Tag: TV Reviews

  • REVIEW: Predictable and Dull, Marvel’s ‘Secret Invasion’ Finale is an Overt Disappointment

    REVIEW: Predictable and Dull, Marvel’s ‘Secret Invasion’ Finale is an Overt Disappointment

    From the time the earliest teasers for Secret Invasion rolled out online, it was clear that at some point in the show, Nick Fury wouldn’t be Nick Fury. Since writer Kyle Bradstreet left that “ace” up his sleeve, it was pretty evident from the time “Fury” infiltrated the Skrull hideout that it wasn’t really him. In fact, even in the aftermath of last week’s episode, plenty of fans had already guessed exactly what was going to happen with The Harvest; however, most of those fever dream theories were more interesting than what was delivered in “Home.”

    As far as series finales go, Marvel Studios has seemed to have a hard time “sticking the landing” as everyone likes to say. To continue that analogy, the Secret Invasion finale would be more akin to a gymnast hitting the springboard and then launching headfirst into the pommel horse. For what was hyped up as a paranoia-landed spy thriller, the series as a whole lacked any sense of suspicion or mistrust as to who was or wasn’t a Skrull and despite their efforts, nobody actually believed Russia and America were going to war. Skrull Rhodey was always going to die. G’iah was always going to have her vengeance. “Who do you trust?” Certainly not the people rubber-stamping the choices made here.

    Emilia Clarke as G’iah in Marvel Studios’ SECRET INVASION, exclusively on Disney+. Photo by Gareth Gatrell. © 2023 MARVEL.

    Much as it had previously done with the Kree, Marvel Studios has now painted themselves into a corner with the Skrulls. Kevin Feige once proudly claimed that Marvel Comics pointed Marvel Studios in the right direction with their projects: “The answers are always in the books,” said the head man. It now seems that in their quest to avoid doing direct page-to-screen adaptations, they’ve entirely lost their way. Much like Ronan the Accuser and Mar-Vell before him, Kl’rt, the OG Super Skrull, will either be ignored entirely or greatly reduced in significance…so that the MCU could have Gravik? For decades, Marvel Comics has found ways to keep the Kree-Skrull War alive and interesting but somehow, over the course of two projects, Marvel Studios reduced it–and all its players–into minimalist impressions. What’s left? Some “peace talks” and a brand new most powerful being in the galaxy in Emilia Clarke’s G’iah and Fury’s Skrull wife. What are they going to do now? No idea. Varra’s work is apparently “important” and G’iah’s final scene reeks of the all-too-common theme among Marvel Studios’ writers that whatever comes next for the character is the next guy’s problem.

    And what of the hero of the series? After pushing the people he once took under his wing and hoped to find a home for into a war against their own extinction, Nick Fury…pisses back off into space? So he can make jokes again in The Marvels? After a half-assed explanation given not by Nick but by G’iah pretending to be Nick, old Nick is back and nobody would blame anyone for wondering how–or even if–the events of Secret Invasion will have changed him when we see him again. For four episodes, the series really only worked as a showcase for Samuel L. Jackson, Ben Mendelsohn, Don Cheadle and Olivia Colman’s talents; however, once it came time for it to change gears and try to find its relevance in the ongoing shared narrative, the wheels came off entirely. Ultimately, Secret Invasion will be remembered as a series of unfortunately misapplied and wasted concepts that show Marvel Studios just doesn’t value or understand the Cosmic corner of the comics that Feige once said held all the “answers.” It might be time for the studio to course-correct and work its way back to taking more inspiration from the comics–or it might be too late already.

  • REVIEW: Nick Fury is Finally Back in Episode 5 of ‘Secret Invasion’…and That Might Be the Problem

    REVIEW: Nick Fury is Finally Back in Episode 5 of ‘Secret Invasion’…and That Might Be the Problem

    If you’ve been watching Marvel Studios’ latest Disney Plus streaming series, Secret Invasion, it may have come to your attention that Nick Fury just isn’t himself these days. As the audience has all too often been reminded by everyone in the show that knows him, Fury hasn’t been the same since the Blip. However, as the consequences of Fury’s secrets have continued to come back to haunt him–and potentially the entire human race–glimmers of the old spy have begun to shine through and, as of the end of the latest episode, it seems that yeah, Fury is thinking he’s back. But did Fury’s return come too late?!?!

    Not to put too fine a point on it but the answer is no. And being able to answer that question ahead of the series’ finale is, as Samuel L. Jackson might certainly put it, a mother fucker. As wonderful as Jackson’s performance has been, including the unforgettable scenes he shared with Ben Mendelsohn and the chemistry he continues to share with the criminally underutilized Olivia Colman, Secret Invasion continues to be more about Fury’s past–which by proxy includes the collective past of the MCU–and the bind that puts him into in the present. However, because the Nick Fury and MCU are known to have a future beyond Secret Invasion, the audience already knows the score: despite taking heavy body blows, Fury’s going to Rocky Balboa Gravik’s “Skrull ass” and save the day. We know this because Fury is alive and well in The Marvels. We know this because there’s no way the Marvel Studios Parliament greenlit a project (Armor Wars) about Skrull Rhodey. While that doesn’t mean there might not be some surprises in the finale (after all who among us was not both completely surprised and thrilled to see that one character from Black Widow show up?), the finale pretty much writes itself and that makes anticipation for it a bit low and the buzz around it will likely be a bit dull.

    Samuel L. Jackson as Nick Fury in Marvel Studios’ SECRET INVASION, exclusively on Disney+. Photo by Des Willie. © 2023 MARVEL.

    I love playing him, and I love the fact that they’re opening him up to all these other possibilities and this whole life that he has. So hopefully I’m not done, and in this new phase of the MCU I’ll still be floating in and out of there somehow, some way.

    Samuel L. Jackson on Nick Fury

    That’s not to say that Secret Invasion hasn’t excised a pound of flesh or two from Fury. Over the course of the first five episodes, he’s lost his longest standing ally in Talos, his right hand in Maria Hill and had to come face-to-face with the idea that even he is fallible. But for Secret Invasion to truly matter, the events of it must change the man known as Nick Fury and set him on a new path just as the events of Captain America: The Winter Solider did for Steve Rogers. The good news is that it would seem Jackson has no interest in walking away from the role of Fury which means the next 4-5 years could pay off the investment fans of the MCU have put into Secret Invasion and, to be fair, that’s exactly what Marvel Studios One Above All, Kevin Feige, sold to fans when the first wave of Disney Plus series were first announced.

    Samuel L. Jackson as Nick Fury in Marvel Studios’ SECRET INVASION, exclusively on Disney+. Photo by Gareth Gatrell. © 2023 MARVEL.

    These episodes will intersect with the movies in a very big way,” Feige told Variety in a 2019 inteview. “It’s a totally new form of storytelling that we get to play with and explore. It’s the first long-form narrative that Marvel Studios has done — they’ll be six episodes, eight episodes, 10 episodes with the actors from the films playing their characters. They’ll be changing, evolving, growing in those event series and then those changes will be reflected in their next film appearances,” Feige explained. So while fans continue to wait for each of these series to be “the next big thing”, Feige could easily quote Dennis Green and remind fans that “they are what we thought they were.” But therein may lie the problem with Nick Fury in Secret Invasion. If the finale simply reinstalls old Nick Fury into the MCU, which is what the whole series has been preparing fans for, then there’s been no change, no evolution and no growth. If the Nick Fury who appears in The Marvels hasn’t been irrevocably changed by the events of Secret Invasion, then it will be fair to judge the series as a failure.

    As for the rest of the episode, it’s a bit of a microcosm of the series as a whole. Like the deaths of Maria Hill and Talos before him, Pagan’s death at the hands (?) of Gravik was weightless. It’s hard to think of a supporting character in any of the MCU series that was as impotent as Pagan; seemingly every action undertaken by the character, even his death, would have had the same impact on the series if it happened off screen or didn’t happen at all. For all the razzle dazzle of G’iah becoming a Super Skrull, she participated in a good old-fashioned shootout with the meanie Skrulls rather than Super Skrulling and the same can be said of Gravik who resorted to his hand-to-hand combat skills to kill the mutinous meanies Skrulls. Given the importance of the Kl’rt in the comics, to see the idea of Super Skrulls relegated to a few cheap VFX scenes makes the entire idea feel squandered. Even the episode’s McGuffin, The Harvest–an idea that has circulated since Thor’s blood lingered around during the Battle of New York seen in The Avengers–seems stripped of any real danger around it since Fury’s plan to give it to Gravik will certainly resolve in some way other than a bunch of Avenger-powered baddie Skrulls trotting around the Earth. As far as pentultimate episodes go, “The Harvest” came up short but with one episode left to go, there’s still time before the impact of Secret Invasion can truly be judged.

    Source: Empire, Variety

  • REVIEW: ‘Secret Invasion’ Episode 4’s Big Moments Were Ultimately Too Tropey to Be Impactful

    REVIEW: ‘Secret Invasion’ Episode 4’s Big Moments Were Ultimately Too Tropey to Be Impactful

    Representing the 2/3 marker of their 6-episode series, the fourth episodes of Marvel Studios Disney Plus streaming series have routinely served as pivot points for the shows. Episode 4 of Marvel Studios’ latest streaming series, Secret Invasion, kept that trend alive with multiple big moments that will change the course of the show as it heads into its final act; however, none of those big moments really felt impactful as they were ultimately far too predictable. At the end of the day, though, ” Beloved” gave Samuel L. Jackson’s Nick Fury the final push he needed to bring back that Old Nick Fury we’ve heard so much about.

    As was widely speculated–and indeed given away by promotional footage–Emilia Clarke‘s G’iah was not only NOT dead but also now a Super Skrull herself, powered up with Extremis at the least and who knows what else at the most. G’iah’s brief reunion with her father, Ben Mendelsohn’s Talos, didn’t really have the emotional kick the writers’ room probably intended for it to have (due in part to the lack of screen time the characters shared up to this point) but it did all too easily clue engaged fans into the fact that Talos wasn’t going to survive the episode. As a series intended to be full of twists and turns, Talos’ death was another example of a “twist” that was far too foreshadowed by a trope audiences have seen far too many times to miss. Just like Fury and his Skrull wife weren’t going to shoot one another and Rhodey was the most obvious Skrull plant well before the series ever aired, the paranoia and suspense that the audience is supposed to be feeling just isn’t there.

    Emilia Clarke as G’iah in Marvel Studios’ SECRET INVASION, exclusively on Disney+. Photo by Gareth Gatrell. © 2023 MARVEL.

    Outside of the less-than-impactful “twists” in Episode 4, “Beloved” also took away one of the series greatest strengths to date: the chemistry between series leads Jackson and Mendelsohn (it’s also probably one of the last times fans will be treated to the great chemistry between Don Cheadle and Jackson as well). While Jackson’s charisma and talent makes him a surefire match for any talented actor with whom he’s sharing scenes, he and Mendelsohn had something special and it’s more of a gut punch to know we won’t see that again than it is to know Talos is dead (or “dead’?). Talos’ death does, however, open the door for Fury to need a new ally in his fight against the Skrulls which may just lead him back to the absolutely wonderful Olivia Colman whose character has, to date, been greatly underused.

    Whatever the case, it does seem clear that Talos’ death will be the final push needed to help Fury find his way back to the bad mother fucker that Secret Invasion has reminded us of so frequently. One of the most frequently seen clips from the promotional footage for series saw Fury putting on an eye patch and a trench coat in a cemetery and savvy fans are well aware that’s not happened yet. As Secret Invasion enters its third and final act in next week’s Episode 5, that moment is likely just around the corner and two episodes of a vengeful Fury turned loose on Gravik’s Skrulls puts the conclusion of the series in the hands of its surest bet: Jackson’s enormous talent. So while Episode 4 was a bit of a downshift, there’s plenty of hope for the series to end in high gear, letting Jackson open it up on a long straightaway.

  • REVIEW: ‘Secret Invasion’ Episode 3

    REVIEW: ‘Secret Invasion’ Episode 3

    Episode 3 of Marvel Studios Secret Invasion certainly doesn’t ascend to the heights of the previous installment but it does share the same strengths. “Betrayed” follows the same recipe for success as “Promises” by giving stars Samuel L. Jackson and Ben Mendelsohn plenty of room to riff off one another but fails to deliver the payload due in part to a fairly uninspired and less-than-surprising series of “twists.”

    Billed as a paranoid spy-thriller, Secret Invasion hasn’t really been steeped in much paranoia and the outcomes of this episode’s spy games were all too predictable. The Skrull plot to blow up the UN plane didn’t work?! G’iah got caught!? Rhodey is a Skrull?! When compared to similar projects within the genre, the attempt to thrill and surprise the audience not only doesn’t live up to Mission: Impossible standards but also does not even to the MCU’s espionage goalpost, Captain America: The Winter Soldier. The good news, however, is that the series is only at the halfway point and hopefully ups its game during the second half.

    Ben Mendelsohn as Talos/Keller in Marvel Studios’ Secret Invasion, exclusively on Disney+. Photo courtesy of Marvel Studios. © 2022 MARVEL.

    Whether the series ever lives up to the billing of a high-stakes spy thriller or not, it’s clear that Kyle Bradstreet, Ali Selim and the team of creatives behind Secret Invasion knew where their bread would be buttered and gave the supremely talented duo of Jackson and Mendelsohn room to work. When watching the two playfully barb one another, it’s impossible not to think that the two veteran talents either had some input into their dialogue or did a fair amount of ad-libbing. Either way, the result continues to be some of the MCU’s best character work. And on that note, using the series to draw out the idea that Nick Fury’s reputation as “the spy” of the MCU was built on the backs of Talos and his Skrulls is a wonderful bit of retconning that truly changes the world we thought we knew. Maybe the second half of the series will allow Gravik and his extremist Skrulls the same opportunity.

    As for Gravik, he’s given some real bite by Kingsley Ben-Adir despite being written into some corners. Now that his Super Skrull plan has been revealed (as well as the fact that he’s already powered himself up), that will seemingly become Fury and Talos’ primary problem. How can two non-powered folks take down an army of Super Skrulls? They certainly can’t expect help from War Machine now that we know Rhodey is a Skrull and Fury has already made it clear he’s not calling The Avengers for help. So, perhaps his best bet is a Super Skrull or two of his own? While Marvel Studios has been known to waste a talent or two over the course of its 15-year history, it’s hard to believe they just Quicksilvered Emilia Clarke, especially when promotional footage for the series has shown her character in several key scenes that haven’t made their way into the show yet…including one in which she appears to be in Gravik’s Super Skrull maker. Of course, that could all have been subterfuge by the studio but given the myriad ways Gi’ah could still be alive let’s hope it’s not.

    While it’s a bit concerning that Secret Invasion only delivered one truly strong episode in the first half of the series, it does actually feel like the best is yet to come. Through visual cues, the audience can track the “return of Nick Fury” and so far, he’s not quite there yet. Once Fury resumes being Fury–and what will it take to finally push him to that point?–the series could become something else entirely as well.

  • REVIEW: ‘Secret Invasion’ Episode 2-Broken Promises, Big Dreams and Colossal Talent

    REVIEW: ‘Secret Invasion’ Episode 2-Broken Promises, Big Dreams and Colossal Talent

    In the case of all things which have several parts and in which the totality is not, as it were, a mere heap, but the whole is something besides the parts

    Aristotle

    It’s safe to say Aristotle wasn’t talking about Episode 2 of Secret Invasion when he wrote those words in his principal treatise, Metaphysics, but that doesn’t mean they don’t apply. “Promises”, the second of six episodes in Disney Plus’ latest Marvel Studios streaming series, is a coruscating collection of incredibly well-written scenes, made great by a set of colossally talented actors, that when viewed holistically appear as one of the finest episodes of television from the studio to date. Bookmarked by some damn interesting retconning that gives fans a lot to chew on when it comes to what they thought they knew about Nick Fury, “Promises” delivers a perfect follow-up episode to its more slowly-paced predecessor and provides hope that Secret Invasion could be full of surprises.

    Short of the awkward scene in which we learn that Maria Hill had a mother, “Promises” provides the audience with the necessary exposition to understand precisely what Gravik’s Skrulls are up to AND why Gravik is up to it. Kingsley Ben-Adir‘s air of nonchalance as the character proves a compelling choice in relaying to the audience that–in his mind–the war he wages on Earth is already won. As seen in the episode’s opening flashback, his shared history with Fury has put a chip on his shoulder that can never be repaired. And as Gravik’s impressive vibe check of the Skrull Council shows, he will find a way to get his way. As the newly minted War Time Skrull General, Gravik will now have the (almost) full support of the Council to carry out his plan to create an army of Super Skrulls. That plan, revealed via one of Marvel Studios’ coolest Easter eggy scenes since Iron Man 2‘s “map scene”, involves using the work of human scientists to bind the DNA of a collection of powerful beings, such as Groot and Cull Obsidian, to that of Skrull warriors. As promotional footage for the series has already revealed, Gravik’s plan will be successful which makes you wonder how Fury, who won’t call in The Avengers, can save the day.

    (L-R): Ben Mendelsohn as Talos and Samuel L. Jackson as Nick Fury in Marvel Studios’ Secret Invasion, exclusively on Disney+. Photo courtesy of Marvel Studios. © 2023 MARVEL.

    The strength of “Promises”, however, lies not in the revelation of a pretty comic book-y plot by the bad guys, but in the strength of the individual performances given by the ensemble cast. One episode after some heavy-handed writing bogged down the series debut, Samuel L. Jackson and Ben Mendelsohn’s Tarantino-esque train car scene should be the gold standard for how dialogue can be enjoyable and move the story along. The two stars share such chemistry that you wish they’d had a longer train ride. Next, it’s Don Cheadle‘s turn to star, including an especially powerful conversation with Fury that makes it clear–if it somehow wasn’t already–Rhodey is nobody’s sidekick but rather a force to be reckoned with in or out of the armor. And if you didn’t enjoy Olivia Colman‘s display of her massive talent while she tortured the captive Skrull…masterful. And the episode’s final scenes provide one of the MCU’s biggest jaw-droppers to date…and jaws will drop even further before it’s over. Scene after scene after scene, “Promises” delivers a series of moments that ultimately do coalesce into a damn good episode of Marvel TV that gives the series some necessary momentum.

    I’m Nick Fury. Even when I’m out I’m in.

    The stage is set for the series’ second act, one that will certainly see the “old Fury” find his way back to take on his “wayward son.” Gravik may think he’s already won the War for Earth but this is Fury’s war, too, and he hasn’t even started fighting yet.

  • REVIEW: Amazon’s ‘Jack Ryan’ Finds a New Clear and Present Danger in Its First-Rate Final Season

    REVIEW: Amazon’s ‘Jack Ryan’ Finds a New Clear and Present Danger in Its First-Rate Final Season

    Amazon Studios rolled the dice in 2018 with what at the time was perceived as yet another, other attempt to reboot author Tom Clancy‘s Ryanverse into a successful franchise. From the start, however, it was clear that the team behind Amazon’s Tom Clancy’s Jack Ryan had no interest in putting out more page-to-screen adaptations of Clancy’s novels but rather taking the central character of those novels and creating original stories set in modern times. Then they rolled the dice again by casting John Krasinski, an actor who certainly did not have the action resume most fans associated with the role of Ryan. As the streaming series comes to an end with its fourth and final season, it’s now clear that Amazon’s gamble paid off.

    While the first season of Tom Clancy’s Jack Ryan wasn’t critically beloved, it provided a template for the show’s success: drop Jack Ryan–who’s a little more Jack Bauer than previous versions–in the middle of a complex, multi-faceted problem, surround him with an interesting supporting cast and put him up against a compelling antagonist. Over the second and third seasons, that template was tweaked, adding some seedy secondary villains, introducing some nefarious conspiracies and, most interestingly, bravely taking the series to places in the world where real issues exist that might not always make the headlines. Season 4 of the show ultimately (and smartly) works as a highlight reel of what worked well across the previous three seasons only falling short by failing to find an antagonist as uniquely formidable as Season 1’s fascinating Mousa bin Suleiman.

    The Problem

    The final season of Jack Ryan shines the spotlight on one of Hollywood’s favorite group of faceless baddies–a Mexican cartel–but spices things up a bit by adding some more evil to the mix from a place most folks couldn’t find on a map in Myanmar. A hot bed of organized crime in the real world, the Ryanverse’s Myanmar (almost certainly influenced by real world events) is home to a Chinese triad who has made its home in the Shan State and is looking to up its game by joining forces with the cartel. That convergence requires some nasty work done in Lagos, Nigeria. That work, which has the earmarks of the CIA all over it, ultimately comes across the desk of the CIA’s new Deputy Director, Jack Ryan, the one man baddies all over the globe should know by now to fear!

    The Villains

    Jack Ryan Season 4 has no shortage of bad guys for Jack to take on; on the contrary, if there’s weakness to the final season it’s that there are so many that none of them get anywhere near enough screen time to be as bad as they wanna be. Not quite cannon fodder, not quite on the level of Season 3’s more memorable assemblage of baddies, the group of villains that Jack and his team work their way through over the course of the season’s six episodes has the feel of a “AAAA ball player”: too good for AAA and can’t quite cut it in The Show. And while the writers gave the old college try to throwing a surprise villain or three in the mix, you’d have to have slept through the first 3 or 4 episodes to truly be surprised.

    The Supporting Cast

    As it turns out, the lack of a great villain who chews up the screen works out in that it allows for the supporting cast of the series to really take off. National treasures Wendell Pierce and Mike Kelly return as tritagonists James Greer and Mike November, respectively, and do what they do best: elevate every scene they’re in. Pierce owns the role of Greer now and seems to be having a blast delivering ass kicking and mother fuckers left, right and center and Kelly, who definitely hit the gym, plays the Howling Mad Murdock to Ryan’s Hannibal Smith with all the appropriate reckless abandon. Neither seems to have a wasted moment on screen. They’re matched in that regard by newcomer Michael Pena whose Domingo Chavez provides a wonderful “Ready. Fire. Aim” foil to Krasinski‘s analytical Ryan. Betty Gabriel gives Elizabeth Wright a little more depth in her second go around and Abbie Cornish gets more to do as Cathy Mueller. A lead is only as strong as the supporting cast and Amazon has understood that–and nailed it–from the start.

    If you’ve been watching all along, Season 4 of Tom Clancy’s Jack Ryan will serve as a great farewell to the characters and Krasinski’s final big speech truly captures the spirit of Clancy’s iconic character. While beyond Michael B. Jordan and Chad Stahelski’s Rainbow Six film the future of the Ryanverse is largely undefined, whatever comes next will rest comfortably on a firm foundation built over four seasons of a very solid series.

  • REVIEW: Jackson’s Star Aside, A Little Less Talk and a Lot More Action Would Have Benefitted the Debut of ‘Secret Invasion’

    REVIEW: Jackson’s Star Aside, A Little Less Talk and a Lot More Action Would Have Benefitted the Debut of ‘Secret Invasion’

    Billed as a paranoia-laced spy thriller, Marvel Studios latest Disney Plus streaming series, Secret Invasion, has been pretty hotly anticipated by MCU fans who while not at 2020 levels yet, are starting to starve for content following Disney’s decision to slow their roll. It’s been made more than clear that the series was not intended to be a superhero spectacle, like the Marvel Comics event from which it took its name but rather a dive into the world of espionage where Nick Fury has always reigned supreme. That means that Samuel L. Jackson gets to take the lead in an MCU project after 15 years of being part of the supporting cast and for an actor of Jackson’s prodigious talent, that means room to explore all the nooks and crannies that make Fury tick, promising an entertaining character study. On that promise, the first episode of Secret Invasion, “Resurrection”, delivers as Jackson’s endless well of charisma floods every scene. However, bogged down at times by exposition and filled with too few thrilling moments, “Resurrection” feels like a disappointing return to Disney Plus following a nearly year-long wait.

    It’s clear Jackson is having the time of his MCU life in the space he’s given to explore Nick Fury in Secret Invasion. It’s also made clear–nearly excruciatingly painfully clear at times–that this isn’t the Fury fans remember from before because, in case you missed it, he’s just never been the same since Thanos. If you missed it the first time, no sweat, the writer’s room had you covered making sure that Ben Mendelsohn, Olivia Colman and Cobie Smulders all let the audience know that this Nick isn’t that Nick. And in case them telling him didn’t catch your ear, Killian Scott‘s Pagon–possibly the most useless character in MCU history (everything he did could have been done offscreen to no detriment to the story)–tell’s the series’ big bad Gravik all about Fury’s downfall. Obviously, this is an incredibly heavy-handed setup for the reveal, somewhere down the road, that Nick Fury is back, mother fuckers, but a little more show and a lot less tell would have been appreciated. That aside, whether he’s sharing a remorseful scene with Mendelsohn‘s Talos, trading barbs with Colman’s absolutely delightful Sonya Falsworth or reconnecting with his closest ally in Smulders‘ Maria Hill, Jackson‘s star is on its full, brilliant display throughout the episode…and he’s only just getting started.

    (L-R): Cobie Smulders as Maria Hill and Samuel L. Jackson as Nick Fury in Marvel Studios’ SECRET INVASION, exclusively on Disney+. Photo by Des Willie. © 2023 MARVEL.

    As for the “paranoia”, it seems to be unfortunately kept at bay for most of the first episode of the series. The opening five minutes or so ahead of the credits tries its level best to get those juices flowing with Agent Prescod’s parody of Charlie Day‘s Pepe Silvia rant but it falls short of hitting those conspiratorial heights because it lacks any true intrigue. Nearly from the moment Martin Freeman‘s Everett Ross enters the room, it seems all too clear he’s been simmed by a Skrull. Lack of intrigue aside, those opening moments do nicely lay out the plan in place by Kingsley Ben-Adir‘s Gravik and make it clear that Fury isn’t just returning to Earth, he’s returning to Earth at the beginning of a war…and war means casualties.

    Casualties there were in the episode’s closing moments as hundreds of innocent Russian men, women and children were killed by the bombs detonated by Gravik before he dealt Fury one more blow by killing Maria Hill…and no death has felt flatter than hers. While it’s obviously supposed to help Fury recapture his lost mojo and return him to his pre-Blip form, it has little to no impact with the audience. While Hill is a major player in the comics, she’s hardly been tertiary in the MCU with her last big action coming in Captain America: The Winter Solider and you can bet that a significant chunk of the audience tuning in to watch Secret Invasion has either never seen that 2014 film or hasn’t seen it in quite some time. That’s the increasingly unbearable weight of the massive volume of projects in Marvel’s shared cinematic universe; anyone other than the hardest of hardcore fans just doesn’t really know why Hill is supposed to matter. It’s clear that the audience is supposed to feel bad; it’s just not really clear why because there’s no deep connection to the character.

    (L-R): Samuel L. Jackson as Nick Fury and Ben Mendelsohn as Talos in Marvel Studios’ SECRET INVASION, exclusively on Disney+. Photo by Des Willie. © 2023 MARVEL.

    As fans will discover in Episode 2, much of Episode 1 could have ended up on the cutting room floor. The pace picks up nicely in the next episode, specifically surrounding the Skrulls’ plans to take over Earth. However, “Resurrection” does make the Skrulls threatening enough and does so in a very modern way. To be sure, there’s plenty of hatred in the real world and the alien Skrulls take full advantage of this in Secret Invasion, posing as members of any number of terrorist cells and setting off enough chaos to bring the world to the brink of World War III. The episode doesn’t reveal the entirety of their plan, which they hatch from the safety of an abandoned nuclear reactor outside of Moscow, but it provides enough of a heads-up that things are headed in a bad direction. As bad guy lairs go, an abandoned nuclear power plant is a new twist that even a Bond villain could be envious of; however, despite their explained immunity to radioactivity, couldn’t the Skrulls just be easily tracked with some sort of modified Geiger counter?

    A little light on the paranoia and a lot light on the action, “Resurrection” is a less-than-thrilling Lazarus act for the MCU on Disney Plus. Fortunately, however, its cast, led by Jackson, makes it entertaining enough for one sitting despite the heavy-handedness of the writers’ room. While that feels almost inescapable at this point, especially as they continue to try to rake in new fans, it’s going to continue to be a topic of discussion and debate and a point of frustration for those who have been along for the entire ride.

  • REVIEW: Samuel L. Jackson is Ready for His Close-Up in the Character Driven ‘Secret Invasion’

    REVIEW: Samuel L. Jackson is Ready for His Close-Up in the Character Driven ‘Secret Invasion’

    In the Fall of 2020, trade reports broke the news that Marvel Studios had hired Kyle Bradstreet to develop a Disney Plus streaming series around Nick Fury. Long having been one of the MCU’s most important supporting characters, the man who put together the Avengers finally gets the spotlight in Secret Invasion and despite some issues, there can be no doubt that giving Samuel L. Jackson this much room to work as Fury was a solid decision. And despite 15 years of appearances, Secret Invasion makes it very clear that we simply do not know Nick Fury.

    Though the series boasts an impressive supporting cast bolstered by the always-brilliant Ben Mendelsohn, who returns to the MCU as Talos, and Kingsley Ben-Adir as the brooding Gravik, Secret Invasion is–as advertised–a vehicle for Jackson’s Fury. And to the surprise of nobody, given more to do as Fury, Jackson simply does more with the graceful ease of a supremely talented actor who knows how to inhabit a role. Whether it’s the playful conversation with Olivia Colman‘s absolutely fantastic Sonya Falsworth, recollecting on train rides to Detroit with his mom or sharing a powerful scene with Don Cheadle‘s James Rhodes, Jackson’s performance alone makes the series a worthy entry in the MCU. Short of headliners Robert Downey Jr. and Chris Evans work as Tony Stark and Steve Rogers, respectively, it’s hard to recall a performance like the one on display here by Jackson. Secret Invasion shows, for the first time, a vulnerable Nick Fury who becomes, for the first time, a relatable character as each of the first two episodes peels away layers of what previously appeared to be a bulletproof persona putting THE spy on the outside looking in without his usual support. Where that ultimately leaves Fury is hard to say having only screened two episodes but as he tells Rhodey, he is Nick Fury and even when he’s out, he’s in.

    Samuel L. Jackson as Nick Fury in Marvel Studios’ Secret Invasion, exclusively on Disney+. Photo courtesy of Marvel Studios. © 2022 MARVEL.

    By the end of the second episode, the stage is set and the grand plan of Gravik–whose previously unknown connection to Fury makes him an interesting and motivated foe–and his Skrull extremists made clear. Unfortunately, it takes two episodes to get to that point and as enjoyable as the performance by Jackson is, the first episode certainly slows down considerably after an exciting cold open and, at times, spins its wheels. Part of the pacing struggle comes from the increasingly unbearable weight of the shared universe that is the MCU and the prerequisite knowledge necessary to navigate each new entry. Good, bad or otherwise, an interconnected franchise of this magnitude can’t always blaze new trails and has to retread old ground. Though they aren’t present nor expected to be present in the series, Carol Danvers and the Avengers still take up chunk of the exposition and while that might be necessary, the heavy-handedness of the writer’s room only works as an exacerbating factor. If you know anything by the end of the first episode, it’s that Nick Fury hasn’t been the same since Thanos’ snap…because everyone he knows tells him all about it…again…and again…and again. That said, navigating the first episode is manageable and though it’s attempt to shock the audience falls unfortunately flat, it provides all the necessary table setting for the second episode to be one of the better episodes of television Marvel Studios has put together on Disney Plus. There’s some fun retconning and at least one surprise that you almost certainly don’t see coming.

    Despite the slow start, through two episodes, it looks like Bradstreet and company have hit the mark for which they were aiming. Cleverly, most of what the audience thinks they know about the show through promotional footage and interviews seems to have been subterfuge by the studio. Essentially, Secret Invasion is not the show fans thought they were getting. “Who Do You Trust?” is more than just a tagline related to sorting out who is or isn’t a Skrull, it’s a reflection of the fact that the studio has created as much of a false flag as the Skrull operatives in the show. For a studio that gets criticized for its formula and generic press events, Marvel Studios went pretty non-formulaic here in leading the audience astray. One place they did stay true to their word, however, was in putting Jackson in the spotlight and if he, Cheadle, Mendelsohn and Ben-Adir continue to shine through the next four episodes, Secret Invasion will become one of Marvel Studios’ finest character-driven projects to date.

  • REVIEW: ‘XO, Kitty’ Lacks the Charm of the ‘All the Boys’ Movies

    REVIEW: ‘XO, Kitty’ Lacks the Charm of the ‘All the Boys’ Movies

    When To All the Boys I’ve Loved Before first premiered on Netflix in 2018, no one could have expected it to become as popular as it did. After all, adaptations of popular Young Adult books simply weren’t doing the business they once were, but Netflix took a chance and opted to bring the Jenny Han trilogy to life and it ultimately ended up paying off. Not only was To All the Boys I’ve Loved Before a well-received adaptation among both fans and critics alike, but it also helped to further the careers of its young cast, even if the sequels weren’t as well-received as the first film. Still, despite the films being incredibly popular, many fans were surprised to hear that Netflix would work with Han to develop a new series set within the same universe… but this time starring the youngest Covey child, Kitty.

    XO, Kitty sees Anna Cathcart reprise her role as Kitty Song Covey from the Netflix films. This time, though, instead of worrying about her older sister’s love life, Kitty is trying to better her own. Having been in a long-distance relationship with Dae for a while now, Kitty is eager to reunite with her boyfriend and is willing to do whatever it takes to do so. Even if its means traveling to another country to surprise him without warning. The entire premise of XO, Kitty is ridiculous. Kitty is a high school student who manages to convince her father to let her travel to South Korea on her own to reunite with Dae and try to learn more about her mother. She has even magically gotten admitted to the same school he attends seemingly overnight. It’s a pretty simple plot, as absurd as it may be, and with Cathcart returning as Kitty, it seems like it’d be a delightful series. Unfortunately, that isn’t the case. The magic of To All the Boys I’ve Loved Before cannot be recaptured, no matter how hard XO, Kitty tries to do so.

    Cathcart is still a bright ray of sunshine as Kitty. The issue with the series is that it ultimately is trying to do far too much. The amount of love triangles and secrets can become rather frustrating. It’s great that the show does look at the changes and challenges that teenagers go through – it’s wonderful that these characters are allowed to explore who they are and try to find themselves in the world. That’s perhaps the show’s strongest selling point. It allows the characters — all of them — to fail and grow from their mistakes. It allows the teenagers to be teenagers. It’s just that, the fun rom-com series promised tends to feel like a chore after a few episodes.

    Thankfully, the series does finally find a decent footing by the end, though. Should XO, Kitty return for a second season (and the series definitely set up a second season), the show has plenty of options to explore and can, hopefully, learn from its first season bumps. Trying to cram too much into a story that’s already starting off on a shaky premise is not a strong idea. Give the characters time to breathe. Don’t just throw in drama for the sake of drama. The feelings need to be earned, and with short episodes, XO, Kitty‘s characters don’t really get to earn their feelings — they’re just jumping from angry to happy and from hatred to love far too easily. If there’s going to be drama, make the characters truly experience that drama rather than hastily shoving it in. More importantly, though, don’t forget that the key to the show’s success is in the titular character. Fans quickly came to love the young Covey sister in To All the Boys I’ve Loved Before. She’s always been a firecracker of a character that seems to delight all that meet her.

    What made the films so special was not only Lana Condor‘s chemistry with Noah Centineo, but also her ability to sell Laura Jean as a character. Cathcart has Kitty down to a tee. Let her shine.

    Final verdict: XO, Kitty is an easy watch, but it’s far from great. Those that enjoyed the films will thoroughly delight in this return of Kitty, but don’t get in expecting the charm of the first film.

    And if you’ve missed our exclusive coverage of the series, you can catch-up here. 😉

  • REVIEW: ‘Star Wars Visions’ Returns With Style and Beauty

    REVIEW: ‘Star Wars Visions’ Returns With Style and Beauty

    There’s no easy way to really talk about a project like Star Wars Visions. The anthology series offers something unique with different studios getting the chance to tell a unique story in a galaxy far far away. Going into the second season, Lucasfilm is taking a new approach by expanding beyond Japanese studios to give the world an opportunity to leave a unique stamp on this anthology series. Did their ambitions continue to make this series stand out in this ambitious era of animation?

    One thing is clear: the idea to go beyond anime made this season truly stand out. The animation is beautiful and every studio brings something unique to each project. What continues to be the big selling point of this anthology is just taking known concepts and giving them new life by allowing other creatives to play around with the world we are familiar with. With the added variety of creatives, it adds to the feeling that these stories are quite a bit more personal this time around.

    El Guiri’s Sith offers a visual showcase that blends the lines between reality in its visual style to add something that uses color in such a creative way, it caught me off-guard when its story caught up with the visuals. A lot of this season, at least early on, explores the themes of on which side of the Force you’ll find yourself. Screecher’s Reach by Cartoon Saloon and Mir’s Journey to the Dark Head offer these really interesting stories in two distinct ways. They offer a look at what you’re willing to do to accomplish your goals but end up in very different places.

    Then you also have some fun with Aardman’s animated I am Your Mother, which just looks at a young X-Wing pilot cadet and her relationship with her mother. Of course, there’s also something just so charming about the stop-motion approach from the creators of Wallace and Gromit that makes this little special just stand out, especially with its humor.

    Then you also have 88 Pictures’ The Bandits of Golak and Punkrobot’s In the Stars, which explore the galaxy far far away from the unique perspectives of those just trying to survive. It highlights how two very distinctly animated projects explore tales of survival in a Sith-dominated world. Even Studio La Cachette’s The Spy Dancer uses that concept to offer a rather heartfelt twist in its short runtime.

    Then you also have Triggerfish’s beautifully animated Aau’s Song and D’art Shtajio’s The PIt that highlight just how diverse these stories can be told. The new season continues where the first left off and hopefully, they will continue making more seasons. Stand-outs personally were Screecher’s Reach and The Spy Dancer which felt like the perfect combination of beautiful animation with emotional storytelling. It’s not to say that the others didn’t provide the same but when you have so many good choices, it becomes difficult to truly pinpoint what makes a project stand out.