As fans prepare to dive into The Punisher: One Last Kill on Disney+, a new report from The Direct is fueling speculation that this Special Presentation might be the final audition for a full-blown theatrical Punisher movie.
While the current project is a standalone, 40ish-minute Marvel Spotlight entry, the conversation is rapidly shifting toward Frank Castle’s big-screen potential—especially with Jon Bernthal already confirmed for a major role in this summer’s Spider-Man: Brand New Day.
The Punisher: One Last Kill isn’t just another MCU spin-off; it’s a mission statement. Bernthal didn’t just return as the lead; he also co-wrote and executive produced the special alongside director Reinaldo Marcus Green. This level of creative involvement suggests Marvel is trusting Bernthal to define the adult tone of the character’s MCU future.
Moving forward. I think, speaking for myself, I know Jon, and I would love to make a movie, something that could go worldwide and be on screens everywhere. But obviously, that’ll be Marvel’s decision.
-Reinaldo Marcus Green
Green admitted that while One Last Kill is a streaming event, both he and Bernthal “would love” to see Frank Castle lead his own theatrical film. “Obviously, that’ll be Marvel’s decision,” Green noted, but emphasized that the demand for an R-rated theatrical Punisher has never been higher.
To be honest, I can’t speak to that. I don’t know what the plans are for the future of the Punisher. The only thing that we hope that we were able to accomplish is the demand for more if we were able to accomplish that. Hopefully Jon [Bernthal] and Marvel will come together to make something worthy of what the audience would want to see out of that character.
-Reinaldo Marcus Green
Following the success of Deadpool & Wolverine and the two TV-MA seasons of Daredevil: Born Again, Marvel Studios is reportedly no longer afraid of the R-rating in theaters. With Disney pivoting back toward theatrical releases and away from aggressive streaming slates, Frank Castle is the perfect candidate to lead a lower-budget, high-impact, R-rated Marvel Knights cinematic line.
It’s going to be dark; Frank has no interest in breaking out the darkness. It’s not going to be easy. I don’t know if that’s the Netflix tone then that’s what it’s going to be. It will not be Punisher-lite, I promise you that.
–Jon Bernthal on The Punisher Special Presentation
While talking about his role in Spider-Man: Brand New Day, which hits theaters on July 31, 2026, Bernthal stated that The Punisher will stream on D+ “around that same time.”
“Around that same time, there will also be this Punisher special that’s coming out, that I think will be as high-octane Punisher as you’ve ever seen,” said Bernthal. While it’s not officially confirmed that the special presentation is set before the events of Spider-Man: Brand New Day, there’s enough evidence to support a reasonable assumption that it is, making a June or early-July streaming debut the most likely scenario.
It’s like a shotgun blast of a story, but also has all the pathos and emotion that you want out of a Frank Castle story.
-Marvel Television Top Dog Brad Winderbaum
Co-written by star Jon Bernthal and Reinaldo Marcus Green, The Punisher will be the third Special Presentation to stream on D+, joining Werewolf By Night and The Guardians of the Galaxy Holiday Special. All signs point to the feature being incredibly violent, which has caused some consternation about how the character could blend seamlessly into the world of a very friendly Wallcrawler. Bernthal addressed those concerns as well.
“I think what was really important to me and to Destin and to Tom is that we believed that The Punisher could walk off of the Spider-Man set and could walk onto the special set, and I do believe that we achieved that,” Bernthal explained. Without directly stating it, Bernthal seems to be implying that, as is the case in the comics–and with Daredevil’s appearance in She-Hulk Attorney at Law–characters can be malleable in order to fit the environment in which the story is set.
Taken from what’s believed to be the last day of principal photography on ThePunisher Special Presentation, the photo–shared by Steve Sands–shows Bernthal‘s Frank Castle sporting a fresh fade and full tactical gear, including the iconic skull on his vest.
Co-written by Bernthal and Reinaldo Marcus Green and believed to be inspired by Garth Ennis‘ 12-issue “Welcome Back Frank” arc, The Punisher Special Presentation will see Castle take on Ma Gnucci in what Bernthal promised would be a dark and brutal event sure to please Netflixers everywhere.
With the proliferation of MCU scoopers on the scene over the past five years, it’s become increasingly rare that Marvel Studios can ever truly pull of a surprise. Plot points, castings and even new projects are typically shared by social media scoopers before the trades or Disney get the news out. However, 2025 has been full of surprises with the trades announcing that Marvel had paused development on a series nobody new was being developed, leaked concept art revealing all kinds of interesting plans and news of a Special Presentation featuring Frank Castle, which came straight from the Marvel TV boss’s mouth.
It’s like a shotgun blast of a story, but also has all the pathos and emotion that you want out of a Frank Castle story.
-Brad Winderbaum on The Punisher Special Presentation
In an interview with THR, Bernthal described the story of the Special Presentation as one that “this character deserves.”
I care very deeply about Frank, I’m really grateful that I’m getting the opportunity to tell the story that I think the fans deserve. We’re giving it our all and we’re trying to tell a Frank Castle story that we’re going to turn our back on the audience — it’s not going to be easy, it’s not going to be light, and I think it’s the version that this character deserves and I’m just beyond honored and grateful that we get the opportunity.
-Jon Bernthal
It also sounds as though fans who enjoyed the two seasons of the Bernthal’s hyper-violent Netflix series, The Punisher, will also enjoy the new project, which is reportedly debuting in 2026.
“It’s going to be dark; Frank has no interest in breaking out the darkness. It’s not going to be easy,” said Bernthal when asked how the Special Presentation would compare to the original Netflix series. “I don’t know if that’s the Netflix tone then that’s what it’s going to be. It will not be Punisher-lite, I promise you that.”
There are many characters that people want to see join the Marvel Cinematic Universe. We’ve already had a smorgasbord of new additions throughout the last few years, especially in the ambitious Multiverse Saga. Yet, that hasn’t stopped other rumors making the rounds on who else might have their future. Werewolf by Night, especially, introduced a more horror-centric corner of the MCU opening up many more potentially getting their own chance at a similar adaptation through a Special Presentation.
Now, a new rumor is making the rounds from Geeks Worldwide’s KC Walsh about the long-rumored project. While he does not have any details on what exactly we can expect from it, he does point to the fact that it’s currently set to release this year in 2023. If they stick to a similar production schedule like Werewolf by Night, they would have to start production in the coming months but it would be possible if they are aiming for a Halloween special. If that is true, we might get more rumors soon, and likely have to wait a bit before we find out more.
Marvel Studios had an exciting year with various projects exploring the different corners of the Marvel Cinematic Universe. One of the biggest surprises was their first Special Presentation Werewolf by Night as long-time composer Michael Giacchino takes on the director’s role to give us the MCU’s first true horror entry.
Inspired by the pulpy Hammer and Universal monster movies, it gave us a very unique and standalone project. It introduced us to the MCU’s take on Man-Thing, its leading star in Gael Garcia Bernal as Jack Russell, and Laura Donnelly as the iconic monster hunter Elsa Bloodstone. In an interview with The Wrap, Donnelly got a chance to talk about if we might see her return in a future project and to further explore the more comic-accurate version of the comics moving forward.
Yes, certainly. The thing that I love about this particular story for Elsa is that we get such a sense that we’re only at the beginning of something for her; she’s not introduced as the character that we know from the comics. It’s her pre-that or maybe she has been that and something has happened — we don’t know. And so it does feel like it’s only this little taster of many, many layers that are there underneath and a huge backstory.
Laura Donnelly
She goes on to highlight she’s definitely down for more exploration of Marvel Studios’ horror corner and especially to reunite with Bernal.
Any opportunity to explore [a follow-up], I would leap at, and I would also love to explore that relationship between Elsa and Jack as well. That’s just one that is just touched on and you see the beginning of something blossoming and we don’t know what that is. And I love working with Gael. I would be very, very happy to — just call me.
Laura Donnely
With no news about when we’d see them next, there’s hopefully a chance that Bloodstone could be our guide through the horror corner of this franchise, especially with how many iconic characters there are that could be explored in other Halloween specials. Still, we’ll have to wait a little longer until we get more news on what Marvel Studios has planned for these characters.
In 2020, before the onslaught of Marvel Studios’ fourth Phase truly began, the idea of minor side characters getting their own spin-offs was still a little absurd. Major supporting players had already been confirmed for semi-solo projects on Disney+ – mostly paired with related names – in the form of series like WandaVision and The Falcon and the Winter Soldier, but there had yet to be any announcements for shows like Agatha: Coven of Chaos that would indicate just how loose Marvel was willing to play it. This is why, at the time, it seemed like such a longshot when Dave Bautista revealed James Gunn had pitched a Guardians of the Galaxy spin-off film starring Drax and Pom Klementieff‘s Mantis to Kevin Feige and the folks at Marvel.
Speaking with Collider in support of his movie My Spy, the former wrestler stated that he was interested in teaming with Gunn and Klementieff for a side project on top of the upcoming Guardians of the Galaxy Vol. 3. His character and Klementieff‘s shared a surprising chemistry when they met in 2017’s Guardians of the Galaxy Vol. 2, and Bautista felt Gunn was correct in wanting to mine that relationship for more gold. The revelation came after the actor was asked if he’d be willing to star in his own Disney+ series:
I wouldn’t do a series because Drax as a series would be really rough with the make-up and everything, it would just be too tough. What I would like to do is, honestly, and this is not my idea, I’m stealing this idea, James Gunn had the idea to do a Drax/Mantis movie, and that’s what I’d be up for because there’s just too much fun there.
True. But this was never ruled out. I still think it could be amazing.
James Gunn, in March of 2020
For a year following the news, not much was heard in the way of Drax and Mantis movie. However, there was movement on an entirely different Guardians of the Galaxy spin-off. At the 2020 Disney Investor’s Day presentation, only nine months after Bautista and Gunn had voiced their Drax-based desires, The Guardians of the Galaxy Holiday Special was unveiled. Marvel pulled the curtain back on a short film, a new type of project they would later dub a ‘Special Presentation,’ that would be written and directed by Gunn for a holiday release, with Bautista, Klementieff, and the rest of the Guardians line-up returning for more intergalactic antics.
The mini-movie seemed to be a completely separate idea at first, something reinforced by more comments made by Bautista in 2021. In an interview with Digital Spy, after once again being asked about the status of a Drax/Mantis film, the Army of the Dead lead was far more pessimistic about the project’s chances of seeing the light of day:
There were talks for a while about a Drax and Mantis film. It was really because it was James Gunn’s idea. He really wanted to do a Drax and Mantis film. He laid it out to me. I thought it was such a brilliant idea, but I haven’t heard any follow-up from the studio. I don’t think they’re very interested, or it doesn’t fit into the way they have things mapped out…
Dave Bautista, in May of 2021
Bautista‘s remark about the studio not fitting the project into their schedule, once again, felt correct at the time. Marvel’s Multiverse Saga is jam-packed with new series, films, and special presentations, and a Drax/Mantis story falling by the wayside in the midst of it all was fully believable. After all, the Holiday Special had been in the works for a good while at that point, and it seemed logical that Bautista would know the extent of his character’s future by then. Furthermore, when the Holiday Special was first announced, Gunn had specifically stated on his social media that it was an idea he had in the tank for a very long while, making it appear as though the short and any other Guardians-related concept pitched in the year prior weren’t one-in-the-same:
One of my favorite stories ever, which I have bugged Kevin Feige endlessly about over the years. I can’t believe we’re actually doing this. And, yes, I unironically loved the Star Wars Holiday Special as a kid.
James Gunn, in December of 2020
In another tweet, posted months later, Gunn stated that he had outlined a treatment for the Holiday Special “years ago,” but had only just finished the actual script in April of 2021. Again, this felt completely innocuous and raised no suspicion among fans who might have been trying to speculate the special’s plot. With the script done, Gunn moved to work on Vol. 3, and the Holiday Special would not begin filming until February of 2022.
Then, just this month, the Holiday Special dropped its first round of marketing. The trailer, a hit with fans, showcased the short film’s plot – with Peter Quill sunk into a depression, Drax and Mantis decide they can brighten his Christmas by heading to Earth and kidnapping his childhood hero, Kevin Bacon. While the released footage features nearly every member of the Guardians, Drax and Mantis seem to get the most screen time, haplessly wreaking havoc across Los Angeles in their quest to bring home the Bacon. Additionally, the poster dropped by Marvel to accompany the teaser featured only two members of the titular team:
Drax and Mantis on the Holiday Special poster
Marvel Studios has a long history of repurposing unused ideas and concepts. It seems plausible that, with Marvel unwilling to play ball on a full-blown Drax/Mantis film, Gunn was able to combine the idea with his long-brewing Holiday Special. Although the creative has seemingly had the Special Presentation in mind for years, he did not actually develop its final script until after conceptualizing the Bautista/Klementieff vehicle. In theory, Gunn might have been able to increase Drax and Mantis’ roles in the special after seeing their spark in Vol. 2 and realizing they would not get another opportunity to star in a project together following Vol. 3. Bautista‘s 2021 claims that a Drax/Mantis movie was not happening predate filming by nearly a year and could have simply come from the fact the actor had yet to see the short’s script and was unaware it had largely become focused on himself and Klementieff. Or the Stuber star simply doesn’t consider the Holiday Special a true Drax/Mantis spin-off.
Of course, it’s also possible that none of this is true. It could just be that the Holiday Special organically shifted towards focusing on the featured duo as the story came together, or that the other Guardians play a much bigger role than the trailer suggests. Still, it’s fun to imagine that the Holiday Special is secretly the Drax/Mantis movie that Gunn has spent years asking for. Perhaps when he said he’d been bugging Feige about the Special for a long time, he didn’t mean the Holiday part specifically. Only time, and pure unwarranted speculation, will tell.
There have been many theories surrounding how exactly James Gunn would tackle a Guardians of the Galaxy Holiday Special. They could go down a Star Wars route with vignettes and some familiar faces, or something that takes place in the Marvel Cinematic Universe as its very own small story. As it turns out, Werewolf by Night confirmed that they will tackle their own little stories, and the first trailer for the Disney+ special revealed exactly which one.
As it turns out, Star-Lord is still down due to the events from Avengers: Endgame after losing Gamora, and his team is hoping to cheer him up. Going by the first look at Groot, we also seemingly now know that this takes place after Thor: Love and Thunder given that he looks quite a bit older. The main plot of the story is the team trying to cheer up their leader and it seems they have a perfect idea: abduct his childhood hero Kevin Bacon.
While it’s a shame that the trailer just gave it away, there might be a lot more we don’t know yet about how this story will play out. Still, Bacon playing himself also fits the tradition of holiday specials including celebrity cameos, and who knows if they might play around with him ending up abducted by the Guardians. Star-Lord will likely have to fix the issue, but he’ll definitely freak out seeing his childhood hero.
With the release of Werewolf By Night, Marvel Studios has given us yet another format in which to experience and further explore the MCU. Following feature films, one-shots, and TV shows, fans have now been treated to its first Special Presentation, with The Guardians of the Galaxy Holiday Special, Marvel’s second go at the format, just a few weeks away. And one thing is certain: if it ends up being as well received as Werewolf By Night has been, the demand for further projects within the same framework is bound to rise.
James Gunn has stated that his upcoming Holiday Special will be under 40 minutes in length and considering that Werewolf clocks in at around 48 minutes (not counting end-credits) the basic parameters for this kind of project seem to be fairly straightforward. Tv-episode-length with a higher budget, and a more concise and focused script than a feature film. Could this structure become the go-to format for Marvel Studios when it comes to their Disney+ content? As with many debates, the truth usually lies somewhere in the middle.
Considering how most Marvel Studios Disney+ shows have been a bit lackluster, there is no doubt that there is still work to be done when adapting the MCU to an episodic format. The Special Presentation type of show does allow Marvel to keep its feature film formula—a formula that works more often than not—a bit more intact, but while that may serve particular stories, there is still much that can be gained by giving certain characters and storylines additional room to breathe by going the 6+ episode route. If anything, Special Presentations allow Marvel to have a sort of middle-ground between a feature film and a TV show, so that when the story does ask for a shorter runtime but still not garnering sufficient relevance for the big screen there is still a way to make it work. It wouldn’t be hard to picture a series like The Falcon and the Winter Soldier being developed as a one-hour tv special, telling the story of how both Sam and Bucky went from Endgame to Captain America: New World Order and Thunderbolts, respectively. The same case could be made for Hawkeye that, as FatWS, would take advantage of previously established characters to streamline the narrative, swiftly leading into the next project. WandaVision would perhaps be the exception since it took the episodic format to heart and made it intrinsic to its essence. As for all Marvel Studios series introducing titular heroes, along with their own set of side characters, from Moon Knight to Ms. Marvel and She-Hulk, the longer runtime provided by several episodes seems completely warranted. Taking time to properly explore their origin, in their own corner of the MCU, without all the noise provided by the evergrowing mob of characters that will eventually engulf them seems fair.
But while the story itself should be the main reason when choosing what format to go with, there are also more specific points working in favor of the new format. For one: talent availability. With the success of the Marvel formula, the franchise is either attracting A-listers to its key roles or turning unknown actors into household names. In either case, unless previously signed contracts so dictate, it will become increasingly hard to get the desired names to be completely available for the time that it takes to shoot the usual 6 to 9 episodes of a regular Marvel Studios series. By having the Special Presentation format available, the studios could keep production schedules shorter, stars happier, and probably even bring about a bit more of that Strange Alchemy that the Russo Brothersvalued so much (something that happens when characters who never interacted in previous projects share the screen for the first time) by making everyone’s schedule a bit more team-up prone.
There is also another issue, especially relevant when it comes to streaming services, that the Special Presentation format sort of bypasses, not on its own but due to the sheer volume of premium original Disney+ content. The importance of keeping active subscribers all-year round is a big reason for investing in episodic series to be a good business model. But since Disney+ already has other equally massive franchises that are aiming at pumping out content frequently, there is no reason for Disney, when looking at the bigger picture, to not be ok with a few Marvel shows becoming glorified one-shots and not having to drive online discourse for several weeks since there are other shows that will keep subscribers busy for that same period.
What is perhaps a bit more dubious, but that could actually be a reality, is what the shorter runtime (when compared to a TV series) might do in terms of rewatchability and how that relates to the ease with which Marvel properties have been able to enter the cultural zeitgeist since 2008. For years Marvel Studios made…movies. Fans had to wait months in-between projects and what did they do when a new one was about to premiere? They rewatched the previous ones. And with that, everything about the movies permeated the discourse, from the biggest set pieces to the smallest of dialogue lines. It feels difficult for the same thing to happen when instead of 120 minutes that can be easily experienced over, and over again, fans have to sit through double that same amount of time, especially when there is always something new coming right up. By trimming the actual minutes of content being released, Marvel might be doing themselves a favor since instead of trending due to having constantly something new out, they might give fans the pause to reconnect with the material in a way that’s way more sustainable in the long run, thus imbuing Marvel Studios projects with what made them relevant to begin with.
As for what the future holds for the Special Presentation format, only time can tell. But things are seemingly on the right track for it to become an MCU staple on Disney+.
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