Tag: Movie News

  • Keira Knightley Calls ‘Boston Strangler’ a “Love Song to Female Investigative Journalists”

    Keira Knightley Calls ‘Boston Strangler’ a “Love Song to Female Investigative Journalists”

    Between 1962 and 1964, 13 women were stalked, sexually assaulted and strangled in the Boston area. By July of 1962, word of the “Mad Strangler” or the “Phantom Strangler” had begun to spread and with that word spread fear among women in the area who believed they might be next. With the murders taking place in multiple different jurisdictions within the greater Boston area, police were slow to see the potential serial nature of them; Boston Record American journalist Loretta McLaughlin, however, was not. Working with Jean Cole, McLaughlin began investigating the murders and tying them together through evidence. In 1963, the pair published a four-part series in the Record American about the murders committed by the Boston Strangler. Though their work in connecting the cases was groundbreaking, the pair of journalists are rarely discussed in connection with the case.

    The Hulu original movie Boston Strangler, starring Keira Knightley as Loretta McLaughlin and Carrie Coon as Jean Cole, looks to shine a light on the important work done by McLaughlin and Cole in helping police tie the murders together and, eventually, identify a killer and put a stop to the serial killings. While there’s still some doubt that all 13 murders were the work of one man, the killings stopped with the arrest of Albert DeSalvo. During the global press junket for the film, Knightley spoke on the role the two women played in stopping the murders and why the story of their work, which has been ignored for so long, needs to be shared.

    Well, I think for me, this whole film is really a love song to female investigative journalists. And really highlights how important it is to have women in position of power in storytelling because it was these two women that really went, “This is an important story. This is
    information that needs to be in the public in order to keep women of Boston safe.” And I think, largely, it was a story that had been, at that point, ignored by the male establishment.

    Knightley went on to indicate that given the climate and culture at the time, it’s possible the string of murders may have gone unnoticed much longer had McLaughlin not made the connection.

    And I don’t know that their male colleagues would have seen the importance of it. So I think it’s wonderful to be part of something that is really highlighting how important it is to have as many good female journalists as you possibly can for the safety of our communities.

    Given the prominence of McLaughlin and Cole’s persistent work–even in the face of discrimination– in helping save the lives of potential victims and noticing the serial nature of the killings, Boston Strangler certainly works as a reminder of the challenges faced and overcome by women in predominantly male fields. As part of Women’s History Month, you can check out Boston Strangler on Hulu beginning March 17th.

  • ‘Scream VI’ Looks To Break $35 Million Opening Weekend Record

    ‘Scream VI’ Looks To Break $35 Million Opening Weekend Record

    Scream VI is hitting screens Friday, March 10, and early reports suggest that the film could see at least $35 million from its opening weekend. The latest Scream film will have big shoes to fill as the industry expects it to improve over 2022’s Scream, which debuted at $30 million. Scream VI will likely see steep competition as the box officer leader, Creed III, has firm control of ticket sales and is expected to have a decent holdover going into its second weekend.

    Of course, something working in the film’s favor is that the long-running Scream horror series is very popular and found success last year with $81 million domestically. Following the success of 2022’s Scream, Paramount quickly crafted another installment, promoting this year’s film with the infamous knife-wielding masked murderer fans have openly embraced.

    Scream VI tells the story of survivors looking for a fresh start in New York. However, things quickly turn as they stumble upon a new Ghostface killer and a bloody rampage. The latest installment stars Melissa Barrera, Jenny Ortega, and Courteney Cox, and sees the return of Hayden Panettiere as Kirby Reed. It

  • ‘The Batman’ Producer Reveals Planned Start of Production for the Sequel

    ‘The Batman’ Producer Reveals Planned Start of Production for the Sequel

    As DC Studios is remade under co-chairs James Gunn and Peter Safran, Matt Reeves suite of Gotham-based projects remain part of the plan. While they’ll be apart from the main DCU as part of the new Elseworlds banner, projects such as The Penguin and the recently announced The Batman-Part II are integral components of the future of the studio.

    Set photos of Collin Farrell recently revealed that the HBO Max series, The Penguin, has begun production ahead of its expected 2024 release. Now, thanks to producer Michael Uslan, fans can also look forward to production on the sequel to 2022’s The Batman getting underway this year as well.

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    The Batman-Part II is tentatively slated for a November 2023 start of production, providing nearly two years for Reeves to craft the film before of its scheduled October 5, 2023 release. With the project on Pace for a late 2023 start of production, casting for the film should get underway over the next couple of months providing fans with an opportunity to begin to gleam some clues of the sequel’s story.

  • ‘Guardians of the Galaxy Vol.3’ to Have the Longest Runtime of the Trilogy; Still Too Short for You

    ‘Guardians of the Galaxy Vol.3’ to Have the Longest Runtime of the Trilogy; Still Too Short for You

    With just under two months to go until the May debut of Guardians of the Galaxy Vol. 3, director James Gunn has remained fairly active in social media discussions about the film despite being engrossed in his new role as co-chair of DC Studios. The final installment in Gunn’s Guardians trilogy promises to be an emotional roller coaster as it brings an end to the story of this iteration of the team and not every member is expected to survive their encounter with the film’s villain, Chukwudi Iwuji‘s High Evolutionary.

    Gunn has consistently praised Iwujij’s performance in the film and recently took to Instagram to hype the High Evolutionary, who is responsible for the experiments/torture of Rocket. Gunn’s post simply teased “Can’t wait for you all to meet this guy” along with a creepy picture of High Evolutionary’s face stretched over some enhancements but fans took the chance to interact with Gunn to ask about the film’s runtime.

    Though he didn’t give an exact runtime for the sequel, Gunn did respond that “It’s longer than 1 & 2.” As can be seen here, Guardians of the Galaxy checked in at 2 hours and 2 minutes and Guardians of the Galaxy Vol. 2 at 2 hours and 17 minutes, a runtime that included 5 stingers. Gunn’s statement means that not only will Guardians of the Galaxy Vol. 3 be the longest Guardians film but also the longest film of his directorial career and one of the ten longest MCU films. That checks out as there’s a lot to do in the film. Time will have to be spent on exposition about the High Evolutionary and Adam Warlock, exploring the new dynamics of the Guardians with a time-displaced Gamora, killing someone(s) and setting the stage for the future of the team. Given all that, a 2 hour and 18+ minute runtime seems fair.

    Guardians of the Galaxy Vol. 3 debuts in theaters on May 5th!

  • ‘Ant-Man 3’ Passes $400M Globally and Beats ‘Ant-Man’s Domestic Run

    ‘Ant-Man 3’ Passes $400M Globally and Beats ‘Ant-Man’s Domestic Run

    All eyes are on Ant-Man and the Wasp: Quantumania‘s box office run, some with shock and others with glee. The film faced a record second-weekend drop that is slightly above Batman v Superman: Dawn of Justice‘s back in 2016. With a B CinemaScore and rather mild word-of-mouth, the film was the focus of many deliberations over the end of Marvel Studios’ reign at the box office. Still, the film is performing and isn’t as big as it could’ve been.

    As of now, the film saw a smaller international drop in its third weekend compared to the domestic performance as it pulled in $22M in 52 markets. That is a 53% drop and a bit of a better hold than the 61% we saw domestically at $12M+. As such, the film stands domestically at $186.7M and internationally at $232.7M. Worldwide the film is now at $419.5M and is still expected to pass $500M worldwide going by Deadline’s current expectations while others believe it might barely miss that benchmark.

    That would align with our early predictions after the second-week drop, which was expecting the film to land somewhere between $500M to $550M, though it is now leaning towards the former. That would put it below the international box office of Ant-Man and the Wasp, which pulled in $632M and it’s even more uncertain if it’ll beat Ant-Man‘s $519M worldwide.

    We also can’t forget how different the comparisons are if you take China’s overall slump as a factor in how the film is performing. Ant-Man‘s 518M run consisted of 105M in China. So, the film technically made around 413M without that specific market. Ant-Man and the Wasp similarly pulled in 120M in China, which would set it at 503M. If the film wraps up at around 40M in China and plays around the 500M mark, it’ll still have made quite a bit more than the first entry, though that 200M budget is just what is hurting the film at this point.

    It’s the “risk” that they took by going big and bold with this Ant-Man film, which may simply just have had some take a step back in this rather different direction for the franchise. As such, it’s uncertain just how much money they invested in the marketing, as if they went 100M, they’d have to at least hit 600M to technically break even as they make around half from box office tickets. It’s something only expected with high-budget investments. Though, they made enough last year to balance it out somewhat.

    What is definite though is that domestically the threequel has passed the first Ant-Man‘s $180M entire domestic run by its third weekend. It’s definitely not as far as it could’ve gone if the film’s domestic hold was stronger, but it’s not a complete loss due to the film still performing decently. It’s a similar discussion point that we saw with the first Ant-Man film when it opened to a tepid $57M and was called a flop after releasing in the wake of Avengers: Age of Ultron.

    Ironically, Age of Ultron was also the focus of a similar discussion point when it opened below the first Avengers film. Even though it “only” managed to pull in $1.4B compared to The Avengers‘ still impressive $1.5B back in 2012. While it’s different circumstances overall, especially with the higher investment in Quantumania outshining previous entries, it’s always been a discussion point on the staying power of Marvel studios at the box office if a slight drop happens.

    The main point still remains that the fatigue discussion and “end of Marvel” existed ever since 2015 and likely won’t ever end. 2021 releases still performed incredibly well even with B+ scores, and Marvel Studios may have taken too big of a step with the usual smaller Ant-Man franchise. No matter where one stands on its quality, it’s definitely a bigger jump for one of Marvel Studios’ various franchises that just didn’t quite pay off.

    The long-forgotten aspect of Marvel movies is also that not everyone watches every single entry. So, if this truly will echo for future entries remains to be seen as Guardians of the Galaxy Vol. 3 seems like a sure-fire release this summer and The Marvels‘ could still pull in quite an audience if it manages to reverse the current “B” CinemaScore trend. It may be fatigue, it may not be but Eternals‘ dominance on Disney+ after a soft (and another risky release) during the pandemic may hint at the overall “heard it’s alright, let’s wait for it to hit Disney+” mentality echoing out of the 45-day release window.

    If this film has strong Disney+ numbers once it releases on the platform, we are definitely looking at a trend. Marvel Studios films will open big but require a much stronger reception to stick around in theaters due to the certainty of a free streaming release. We might be seeing an aftermath of the pandemic that is easily overshadowed but not forgotten when looking at Strange Worlds and Lightyear. If Disney was smart, they’d pull another Wakanda Forever and just refuse to release it anytime soon; something Bog Iger and Kevin Feige might be pushing as a back to the old norm with Bob Chapek out of the picture.

    Source: Deadline, The Numbers (Ant-Man), The Numbers (Avengers), The Numbers (Ant-Man 2), Twitter

  • ‘John Wick 4’ Heading to Franchise’s Best Opening Weekend at the Domestic Box Office

    ‘John Wick 4’ Heading to Franchise’s Best Opening Weekend at the Domestic Box Office

    The fourth entry of the John Wick franchise is almost upon us and the early tracking is looking at a promising high-opening weekend that could land anywhere between $60M to $70M. It would continue a strong tentpole spring market that saw some massive openings with Ant-Man and the Wasp: Quantumania (ignoring its overall legs, it still is February’s third-highest opening ever), this weekend’s performance of Creed 3 and some surprise players like Cocaine Bear.

    John Wick: Chapter 4 may have lost its additional subtitle, but it’s still set for a strong weekend once it releases. Pandemic numbers are still shaky to predict as most box office openings are given mostly conservative estimates; especially by studios. There’s also the factor of a fourth entry in a film commonly being a big question mark for most.

    Still, the film is expected to be higher than Parabellum, which opened at $56.8M and managed to leg out to $171M. Worldwide it was the highest grossing of the franchise at around $585M. The appeal of these films seems to be with an otherwise dormant older audience that loves the appeal of this grounded action spectacle, similar to the audience that showed up for Top Gun: Maverick throughout its impressive leggy run. It’ll be interesting if that same appeal will remain for the spinoff Ballerina.

    Source: Deadline

  • ‘Creed 3’ Knocks Out With $58M+ Opening Weekend

    ‘Creed 3’ Knocks Out With $58M+ Opening Weekend

    The numbers are down and it looks like Creed 3 is ready for a knockout this weekend. The MGM and Amazon Studios produced film is now the highest-grossing Rocky and Creed entry of the franchise, which bodes well for the franchise’s future. The biggest aspect is that the film is poised to pull in $150M over its run putting git ahead of the first two entries and marking a big move forward for Michael B. Jordan‘s directorial debut. As of now, it is also the highest debut ever for a sports film.

    Amazon recently purchased MGM which had some worried that this might end up with a too quick streaming turnaround, but this performance may force Amazon to rethink that strategy and could become another long-term showcase of the importance of theatrical releases. Marvel Studios and Disney’s animated fare have taken quite a bit of damage from the “45-day” streaming window with strong frontloading for the former and a general lack of visits for the latter. Either way, Creed 3 is making a powerful stand and may hopefully also make Netflix realize what they missed out on with Glass Onion during Thanksgiving.

    It also was a smart move to move the film away from Wakanda Forever, as it was originally set for Thanksgiving and got the chance to open the March market which has more staying power than the usual calm February (with some exceptions like the strong openers of Deadpool, Black Panther, and recently Ant-Man and the Wasp: Quantumnania). March is going to be a competitive market that may push the overall box office for this year forward even if projections still don’t see a return to 2019’s bombastic era.

    Another strong performance this weekend was Crunchyroll’s Demon Slayer Into the Swordsmith Village, which pulled in $10.1M. It’s interesting how strong the Friday openings are for Anime openings as it calms down heavily over the weekend after they moved from $4.1M to $3.4M on Saturday. The big ouch of the weekend is the long-awaited opening for Guy Richtie‘s Operation Fortune: Ruse de Guerre which only opened to $3.1M opening.

    Ant-Man and the Wasp: Quantumania held on as much as it could ending the weekend with $12M, which isn’t going to break any records but does mean the film simply hasn’t had the same hold as other pictures. It’s developing closer to Batman v Superman domestically without a much stronger international push. While many are going to call this “the end”, it simply shows an interesting trend. Marvel films are strong openers and extremely frontloaded but if word-of-mouth simply is tepid or mixed, most will wait for that Disney+ release. Plus, the heavy sci-fi direction ma simply just does not jell with the usual “simplicity” of a former palate cleanser franchise.

    Still, Cocaine Bear took the third spot after a decent second weekend. It’s B- CinemaScore didn’t hit it too hard as it still held on for a genre piece which usually drops 60% or worse on the second weekend but it may still be holding on to some online fanfare. We haven’t had a good or just pure “fun” slasher in a while, which may be pushing the film further even as the general audience has mixed feelings about the offering. Overall, still a strong weekend overall for the box office.

    Source: Deadline, Variety

  • Joaquin Phoenix Returns to Gotham in BTS Video and Pics from ‘Joker: Folie à Deux’ 

    Joaquin Phoenix Returns to Gotham in BTS Video and Pics from ‘Joker: Folie à Deux’ 

    2019’s Joker stands as one of DC’s most successful films. The film grossed over $1B and won several awards, including star Joaquin Phoenix‘s Oscar for Best Actor and Warner Bros. quickly went to work on getting Phoenix back in the saddle for a sequel. That sequel, Joker: Folie à Deux, is now in production in Los Angeles and as it was filming on location recently, some glimpses of Phoenix back in action as Arthur Fleck were captured.

    The video could be a bit misleading if not for some follow-up photos. Though there’s a man running down the road in Fleck’s suit and makeup from Joker, that is NOT Fleck.

    It’s not entirely clear what’s taking place in the scene being filmed, but Joaquin Phoenix Updates speculates that this may be Fleck’s escape from Arkham and the man in the Joker suit from the first film is helping Fleck escape by drawing attention to himself. According to the site, articles on the set of the sequel indicate it is set in 1983, two years later than the original.

    Joker: Folie à Deux, which will be part of the new DC Studios Elseworlds banner, will co-star Lady Gaga, Brendan Gleeson and Catherine Keener and is slated for ann October 4th, 2024 release.

    Source: Joaquin Phoenix Updates

  • NBA’s Adam Silver On Shortlist to Replace Bob Iger as Disney’s Next CEO

    NBA’s Adam Silver On Shortlist to Replace Bob Iger as Disney’s Next CEO

    When Bob Iger returned as CEO of Disney, it was known that it wasn’t going to last. Ever since he took over from Bob Chapek, he was on the path to retiring within two years once again. Fox Business announced Disney is cultivating a shortlist of viable candidates to succeed Iger but hasn’t yet nailed the one to take over just yet.

    Potential options include Dana Walden, Disney’s entertainment co-chair; Kevin Mayer, CEO of TikTok and founder and CEO of Candle Media; Adam Silver, Commissioner of the National Basketball Association. The list allegedly has other possible internal contenders, including Alan Bergman, Walden‘s entertainment co-chair, Josh D’Amaro, Chairman of Parks and Resorts, and Jimmy Pitaro, President of ESPN.

    Silver is an intriguing candidate who doesn’t quite share the same background as the other candidates but does have direct ties to ESPN, Disney’s flagship network, through his role as commissioner. He also has eight years of experience as president and COO of NBA Entertainment.

    One executive of a major sports franchise spoke anonymously but provided some insight:

    It’s an unusual choice since Disney is usually run by people who know the entertainment industry. But he certainly knows Disney and Iger, so it’s possible.

    Charlie Gasparino , Eleanor Terrett – Fox Business

    If selected, Silver has an uphill battle. The NBA generates $10 billion dollars in annual revenue compared to Disney’s $80 billion in 2022. However, running a professional sports league offers hands-on experience (such as management, dealing with various high-level stakeholders, and entertainment) that would lend itself well.

    Source: Fox Business

  • Seth Rogen’s ‘Teenage Mutant Ninja Turtles’ Unveils Stacked Cast

    Seth Rogen’s ‘Teenage Mutant Ninja Turtles’ Unveils Stacked Cast

    Teenage Mutant Ninja Turtles are finally heading back to the silver screen in style, as Seth Rogen flexes his animated muscle again. Ever since Mutant Mayhem was unveiled, many wondered what the series would look like and who might be taking on the roles of this new incarnation of the Turtles. While they still continue going through different iterations on TV, a high-budget animated project seemed very promising.

    After a long silence, we finally got a tease of what’s to come with Mutant Mayhem, as the official Twitter account for this new film has unveiled the stacked cast of familiar and new characters heading our way. Not just that, but we also got the confirmation that the first trailer will finally arrive on Monday, March 6th.

    So, let’s go through the amazing cast that has assembled for this Turtle Power showcase:

    • Nicolas Cantu is Leo
    • Shamon Brown Jr. is Mikey
    • Nicah Abbey is Donnie
    • Brady Noon is Raph
    • Jackie Chan is Splinter
    • Ayo Edebiri is April
    • Ice Cube is Superfly
    • Seth Rogen is Bebop
    • John Cena is Rocksteady
    • Paul Rudd is Mondo Gecko
    • Natasia Demetrious is Wing Nut
    • Rose Byrne is Leatheerhead
    • Post Malone is Ray Fillet
    • Hannibal Buress is Genghis Frog
    • Maya Rudolph is Cynthia Utrom
    • Giancarlo Esposito is Baxter Stockman

    Now that is quite the stock of characters, especially with just how many different mutants from the many years of Teenage Mutant Ninja Turtles incarnations that are joining this project. It definitely screams Mutant Mayhem going by how many they are adding, though it’ll be interesting to see if this is an origin story or just continues in one of their usual adventures. The most notable absence though is Casey Jones isn’t on the list. Perhaps someone they hope to keep for a sequel.

    It’s also great to see that they cast actual teenagers to play the iconic turtles in this version. They are commonly played by veteran voice actors, so this will add quite a refreshing take and add a little something special t this take on the characters. In a way, we might see the Turtles grow up alongside the actors if this manages to build up its own franchise moving forward.

    Source: Twitter