It looks like having a sequel season is paying off for Marvel Studios, as their recently released trailer for Lokiâs second season is already breaking records. While reactions to Secret Invasion were a bit tepid, it seems that people are more than happy to revisit the story of their favorite trickster god trapped in a timeless office of the TVA. The Disney+ series debuted to 80M views with its first trailer.
Itâs not too surprising given that the first season still remains Marvel Studiosâ most-watched series on Disney+. Tom Hiddleston has always been a big draw for viewers and the series may remain one of their best so far. While reactions generally have been tepid, a big break between releases and a new movement to slow down their rollout may have given this series a bit more hope to grab peopleâs attention. The series was also received quite positively with a 90% positive reaction from fans sharing their love for the first season.
Marvel Studios has had a bit of an uphill battle online while still remaining a power player from a box office perspective. Viewership numbers are difficult to grasp and we have no idea how viewership numbers are considered a success for the streamer, but perhaps this second season will spark an interest to build up their series more than just dropping various single-season mini-series that are loosely connected to the movies with their own stories that add to the MCU mythos.
While the Loki trailer finally dropped teasing the second season, it isnât the only other Disney+ series that is set to release later this year. Secret Invasion didnât quite leave the internet ablaze as Andor did, Marvel Studios seems very intent on building up the latter half after a long hiatus before the last Disney+ series finally released. Echo will also mix things up with a binge drop, which might be a big test to see if that works better for Marvel Studiosâ releases.
News has been sparse on the series, but it seems we got at least one little detail on who will compose the music for the series. Native American composer Mato Wayuhi, famous for his work on the iconic series Reservation Dogs, is seemingly set to compose the soundtrack for Maya Lopezâs upcoming spinoff series.
After first being introduced in Hawkeye, the character is going to have her own little story thatâll likely also set up the return of Charlie Coxâs Daredevil ahead of his own spinoff series that is currently on hold due to studiosâ not paying their writers and actors. Itâs a promising addition for the November release and also continues the trend of the series including a mainly Native American production.
From the time the earliest teasers for Secret Invasion rolled out online, it was clear that at some point in the show, Nick Fury wouldnât be Nick Fury. Since writer Kyle Bradstreet left that âaceâ up his sleeve, it was pretty evident from the time âFuryâ infiltrated the Skrull hideout that it wasnât really him. In fact, even in the aftermath of last weekâs episode, plenty of fans had already guessed exactly what was going to happen with The Harvest; however, most of those fever dream theories were more interesting than what was delivered in âHome.â
As far as series finales go, Marvel Studios has seemed to have a hard time âsticking the landingâ as everyone likes to say. To continue that analogy, the Secret Invasion finale would be more akin to a gymnast hitting the springboard and then launching headfirst into the pommel horse. For what was hyped up as a paranoia-landed spy thriller, the series as a whole lacked any sense of suspicion or mistrust as to who was or wasnât a Skrull and despite their efforts, nobody actually believed Russia and America were going to war. Skrull Rhodey was always going to die. Gâiah was always going to have her vengeance. âWho do you trust?â Certainly not the people rubber-stamping the choices made here.
Emilia Clarke as Gâiah in Marvel Studiosâ SECRET INVASION, exclusively on Disney+. Photo by Gareth Gatrell. Š 2023 MARVEL.
Much as it had previously done with the Kree, Marvel Studios has now painted themselves into a corner with the Skrulls. Kevin Feige once proudly claimed that Marvel Comics pointed Marvel Studios in the right direction with their projects: âThe answers are always in the books,â said the head man. It now seems that in their quest to avoid doing direct page-to-screen adaptations, theyâve entirely lost their way. Much like Ronan the Accuser and Mar-Vell before him, Klârt, the OG Super Skrull, will either be ignored entirely or greatly reduced in significanceâŚso that the MCU could have Gravik? For decades, Marvel Comics has found ways to keep the Kree-Skrull War alive and interesting but somehow, over the course of two projects, Marvel Studios reduced itâand all its playersâinto minimalist impressions. Whatâs left? Some âpeace talksâ and a brand new most powerful being in the galaxy in Emilia Clarkeâs Gâiah and Furyâs Skrull wife. What are they going to do now? No idea. Varraâs work is apparently âimportantâ and Gâiahâs final scene reeks of the all-too-common theme among Marvel Studiosâ writers that whatever comes next for the character is the next guyâs problem.
And what of the hero of the series? After pushing the people he once took under his wing and hoped to find a home for into a war against their own extinction, Nick FuryâŚpisses back off into space? So he can make jokes again in The Marvels? After a half-assed explanation given not by Nick but by Gâiah pretending to be Nick, old Nick is back and nobody would blame anyone for wondering howâor even ifâthe events of Secret Invasion will have changed him when we see him again. For four episodes, the series really only worked as a showcase for Samuel L. Jackson, Ben Mendelsohn, Don Cheadle and Olivia Colmanâs talents; however, once it came time for it to change gears and try to find its relevance in the ongoing shared narrative, the wheels came off entirely. Ultimately, Secret Invasion will be remembered as a series of unfortunately misapplied and wasted concepts that show Marvel Studios just doesnât value or understand the Cosmic corner of the comics that Feige once said held all the âanswers.â It might be time for the studio to course-correct and work its way back to taking more inspiration from the comicsâor it might be too late already.
Disney has been experimenting quite a bit on how they can grow the audience for their various shows. Just recently, it was announced that Ms. Marvel is heading to ABC and quite a few of their animated shows get limited releases on Disneyâs various TV channels. Now, they are also trying it out with another Marvel series.
Hulu has unveiled that the first three episodes of Secret Invasion, which is going to release its season finale next week, will be available for a limited time on Disneyâs sister streaming service. Itâs an interesting way to promote the series and gain additional viewers ahead of the finale but itâll continue to be available until August 17th.
The strategy isnât bad, as itâs more about also expanding the bundle they are offering for those interested in multiple streaming services. While viewership for this series wasnât among Marvelâs best, it doesnât have any superheroes that tend to carry these kinds of projects. Though we generally donât know what makes a Disney+ series successful in the eyes of Disney, as they release no data and we have to rely on third-party analysis. One of the important reasons writers and actors are fighting for better pay.
If youâve been watching Marvel Studiosâ latest Disney Plus streaming series, Secret Invasion, it may have come to your attention that Nick Fury just isnât himself these days. As the audience has all too often been reminded by everyone in the show that knows him, Fury hasnât been the same since the Blip. However, as the consequences of Furyâs secrets have continued to come back to haunt himâand potentially the entire human raceâglimmers of the old spy have begun to shine through and, as of the end of the latest episode, it seems that yeah, Fury is thinking heâs back. But did Furyâs return come too late?!?!
Not to put too fine a point on it but the answer is no. And being able to answer that question ahead of the seriesâ finale is, as Samuel L. Jackson might certainly put it, a mother fucker. As wonderful as Jacksonâs performance has been, including the unforgettable scenes he shared with Ben Mendelsohn and the chemistry he continues to share with the criminally underutilized Olivia Colman, Secret Invasion continues to be more about Furyâs pastâwhich by proxy includes the collective past of the MCUâand the bind that puts him into in the present. However, because the Nick Fury and MCU are known to have a future beyond Secret Invasion, the audience already knows the score: despite taking heavy body blows, Furyâs going to Rocky Balboa Gravikâs âSkrull assâ and save the day. We know this because Fury is alive and well in The Marvels. We know this because thereâs no way the Marvel Studios Parliament greenlit a project (Armor Wars) about Skrull Rhodey. While that doesnât mean there might not be some surprises in the finale (after all who among us was not both completely surprised and thrilled to see that one character from Black Widow show up?), the finale pretty much writes itself and that makes anticipation for it a bit low and the buzz around it will likely be a bit dull.
Samuel L. Jackson as Nick Fury in Marvel Studiosâ SECRET INVASION, exclusively on Disney+. Photo by Des Willie. Š 2023 MARVEL.
I love playing him, and I love the fact that theyâre opening him up to all these other possibilities and this whole life that he has. So hopefully Iâm not done, and in this new phase of the MCU Iâll still be floating in and out of there somehow, some way.
Samuel L. Jackson on Nick Fury
Thatâs not to say that Secret Invasion hasnât excised a pound of flesh or two from Fury. Over the course of the first five episodes, heâs lost his longest standing ally in Talos, his right hand in Maria Hill and had to come face-to-face with the idea that even he is fallible. But for Secret Invasion to truly matter, the events of it must change the man known as Nick Fury and set him on a new path just as the events of Captain America: The Winter Solider did for Steve Rogers. The good news is that it would seem Jackson has no interest in walking away from the role of Fury which means the next 4-5 years could pay off the investment fans of the MCU have put into Secret Invasion and, to be fair, thatâs exactly what Marvel Studios One Above All, Kevin Feige, sold to fans when the first wave of Disney Plus series were first announced.
Samuel L. Jackson as Nick Fury in Marvel Studiosâ SECRET INVASION, exclusively on Disney+. Photo by Gareth Gatrell. Š 2023 MARVEL.
âThese episodes will intersect with the movies in a very big way,â Feige told Variety in a 2019 inteview. âItâs a totally new form of storytelling that we get to play with and explore. Itâs the first long-form narrative that Marvel Studios has done â theyâll be six episodes, eight episodes, 10 episodes with the actors from the films playing their characters. Theyâll be changing, evolving, growing in those event series and then those changes will be reflected in their next film appearances,â Feige explained. So while fans continue to wait for each of these series to be âthe next big thingâ, Feige could easily quote Dennis Green and remind fans that âthey are what we thought they were.â But therein may lie the problem with Nick Fury in Secret Invasion. If the finale simply reinstalls old Nick Fury into the MCU, which is what the whole series has been preparing fans for, then thereâs been no change, no evolution and no growth. If the Nick Fury who appears in The Marvels hasnât been irrevocably changed by the events of Secret Invasion, then it will be fair to judge the series as a failure.
As for the rest of the episode, itâs a bit of a microcosm of the series as a whole. Like the deaths of Maria Hill and Talos before him, Paganâs death at the hands (?) of Gravik was weightless. Itâs hard to think of a supporting character in any of the MCU series that was as impotent as Pagan; seemingly every action undertaken by the character, even his death, would have had the same impact on the series if it happened off screen or didnât happen at all. For all the razzle dazzle of Gâiah becoming a Super Skrull, she participated in a good old-fashioned shootout with the meanie Skrulls rather than Super Skrulling and the same can be said of Gravik who resorted to his hand-to-hand combat skills to kill the mutinous meanies Skrulls. Given the importance of the Klârt in the comics, to see the idea of Super Skrulls relegated to a few cheap VFX scenes makes the entire idea feel squandered. Even the episodeâs McGuffin, The Harvestâan idea that has circulated since Thorâs blood lingered around during the Battle of New York seen in The Avengersâseems stripped of any real danger around it since Furyâs plan to give it to Gravik will certainly resolve in some way other than a bunch of Avenger-powered baddie Skrulls trotting around the Earth. As far as pentultimate episodes go, âThe Harvestâ came up short but with one episode left to go, thereâs still time before the impact of Secret Invasion can truly be judged.
Marvel is the big fish in the pond and for the first time in a long time, they had a project not quite reach the heights they usually do. While Ant-Man and the Wasp: Quantumania didnât crack the $500M, it was more a warning of what was to come throughout the summer box office with one bomb after another that barely crack the $300M ceiling. Outside of a few exceptions, including Guardians fo the Galaxy Vol. 3, it has been rough all around.
That still didnât stop people from calling it the end of Marvel Studios and the Marvel Cinematic Universe; a common complaint throughout the Internetâs long history with the franchise. Still, Disney CEO Bob Iger is seemingly aware that their own ambitions became a focus point of general audience drag. He ends up discussing the performance of some recent releases, but generalizes the topic of how their streaming ventures hurt their theatrical output.
There have been some disappointments. We would have liked some of our more recent releases to perform better. Itâs reflective not as a problem from a personnel perspective, but I think in our zeal to basically grow our content significantly to serve mostly our streaming offerings, we ended up taxing our people way beyond â in terms of their time and their focus â way beyond where they had been.
Bob Iger
He ends up highlighting Marvel as an example by downplaying previous TV ventures and stating that audiencesâ âfocus and attentionâ was diluted. While the internet would make that seem true, thereâs a big batch of people out there that generally donât keep up even when there were just two or three films a year. Plus, there was the whole pandemic that changed many viewersâ behaviors and strongly showed its fangs this summer at the box office. The sudden increase in output to appears the Chapek era of âall-in streamingâ strategy still played a role in this multi-faceted world.
Marvelâs a great example of that. They had not been in the TV business at any significant level. Not only did they increase their movie output, but they ended up making a number of television series, and frankly, it diluted focus and attention. That is, I think, more of the cause than anything.
Bob Iger
One thing concerning this comment is claiming that Marvel has ânot been in the TV business at any significant level,â which means Iger is mainly referencing Marvel Studios as an entity or generally forgetting the past few years. Their Disney+ output is far removed from the weekly releases of a 22-episode season that was Agents of SHIELD. The various Netflix series set the standard for manyâs expectations of the current shows.
That is also ignoring Huluâs Runaways which ran for two seasons, the non-Disney productions like Legion and The Gifted. We also canât forget Cloak & Dagger which ran on Freeform and we havenât even touched upon any of the animated series or whatever Inhumans wanted to be. There was more output from Marvel at one point, and seems like an oversimplification of a post-COVID media world.
At the end of the day, if a film is good but not worth a rewatch in theaters: why watch it in theaters? Their strategy to release films within 45 days created a new habit for viewers and ended up dragging their box office successes more than diluting viewersâ attention. Similar to how they milked their other golden goose on the streaming service and ended up hurting Pixarâs box office success long-term. Itâs never that simple.
Representing the 2/3 marker of their 6-episode series, the fourth episodes of Marvel Studios Disney Plus streaming series have routinely served as pivot points for the shows. Episode 4 of Marvel Studiosâ latest streaming series, Secret Invasion, kept that trend alive with multiple big moments that will change the course of the show as it heads into its final act; however, none of those big moments really felt impactful as they were ultimately far too predictable. At the end of the day, though, â Belovedâ gave Samuel L. Jacksonâs Nick Fury the final push he needed to bring back that Old Nick Fury weâve heard so much about.
As was widely speculatedâand indeed given away by promotional footageâEmilia Clarkeâs Gâiah was not only NOT dead but also now a Super Skrull herself, powered up with Extremis at the least and who knows what else at the most. Gâiahâs brief reunion with her father, Ben Mendelsohnâs Talos, didnât really have the emotional kick the writersâ room probably intended for it to have (due in part to the lack of screen time the characters shared up to this point) but it did all too easily clue engaged fans into the fact that Talos wasnât going to survive the episode. As a series intended to be full of twists and turns, Talosâ death was another example of a âtwistâ that was far too foreshadowed by a trope audiences have seen far too many times to miss. Just like Fury and his Skrull wife werenât going to shoot one another and Rhodey was the most obvious Skrull plant well before the series ever aired, the paranoia and suspense that the audience is supposed to be feeling just isnât there.
Emilia Clarke as Gâiah in Marvel Studiosâ SECRET INVASION, exclusively on Disney+. Photo by Gareth Gatrell. Š 2023 MARVEL.
Outside of the less-than-impactful âtwistsâ in Episode 4, âBelovedâ also took away one of the series greatest strengths to date: the chemistry between series leads Jackson and Mendelsohn (itâs also probably one of the last times fans will be treated to the great chemistry between Don Cheadle and Jackson as well). While Jacksonâs charisma and talent makes him a surefire match for any talented actor with whom heâs sharing scenes, he and Mendelsohn had something special and itâs more of a gut punch to know we wonât see that again than it is to know Talos is dead (or âdeadâ?). Talosâ death does, however, open the door for Fury to need a new ally in his fight against the Skrulls which may just lead him back to the absolutely wonderful Olivia Colman whose character has, to date, been greatly underused.
Whatever the case, it does seem clear that Talosâ death will be the final push needed to help Fury find his way back to the bad mother fucker that Secret Invasion has reminded us of so frequently. One of the most frequently seen clips from the promotional footage for series saw Fury putting on an eye patch and a trench coat in a cemetery and savvy fans are well aware thatâs not happened yet. As Secret Invasion enters its third and final act in next weekâs Episode 5, that moment is likely just around the corner and two episodes of a vengeful Fury turned loose on Gravikâs Skrulls puts the conclusion of the series in the hands of its surest bet: Jacksonâs enormous talent. So while Episode 4 was a bit of a downshift, thereâs plenty of hope for the series to end in high gear, letting Jackson open it up on a long straightaway.
Episode 3 of Marvel Studios Secret Invasion certainly doesnât ascend to the heights of the previous installment but it does share the same strengths. âBetrayedâ follows the same recipe for success as âPromisesâ by giving stars Samuel L. Jackson and Ben Mendelsohn plenty of room to riff off one another but fails to deliver the payload due in part to a fairly uninspired and less-than-surprising series of âtwists.â
Billed as a paranoid spy-thriller, Secret Invasion hasnât really been steeped in much paranoia and the outcomes of this episodeâs spy games were all too predictable. The Skrull plot to blow up the UN plane didnât work?! Gâiah got caught!? Rhodey is a Skrull?! When compared to similar projects within the genre, the attempt to thrill and surprise the audience not only doesnât live up to Mission: Impossible standards but also does not even to the MCUâs espionage goalpost, Captain America: The Winter Soldier. The good news, however, is that the series is only at the halfway point and hopefully ups its game during the second half.
Ben Mendelsohn as Talos/Keller in Marvel Studiosâ Secret Invasion, exclusively on Disney+. Photo courtesy of Marvel Studios. Š 2022 MARVEL.
Whether the series ever lives up to the billing of a high-stakes spy thriller or not, itâs clear that Kyle Bradstreet, Ali Selim and the team of creatives behind Secret Invasion knew where their bread would be buttered and gave the supremely talented duo of Jackson and Mendelsohn room to work. When watching the two playfully barb one another, itâs impossible not to think that the two veteran talents either had some input into their dialogue or did a fair amount of ad-libbing. Either way, the result continues to be some of the MCUâs best character work. And on that note, using the series to draw out the idea that Nick Furyâs reputation as âthe spyâ of the MCU was built on the backs of Talos and his Skrulls is a wonderful bit of retconning that truly changes the world we thought we knew. Maybe the second half of the series will allow Gravik and his extremist Skrulls the same opportunity.
As for Gravik, heâs given some real bite by Kingsley Ben-Adir despite being written into some corners. Now that his Super Skrull plan has been revealed (as well as the fact that heâs already powered himself up), that will seemingly become Fury and Talosâ primary problem. How can two non-powered folks take down an army of Super Skrulls? They certainly canât expect help from War Machine now that we know Rhodey is a Skrull and Fury has already made it clear heâs not calling The Avengers for help. So, perhaps his best bet is a Super Skrull or two of his own? While Marvel Studios has been known to waste a talent or two over the course of its 15-year history, itâs hard to believe they just Quicksilvered Emilia Clarke, especially when promotional footage for the series has shown her character in several key scenes that havenât made their way into the show yetâŚincluding one in which she appears to be in Gravikâs Super Skrull maker. Of course, that could all have been subterfuge by the studio but given the myriad ways Giâah could still be alive letâs hope itâs not.
While itâs a bit concerning that Secret Invasion only delivered one truly strong episode in the first half of the series, it does actually feel like the best is yet to come. Through visual cues, the audience can track the âreturn of Nick Furyâ and so far, heâs not quite there yet. Once Fury resumes being Furyâand what will it take to finally push him to that point?âthe series could become something else entirely as well.
It appears that Marvel Studios did NOT learn anything from WandaVision. Marvel Studios first streaming series generated an inordinate amount of buzz each week as fans theorized that everyone from Reed Richards to Magneto to Mephisto would appear and then went into frenetic outrage when their theories came up empty. Adding to the frenzy was the appearance of Evan Peters who after portraying Quicksilver in the Fox X-Men franchise, popped into WandaVision as Wandaâs twin brother only to be revealed to be an out-of-work actor named Ralph Bohner. Week to week, the outrage over Bohner grew and grew as it became clear that Petersâ Bohner was nothing more than a misdirection. Despite all the rage over Bohner, a new rumor suggests that Marvel Studios is ready to revisit the flaccid role in its WandaVision follow-up.
According to insider Daniel RPK (via @ScarletWitchUpd), Petersâ will take another stab at Bohner in the WandaVision spinoff Agatha: Coven of Chaos.
RUMOR | Evan Peters is reprising his role Ralph Bohner from âWandaVisionâ in âAgatha: Coven of Chaosâ!
â Scarlet Witch Updates (@ScarletWitchUpd) July 3, 2023
It might seem that revisiting Petersâ Bohner might not have much left to offer the MCU following a disappointing first ride but clearly Jac Schaeffer and the powers that be donât see it that way. However, while it seems unlikely that Bohner will fill a huge gap in the plot of the series, given where WandaVision left his character and Kathryn Hahnâs Agatha, thereâs probably a little space for the character to slide into the plot in some satisfying way.
Agatha: Coven of Chaos is currently expected to stream on Disney Plus at some point in 2024.
There are always a lot of eyes and ears out there trying to get the latest scoop on whatever Marvel Studios is up to. Rumors have been circulating far and wide that theyâve dragged down the overall experience and likely are a big factor in the âfatigueâ discussions online, as we constantly hear reports of things that may never even happen or arenât even true. Now, it seems a long-time Marvel stuntman, Chris Brewster, is joining the game with a rather curious statement.
Taking part in the Ikuzo Unscripted podcast, the stuntman claims that one of the upcoming Disney+ shows was almost canned, or as he puts it: âThey were going to Batgirl it.â The show heâs talking about is nonother than Echo, which was seemingly postponed quite a bit throughout its production as weâve heard some time ago. While they are still moving forward with the show, he claims that is due to the strike.
Uh, yeah, well, they⌠I always get the word of mouth. I heard they were going to âBatgirlâ it, because they werenât happy with it and now theyâre doing reshoots and are planning on airing it. But I think that could also have something to do with the fact that thereâs a strike and thereâs not a lot of content right now, so like, âWe have it made already.
Chris Brewster
While there have been some discussions about not having enough time to make it work by head writer Marion Dayre, the series was delayed quite a bit. Of course, he also mentions reshoots that could make up for a lot of the troubles they faced and if it werenât for the Internet we likely wouldâve never known this. Who knows if the âword of mouthâ heâs hearing isnât also someone hearing it from another and things slightly alter from there. We canât say if this was just an option on the table in a meeting, or if they generally were looking into the option fully. The drawback of these kinds of stories.
Echo is set to be the first binge drop for the franchise on November 29th, at least for a live-action show. It has big ties to the upcoming Daredevil: Born Again series, which he also complained about not including Netflixâs original production team in the same interview. Though, one could argue that they arenât tied to having to do the same project the exact same way and have a pool of talent that gave us some great stunts in the past. Plus, we donât know what direction the production is heading given its many episodes.
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