We are closer than ever to the casting reveals for Marvel Studios’ Fantastic Four, according to multiple insiders. The project was first announced by Marvel Studios president Kevin Feige during 2019’s San Diego Comic-Con and has been stuck in development ever since. The initially-attached director Jon Watts left the project, and Matt Shackman filled in for him. Jeff Kaplan and Ian Springer’s screenplay for the movie is now being rewritten by Josh Friedman.
According to industry scooper Daniel Richtman, Paul Mescal was offered the role of Johnny Storm aka The Human Torch for Marvel Studios’ Fantastic Four. It is currently unknown if Mescal turned down the role or accepted it.
Paul Mescal
Another name widely rumored for Johnny Storm is Elvis‘ Austin Butler. Last year, Jeff Sneider reported on The Hot Mic that Butler was running for a major role in Fantastic Four and that the actor’s agents were “putting him up for Human Torch.”
The film is directed by Matt Shakman, while Josh Friedman pens the script. It will commence production in early 2024. No cast members of the movie have been officially announced yet. The movie releases in theaters on February 14, 2025.
The Late Late Show with James Corden is coming to an end, which had quite a line-up of celebrities. Among them was Mila Kunis, who has recently been the focus of various curious and even surprising rumors for the upcoming Marvel Cinematic Universe film, Fantastic Four. Of course, Corden used the chance to ask her about it and she reflected on when the first rumors started, a shot of her with director Matt Shakman.
We went out to a deli and had lunch together and the next day I was somehow in Fantastic Four.
Mila Kunis
She goes on to confirm that she is not playing anyone in Fantastic Four, but in a curious twist, she highlights that she knows “who is” in the project. Of course, she doesn’t go on to confirm anything
I am not in Fantastic Four, but I know who is. But I don’t want to get in trouble with The Mouse, so none of you will find out.
Mila Kunis
Of course, there have been quite a few times when Marvel actors denied any involvement with upcoming projects. So, there’s always that slight chance that Kunis might have a role after all, but it’s definitely interesting that she’d tease knowing who might be appearing. So, it further implies that they may have finally cast the characters that we’ve been waiting for quite some time. So, perhaps the wait isn’t that much longer.
After the red carpet premiere of Guardians of the Galaxy Vol. 3 in Los Angeles last night, the review embargo for the latest MCU installment has expired and the first reviews of the film have been shared. It’s still very early in the process but so far the film seems to be continuing the recent trend of Phase 4 and 5 films not living up to the expectations of critics.
While some critics are hailing the film as a fitting conclusion to the Guardians trilogy (including our own Michael T. Ford III), others are seeing the film through a very different lens. Flickering Myth’s EJ Moreno called the film “a tonal mess that relies on Disney-style emotional manipulation” while Vanity Fair’s Richard Lawson called Vol. 3 “an odd, lumbering patchwork of a film, occasionally fascinating but otherwise bloated and aimless” and an “awkward franchise finale.”
The very mixed and disparate reviews for the film are reminiscent of many of the studio’s post-Endgame films which have rarely been universally hailed as successes. Marvel Studios most recent theatrical release–and its first Phase 5 offereing–, Ant-Man and The Wasp: Quantumania compiled a franchise-worst 47% Rotten Tomatoes score and of the Phase 4 releases, only Spider-Man: No Way Home and Shang-Chi and the Legend of the Ten Rings resonated with critics in a way that the pre-Phase 4 releases did.
Black Panther: Wakanda Forever 84% Thor: Love and Thunder 63% Doctor Strange in the Multiverse of Madness 74% Spider-Man: No Way Home 93% Eternals 47% Shang-Chi and the Legend of the Ten Rings 91% Black Widow 79%
That said, it’s still very early in the game and Vol. 3’s score could still move quite a bit. While it’s unlikely to end up as high as 2014’s Guardians of the Galaxy‘s 92%, it could end up comparing favorably to Guardians of the Galaxy Vol. 2‘s 85%.
With an Awesome Mix of humor, heart, action, drama, and off-the-wall imagination, James Gunn delivers the long-awaited conclusion to the cosmic trilogy that reminded us that We Are Groot. And like the familiar tree guy, this franchise has branched in unpredictable yet fascinating ways but has always remained rooted in themes of found family, redemption, and reinvention.
In this third film, Gunn feels particularly confident and audacious as a filmmaker, pushing forward with a propulsive plot that knows when to release the tension with comedy and quirky character beats, as well as when to shift gears from heart-wrenching drama to awesome action and sci-fi space opera. There are some really fun set pieces and sequences, and only a couple of instances where things get a little too messy and chaotic. But overall, it’s a thrill ride visually.
Much like he did in the first two entries, Gunn deftly employs his signature needle drops to guide us through the varying emotional beats and tonal shifts. In the center of the story is Rocket’s journey from raccoon to rogue, as we learn his origin, and that of his first found family of misfits, through a series of flashbacks. The film invites us to peer behind his tragic eyes, and from his perspective, we experience the longing, love, and loss that coalesces into regret, before finally coming to understand that Rocket’s emotional scars truly are as lasting as his physical ones. It is within these flashbacks that we also meet The High Evolutionary, a villain with the kind of god complex his name would suggest, and the capacity to make Rocket’s old wounds fresh.
If you’re familiar with the comics, then you have a pretty good idea of what The High Evolutionary’s goals are, what lengths he’s willing to go through to achieve them, and just how many people he’s willing to kill or make suffer along the way (Hint: It’s all of them). And Chukwudi Iwuji performs the role to a T, knowing when to strike the notes of cold calculation, when to soften, and when to unleash his wrath. He’s not really an antagonist you root for in any fashion, and the movie never lets him off the hook, so by the time the bill comes due, the catharsis is earned.
Accompanying this main Rocket-centric story is the Peter Quill story, where he can’t get over the fact that Gamora 2, pulled from the timeline in Avengers: Endgame, missed all of the Phase 3 films, and he just can’t bring her up to speed on what she missed. Both Chris Pratt and Zoe Saldaña do a great job here, Zoe in particular. In a lot of ways she represents the viewer who doesn’t “get” the Guardians and what makes them special, but like the viewer, despite herself, she too is eventually moved by the adventure and finds her own groove to jam to.
But all the Guardians have got moves. Mantis remains the most empathetic and intuitive, and Pom Klementieff‘s comedic chemistry with Dave Bautista‘s Drax remains as satisfying as it was in Guardians of the Galaxy Vol. 2 and the Guardians of the Galaxy Holiday Special. The juxtaposition between her emotional openness and Nebula’s cold precision and bluntness provides a different kind of energy, as their dramatic tension helps to balance the hijinks. Even newcomer Cosmo (voiced by Maria Bakalova) and the perennially underrated Kraglin (played by Sean Gunn) get their moments to shine. The family continues to grow, and though they may bicker, when it’s showtime, they find their harmony.
Another newcomer to the Guardians story is Adam Warlock, played with flourish by Will Poulter as an ultra-powerful yet childlike being, who wants to impress his Sovereign mother figure (the returning Elizabeth Debicki), but whose hot temper constantly gets the best of him. Hardcore comic fans might find him confounding when compared to the cosmic near deity from the page, but the story leaves him with more than enough room to evolve. Keeping with the theme, after all.
What sets this trilogy apart from the other Marvel Cinematic Universe trilogies is that across the three films, the stories really do come full circle. Our heroes acknowledge the painful pasts that forged them, but they each stop being defined by them, and their arcs conclude with them finally being able to define themselves. And their Guardians compatriots, that aforementioned found family, grow to love and accept them, regardless of their respective flaws and scars. It’s a feel-good tale with a hopeful message, and by the end, you’re rocking out, from Knowhere to wherever the Guardians story travels next.
Thus far, Phases 4 and 5 of the MCU have been polarizing, with very few projects leaving us with the “rah-rah” feeling that makes us want to sing its praises and go back for encores. But Guardians of the Galaxy Vol. 3 reminds us why we love these movies and reminds us of way back when, we were first Hooked On A Feeling.
One of 2023’s most anticipated films, Spider-Man: Across the Spider-Verse, is just over a month away from hitting theaters and news is still emerging about its impressive voice cast. The sequel already boasts an impressive lineup of talent including Shameik Moore, Hailee Steinfeld, Oscar Isaac, Issa Rae, and Daniel Kaluuya among its stars and now, another big name has been revealed to voice a key character.
According to One Take News, Andy Samberg provided the voice work for Ben Reilly/Scarlet Spider in the upcoming film. An SNL vet and the star of Brooklyn Nine-Nine, Samberg’s role in the film was apparently top secret until very recently while Reilly’s presence in the film has been know for some time.
Reilly is a controversial character in comic book circles with his origin story being one of the more divisive Spidey stories of all time. It seems unlikely, however, that Across the Spider-Verse will delve too deeply into the Clone Saga as OTN’s report describes Scarlet Spider’s role in the sequel as that of a “secondary supporting character.” That said, there’s a chance the character returns for the third film in the franchise and or even in another animated or live-action film.
Spider-Man: Across the Spider-Verse hits theaters on June 2nd.
The rumor mill around the cast of Marvel Studios 2024 theatrical release, Fantastic Four, continues to churn out some fascinating information. Shortly after rumors of Adam Driver, Mila Kunis, Jodi Comer and more being on director Matt Shakman‘s shortlist for key roles in the film, a new rumor has emerged that might just be the best of them all.
Scooper My Time to Shine Hello has revealed an unexpected–and quite frankly brilliant–potential choice for a major Fantastic Four character. According to the account, Antonio Banderas is in talks to play the Cosmic Being Galactus.
One of Marvel Comics most incredible characters, Galactus has been rumored to be a part of Shakman‘s Fantastic Four for some time now. Originally a scientist named Galan who existed in a previous iteration of the multiverse, Galan survived the transition into the new multiverse and became one of the most powerful beings in it and was reborn as Galactus. The Devourer of Worlds has long been one of the Fantastic Four’s greatest antagonists, though a more complete understanding of the essential role he plays in the universe has been developed over time.
Banderas has remained a force in Hollywood since making the jump from Spanish cinema in the early 1990s. An action star, a romantic lead and a talented voice actor, Banderas has been nominated for Academy, Golden Globe and Primetime Emmy Awards. While it’s unclear exactly what role Galactus will play in Fantastic Four and the MCU in general, Banderas‘ experiences should allow him to play Galan/Galactus in live-action and also provide voice work for the character should he be a wholly CGI creation. Marvel Studios has not yet commented on the cast of the film but at the pace the rumors are flying, it is possible it could be revealed at SDCC ’23, should the studio decide to attend.
We’ve known for some time that a big part of Guardians of the Galaxy Vol. 3 would likely explore the origins of Rocket. The character was a major part of the franchise’s emotional core and James Gunn openly discussed that he centered a lot around that character from his own personal experiences. With the third Guardians entry being his last before he continues to focus on DC Studios’ future, it seems almost fitting to use this chance to explore that character’s true emotional background.
In a new piece of footage, we get a new look at the characters that grew up alongside Rocket into becoming more humanoid under The Evolutionary’s watchful eye. Linda Cardellini has been confirmed to play Lylla the Otter, who is Rocket’s main love interest. Asim Chaudhry is taking on the role of Teefs the Walrus while Mikaela Hoover is Floor the Rabbit. Gunn shared the following on what makes these characters stand out in the film:
They’re best friends… and I think it’s a really beautiful scene with them… where they talk about going outside into the sky, in the world, which they’ve never experienced.
James Gunn
Of course, the big surprise for many is likely that Cardellini is set to take on the role of Lylla after having played a major part in the Marvel Cinematic Universe since Avengers: Age of Ultron as Laura Barton, the wife of Clint Barton and a former SHIELD agent as teased in the Hawkeye Disney+ series. Though, it’s not the only time this has happened and not even the first time this year, as David Dastmalchian also took on a new voice role in the recently released Ant-Man and the Wasp: Quantumania.
For many Marvel Studios fans, there is nothing more important than the post-credit scenes that follow almost every project. For better or for worse, that is the culture that Marvel Studios has created and although the stingers often distract from a conversation about the events of the film it seems they are here to stay. When Guardians of the Galaxy Vol. 3 was screened in Paris, no post-credit scenes were shown, causing some fans to believe there wouldn’t be any; however, James Gunn has taken to social media to address that concern and indicated that fans of post-credit action would be satisfied.
Answering a question from papaj_419, Gunn indicated that the audience will want to stick around for not one but two post-credit scenes after Guardians of the Galaxy Vol. 3, which has been confirmed to be the longest film of the Guardians franchise clocking in at just under 2 hours and 30 minutes.
2014’s Guardians of the Galaxy featured 2 post-credit scenes as well while 2017’s Guardians of the Galaxy Vol. 2 boasted 5, the most of any MCU film to date. All but two of the films in the Multiverse Saga have featured two post-credit scenes with one running midway through the credits and the other after all the credits rolled.
Vol. 3 is Gunn’s last hurrah with both the Guardians and Marvel Studios as he moves full-time into his new role as co-chair of DC Studios. Reactions from the Paris screening have said the film is heartbreaking and the best of the trilogy and with further press screenings scheduled to get underway on April 27th, there’s sure to be plenty more reactions on the way.
Guardians of the Galaxy Vol. 3 opens in theaters on May 5th.
Tom Hardy’s upcoming third and potentially final Venom film is seemingly adding quite a bit of talent, as Ted Lasso’sJuno Temple has been revealed to have a role in the upcoming threequel. Not just that but she is seemingly taking on a lead role opposite Hardy, but there’s now ord on who she might be playing. It seems negotiations are still underway and her casting remains tightly under wraps as per usual with these kinds of announcements.
Andy Serkis surprisingly isn’t returning to direct the third entry, as it’ll be directed by Kelly Marcel, who was the writer of the series since the first entry. She and Hardy have worked on the screenplay for the film with the usual Sony crew back to produce, which includes Amy Pascal, Avi Arad, Matt Tolmach, and Hutch Parker. There is no word if anyone else from the previous entries will return in the upcoming sequel.
Venom is a curious entry in Sony’s hope to expand its own Spider-Man universe. It originally set out to do so but mostly did its own thing and is the only project that is acknowledged by the mainline Marvel Cinematic Universe with Hardy’s appearance in the Spider-Man: No Way Home post-credit sequence. There’s a chance that the thrid entry is the final one as a last hurrah for this take on the character before Marvel is allowed to make use of that little tease at the end of the Spider-Man crossover film.
Marvel Studios is going through quite a bit of change. Not only did it have to work its way through the pandemic and Bob Chapek’s leadership, but it also was suddenly seeing a familiar face at the top once more with Bob Iger. The company is undergoing some harsh firing waves and many were shocked when long-time VFX chief Victoria Alonso was fired from her position. While the Internet obsessed with the topic believed this would start a new era for VFX works, many different allegations have come forth on the topic.
Some stated Alonso was a kingmaker that kind of destroyed their relationship with VFX agencies, while others claimed she played a big role in keeping projects together. Nothing concrete ever came out of it but the firing certainly lead to some wild accusations of “consequences” by Alonso’s lawyers. Multiple statements have been shared on why she was fired, which included her work on a project and seemingly neglecting responsibilities; a report that has never been confirmed.
Now, it seems that Disney and Alonso have settled with a multi-million compensation over her firing. It was seemingly reached just recently after many discussions surrounding her 17-year tenure at Marvel Studios and work in Argentina, 1985. We’ll likely never find out what exactly the threatening “consequences” are for Disney and Marvel Studios, but perhaps it’s only a matter of time before a report pops up with a claim about what it might be. For now, it seems that there won’t be further discussions or public announcements of Disney moving forward until the next major figure is fired.
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