the screen” that “focus on street-level stakes over larger MCU continuity.” Essentially, while the projects may involve familiar MCU characters (indeed Vincent D’Onofrio’s Wilson Fisk has a prominent role in Echo and Charlie Cox’s Daredevil does appear), the stories told within them are self-contained. “Viewers don’t have to watch any other Marvel series to understand the plot,” which means everything needed to completely enjoy Echo will be seen in Echo. And according to director Sydney Freeland, that means a heavy dose of lead character Maya Lopez’s past.

    During a global press event before the premiere of Echo, Freeland talked about the unique opportunity to further explore Lopez, who debuted in the 2021 streaming series Hawkeye. “One of the most interesting aspects about the character,” began Freeland, “is the fact that she’s a villain in Hawkeye, right? But then within that, once you start, sort of, pulling in that thread, then you look at where she comes from, right? And you look at, “Oh, this is a deaf, indigenous amputee girl from Oklahoma,” said the director. “‘How the hell does she end up being one of the top-ranking lieutenants in Kingpin’s army?’ And answering those questions was such an exciting place to be.”

    Alaqua Cox as Maya Lopez in Marvel Studios’ Echo, exclusively on Disney+. Photo by Chuck Zlotnick. ©Marvel Studios 2023. All Rights Reserved.

    For Maya, following the events of the Hawkeye season finale, that means finding her way back to Oklahoma to a family she hasn’t seen in years. And as is traditional wisdom, once you leave, you can’t go home again. “Well, what is that like when she goes back home? You know?,” asked Freeland. “And I think for, you know, just for myself and you know, being indigenous, being an American, it was such a fun and exciting place to be. And then once you layer on the Choctaw cultural specifics onto that, it gave us a chance to tell a really fun story, you know? I think one example of that is actually in the second episode of our series.“

    As the show’s promotional footage has revealed, Maya’s troubles with Kingin will follow her home. Freeland seems to indicate that the series will explore the path Maya took from Oklahoma to NYC. It’ll be interesting to see what connections to the Kingpin took her away from home and what the consequences will be when she returns.

    All 5 episodes of Echo will stream on Hulu and Disney Plus beginning at 9 PM EST on January 9th.

  • Vincent D’Onofrio Compares Wilson Fisk’s ‘Echo’ Appearance to ‘Daredevil’

    Vincent D’Onofrio Compares Wilson Fisk’s ‘Echo’ Appearance to ‘Daredevil’

    After meeting what appeared to be a grisly end in the season finale of Marvel Studios’ 2021 Disney Plus streaming series, Hawkeye, Wilson Fisk is back in the studio’s newest series, Echo. Vincent D’Onofrio, who first portrayed the Kingpin of crime in 2015 in the Netflix streaming series Daredevil, returns once again as Fisk and, as has been teased in the trailers for Echo, will have some serious catching up to do with Alaqua Cox‘s Maya Lopez.

    Debuting simultaneously on Hulu and D+, Echo is the first TV-MA production by Marvel Studios, allowing it to include a level of violence that fans of the Netflix Defenders-verse series are sure to enjoy. Though Fisk’s brutality was on full display in Daredevil, there’s much more to the character. During a global press event for Echo, D’Onofrio was asked what makes Kingpin, who first appeared in the pages of Amazing Spider-Man #50 in 1967, so compelling.

    I think that, you know, originally in the comic books, he was also compelling, I think. And I’ve just been lucky to get the opportunity, beginning with the Netflix show, with really good writing to bring him forward in I guess a kind of new way, but just my version of what they did in the original comics. And then, now in Echo, you know, it’s just more good writing and, you know, without the writing, you know, I can’t really do much other than, you know, show up. And so, the writing is there, and it gives me the opportunity to bring the character forward.

    Vincent D’Onofrio
    Vincent D’Onofrio as Wilson Fisk/Kingpin in Marvel Studios’ ECHO, releasing on Hulu and Disney+. Photo courtesy of Marvel Studios. © 2023 MARVEL.

    Netflix’s Daredevil series was created by Drew Goddard and saw showrunners Steven S. DeKnight (Season 1), Douglas Petrie and Marco Ramirez (Season 2) and Erik Oleson (Season 3) work to create a complex and nuanced character that, thanks to the performance of D’Onofrio, became a fan favorite despite being a villain. On Echo, head writers Marion Dayre and Amy Rardin led a writers’ room, according to D’Onofrio, captured the parts of the character from Netflix series. “I think, with Echo, is the first time since the Netflix show when I’ve actually felt like we brought Fisk into Maya’s story, but in a way that Fisk is, I think, best portrayed,” explained D’Onofrio. “It’s very similar to the way it was in the original series,” he continued, “and that’s very exciting for me always, ’cause it has a more grittier feel to it and it’s a more emotional story with me and Alaqua’s character, Maya. And I think that kind of tone is the proper way for where my character, I believe, lives best.“

    With D’Onofrio affirming that viewers can expect the same tone to carry over into Marvel Studios’ 18-episode streaming series, Daredevil: Born Again, fans of the Netflix series should look forward to having their appetites for the grittiness of that universe sated. All episodes of Echo will stream on Hulu and Disney Plus beginning January 9th.

    About Echo

    Marvel Studios presents Echo, spotlighting Maya Lopez as she is pursued by Wilson Fisk’s criminal empire. When the journey brings her home, she must confront her own family and legacy. Echo stars Alaqua Cox (Hawkeye) as Maya Lopez, as well as Chaske Spencer (Wild Indian, The English), Tantoo Cardinal (Killers of the Flower Moon, Stumptown), Devery Jacobs (FX’s Reservation Dogs, American Gods), Zahn McClarnon (Dark Winds, FX’s Reservation Dogs) and Cody Lightning (Hey, Viktor!, Four Sheets to the Wind), with Graham Greene (1883, Goliath) and Vincent D’Onofrio (Hawkeye, Daredevil, Law & Order: Criminal Intent), who returns to the villainous role of Wilson Fisk aka Kingpin.

    Episodes of the series are directed by Sydney Freeland (Navajo) and Catriona McKenzie (Gunaikurnai). Executive producers are Kevin Feige, Stephen Broussard, Louis D’Esposito, Brad Winderbaum, Victoria Alonso, Richie Palmer, Jason Gavin (Blackfeet), Marion Dayre and Sydney Freeland. Co-executive producers are Jennifer L. Booth and Amy Rardin. Marvel Studios’ Echo launches on Disney+ and Hulu Jan. 9, 2024.

  • Vincent D’Onofrio Reveals What It Would Take to End Wilson Fisk’s Reign as the Kingpin of NYC

    Vincent D’Onofrio Reveals What It Would Take to End Wilson Fisk’s Reign as the Kingpin of NYC

    As Bruce Springsteen once reminded us: only the strong survive. Vincent D’Onofrio‘s Wilson Fisk is a survivor. New York City’s Kingpin of Crime survived a point-blank shot to the head in the season finale of Hawkeye and it back on his feet in Marvel Studios’ latest streaming series, Echo, where he will find himself face-to-face with the one who pulled the trigger: his adopted “niece”, Maya Lopez.

    From the sounds of it, Fisk’s return in Echo is just the first step along a path that will see the Kingpin become the “big bad” of Marvel Studios’ street-level stories. Next up for Fisk will be the streaming series Daredevil: Born Again, where it’s been rumored the Fat Man will run for Mayor of New York City. Further speculation posits that his arc in that series will dovetail into Spider-Man 4, which has reportedly been developed as a “street-level Civil War.”

    While there have been no official announcements, it seems the next Spidey film won’t hit theaters until 2026 at best. That means we’re a long way off from casting and set photos; however, D’Onofrio hasn’t been shy about expressing his desire to appear in the film and taking on the Web-Slinger. It’s likely that Spidey wouldn’t be alone in trying to take down the Kingpin (recent rumors support the common sense idea that Daredevil would be among the street-level heroes teaming up with Spider-Man) should they square off and, according to D’Onofrio, the Wall-Crawler would need all the help he can get.

    In an interview with Jake’s Takes, D’Onofrio was asked who could take down the Kingpin for good, since a bullet to the head couldn’t do the job, and while he doesn’t see that as a possibility, he did reveal who might stand a chance.

    This is a very difficult question, because I don’t see that happening. I don’t see Kingpin dying. Kingpin never died in the canon of the comic books, so that’s very difficult. I’ll talk in terms of who could come close to it. I think that it would have to be either Daredevil or Spider-Man…together, the two of them together, maybe. But I don’t see Kingpin going away. He never did when I was a kid, so I don’t expect he will now.

    While D’Onofrio can’t come out and say it, it sure seems as though Fisk is destined to find himself facing off against Daredevil and Spider-Man in the next Spidey solo film. Spidey star Tom Holland has also expressed a desire to see his character take on Kingpin and you have to think that at least part of Marvel Studios’ plan in bringing D’Onofrio and Charlie Cox back was to eventually put them together on the big screen.

    Fisk can be seen in Echo, which debuts on Hulu and Disney Plus on January 9th.

  • Marvel Exec on Wilson Fisk’s Thanos-Sized Role in the MCU’s Street-Level Stories

    Marvel Exec on Wilson Fisk’s Thanos-Sized Role in the MCU’s Street-Level Stories

    Vincent D’Onofrio’s return to the role of Wilson Fisk in the 2021 Marvel Studios Disney Plus streaming series Hawkeye helped carve out a whole new corner of the MCU. As Kevin Feige confirmed at SDCC ’22, Marvel Studios was taking their storytelling to the streets where heroes such as Spider-Man and Daredevil would lead the way. Spinning out of Hawkeye is the studio’s next streaming series, Echo, which sees Fisk return from what should have been a kill shot at the end of Maya Lopez’s barrel.

    Despite some creative retooling, it’s expected that Echo will dovetail into another streaming series, Daredevil: Born Again, which will reunite Fisk with Charlie Cox’s Man Without Fear. Beyond that series, rumors point to the storyline continuing to be threaded into the fourth Marvel Studios/Sony Spider-Man collaboration, which was recently described as a street-level Civil War. Early rumors suggested that Daredevil: Born Again would adapt Marvel Comics’ “Mayor Fisk” storyline. Photos from the set of the series seemed to support those rumors as they showed a very distinguished-looking Wilson Fisk on the streets of New York. All signs point to very big things ahead for the Kingpin of Crime.

    In an interview with Screen Rant’s Joe Deckelmeier, Marvel Studios’ Head of Streaming, Television, and Animation, Brad Winderbaum, responded to the notion that Fisk was being positioned to be the “Thanos of the street-level corner of the MCU.” “Oh man, you kind of hit the nail on the head,” said Winderbaum. “I can’t say too much, only that as a chapter in Wilson Fisk’s life, this is a crucial one and sets the stage in some remarkable ways for what’s coming next.“

    While there’s been no official announcement by Sony about when a fourth installment in the Spider-Man franchise may appear, it’s been made clear by Feige that the project has been in development for some time and that writers have long understood the assignment for the film. For his part, D’Onofrio has made it well-known on multiple occasions that he’d like to see Fisk, who first appeared in the pages of Spider-Man comics, square off against the Wall-Crawler in Spider-Man 4. Though he stops short of saying it, Winderbaum certainly does nothing to turn down the heat on the rumors and, if anything, his comments are sure to fan the flames of an already hot fire.

  • Marvel Exec Confident the Netflix Series are Sacred Timeline Canon

    Marvel Exec Confident the Netflix Series are Sacred Timeline Canon

    Marvel Studios upcoming streaming series, Echo, will the be first project under the studio’s new Marvel Spotlight banner. That means, according to newly minted Head of Streaming, Television, and Animation at Marvel Studios, Brad Winderbaum, anyone who tunes in “doesn’t need to have seen other Marvel series to understand what’s happening in Maya’s story.” That’s not to say that watching other series or films won’t add some additional context to the series, only that while watching Echo, the audience “can focus on street-level stakes over larger MCU continuity.“

    Just what does or does not make up MCU continuity had been an ongoing debate for quite some time; however, in the forward to Marvel Studios: The Marvel Cinematic Universe An Official Timeline book, the studio’s One Above All, Kevin Feige, indicated that with the Multiverse now in play, pretty much everything is canon. “On the Multiverse note, we recognize that there are stories – movies and series – that are canonical to Marvel but were created by different storytellers during different periods of Marvel’s history,” wrote Feige, before adding that the “timeline presented in this book is specific to the MCU’s Sacred Timeline through Phase 4.” That book does not contain references to some of Marvel’s best-loved TV series including Agents of S.H.I.E.L.D., Jessica Jones, Luke Cage, Iron Fist or Daredevil. And so while those stories are canon, the events depicted within did not take place on the MCU’s Sacred Timeline, aka the one in which all of the studio’s films and Disney Plus series have been set…but maybe that’s not the case after all.

    In an interview with Screen Rant’s Joe Deckelmeier, Winderbaum seemingly contradicted Feige’s statement. When asked if the events of the Netflix series were part of the Sacred Timeline, Winderbaum went the long way around to say yes…at least in his mind.

    So, I can say that up until this point, we’ve been a little bit cagey about what’s Sacred Timeline and what’s not. That was born, frankly, out of a period at the studio where we were like “we have to stick the landing with Avengers.” It was another part of the company developing the Netflix stuff; we were aware of what they were doing, they were aware of what we were doing, but it was a lot.. it was a lot to balance anyway. But now that some time has passed, now that we actually see how well-integrated the stories are, I personally, Brad Winderbaum, will confidently say that they are part of the Sacred Timeline.

    Brad Winderbaum giving Brad Winderbaum’s view on if Netflix series are part of the Sacred Timeline

    Winderbaum’s admission to the studio’s caginess around the inclusion of specific projects on the Sacred Timeline touches on a topic much discussed and debated online. Many fans believe in its Marvel Studios’ best interests to avoid answering the question of canonicity in order to continue generating online discussion. However, given his very important new position at the studio, Winderbaum seems uniquely positioned to have THE answer to the question. It’s likely that something in the upcoming series, Echo, will connect so directly to the Netflix series that there will be no room left for questions.

    All 5 episodes of Echo will synchronously debut on Hulu and D+ at 9 PM EST on January 9th.

  • ‘Echo’ Star Alaqua Cox Explains How Her Childhood Trauma Prepared Her for the Role

    ‘Echo’ Star Alaqua Cox Explains How Her Childhood Trauma Prepared Her for the Role

    Alaqua Cox was brand new to the Hollywood scene when she co-starred in Marvel Studios 2021 D+ streaming series, Hawkeye. After having only one high school play under her belt, the actress serendipitously came across a casting call for a deaf, Native American actress and decided, in her own words, “to go for it.” After landing the role of Maya Lopez, Cox‘s hard work and determination in the role impressed the Marvel brass so much that, according to executive producer Trinh Tran, they determined she’s earned the opportunity to “be a superhero in her own right.” That decision led to the development of the Marvel Spotlight series, Echo, which debuts simultaneously on both Disney Plus and Hulu on January 9th.

    Echo represents the first Marvel Studios project led by a deaf and Native American and, due to some intense violence, is also their first TV-MA offering. As seen in Hawkeye, Maya Lopez grew up in the world of organized crime in New York; however, Echo is set to explore an earlier period in time in the character’s life and detail the trauma that led her and her father, William Lopez, to end up working for Wilson Fisk. During a global press event, Cox explained how her own set of difficult circumstances prepared her for the role of Echo.

    Alaqua Cox as Maya Lopez in Marvel Studios’ Echo, exclusively on Disney+. Photo by Chuck Zlotnick. ©Marvel Studios 2023. All Rights Reserved.

    Well, we’re similar. I was raised with some trauma. We both have childhood trauma, of course, that we’re raised with. And it was different, of course. For example, I grew up, as you know, I am an amputee. So, I went through many different kinds of surgeries as a child. And so, that made me a warrior, in a sense. And her, Maya, she had the death of her mother, and all these tragic events that happened in her life. So, we both have different traumatic experiences. So, it kind of makes us very similar in a way because we’re both warriors, and we’re tough, and we’re badass, and I believe that’s how we’re the same.

    -Alaqua Cox

    While Cox certainly faced–and overcame–significant trauma to end up starring in her own Marvel Studios series, her childhood wasn’t defined by it. The actress, who grew up on the Menominee Indian Reservation in Wisconsin, credits a life full of athletics, along with growing up with an older brother, for toughening her up and preparing for the physical role.

    “Luckily, I grew up playing different kinds of sports as well,” said Cox. “Plus, I do have an older brother who helped me become more of an athlete, because he’s very much an athletic person. We’re about a year and a half apart, so we wrestled growing up. So that toughened me up. And then, when I did get the role,” she continued, “I had a stunt training team. About five days a week I would go to the training, and it was a lot. I learned so much as well. ‘Cause growing up in sports, there wasn’t a lot of stunt-specific things in sports, so stunt training was a whole new world to me. And I was able to learn choreography, jabs, fights, and those specific moves, and that was so fun, and very challenging as well. But that was the greatest part of the project. So, it was a fun journey for me.“

    As seen in the trailers and promotional footage for the series, Cox did quite a bit of her own stuntwork for the series, including a one-take fight scene similar to those featured in Netflix’s Daredevil series. See how Cox’s determination and hard work has paid off when Echo debuts on January 9th.

    About Echo

    Marvel Studios presents Echo, spotlighting Maya Lopez as she is pursued by Wilson Fisk’s criminal empire. When the journey brings her home, she must confront her own family and legacy. Echo stars Alaqua Cox (Hawkeye) as Maya Lopez, as well as Chaske Spencer (Wild Indian, The English), Tantoo Cardinal (Killers of the Flower Moon, Stumptown), Devery Jacobs (FX’s Reservation Dogs, American Gods), Zahn McClarnon (Dark Winds, FX’s Reservation Dogs) and Cody Lightning (Hey, Viktor!, Four Sheets to the Wind), with Graham Greene (1883, Goliath) and Vincent D’Onofrio (Hawkeye, Daredevil, Law & Order: Criminal Intent), who returns to the villainous role of Wilson Fisk aka Kingpin.

    Episodes of the series are directed by Sydney Freeland (Navajo) and Catriona McKenzie (Gunaikurnai). Executive producers are Kevin Feige, Stephen Broussard, Louis D’Esposito, Brad Winderbaum, Victoria Alonso, Richie Palmer, Jason Gavin (Blackfeet), Marion Dayre and Sydney Freeland. Co-executive producers are Jennifer L. Booth and Amy Rardin. Marvel Studios’ Echo launches on Disney+ and Hulu Jan. 9, 2024.