Tag: X-Men

  • REVIEW: X of Swords #1-5 is Hickman at his Most Hickman-est

    REVIEW: X of Swords #1-5 is Hickman at his Most Hickman-est

    I’m an unabashed fan of Jonathan Hickman’s work in comics. His work, both at Marvel Comics and as an indie creator, has always left me entertained, confused and made me walk away thinking deeply and often coming back to reread issues on multiple occasions. I was thrilled to find out that not only would Hickman be writing X-Men books but also that he was going to be “Head of X”, meaning that he’d be overseeing the entire X-line and that we were about to go on a long journey with one of the best longform narrators in comics.

    One of the things Hickman has proven very adept at doing during his tenure with Marvel Comics is subtly reworking and expanding the mythology around some of the publisher’s most popular and well-established characters and he certainly didn’t hold back in doing that when he launched this X-line with dual titles House of X and Powers of X, establishing an incredible series of events and placing Moira McTaggert right in the middle of the very convoluted history (and future) of the X-Men. HoX and PoX launched the first two waves of X-books, all of which have landed more punches than they’ve missed for me, which have been building up to the Hickman’s first big X-event: X of Swords. The line-wide event has just kicked off and I’ve caught up on the first 5 issues of the 22-issue event. Is X of Swords off to a strong start? I have some thoughts!

    REVIEW: X of Swords - Creation #1 Is an Ambitious Start to Marvel's X-Men First Crossover

    The first title, X of Swords: Creation, came out swinging and set up perhaps Hickman’s most ambitious and far-reaching work at Marvel to this point. Hickman has spent a good deal of time in Dawn of X rewriting the history of Krakoa, reestablishing the importance of Otherworld and continuing to add to the already impressive personal history of one of Marvel’s most fascinating characters, Apocalypse. Hickman has always been a master world builder and his efforts during Dawn of X might well top any of his work at Marvel to this point. As usual for me, I’ve had to work through multiple rereads of multiple issues to try to get a handle on the disparate threads that are now weaving together in X of Swords but after finishing the first 5 issues of the event, I feel it is safe to say it was time well spent and that we might be in the opening act not only of one of Hickman’s best but also one of Marvel Comics best event-style arcs ever.

    Obviously this isn’t just Hickman at work here, though the narrative is certainly his concoction, and the group of writers who have been working to set up the chess board for this event have done a great job of telling their own stories while staying aligned with Hickman’s vision. Specific to this review, the works of Gerry Duggan (Cable and Maruauders), Benjamin Percy (X-Force and Wolverine), Leah Williams (X-Factor) and though her book wasn’t one of the first five issues of the event, Tini Howard (Excalibur). Of the group, Howard’s exquisite Excalibur book has laid much of the foundation for the first 5 parts of the event, bringing Otherworld to the forefront of not just the line of X-books but potentially the entire Marvel Universe. The amount of planning that had to have gone into this is staggering and, I imagine, on par with the 2007-08 Messiah Complex event under the direction of Christopher Yost, yet the team has made it work incredibly well.

    What Worked Well:

    Pretty much everything. The biggest payoff comes in the form of the latest chapter of the history of Apocalypse. We’ve seen bits and pieces of his past brought to light over the past several months, but the opening salvo of X of Swords clarifies what has to be one of the most shocking retcons in recent memory and something that has been a looming mystery since we were teased with this Sinister Secret all the way back in Powers of X #2:

    “For years, this fittest-of-all mutant has routinely surrounded himself with a particular-numbered entourage. These hangers-on stick around for a while until they are eventually replaced with newer, more exciting members. What most people don’t know is that if the original members returned, these pretenders would be dropped so fast their heads would spin.”

    As we learned from Krakoa itself (via Cypher), Krokoa is half of a whole with its other half, Arrako, having been separated in an ancient war when the Twilight Sword opened a rift in reality allowing an army of demons to pour through. Here Apocalypse and his original horsemen made a stand against the horde, saving Earth but at the cost of Arrako and the Horsemen being lost in another dimension that Apocalypse was unable to access until now. All of Apocalype’s machinations to this point have been about him finding a way to access Otherworld and then finding his way back to Arrako and now we know why: the original Four Horsemen are the children of Apocalypse, his true heirs and his actions cost him the life of their mother and doomed them to an eternal battle. Once reunited, it isn’t long before Apocalypse is betrayed by his children and the Summoner of Arrako forcing the X-Men to rush to his side and setting in motion the ambitious “contest of champions” that will pit 10 X-Men against 10 Swordbearers of Arrako with the fate of not just mutantkind but mankind at stake! For the first time in a long time, Apocalypse isn’t the one in charge of the game board, finding himself and his nation bending to the will of Saturnyne, the ruler of Otherworld. It’s here where it hit me that this event seems to truly be written for hardcore fans of the X-Men  who have poured not only through the Dawn of X books but also the 6 decades worth of stories that came before. Seeing a character like Saturnyne become a major power player by establishing a tournament, the repercussions of which will almost certainly be felt throughout the larger Marvel universe, seems incredibly satisfying as someone who has been a fan of X-books since the early 80s.

    X of Swords: Wolverine Blames Krakoa for Marvel's Mutant War

    I loved the verses recited by Polaris that hint at who the X-Men’s Swordbearers will be and much of what we saw in the first 5 issues (and will see for the next several more, I assume) is the individual journeys of those Swordbearers as they work to acquire their blades and find their way to the circle of Santo (I made that up). While some of the X-Men Swordbearers were predictable before the start (Magik and Wolverine were in the “oh yeah for sure” category for me) and another became obvious in his solo book (Cable), others were more of a surprise and, of course, we get to meet some new and memorable characters on the other side of the contest, such as Solem who has already become an incredibly intriguing character. Through the first five issues, Marauders #13 and the connected narrative of Wolverine #6 and X-Force #13 detail the events of two characters, Storm and Wolverine, in pursuit of the blades they’ll need to join the contest. Both characters are forced to confront their pasts (Strom must infiltrate Wakanda and Wolverine must go back to Hell) in order to acquire their blades. Storm’s tale was especially enjoyable as it allowed readers to revisit her past both as Queen of Wakanda and as a master thief while finding a way to add to the already well-developed history of Wakanda by introducing the Skybreaker blade. If these two stories are the template for what we can expect over the next several weeks as the other key figures gather their swords, we’re in for a treat. These stories are a great reminder of a constant theme in this review: it’s not JUST the mutant nation of Krakoa at risk here.

    And finally it’s the emergence of a true threat to the mutants that gives this event the promise of true stakes which then makes it worth reading. Since Hickman established the mutant resurrection protocols with the HoX/PoX relaunch, death has simply become an obstacle to mutantkind and one that is easily overcome. The death of Santo in Otherworld, however, changed the rules of the game as it was revealed that dying in Otherworld, the Nexus of all Realities, means that resurrection is a crap shoot as the “new” Santo was an amalgamation of all Santos (that’s some serious Hickman-ness). So while these brave heroes prepare this tournament, their lives are now truly on the line as they fight for everything they just established.

    The first 5 issues are truly Hickman at his most Hickman-est: weaving together multiple threads of complex world building, revealing secret histories of characters and places we thought we knew and quickly establishing that pretty much everything we thought we knew was wrong. It also goes ties back to one of his constant Marvel mantra: everything dies.

    What Didn’t Work Well:

    It’s hard to give something a fair review when you don’t have anything negative to say. To me this is the type of event story telling I love. It’s complex, layered, requires a lot of prior knowledge and sets up many potential new arcs even as it deals with ones that have been ongoing for some time. By nature then it includes a lot of moving parts and a ton of characters and could, for those reasons, be really off-putting to someone who hasn’t been keeping up. So it probably isn’t the ideal jumping on point if you’re looking to dig into X-books but more of a gift to the hardcore X-fans.

     

    Takeaway:

    A well-crafted start to an event that promises big things, X of Swords #1-5 are worth the money and effort you’ve invested so far but might not be for everyone, especially if you’re not up to date on Dawn of X.

     

     

     

     

     

  • Al Ewing Launches New ‘S.W.O.R.D.’ Series This December

    Al Ewing Launches New ‘S.W.O.R.D.’ Series This December

    As Al Ewing and Dan Slott’s Empyre event came to an end, former S.W.O.R.D. director Abigail Brand assured the Avengers and Alpha Flight that she had better things to do with her time than to clean up their messes when they leave her out of the loop. Now we know what she had in mind: Brand is bringing back S.W.O.R.D…with a twist.

    S.W.O.R.D. #1 cover by Valerio Schiti

    Ewing will reteam with Empyre artist Valerio Schiti to bring Brand’s all-new, all-mutie version of the Sentient World Observation and Response Department to not only Jonathan Hickman’s line of X-books, but also to the larger Marvel Universe. Ewing, whose work on The Immortal Hulk earned him an Eisner nomination in 2019, has been one of Marvel’s most prolific and impressive writers over the last 5 years and this book will see him return to space where one of his best works, 2015’s Ultimates, took place.

    “It’s an absolute blast to be working with the X-team, and to bring Marvel’s merry mutants into the new Age of Space—and introduce space to the new age of Krakoa!” Ewing says. “And it’s not just X-readers and space explorers who get what they want—fans of my more cosmic Marvel work will have plenty to digest as well, as mutantkind thinks even bigger and takes it even further, into realms I’m almost surprised they let me get away with. After conquering death, what’s next—and will we survive the experience?”

    Brand’s new squad will feature Magneto, kid Cable, Eden Fesi, aka Manifold, Frenzy, Wiz-Kid and a very different looking Fabian Cortez, thanks to Schiti, whose designs for some of the other members were shared via Marvel.com:

    S.W.O.R.D. character design sheet by Valerio Schiti

    S.W.O.R.D. character design sheet by Valerio Schiti

    S.W.O.R.D. character design sheet by Valerio Schiti

    As is always the case with X-teams, the whole is greater than the sum of its parts, so while there are some interesting choices here, including some reformed villains (Krakoa is for all mutants, afterall), Schiti assures us they are all here for a reason as the X-Men move forward following their upcoming event, X of Swords.

    “I can’t say much about what S.W.O.R.D. does, but I can say that every team member will have a peculiar role to play. That’s why I designed their uniforms with technical clothing, urban outfits, and even ceremonial uniforms: every role needed a different reference and a different starting point. The space outfits are inspired by trekking or hiking clothes, far from the typical space suit because these characters are explorers, not astronauts.”

    S.W.O.R.D. will be available for pre-order later this week and in your local comic shop this December.

  • ‘New Mutants’ Originally Pitched as a Trilogy With Potential Crossovers

    ‘New Mutants’ Originally Pitched as a Trilogy With Potential Crossovers

    New Mutants had quite a rough journey. They finished filming while Fox got purchased by Disney. As a result, it constantly got delayed. Then, it finally seemed like it would see the day of light until the pandemic hit. Once again, the potentially last Fox X-Men entry was on hold. It is unsure how it will fit into the new structure, as Marvel Studios continues its MCU expansion. We still do not know if this will become part of the MCU or just be treated as the ending of another world. Director Josh Boone offered some insight into what the original plans were.

     “When we sold it originally, we conceptually sold it as a trilogy, with the second one being an alien invasion movie set in Brazil where Roberto is, where his dad is, who is part of the Hellfire Club. Then, the last one was hopefully going to dovetail with the X-Men movies and we were going to do Inferno, that crossover, which had all these supernatural, satanic horror elements. The idea was to try to do a different genre, subgenre, of horror movie with each of these movies. That was the idea, but it wasn’t something we thought much about because of the merger and everything else.

    The concept sounds amazing. Each film would’ve been focused on a different horror genre? That sounds like a great concept to explore. It also is quite the selling point for the New Mutants that it dives into horror rather than stick to superhero conventions. As the article by CBM points out, this also means we would’ve gotten Darkchilde at one point. This is the final transformation of Magik, who played by Anya Taylor-Joy. Plus, the potential of crossovers is always a bonus. The potential of seeing X-Men from other movies stuck in a horror story is quite enticing.

    It will be interesting to see how the film performs and what it will mean for the future of the Marvel franchise. We know that Kevin Feige has plans for the X-Men within the MCU at one point. At the same time, we might see the introduction of the Inhumans through the Disney+ show Ms. Marvel. They could also use the multiverse concept teased for the next Doctor Strange installment to connect the worlds as a final tribute to the bygone era of the Fox X-Men.

    Source: ComicBookMovie.com

     

     

  • Theory of Evolution: How Mutants can Join the MCU

    Theory of Evolution: How Mutants can Join the MCU

    “A new generation of mutants is emerging, that much is certain.”

    -Charles Xavier

    Since the acquisition of 20th Century Fox in March 2019, many fans have been wondering exactly how Disney plans to manage the former’s film properties, more specifically, how Marvel Studios will manage the X-Men and Fantastic Four properties within the context of the MCU. We know that Marvel Studios already has many ideas and stories that they have been “thinking about…for years”, as stated by Kevin Feige in an interview last year.

    While I can say with certainty that we are still YEARS away from seeing either of these properties in the MCU, if you were to ask me what property I think would be introduced first between the X-Men and F4, I personally believe that mutants could be implemented into MCU in a more straightforward manner than the Fantastic Four because we already have the base for them to be introduced.

    As of where we stand right now, I have pinpointed 4 possible origins for how Marvel Studios can introduce mutants into the MCU.

    **It is important to note that the theories discussed in this article are simply just that. Pure theory and speculation on my part. 

    With this being said, let us begin:

    1) “THE VIRUS THEORY”:

    THE FALCON AND THE WINTER SOLDIER

    This theory bases itself on information from the upcoming Disney+ show: “The Falcon and The Winter Soldier.”

    Oh the irony of this. Relax, it has nothing to do with COVID-19 I can assure you. But the premise in this theory is certainly a very interesting one to discuss. So let’s set the scene.

    ygdjMadripoor (Comic vs Live-Action [Exclusive Set Pictures from Murphy’s Multiverse]).

    The Setting: We have Madripoor (a location very popular in the X-Men lore). This fictional island is going to be one of the settings that will show up in The Falcon and The Winter Soldier. (You can read more about it in Charles’ article here.) Now, while I can’t say for certain that this is going to be Ground Zero for the origin of Mutantkind, I do find particularly interesting the fact that Marvel would choose this location for this series, considering its history in the comics.

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    The Plot: Now the official synopsis for the show says: “Following the events of Avengers: Endgame, Sam Wilson/Falcon and Bucky Barnes/Winter Soldier team up in a global adventure that tests their abilities — and their patience — in Marvel Studios’ The Falcon and The Winter Soldier.” Something that I find interesting for this show is this plotline involving a “virus/pandemic”. Many different sources, (including my own from the time the show was planning on filming in PR before tremors and earthquakes forced production to shut down), referred to the production as “Pandemic Productions LLC.” (Now, I am aware that rumors have surfaced about possible reshoots that remove the virus/pandemic storyline. I personally don’t think they will remove it, at least not entirely).

    1574221892_258_5-villains-who-could-appear-in-hawkeye-5-we-dont-want-to-seeBaron Zemo in the upcoming Disney+ Series: “The Falcon and The Winter Soldier”.

    Special Facts: If anyone saw the Deleted Scene from the “Infinity Saga Box Set” where Zemo was at the Auction House, you’d see that Zemo managed to kill a bunch of businessmen with a sort of gas he concocted, so we can chalk up a bit of chemistry to his military background, and it was deleted for a reason. I wouldn’t be surprised if they tried to base some sort of storyline specifically involving that scene.

    The Theory: What if the reason why Sam & Bucky are going to Madripoor is that Zemo is planning on unleashing this “virus” meant to hurt hundreds upon millions of innocents, and Madripoor is just one of his testing grounds. The creation of this “virus” would have required the use of human genetic material through clinical trials, which in theory, could create a “virus” that doesn’t necessarily succeed as Zemo intends, and actually has an end result which provides humans with mutant abilities (a storyline which is already being explored in the upcoming Marvel’s Avengers game.)

    2) “THE REALITY THEORY”:

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    This theory bases itself on information from the upcoming Disney+ show “WandaVision”, the upcoming MCU film “Doctor Strange in the Multiverse of Madness” and the comic storyline “House of M”.

    People that know me personally know how hyped I am for WandaVision and Doctor Strange in the Multiverse of Madness. These two projects from all I’ve heard are giving me incredibly powerful “House of M” vibes and I’m all for it. I have multiple theories on both of these projects but that’s for another article. For now, let’s talk about everyone’s favorite witch: Wanda Maximoff.

    tmp_cD3A6y_612392bf07a8f85d_InfinityWar5ae2817516f33Wanda Maximoff with Vision in Avengers: Infinity War.

    Background Info: Since her debut back in Avengers: Age of Ultron, Wanda Maximoff has gone through a lot of different changes over the last few MCU films (and I don’t just mean her accent.) She has shown growth in both characterization and power, but that growth has been marked by a great amount of pain and suffering that she has had to go through in her life:

      • Her parents died when she was very young, long before the events of AoU.
      • She and her brother Quicksilver were experimented on by HYDRA with the mind stone, which developed eventually developed their powers.
      • Her brother Quicksilver died during the Battle of Sokovia.
      • Thousands of her people in Sokovia died.
      • Her home country was destroyed.
      • The people of the world hold her accountable for the deaths of dozens of citizens in Lagos, which triggered the Sokovia Accords and thus the events of Captain America: Civil War.
      • The outcome of the previous point forced her into hiding for 2 years until the events of Infinity War took place where she was forced to sacrifice Vision to save the universe, only to watch him be brought back so she could see him die a second time.
      • And then she herself died at the hands of Thanos’ snap.

    So, her life really hasn’t been that easy.

    maxresdefault (4)Wanda Maximoff in Avengers: Endgame.

    Where we stand right now: The last time we saw Wanda Maximoff in action was during the final battle at Avengers: Endgame and let me tell you something straight off the bat: that scene where she took on Thanos ON HER OWN, was so personally satisfying because I knew right then and there that we were about to get the Scarlet Witch in the MCU.

    andy-park-andypark-wandavisionWandaVision Keyframe by Andy Park.

    The Plot: Now the official synopsis for the show says: “Marvel Studios’ “WandaVision” blends the style of classic sitcoms with the Marvel Cinematic Universe in which Wanda Maximoff (Elizabeth Olsen) and Vision (Paul Bettany)—two super-powered beings living their ideal suburban lives—begin to suspect that everything is not as it seems.” Straight off the bat, as soon as I read this synopsis, I started brushing up on “House of M“.

    sei_6725964 (1)The Scarlet Witch in House of M.

    Source Material: So a quick recap of “House of M” if you have not read it. In the comics, Wanda gives birth to twins with Vision using her magical abilities but it only exists in this reality that she created in her head to avoid losing control. Wanda’s memories of the twins end up being erased by another witch named Agatha Harkness. Eventually, as the comic run develops, a multitude of events occur, which leads to Wanda being labeled a threat to the world and many heroes contemplate whether they should kill Wanda before she becomes too powerful to stop. Wanda breaks down, loses control, and reshapes reality so the world was run by mutants. When that reality fails and it results in the death of her brother, she redid reality again, but this time, with most of the mutant population losing their powers. Caught up? Good. (Author’s Note: I HIGHLY RECOMMEND BRUSHING UP ON THIS STORYLINE. Whether or not the storyline becomes relevant in this show, it is a fantastic comic run and it marked a very important part of my childhood, so please read it.)

    The Scarlet Witch: Now let’s talk about Wanda’s powers. We don’t know exactly how powerful Wanda is or what is the extent of her powers. We can set a starting point that she is powerful enough to destroy the Mind Stone and by the looks of this upcoming show, she might grow powerful enough to alter reality itself. This is why I usually separate Wanda Maximoff from The Scarlet Witch because we have yet to see the Scarlet Witch in her full potential. Her comic counterpart was already powerful to do many of the abilities previously stated as seen in the “House of M” storyline, so it will be interesting to see how the MCU counterpart will size up when the time comes.

    paolo-giandoso-ap-wandamindpowers-vp011 (1)

    The Theory: So my second theory states that the events of both this show and DS2 won’t just mess with repercussions in the Multiverse, but it will affect the current reality in which the MCU is set in and could potentially pave the way for multiple mutants to come in through Wanda’s abilities, thus bringing to life a very important part of the “House of M” storyline to the MCU.

    3) “THE ETERNALS THEORY”:

    MAIN - ETERNALS

    This theory bases itself on information from the upcoming MCU film “Eternals”.

    The Theory: I can’t talk about mutants without mentioning the Eternals. While admittedly, the Eternals comic lore is one of my weak points as it was not something I have analyzed as heavily as other source materials, since the announcement of their film at SDCC, I started to brush up on the Eternals and found some very interesting information. The Eternals in Marvel lore are “the first mutants” since the comics explain that their origins are based on how Celestials experimented on the first humans many millennia ago long before the establishment of civilization. During their history, the Deviant gene begins to generate amongst them, which leads to what we know as mutants. At this time, there is very little known about the Eternals and how they will play out in the MCU but they could certainly be a viable candidate for the origin of Mutants.

    4) “THE TERRIGEN THEORY”:

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    This theory bases itself on information from the upcoming Disney+ show; “Ms. Marvel”.

    The Theory: Lastly, I’d like to discuss one more theory which also has lurked in the back of my mind since it’s similar to “The Virus Theory” and was brought to my attention following my beta gameplay of Marvel’s Avengers this weekend. In Marvel lore (and Marvel TV), there is this substance known as Terrigen Mist, which is able to alter the biology of individuals with Inhuman genes (such as Kamala Khan). While in the lore, the mists cause mutations to those with Inhuman genes, it is not really confirmed that humans can achieve mutant powers without having that Inhuman gene in them. The reason why I do not mention this theory as much is that this theory can easily combine with “The Virus Theory” above and can easily be interchanged.

    The MCU has already been around for 12 years our time. By Avengers: Endgame, we’re already in 2023…

    SO WHY ARE THESE THEORIES IMPORTANT IN THE CONTEXT OF THE MCU?

    Many fans believe that in the MCU, many of their favorite mutants won’t have the origin they deserve because the timeline won’t make sense, given that the MCU is currently in the year 2023. Say we keep the origin story of Magneto and Charles Xavier the same (Magneto being born in the late 1920s and Xavier being born in the ’30s). They would both be in their 90s, nearly 100 years old by the time Endgame rolls around. While mutant genes can affect the genetic composition of humans, I don’t think either of their powers has any sort of effect on the life longevity of their anatomical systems. Plus, fans like myself might start to question those origins with questions like:

    • Mutants existed since before the Avengers?
    • How did they hide for so many years from S.H.I.E.L.D.’s radar?
    • How did they hide from HYDRA’s?
    • How did Zola’s algorithm not account for the possibility of mutants ever arising, considering HYDRA was already doing genetic experimentation as shown by the post-credit scene of Winter Soldier and Age of Ultron?

    Something that makes all of these theories is how they can each operate outside the time constraint set by the comics. Let me elaborate. By having any of these theories be the origin point for mutants, they all allow Marvel Studios to actually write in the mutants they’re interested in having in the MCU WITHOUT the need to use any sort of chronological connection to the original source material from the comics because their origin would be established at another point of time in the MCU’s history. This would allow for new stories to be told within the context of the MCU. This would not be the first time Marvel Studios has retconned many of their characters’ origins in the MCU to make them differ from their comic counterparts (I.E. Wanda and Quicksilver having different parents, Ultron’s origin story, Star-Lord’s Father, etc.)

    Whatever theory you choose and wish to believe in, one thing’s for certain. The mutants are coming to the MCU.

  • RUMOR: Alpha Flight Bound for the MCU

    RUMOR: Alpha Flight Bound for the MCU

    According to a Caleb Williams of Knight Edge Media, Marvel Studios is keen on introducing Alpha Flight to the MCU. Normally one tweet wouldn’t get me to turn on my laptop and type up a story, but this tweet resonates with some things I’ve heard and discussed on the podcast in the past.

    Created by John Byrne and first appearing in 1979’s Uncanny X-Men #120, Alpha Flight is a Canadian super team that plays a key role in the the long history of Wolverine; in fact, their first appearance saw their team leader, Vindicator, who first appeared in Uncanny X-Men #109 where he failed in his solo effort to bring the Canucklehead back into the fold, lead his team in to atone for his failure. The original team, which included Sasquatch, Shaman, twins Northstar and Aurora and Snowbird under the command of Vindicator-characters Byrne had developed long before his tenure at Marvel-were chosen to provide the X-Men with a real challenge. In 1983, Byrne wrote a solo Alpha Flight series that introduced one of the team’s most beloved members, Eugene Judd, aka Puck. Recently Puck lead a different version of Alpha Flight into space working alongside Carol Danvers before the original team returned just this past Fall.

    This rumor is incredibly interesting to me because, as Charles Villanueva and I have talked about on the podcast several times, it lines up with some information I heard quite some time ago, so while I am in no way confirming this, it’s definitely something I will keep an eye on because one of my most trusted sources told me that Alpha Flight was a property that Marvel Studios One-Above-All, Kevin Feige, believed to have great potential. This information was from a time before Disney Plus was a factor, so I have no idea what the plans might be, but if we speculate a bit, you can see there are a lot of options.

    Obviously, everyone will eagerly focus on Wolverine’s past with the team as they eagerly anticipate the MCU version of Logan, but there are more options here than him. In Avengers: Endgame, Hulk mentions that part of the process of him merging his two personalities was spending some time in his “gamma lab” during the 5 year hiatus; I’m curious to see if Dr. Walter Langkowski, aka Sasquatch, might have been a part of his team or if, like in the comics, he was doing his own work on the Hulk’s experiment. Either way, Sasquatch, who played an interesting role in Al Ewing‘s The Immortal Hulk, brings another gamma related character into the mix in addition to She-Hulk.

    Sasquatch 'Dies' in Immortal Hulk #4 -- And Then Things Get ...

    Mutant twins Northstar and Aurora are more than just copies of the Maximoff twins. Jean-Paul Beaubier is the first major Marvel character to be openly gay and his sister, Jeanne-Marie, has struggled with dissociative identity disorder throughout her years in the comics. Michael Twoyoungmen, aka Shaman, is a powerful First Nations mystic who has taken some harrowing journeys throughout the years and aided in the birth of Snowbird, a demigod and daughter of the Inuit goddess Nelvanna. As Marvel Studios continues to make their films more representative of the world, you can see how Alpha Flight provides a great opportunity to diversify their character lineup.

    Again, this is all speculation based off a single tweet, so temper your expectations and be cautious and careful in how you spread the news. I am NOT confirming the rumor, only sharing that I heard 2 years or so ago that Feige saw great promise in the group and speculating on how they might fit in. For all we know, it might not even be the original team and, instead, the tweet is about the version that served with Captain Marvel. As always, time will tell.

     

     

  • Scarlet Witch & The Mutants: Why Wanda Maximoff Will Bring The X-Men to the MCU

    While the Marvel Cinematic Universe does not follow the comics to an exact letter, the MCU undoubtedly takes inspiration from the comics. Redwing is not an actual bird that Falcon communicates with, but it is a mechanical bird that he controls. Black Widow did not betray the Avengers in the MCU, though her relationship with the team in the comics is ambiguous at best. Needless to say, there are certain liberties taken when the MCU adopts from the source material. With that in mind, it stands to reason that where Wanda Maximoff in the comics was the reason mutants vanished the MCU’s Scarlet Witch is going to be the reason mutants join this shared universe over the course of WandaVision and Doctor Strange 2.

    In the comics, Wanda Maximoff was trained by an actual witch named Agatha Harkness, who is set to be played by the criminally underrated Kathryn Hahn in WandaVision. Agatha is the Morpheus to Wanda’s Neo and she shows her how to unlock the true strength of her powers. With the ever-expanding MCU set to embrace the more supernatural elements of the comics (Doctor Strange has already been introduced, and Moon Knight, Ghost Rider, and Blade have all either been announced or teased by Kevin Feige and that’s before we even get to the multiverse shenanigans that would need to occur to make Jared Leto’s Morbius interacting with Tom Holland’s Spider Man a logical reality), it stands to reason that the MCU takes those first steps with their Witch, Wanda, and an actual witch in Agatha. With casting calls being put out for Wanda and Vision’s twins Wiccan and Speed, one need not speculate very far as to what could be the cause of Wanda’s potential mental break. In the comics, Wiccan’s powers very much resemble his mother’s, while Speed’s powers resemble his uncle Quicksilver’s powers. At the end of Winter Soldier, Baron Van Strucker said that Quicksilver and Scarlet Witch represented the Age of Miracles. I can think of a different M word that one could use in the 1950s, the rumored Scarlet Witch setting, if they saw two kids running really fast and warping reality. Imagine if, in 1950, a devastated Scarlet Witch utters the words “More Mutants” because she wishes that someone could’ve protected her children after Agatha was responsible for taking them away.

    Wanda’s nightmare, indeed.

    The MCU’s Scarlet Witch losing her children after she lost her twin brother, her partner Vision right in front of her after being forced to kill him herself, turned to ash herself by the Mad Titan, and then resurrected only to be robbed of her vengeance is undoubtedly enough to push her over the edge. Feige has already said that, entering Phase Four, Wanda is the most powerful character they have. Throw in Wanda’s presence in Doctor Strange 2, existing in one universe where she has to potentially deal with The Wasp jokingly mocking Wanda’s desire to be a mother after having that reality brutally ripped away by Agatha. You can clearly see a scenario where losing her children leads her to not only bring the mutants from another universe into the main MCU universe due to the sheer loss she has experienced, but also leads to the Sorcerer Supreme to have to intervene to eventually put the Scarlet Witch down like in the House of M comic. This becomes even more likely when Wanda realizes that the reason Thanos was able to turn back time and kill Vision in front of her, and ergo rob her of the future she thought they’d have, is because Doctor Strange gave up the Time Stone.

    With a new Doctor Strange synopsis being released, and a new director being brought in (three cheers for Jordan Peele being the one who takes the helm), Strange’s continued study of the now gone Time Stone has been teased. Mordo’s decision to eradicate the world of sorcerers could bring him into contact with Wanda Maximoff. Could Mordo be in cahoots with another villain, one that has been here for hundreds of years, and who the Scarlet Witch has an extended history with? And could her past interaction be the reason mutants will now exist in the MCU?

    Time will tell.

  • Twelve Days of X-Mas, Day 8: ‘STARJAMMERS: THE SHI’AR EMPIRE’

    Welcome to another installment of what I hope is an enjoyable, extended look at a series of films that I’d like to see used as a way to bring the X-Men and Fantastic Four universes into the MCU. I’ve spent a troubling amount of time in my own mind thinking about this and figured that if I was going to spend that much time, I might as well write it up and feel accomplished! In doing so, I know that I’ll push some buttons with some readers, so let’s be clear about a few things: these are only MY ideas and do not, in any way, represent insight into what we should expect; of all the films I end up writing about, there’s a very small chance ANY of them get made; you’re free to write your own fan-fiction about films you want to see.

    With so much time between now and when we will first see the X-Men enter the MCU, there’s a lot of time for things to change (including my own mind); however, this “blueprint” is my current idea and one that I’ve attempted to base both in the kind of decisions Marvel Studios has made to date and on the types of changes we’ve seen recently. Unfortunately, in writing these I’ve discovered I am NOT cut out to do screenplays, so some of these  stray from convention in a few ways.

    In the first installment, I took at look at how Starjammers could potentially kick off Marvel Studios’ inclusion of the X-Men characters into the MCU. Then I took a shot at introducing Charles Xavier to the world and explaining just why he needed the X-Men in the first place. Next, we introduced arguably Marvel’s greatest character, Victor von Doom. We then caught up on the adventures of Corsair and crew and met the poweful Shi’ar Imperial Guard. We finally gave Marvel’s first family the film they deserve and then brought the X-Men into the MCU, making good on our several movie long build up to a true-to-comics Scott Summers. Yesterday we investigated the origins of the universe and took a look at the threat nature poses to us all in the Silver Surfer. Today, we’ve come back to finish up our Starjammers trilogy and give the Summers boys a reunion with their father!

    My goals here are to tie up a lot of loose threads, give the Summers’ men a chance to shine together and really put a kink in our relationship with Charles Xavier all while saving the world and and the Shi’ar Empire. No big deal really.

    When we last saw our Starjammers, things were pretty bleak. Hepzibah’s home planet had been destroyed, though she, Raza and Ch’od were together and on the run, and Corsair had been captured and imprisoned on Chandilar. The post-credit scene to that movie revealed that the pirates hadn’t given up, however, and had hatched a plan to spring their leader. We’ll pick up there as the movie begins. A great pirate prison break scene unfolds as Sikorsky’s plan is hatched. It seems important here to show the trust and efficiency with which the team operates now to see how far they’ve come and what they’re capable of doing for their “family.” It’s Hepzibah who ultimately springs Corsair and the reunion of the two results in some serious passion (Corsair thought she was dead). As they prepare to take leave of the prison, Corsair realizes that they could also leave with what might possibly be their biggest score to date: Lilandra. And so they do and as we move through and incredible escape scene (I like to think about this looking like the escape from the Death Star in A New Hope), our space pirates have new life. They pick up a new ship on the way out and hit their jump. We find out that they’ve been on the run for some time since the breakout and they know they’ll have no place to go with the Imperial Guard on their trail; however, they’ve managed to lay low and begin work on a plan with Lilandra’s help.

    Cut to Earth and Professor X’s newly renovated school seems busier than when last we saw it. We know that the events of Professor X and The X-Men were among the first to reveal the enormity of the mutant population to the world and while fear has spread through the government propaganda, Moira and Charles have been hard at work expanding trying to talk to parents of young mutants they’ve identified and expanding the student body. Now shown to be enrolled at the school are Calvin Rankin, Kevin Sydney, Alex Summer, Lorna Dane, Ororo Munroe (the young mutant Charles first encountered years ago in Cairo) and Suzanne Chan. It’s also revealed that Moira has continued work at her foster home nearby and some other, younger mutants are living there in a bit of a different setting. Among them are Jamie Madrox and Petra Laskov (the girl we last saw pawning diamonds at the end of Professor X and The X-Men) and, of course, Gabriel Summers. We see the new students going through their paces in school and also being led through training exercises led by the original team. Charles’ sense of pride in the students, especially his first class, is evident as he watches them; however, he is especially concerned about Alex’s inability to control his power. As Charles moves away in his hoverchair, Moira contacts him and as the two speak, the camera pans to Kevin Sydney and we find out that she’s been working hard to find a cure, but it seems as if the poor young man has only a few months left to live.

    On Chandilar, the Imperial Guard surround a closed door and as we move inside, we see D’Ken in a heated conversation. As we move around the room, it becomes clear that he’s the only one in the room and that he is carrying on a full back and forth with the crystal. We learn that since his sister escaped, he’s used the crystal to destroy several other planets within the Empire for harboring the Starjammers, though in none of those circumstances was their evidence of them being there. Back outside the room, the Imperial Guard share concerned glances and even the stoic Kallark seems to crack. As D’Ken finishes communing with the crystal, he is led by the Guard to another room where he’s greeted by a face we haven’t seen for some time: Davan Shakari. Shakari briefs him of the events on Earth, leaving out of course the escape of his Terran slave, but sure to include the growing number of super-powered beings on an already dangerous Earth, including Charles Xavier and his team of X-Men. D’Ken sends Shakari back to Earth, tasking him with surveilling their school and learning just what each of the team can do.

    At that we cut to Charles who has a fully realized Cerebro, a machine that harnesses his ability to exist in his astral form, now built into the school (it’s been hard to stay away from it until now, but it’s necessary at this point). As he enters the program, we find that he’s able to reach further and further with his mind and now he senses a call for help further than he’s been before: Charles, in his astral from, has left Earth and finds himself quickly drawn through space where he comes face to face with the unique beauty of Lilandra Neramini. Charles calmly sits next to the deposed leader of the Imperial Guard and introduces himself. Lilandra tells her story and of the threat that her brother poses to the entire universe. Charles, in move far more self-serving than we’d like our heroes to make, insists that Lilandra and her team come to Earth where Charles and his X-Men will help devise a plan to stop her brother’s reign of madness and terror. Charles returns to his body and Lilandra brings the plan to the Starjammers and it is met with near unanimous approval and then a decidedly angry “NO!”. Corsair will not go home; he won’t face reminders of his losses; he won’t bring this threat to Earth. As Corsair storms away, Hepzibah starts after him only to be stopped by Ch’od. In a twist, Ch’od, not Hepzibah convinces Corsair to return to Earth to find closure for his losses and to regale the Starjammers with tales of his youthful adventures. The course is set: the Starjammers are heading to…Alaska.

    Catching up with the X-Men, we see the original team finishing a battle with Unus the Untouchable using a device of Beast’s design that cleverly captures him within his own force field. This was the first mission in which Charles allowed Mimic, Polaris, Havok and Sway to go into the field as backup and while they weren’t needed, Charles debriefs them on the way back to the school and seems to be very pleased with their progress. This won’t be the “we’re ready Coach, put us in moment” because it’s at this point Charles determines that they are, in fact, ready and tells them as much. Back at the school, we find that Moira has come to visit and has brought Gabriel with her. It seems that Gabriel, who has been progressing well and fitting in nicely at the home, was working on fixing some wiring when he took a shock. The shock was minor but what’s happened to him since then is what’s brought him here:

    Since the shock, Gabriel’s body, including his eyes, have been emanating energy and while he’s not in pain or hurting anyone else, it won’t stop. Charles agrees to see the young man and is amazed at what he sees. He explains to Gabriel that he’s a mutant and would like to enter his mind to see if he can find out what he can do to help. Gabriel agrees but Charles finds it tough sledding to even enter his mind at first as it appears Gabriel is resisting. Once Gabriel calms down, Charles finds several things: a torrent of awful events at the hands of aliens who look an awful lot like Lilandra; a Shi’ar spy here on Earth and Gabriel’s escape; the fact that Gabriel’s memories seem to begin at adolescence and the lack of anything at all before that. Charles also feels pain and the promise of enormous power and, as he exits Gabriel’s mind, he senses a deep hatred for the people who hurt him. Charles and Moira confer and agree that Gabriel should stay with the X-Men for now until the full reach of his abilities are understood. As Charles takes him to his room, he passes the common room where the Summers boys are playing a killer game of Super Mario Kart 9. Scott puts down his controller and walks to get a closer look, believing for a moment that they man that just walked by looked an awful lot like his dad. Alex quickly snaps him out of it and the two return to their game. Before we leave the school, we see Kevin in front of a mirror, quickly taking the shape of each of his classmates before morphing into and holding the look of Charles Xavier and as we pull away, we find that Shakari, the hand of Shi’ar Emperor D’Ken, has not only found the X-Men, but his runaway slave.

    Back with the Starjammers, Corsair, not in his 80’s rock star bodysuit,  and the team have made a brief stop in Alaska where we see Christopher Summers approach a home in Anchorage. An unsure Summers pauses before knocking on the door, which is opened by a man who slowly realizes who is standing before him. We find this is one of Summers’ old Air Force buddies who has clearly thought his friend long dead. Summers enters the home and tells his friend the tale we’ve seen unfold, ultimately being forced to introduce him to his new crew. After some convincing, Summers’ friend agrees to get Summers’ belongings left behind at the base and delivers a small box of materials cleaned out from his locker and desk. In it, Summers finds exactly what he was looking for: a picture of his wife and sons taken on their fateful vacation and as he returns to their ship, he places it on his control panel as a constant reminder of what was taken from him by the Shi’ar and the reason why he continues to take from them. Their brief detour done, Lilandra reaches out to Charles Xavier and the two work together to bring the Starjammers to Westchester.

    Back on the Shi’ar throneworld, Shakari is seen transmitting his report to D’Ken. As he ends his report, he begins his descent on the school, revealing himself in his full Shi’ar armor for the first time.

    Shakari boldly breaches the school and is soon greeted by its students. His Shi’ar physiology gives him enough of an advantage and his armor proves to be able to not only produce energy blasts, but also keeps Marvel Girl from getting into his head. Several of the X-Men are taken out of the picture as Charles calls out a plan to others. Sway creates a time loop in which Shakari finds himself battling Cyclops over and over; with his attention diverted, Polaris and Havok team up. Havok unleashes a massive blast of energy on Shakari, more than even he can handle, disabling him momentarily. While he’s down, Polaris uses her powers to restrain him within his armor and remove his helmet at which time Marvel Girl finds her way into his mind and shuts him down. As the battle comes to an end, Gabriel comes out to the field to see his former tormentor disabled and approaches him. Before anyone can stop him, Gabriel projects and energy whip and begins to lash Shakari, tearing away pieces of his armor as he goes. Gabriel can’t be stopped and either Charles nor Marvel Girl can enter his mind; fortunately, the arrival of a massive Shi’ar starship proves to be enough to distract him. As the ship lands in clearing in the woods surrounding the school, the crew disembarks: the Starjammers and the X-Men make their first fateful meeting.

    Having not had contact from Shakari, D’Ken heads back to commune with the crystal. When he emerges, he gathers the Imperial Guard and gives the command to load the crystal aboard their ship. He’s going to Earth and the crystal has told him to destroy the planet. Each of the crew, save Neutron, know this is madness; they load the crystal but Kallark, Oracle, Mentor and Smasher, all psi-linked by Oracle, devise a way to stop the mad Emperor.

    Back on Earth, the Starjammers and X-Men try to hatch their own plan. Cyclops, Marvel Girl, Iceman, Havok and Polaris accompany Corsair and Hepzibah to the ship, thrilled to explore an alien vessel. Here Scott sees the picture on the control console and the dots are all connected. He asks to scan Corsair’s mind and she finds that he is indeed Scott and Alex’s father and that since their separation, he’s believed them dead and suffered greatly. Meanwhile, in the school, Gabriel has found where they are holding Shakari and opens the cell intent on torturing his former master. Shakari is beaten and weak, but as Gabriel pauses, Shakari strikes a blow to the boy, rendering him unconscious. Shakari dons his armor and as he looks to leave the school, he crosses the path of Charles and Lilandra. Shakari’s armor keeps him safe from Charles’ psychic attacks and before the rest of the team can come to help, he’s overpowered Charles and taken Lilandra. Tossed from his chair, Charles sees Shakari use his armor to open a portal and disappear.

    After they collect themselves, they X-Men and Starjammers are now planning a rescue when Lilandra reaches out and tells Charles that she is on Earth but that she now knows her brother is headed for Earth, intent on destroying it. Eager to make up for his mistakes, Gabriel tells the team he knows where Shakari’s lair is, explaining he’s been a slave to the Shi’ar his entire life. It’s gonna be a bit awkward, but it’s now at this critical juncture in the film, that the revelation of father and sons is made by Jean who had been able to not only learn about Christopher Summers but also the life of Gabriel while reading Shakari’s mind. Following their reunion, the plan is presented as follows:

    1. Polaris, Havok, Storm and Sway will be joined by one of Moira’s students, Petra, and Gabriel to rescue Lilandra.
    2. Charles, Cyclops, Marvel Girl, Beast, Iceman, Angel and Mimic will accompany the Starjammers to Shi’ar space to stop D’Ken.

    The final battle is waged on two fronts. On Earth, Storm and the “gold” team battle Shakari who is beaten back and tells them if they don’t stand down, he will kill Lilandra. In space above Earth, Cyclops’ “blue team” and the Starjammers engage in an incredible battle with the Imperial Guard as D’Ken powers up the crystal.

    Shakari, aware that the battle is lost, looks to enter the base and make good on his threat when the Earth begins to swallow him up. Petra concentrates and Shakari is slowly surrounded by the Earth and Storm hits him with a large lightning bolt, stunning him.

    In space, Jean communicates with Charles who instructs her to leave the team and head for the crystal. As she does, she looks back and sees the Professor hit with a devastating blow from Neutron, and fall limp. She reaches out to him to find their connection is still intact despite the fact she’s sure he’s dead. As she looks on confused, the body of Professor X slowly changes into their teammate Kevin and she realizes what’s happened. This scene also features some great moments of Scott and Corsair fighting side by side, filling Scott with the kind of confidence he’s often lacked. Fighting in the presence of his father is going to be key to Scott’s growth as a leader.

    On Earth, Charles frees Lilandra from her cell and the two share a kiss. As he moves back outside with Lilandra, he sees the team engaged in a new battle with Gabriel. We see a decapitated Shakari and a rage in Gabriel that has grown out of control. The revelation of his mother’s death at the hand of D’Ken put him over the edge and the gold team can’t stop him. Polaris and Petra use their powers in concert to begin to lift the Earth on which Gabriel is standing into space. As he rockets from the Earth, Gabriel stares down at the team and flies away, leaving a trail of energy in his wake.

    On the Shi’ar ship, the blue team realize they’re on their own to stop D’Ken. Appalled at what he saw and what he believes is betrayal, Mimic has retreated back to the Starjammer. As the tide turns in favor of the Shi’ar, Charles reaches out to Jean and explains, in brief, that he’s constructed an elaborate maze in her brain to keep her true power contained, but that now is the time to turn her loose. D’Ken is in deep commune with the Shi’ar gods inside the crystal as he prepares to unleash the weapon. Jean’s blocks are removed and she’s momentarily unable to process what she’s seeing (think about someone getting glasses for the first time), but she quickly reaches out and realizes she is within everyone’s heads simultaneously. She easily shuts down each of the Imperial Guard and follows D’Ken inside the crystal. Fill in the blanks about what she sees in here (I really don’t think they can do another Phoenix story), but it ends with her unloading with all her new found might and destroying the crystal from within, ending the threat and rendering D’Ken catatonic.

    As the film wraps up,Marvel Girl and Angel  have left. Several newcomers have come on and train in an incredibly updated and alien Danger Room, courtesy of Shi’ar technology, which has also provided a new jet for the team. As we head into space with the Starjammers,  Polaris and Havok are seen with the crew. Back on Chandilar, Lilandra is crowned Majestrix of the empire, flanked by her Imperial Guard, as Charles, Cyclops, Storm, and Beast look on.

    Post-Credit Scene #1: A ship carrying Charles and the X-Men is attacked by a Shi’ar cruiser. Lilandra’s long-exiled sister, Deathbird, pilots the other vessel.

    Post-Credit Scene #2: On Earth. The Canadian Wilderness. A raging Wendigo terrorizes a hunting camp until a group of heroes come into view and begin to contain him. As they close in, the Wendigo grows angry and just as he lashes out at the hero code-names Saint Elmo…SNIKT!

    While the Starjammers trilogy has come to an end, we certainly haven’t seen the last of them. We also are set up not only for an all-new, all-different X-team, but also the introduction of Wolverine into the MCU. At this point we are almost done but we know it’s been a long road so far. In our next installment, we’ll catch up with the Richards’ men and Doom as they discover the Kang Dynasty!

  • Twelve Days of X-Mas, Day 5: ‘PROFESSOR X AND THE X-MEN’

    This feature originally ran at MCU Exchange in December of 2017.

    Welcome to another installment of what I hope is an enjoyable, extended look at a series of films that I’d like to see used as a way to bring the X-Men and Fantastic Four universes into the MCU. I’ve spent a troubling amount of time in my own mind thinking about this and figured that if I was going to spend that much time, I might as well write it up and feel accomplished! In doing so, I know that I’ll push some buttons with some readers, so let’s be clear about a few things: these are only MY ideas and do not, in any way, represent insight into what we should expect; of all the films I end up writing about, there’s a very small chance ANY of them get made; you’re free to write your own fan-fiction about films you want to see.

    With so much time between now and when we will first see the X-Men enter the MCU, there’s a lot of time for things to change (including my own mind); however, this “blueprint” is my current idea and one that I’ve attempted to base both in the kind of decisions Marvel Studios has made to date and on the types of changes we’ve seen recently. Unfortunately, in writing these I’ve discovered I am NOT cut out to do screenplays, so some of these  stray from convention in a few ways.

    In the first installment, I took at look at how The Starjammers could potentially kick off Marvel Studios’ inclusion of the X-Men characters into the MCU. Then I took a shot at introducing Charles Xavier to the world and explaining just why he needed the X-Men in the first place. Next, we introduced arguably Marvel’s greatest character, Victor von Doom. We then caught up on the adventures of Corsair and crew and met the poweful Shi’ar Imperial Guard. We finally gave Marvel’s first family the film they deserve and now we’re going to look at a way to bring the original X-Men to the MCU without doing too much of what’s been done before. It’s time for Professor X and The X-Men!!

    NOTE: From here forward, we are going to try to go with a less is more approach to these. The first 5 have been VERY long and, understandably, not everyone has the time to read through them so we are making an effort to shorten them up considerably.

    We pick up in the year 2023 to find Charles in Scotland working with Moira at her research facility on Muir Island. His return and interest in their old conversations has brought Moira back from the states where she was working with orphaned children. Additionally, we meet the mysterious Dr. Karl Lykos, a colleague that Charles met on his travels and an expert on mutation. We learn that as Charles traveled the world, he became aware of the existence of thousands of mutants, many of whom were abused and persecuted, and others like Farouk who were already capable of great evil. Charles believes that if something isn’t done to help mutants, like the young girl he met in Cairo, more and more of them will find their way to a life of crime, using their abilities for evil. With Lykos away from the research facility, Charles revealed Project Cerebro to Moira. Convinced this is how they can do the most good, they begin work on the project.

    We catch up with Cain Marko. It’s clear that he’s now at one with the force that possessed him years ago and that it controls him by feeding his vengeance. We see that they’ve hatched a plan to allow Cain to remove the final reminder of his tortured youth: Charles Xavier. Marko, under the guidance of Cyttorak, the being that possesses him, begins crafting a helmet that will keep Charles’ powers at bay.

    At this point we catch up with Scott Summers. When we last saw him, he’d runaway from the orphanage and after collapsing, had been found by Jack Winters. Some time has passed, Scott is now 15 and shows signs of physical and mental abuse at the hands of Winters who has been using Scott’s abilities to help him acquire some material for an experiment that he believed would increase his powers even more. Though Scott fights it, Winters uses his limited telepathic powers to bend Scott’s will.

    Back on Muir Island, Charles, Moira and Lykos begin using Cerebro to identify younger mutants with whom they can make the most difference. In the interest of the less is more idea mentioned earlier, you can imagine the names that could come up here. Of interest to this piece (and those that follow), however, are Jean Grey(14), Scott Summers (now 16), Warren Worthington (18 and already active as the Avenging Angel), Robert Drake (15), Henry McCoy (20 and already enrolled in Bard College), Jamie Madrox (10), Calvin Rankin (14), Kevin Sydney (12) and Suzanne Chan (13). Charles begins work recruiting the children into his School for Gifted Youngsters and reaches out to Fred Duncan, an old friend who we find out now works for the FBI, leading their mutant task force. Charles knows that Duncan is aware of the Summers’ boy and hopes that by enlisting him early on in the process, he’ll make an ally out of him in the long run. Again, in the interest of time, Charles is able to acquire Jean, Scott, Warren, Hank and Bobby. While Jamie’s parents were open to Charles’ idea, they believed their son too young to move away from home; as a result, one of the first projects Charles’ tasked Hank McCoy with was to build a machine that prevented Jamie from duplicating while he was in it.

    Training montage!

    Charles’ X-Men face their first true challenge: a teleporting mutant who has been on a major crime spree. Revealing themselves to the public for the first time, IN THEIR FULL GOOFY AS HELL COMIC ACCURATE UNIFORMS, Marvel Girl, Cyclops, Angel, Beast and Iceman work together with Charles to down the teleporter who had become known as “The Vanisher.”  The Vanisher is taken into custody by Fred Duncan and The X-Men become well-known and, even accepted as heroes. TV footage shows them working alongside the Fantastic Four, Doctor Strange, Spider-Man and the Avengers to take out various minor X-villains (someone like Mesmero or even as ridiculous as Arcade could cameo in this way).

    Stepping away from the action, we’ll also need scenes of the team at the mansion as well. We need time for Jean and Scott’s romance to take hold, to see how brilliant Hank is, to watch Warren fly off in the middle of a lesson by Charles and to see just how much Bobby looks up to Scott. It’s also time to find out a bit more about Charles’ dark side. We know that he’s been constructing barriers in Jean’s mind to keep her from her real powers and that he hasn’t told her. And, during this time, he’s visited by Lykos and we find out that Charles has known about and kept quiet about Lykos’ own secret need to absorb the life force of other beings.

    The film’s final act is all about the X-Men and the Juggernaut. The team fights hard, but no absolutely no avail as the Juggernaut wreaks absolute havoc on their school, the building in which he grew up, abused by his father and ignored at the expense of Charles. Charles quickly realizes that he’s unable to use his powers to stop Cain as well, so he reaches out to those who his team has helped in the past. As Juggernaut continues to lay waste to the area, the team is badly beaten and disabled one by one. Charles walks out to face his step-brother only to have the Juggernaut charge him. Realizing he will be destroyed, Charles quickly employs a psychic shield around him. While this cushions the blow, Charles is still sent flying, striking his lower back into the front wall of the school. At this time, Doctor Strange and the Human Torch show up, having answered the call. Strange recognizes Marko is possessed by an ancient being; Torch deduces that the helmet is literally riveted to Marko’s skin; Charles pleads with them to stop Marko but to spare his life. Once Johnny frees the helmet, Charles uses his abilities to lift it from Marko’s head and begins to communicate with him only to quickly realize that he’s not there. Just as the Juggernaut prepares to starts another charge, Bobby lays down a patch of ice to keep him from gaining momentum and Jean, in her most impressive use of her powers to date, enters the mind of Marko, fractures the bond of Cyttorak and puts him to sleep.

    Post-Credit Scene #1: The Savage Land. Growing concerned that he would no longer be able to keep himself under control, Lykos chose to go off the grid. Chasing legend, he eventually found himself in the Savage Land. As the camera pans away from him, we see the Savage Land in its full glory and before it turns to black, we see Lykos unleash a pair of wings and fly away.

    Post-Credit Scene #2: Very montage-y. We see several young mutants, all across the world, grow into their powers. While some are able to hide their changes, others aren’t and other still choose not to. Reports pore in of mutants using their powers to murder and steal. Of note in the montage are Alex Summers, a green-haired girl and a teenage girl seen selling diamonds at a pawn shop (no, it’s not Emma Frost!). As the montage comes to a close, Fred Duncan is seen reporting to his new boss: Henry Gyrich, leader of Project Wideawake.

    Post-Credit Scene #3: Cain Marko is shown as a prisoner. As we move to the credits, we see he’s being held underground in friction-less cell. Above ground, the reconstruction of the school goes on.

    Fan Cast:

    Marvel Girl/Jean Grey-Sophia Lillis

    I set her apart not only because I think that Jean is super important in the overall scheme of things but also because after watching IT, I feel that Lillis is perfect for Jean. She absolutely has the look down and can act. I know she’ll be a little old by the time this film rolls around, but I think it has to be her!

    The rest of the team

    By the time 2020 or 2021 (whenever Marvel Studios gets around to the Starjammers movie, Jacob Tremblay will be the right age to be cast as the young Scott Summers and grow into the role and could possibly lead a series of X-films beyond what I have planned here (X-Factor would be a great start). It’s impossible to say what these kids will look like down the road, but Max Charles (The Strain), Jacob Hopkins (The Goldbergs) and Jake Brennan (Richie Rich) could hold down the roles of McCoy, Worthington and Drake.

    This leaves the team in a great spot to move into their next phase. I tried to make this as different as I could from anything we’ve seen before and to stay true to the comics. The team is established, but not quite ready for prime time and mutant hysteria has set in. Sounds like a good time for our heroes to do the one thing the old X-movies never did…head to space!

    Come back tomorrow for our intro to Galactus and the Silver Surfer and see what else the demon Mephisto has been up to.

    Professor X and the X-Men will return!

  • Twelve Days of X-Mas, Day 4: ‘STARJAMMERS: THE IMPERIAL GUARD’

    This feature originally ran at MCU Exchange in December of 2017.

    Welcome to another installment of what I hope is an enjoyable, extended look at a series of films that I’d like to see used as a way to bring the X-Men and Fantastic Four universes into the MCU. I’ve spent a troubling amount of time in my own mind thinking about this and figured that if I was going to spend that much time, I might as well write it up and feel accomplished! In doing so, I know that I’ll push some buttons with some readers, so let’s be clear about a few things: these are only MY ideas and do not, in any way, represent insight into what we should expect; of all the films I end up writing about, there’s a very small chance ANY of them get made; you’re free to write your own fan-fiction about films you want to see.

    With so much time between now and when we will first see the X-Men enter the MCU, there’s a lot of time for things to change (including my own mind); however, this “blueprint” is my current idea and one that I’ve attempted to base both in the kind of decisions Marvel Studios has made to date and on the types of changes we’ve seen recently. Unfortunately, in writing these I’ve discovered I am NOT cut out to do screenplays, so some of these  stray from convention in a few ways.

    In the first installment, I took at look at how The Starjammers could potentially kick off Marvel Studios’ inclusion of the X-Men characters into the MCU. Then I took a shot at introducing Charles Xavier to the world and explaining just why he needed the X-Men in the first place. Next, we introduced arguably Marvel’s greatest character, Victor von Doom. Today, it’s time to return to space and continue the story of Corsair and the Starjammers. When last we saw the Starjammers they had landed several major blows against the Shi’ar Empire and this film will pick up right where the last one left off: with Lilandra’s Shi’ar Imperial Guard on a mission to bring down Corsair and his crew of pirates.

    The middle film of what I planned out as a trilogy, this film will have a few twists and turns along the way but will definitely see our heroes taking a beating. A couple of years have passed and while the legend of the Starjammers has grown, Lilandra has not only called on the Shi’ar Imperial Guard, a team of the finest warriors from all across the Shi’ar empire to pursue them but has also placed a robust bounty on Corsair’s head, making it harder and harder for the space pirates to find safe places to stay. As the film opens we see the Imperial Guard, made up of Kallark, praetor of the guard, Mentor, Smasher, Oracle and Neutron smashing a few heads at a port where the Starjammers were rumored to have recently been.

    D’Ken has successfully unearthed the M’Kraan crystal from its resting place on Alsibar. His madness has grown and he looks to return to the expansionist roots of the empire. In the presence of the crystal, he believes himself to be communing with Sharra and K’ythri, the Shi’ar deities they hold responsible for the creation of the universe. Well aware of the damage done to the Kree homeworld of Hala during the Kree-Skrull War, D’Ken looks to threaten the Kree with an ultimatum: be annexed into the Shi’ar Empire, or be destroyed.

    On Earth, the 14-year old Scott Summers remains at the State Home for Foundlings. When we first see him, he’s talking with Dr. Essex about the nearly constant migraines he’s been experiencing the past few weeks. Essex draws some blood and as he goes back to his room, we see Essex open a computer file that gives us a little more insight into his deep obsession not only with Scott, but the entire Summers bloodline. A look at his computer reveals generations of gene mapping of the Summers’ blood line and molecular markers on Scott’s 23rd chromosome. As Essex takes a look at the new blood work and immediately recognizes that Scott’s body has begun producing some interesting new proteins.

    When we catch up with 12-year old Alex, we snot that he’s grown considerably. An early bloomer, Alex has moved in with a family and has fit in nicely. We won’t spend much time with Alex now, but it’s important to note that he’s matured quickly and has taken to the role of big brother in his new foster family.

    And before we leave Earth we head to upstate New York where we meet a mutant Shi’ar, Davan Shakari. Shakari, the Hand of the King, is on Earth collecting intelligence for D’Ken about the threats offered by Terra’s heroes as D’Ken hopes to wipe them out and expand the empire to include Earth. While he’d make you double take on the street, Shakari has a more-exotic, less-alien appearance that allows him to do some surveillance on his own. However, he has a full stable of slaves at his disposal and for his purposes on Earth, Gabriel Summers is the perfect tool. Summers does much of Shakari’s day-to-day information gathering. Though he seems loyal, it’s important to note that Gabriel has gained Shakari’s trust and is testing his limits.

    We’ve made it all this way and still haven’t checked in on our Starjammers! We catch up with the crew and notice that they’ve expanded by two members since last we met. Ch’od has picked up an adorable little companion who we see him playing with as we pan to Corsair, who looks a little worse from their recent mission. In swoops what first appears to be a small drone that heads towards Corsair; as it approaches, Corsair greets him as Dr. Sikorsky. A closer look reveals him to be a sentient being, covered in armor as he quickly demonstrates his his minor telepathic abilities. We learn that the Starjammer took heavy fire in their latest heist and that they’re aware that the Imperial Guard is hot on their trail. We also find out that they’ve become aware that the M’Kraan crystal has been found and Hepzibah gives the crew a little exposition on just what the crystal can do. The Starjammers are cornered, the galaxy is getting small so they plan their biggest heist yet: they are going after the M’Kraan crystal.

    Back on the ship of the Imperial Guard, Praetor Kallark briefs Lilandra on their progress in hunting the Starjammers. Their intel suggests they are hiding out near the planet Tryl’sart, the home planet of Hepzibah and her people, the Mephitisoids. The Mephitisoids were the last holdouts of the Shi’ar’s conquest of their current empire and have remained unruly, though controllable, since. As the crew sets a course for Tryl’sart, Lilandra asks Kallark for his opinion on D’Ken’s plans to expand their empire through fear. The hesitation in his voice gives us hope that Kallark is a good man, but his answer is this is what is best for the Shi’ar because it is what the Emperor has planned. As they jump to Tryl’sart, Lilandra reminds Kallark of the madness that took her sister and that she perceives is growing in her brother. She will speak to her brother and if he does not listen, she’ll plead her case to the Shi’ar High Council in the hopes that they will see what her brother is becoming.

    Gabriel Summers has done well in preparing himself to escape and does so. He cleverly covers his trail and quickly finds himself miles away in the woods near a small orphanage that he’d previously identified as a potential shelter. As he enters the building and the staff begins to question him during intake, it’s quite clear that his only memories are, inexplicably from the very recent past. After he is settled in to his room, the director of the orphanage comes to visit: Moira MacTaggert is in America. Meanwhile in Nebraska, his brother Scott is shown getting a fancy new pair of specs, courtesy of Dr. Essex. As Essex explains, the red-tinted lenses should filter out the low wavelength, high energy blue light that’s been causing him headaches. And as we check in with Alex, we see that not only is he fitting in well with his new family, he’s become quite popular as he gets ready to head to high school.

    The Imperial Guard come out of their jump outside the planet Tryl’sart. It’s not long before the Starjammers are alerted to their presence and begin preparations to take off. Kallark and Neutron jump to action and quickly disable the ship. Kallark releases beams of intense heat from his eyes that begin to carve large pieces of the ship away. As he finished, Neutron approaches the ship on what appears to be a kamikaze run only to breach the hull: the rest of the Imperial Guard board the Starjammer. Raza and Ch’od greet the forces of the Imperial Guard and fight valiantly, but are quickly dispatched. Their battle is just a distraction allowing Corsair and Hepzibah to make their escape in order to commandeer the Imperial Guard’s vessel. As they work their way to their shuttle, Hepzibah is struck with the memory of how her friends saved her in the mine, plants a kiss on Corsair and tells him to hurry.  Her surprise entrance briefly turns the tide but Oracle quickly subdues her with her powers. She also reads her mind and sees that all this has unfolded just as Corsair had hoped: the Imperial Guard are all aboard a disabled ship and Corsair is in control of an Imperial cruiser. As Kallark flys out in pursuit of the cruiser, Corsair jumps leaving the Imperial Guard stranded, but also in possession of everything he has left in his life.

    Corsair flips his H.U.D. down and opens a line of communication with Dr. Sikorsky, who is still aboard the Starjammer along with Ch’od’s little pet. The two have surveyed the area and are ready to rescue the rest who are being stowed on a sub-level. When they arrive to free their friends, they find only a badly wounded Ch’od and Raza; Hepzibah is nowhere to be found. We find she’s been taken by Lilandra and Kallark to Tryl’sart’s Shi’ar embassy where she will be executed in front of her people for treason. As Dr. Sikorsky patches up Ch’od, he and Raza formulate their plan to get to the surface of the planet and save their friend. At the embassy on Tryl’sart, Lilandra contacts D’Ken and informs him of their progress. Long hateful of the Mephitisoids and their unruly behavior, D’Ken tells Lilandra to stay the execution of Hepzibah; he’s coming to Tryl’sart himself, with the M’Kraan crystal intent on destroying the entire planet and showing the rest of the empire what happens to those who harbor traitors. As the screen fades away, Lilandra and Kallark exchange glances…Lilandra must go back to the Aerie and confront the High Council and stop her brother’s madness. As she makes her plans, Neutron, well aware of Lilandra’s plans, storms away.

    Corsair walks the streets of the Shi’ar capital in disguise knowing time is short. They abandoned the vessel just outside the planet and have used some contacts on Chandilar to be smuggled in and are finding hiding among the nearly million of inhabitants of the imperial capital to be quite easy. Unfortunately for them, they have underestimated D’Ken’s response. As word on the street spreads of D’Ken’s decision to destroy Tryl’sart, Corsair realizes he has failed. Not only will he be unable to steal the crystal, he’s also going to lose what family he had left. It’s just at that time that Imperial Guardsmen Oracle and Smasher arrive and quickly disable Corsair.

    Lilandra’s ship lands on Chandilar and she approaches the chamber of the High Council, who she has called together. D’Ken’s ship approaches Tryl’sart, the newly weaponized M’Kraan crystal ready for use. Ch’od, Raza and Sikorsky, known as Starjammers and heroes to the Mephitisoids, launch their attack on the embassy with the help of some locals. Lilandra enters the chamber, eager to plead with the Council. Corsair, badly beaten, is thrown into a holding cell on a Shi’ar vessel. The Shi’ar jailer projects an image from D’Ken’s ship into his cell. D’Ken unleashes the crystal’s power, vaporizing Tryl’sart. Lilandra is never given a chance to make her plea; Neutron has informed the Council that she has planned to usurp her brother and take the throne for herself. Raza, Ch’od, Sikorsky and Hepzibah are shown to have escaped from the darkside of Tryl’sart in an old ship left over from the original Shi’ar-Mephitisoid war. Corsair watches the destruction of Tryl’sart, his failure complete in his mind. Lilandra is brought to the same Shi’ar vessel as Corsair and thrown in a cell across from him. D’Ken begins the journey home, eager to claim the heads of the pirate Corsair and the only remaining threat to his throne: his sister. Kallark and the rest of the Imperial Guard return to the Aerie, their duty done.

    Post-Credit Scene #1: Scott, much like Gabriel, is on the run. The difference, however, is that he has no plan and nowhere to go. He’s hitch-hiked as far as Sioux Falls, South Dakota when he begins hearing voices in his head. Those voices lead him to a small house nearby where the voices get stronger and stronger. As they grow, the stress causes Scott to unleash a massive optic blast, his first since the plane crash, and pass out. As he hits the ground, a hand, fully encased in diamond, reaches out to check his pulse. The camera pulls away to show fellow mutant Jack Winters, the Living Diamond, as he carries Scott to safety.

    Post-Credit Scene #2: Aboard the Imperial flagship where Corsair and Lilandra await their death, a defeated Corsair hears a familiar voice in his ear: Sikorsky has made his way to the jail.

    Things do indeed look bad for the Starjammers during the course of the film, but we get the glimmer of hope we need at the end of the film. The Summers boys are all in the places they need to be for what comes next. We are left to ponder the fate of Lilandra, however.  We’re just a third of the way through, but I want to thank you for reading and continuing to support the site. I’m looking forward to sharing tomorrow’s feature with you when I finally get around to introducing Marvel’s First Family, who come to find out, have been around longer than we know.

    The Starjammers will return!

  • Twelve Days of X-Mas, Day 2: ‘PROFESSOR X’

    This feature originally ran at MCU Exchange in December of 2017.

    Welcome to another installment of what I hope is an enjoyable, extended look at a series of films that I’d like to see used as a way to bring the X-Men and Fantastic Four universes into the MCU. I’ve spent a troubling amount of time in my own mind thinking about this and figured that if I was going to spend that much time, I might as well write it up and feel accomplished! In doing so, I know that I’ll push some buttons with some readers, so let’s be clear about a few things: these are only MY ideas and do not, in any way, represent insight into what we should expect; of all the films I end up writing about, there’s a very small chance ANY of them get made; you’re free to write your own fan-fiction about films you want to see.

    With so much time between now and when we will first see the X-Men enter the MCU, there’s a lot of time for things to change (including my own mind); however, this “blueprint” is my current idea and one that I’ve attempted to base both in the kind of decisions Marvel Studios has made to date and on the types of changes we’ve seen recently. Unfortunately, in writing these I’ve discovered I am NOT cut out to do screenplays, so some of these, including this one, stray from convention in a few ways.

    In the first installment, I took at look at how The Starjammers could potentially kick off Marvel Studios’ inclusion of the X-Men characters into the MCU. Following Marvel Studios The Starjammers, I think it’s time to dive into the history of Charles Xavier and get some insight into what motivated him to assemble a team of mutants and work to save the world.

    Fox’s X-films have certainly given us some background on Charles Xavier, but I can’t say that I particularly love any of the contrivances they’ve injected into his story. While we’ve had two very talented actors portraying the man behind the X-Men, we’ve hardly gotten a comic accurate Professor X. We’ve seen a good man who had a few misgivings, but we’ve never seen the true Charles: a man with a dark past, innumerable secrets and the determination to due whatever was necessary to drive his agenda forward to victory. The Professor X from the comics is a man who, over time, was revealed to be as deceptive and scheming as nearly any of Marvel’s major villains, it’s just that he was supposed to be the good guy. In the words of Kitty Pryde:

    We’ve had some back and forth behind the scenes on this feature and one of the things I’m hoping Marvel Studios is ready to do is to continue to blur the lines between hero and villain. I think a Professor X film offers just one option (I’ll be exploring others down the line) for Marvel Studios, but one that makes us fundamentally question how we think about good and evil. That’s a big of a departure from what we’ve come to expect, but it’s the kind of change that can really switch change things up for a studio often criticized for being formulaic and predictable.

    For the purposes of this film, I’d be looking to cast someone in their late 30’s-early 40’s. A good portion of the film will be spent catching us up to present day and while we’ve seen some impressive de-aging technology, it’d be far easier to have someone who can just portray Xavier throughout his 20s and 30s and stick around for the better part of a decade as the X-films build. And as far as making sure we won’t get confused with previous Xaviers, there’ll be no British accent with this one given that he grows up in New York.

    The film will open before Charles’ birth with an introduction to his father, Dr. Brian Xavier, his colleague, Dr. Kurt Marko and face we’ve seen before (although before was in the future relative to this film), Dr. Essex, who is currently working as Dr. Milbury. The three men, alongside the creepy Amanda Mueller, are revealed to be working for the government on Project: Black Womb, a project that finds them working on what is essentially the Mutant Genome Project in hopes of understanding the recent rise in the prevalence of the chromosomal x-factor. While he once again is not the main focus of the film, there’s enough time in the opening act to fill in more of his background, including his obsession with the X-gene that runs in a particular family: the Summers. Both his and Mueller’s long life spans can be revealed in this film, along with Mueller’s own interaction with the Summers’ family as the great-great grandmother of Scott and Alex.

    While partners on the project, Dr. Marko is shown to be a jealous and hateful man, though his genius is the equal of Xavier’s. Though both men had sons of the same age, Marko’s arrogance, anger and tendency to get lost in his work had cost him his first wife. The contrast to Xavier’s home life is key as their two sons will be at the center of not only this film but key MCU events for the next several years. Having found what they were looking for, Milbury and Mueller leave the project leaving Xavier and Marko with no funding and no direction. The two continue their work until a lab accident takes Xavier’s life. At this point, things will be quite uncomfortable for the audience and the characters involved. Kurt marries Xavier’s widow and their two sons, Cain Marko and Charles Xavier begin a journey that will keep their fates intertwined for decades.

    From here we will see the two boys growing up in the ancestral Xavier mansion as Cain, who has a history of violence and insubordination, come to live with his father and his new step-family. Brothers by law only, the two boys aren’t close and Cain grows to resent Charles. Kurt abuses and neglects his own son at the expense of fostering Charles’ incredible intellect. Cain feels betrayal at the hands of his father and begins bullying Charles and it is during one such incident that Charles first becomes aware of his telepathic abilities. Charles unintentionally enters the mind of Cain and is terrified of what he sees there and in an act of kindness, tries to talk to Cain about it. This not only increases Cain’s hatred of Charles but also plants the seed of fear of what his step-brother can do. With Marko wrapped up in his work once more, Charles’ mother succumbs to her grief and dies. Angry with Marko, Charles intends to confront him at his lab where he overhears Kurt and Cain fighting. As the fight turns violent, Charles attempts to use his powers to subdue the two only to cause Cain to fly into an uncontrollable rage that results in an explosion. Kurt Makro perishes in the fire, leaving the two boys on their own and Charles as the rightful heir to the Xavier fortunes. From here on, though fully aware of the extent of his powers, Charles remains largely reluctant to use them.

    The second act will follow Charles as he begins his post-secondary education. Charles’ prodigious intellect pushes him quickly through his graduate work and he finds himself jumping across the pond to pursue Ph.Ds in Genetics and Biophysics, hoping to gain some insight not only into his own abilities, but the work his father was doing. As his knowledge grows, so does his curiosity and as he begins to dig into the work done by his father and Marko, he eventually comes across the names of two of their colleagues: Milbury and Mueller. Charles finds himself now at a tipping point and, if not for him happening to meet someone who will become one of the most important people in his life at just this time, things could go quite differently for Xavier. It is at this point that Charles meets and quickly falls in love with Moira Kinross. The two find they are both deeply interested in genetic mutations, though Charles keeps his hidden from Moira, and it is through their discussions that the seeds of Charles’ future plans are sown. Though they have feelings for one another, Moira is clearly wary of entering into a relationship and we learn that she’s been in a tumultuous on-and-off relationship with a man named Joe McTaggert, who is currently stationed abroad as a Royal Marine. Despite her concerns, Moira finds herself falling for Charles and the two fall in love.

    Back at Xavier’s ancestral home, Cain Marko continues to live a life in which he becomes increasingly isolated and violent. Though the two aren’t close, Charles has allowed him to stay in the home and attempts to maintain contact, but on a return trip to America one summer, he uses his powers to access Cain’s mind only to find that his step-brother has given himself over to his baser instincts and has made quite a reputation for himself as a mercenary. Reaching out to help him, Charles approaches Cain about what he knows only to have his step-brother attack him for using his gift to read his mind. The two fight and Cain holds nothing back. While Charles holds his own, he puts an end to the fight by mentally disabling Cain. When he recovers, Cain leaves the mansion, his hatred for Charles and his abilities driving him towards becoming even more of a monster.

    Returning to Oxford, Charles finds that Joe McTaggert has returned. After a brief confrontation, Moira tells Charles that she is leaving him for Joe. Enraged, Charles reads both Moira and Joe’s minds and finds Moira terrified of the abusive Joe. Broken and alone, Charles finishes his work at Oxford at returns to America. Seeing people oppressed at the hands of a dictator, Charles enlists in the US Army and becomes a part of Operation Desert Storm. His time in the war opens his eyes to the hatred, violence and destruction that man unleashes during war. As the war winds down, Charles and army pilot Carmen Pride find themselves behind enemy lines during a rescue mission. As things begin to take a turn for the worse, the opposing army is mowed down by a band of privately contracted soldiers led by Cain Marko. Charles learns that his brother’s team has been sent to loot an ancient temple under the cover of war. Charles puruses Marko into the temple, attempting to stop him from taking treasures that rightfully belong to the people. Marko arrogantly grabs the largest ruby in the old temple, claiming it for himself. In a pretty Indiana Jones scene, the temple begins to fall around them as Charles watches Marko become transformed into something superhuman. As Marko’s rage is unleashed, the temple collapses on top of him, and the last thing Charles sees of his step-brother are his glowing, red eyes.

    With the war ended, Charles completes his service and decides to stay in the Middle East, choosing to live in Cairo. Reaching out with his mind one night, Charles connects with Moira and finds that life has brought her many ups and downs, but that she is now separated from Joe and working at her own research facility on Muir Island, off the coast of Scotland. Digging deeper, Charles finds that Moira has a mutant son and, though the boy is very young, she is already terrified of him. A distraught Charles takes to the streets of Cairo where he becomes aware of the thoughts of a young pickpocket targeting him. As Charles connects with the mind of the young girl, he identifies her as a mutant before he is overwhelmed by another, darker presence in her head and looses consciousness.

    Charles awakens in the lair of Amahl Farouk, the crime boss of the Thieves Quarter of Cairo. Here, Charles gets a good look at the young pick pocket, Ororo, and many others who are clearly under the control of Farouk. Farouk greets Charles and tells him he became aware of his presence in Cairo when he connected with Ororo. Recognizing Charles as a strong telepath, Farouk tells Charles of his criminal enterprise and invites him to be a part of it. For the first time, Charles recognizes not only the equal of his abilities, but also the opposite: someone who is not only willing to use them, but also to use them to commit acts of evil. While Charles’ powers have grown, he’s uncertain of their full extent; however, when he refuses, he finds out the full extent of Farouk’s.

    Farouk quickly shows Charles that while he himself is a powerful mutant, he’s long been bonded with an entity known as the Shadow King. Brought to life as a manifestation of the terrors of early humans, the Shadow King has lived on people’s fears and feasted on their terror. In Farouk he has found a willing and powerful vessel and hopes to bring Xavier’s powers to his stable by inhabiting his mind. As Xavier resists, he finds his mind opens a gateway to another dimension where his likeness is projected: the Astral Dimension. Here Charles quickly learns the power of the Shadow King as his every fear is turned against him (the death of his father, his failure to save Marko and his failed relationship with Moira). In what will become his first act of great violence and a memory that will long haunt him, Charles, reminiscent of what he had seen in Cain, turns the fear to rage and battles back. Unprepared for the immense power unleashed against him, Farouk is beaten. As he attempts one final attack, Charles enters into Farouk’s mind and destroys it entirely, killing Farouk, driving the Shadow King from him. Before Charles returns to his body, we see one final shot of the Shadow King, a being of fear who now knows it.

    As he recovers from his battle with the Shadow King, Charles realizes that while an entirely foul creature, Farouk is certainly not the only mutant out to do evil. It is at this point that he becomes determined to protect others from those who would do evil and to begin to protect and train young mutants, such as the one he met in Cairo, so that they couldn’t be used as weapons. Reflecting back on the life of his step-brother, Cain Marko, Charles knows the dangers that the outcast, orphaned and down-trodden face and begins Project Cerebro, a way to identify mutants that he might train.

    Post-Credit Scene #1: A few years later, Charles has completed work on his third Ph.D, in Psychiatry, and is traveling the world again while continuing to work on Project Cerebro. Seeking to help the survivors of the Bosnian genocide, he works at a refugee clinic in Austria where he meets another volunteer: Erik Magnus.

    Post-Credit Scene #2: Cain Marko, alive and well, boards a plane in an Israeli airport.

    Fan Cast: For some odd reason, I just can’t get this picture out of my head. I’m not sure that it has to be JGL, but there’s something about it that I like.

    A little (or a lot) unconventional I know, but this film sets so many wheels in motion that it had to happen in my mind.

    Professor Xavier will return!