Author: Charles Murphy

  • A New Rumor Points to Kingpin Running for Mayor of NYC in ‘Daredevil: Born Again’

    A New Rumor Points to Kingpin Running for Mayor of NYC in ‘Daredevil: Born Again’

    As Daredevil: Born Again begins casting ahead of a 2023 start of production, new information seems to corroborate an old rumor. According to insider Daniel RPK, casting has begun for a group of characters associated with Vincent D’Onofrio’s Wilson Fisk as he runs for Mayor.

    Mayor Fisk may sound far-fetched, but it’s pulled directly from a recent run of Daredevil comics. In 2017, Charles Soule crafted a storyline that saw, Fisk,  the longtime crime boss and thorn in Daredevil’s side, run for Mayor of New York City. Running on a platform that promised to take on the multitude of street-level vigilantes in the area, Fisk won with the help of some illegal handiwork.

    In an effort to make Fisk’s undertaking more difficult, Matt Murdock joined the Mayor’s staff as Deputy Mayor. Several rounds of comic book hijinks later, including a visit from The Hand, Murdock became the Mayor. After saving NYC from The Hand with the help of the very same vigilantes Fisk had hoped to eliminate, Murdock stepped down and Fisk continued to serve as Mayor until he was replaced by Luke Cage in 2022’s Devil’s Reign.

    Rumors have persisted for some time now that Soule’s run would serve as inspiration for Daredevil: Born Again. Soule’s run introduced some great new characters, including Blindspot, who served as a kind of Robin to Daredevil’s Batman, and the creepy villain Muse. Undoubtedly the biggest game changer from Soule’s run, however, was Matt Murdock taking a case before the Supreme Court over the right for costumed heroes to serve as witnesses to the crimes they often stop from happening. Soule’s run was heavy on lawyering because Soule is a lawyer. With Daredevil: Born Again set for an 18-episode run, it wouldn’t be surprising to see some more courtroom action, maybe even something as ambitious as taking on the Supreme Court.

    Fans have quite a wait ahead of them before figuring out exactly what they can expect from Daredevil: Born Again as the streaming series is currently slated to release in the Spring of 2024 on Disney Plus.

  • How the Rules of the MCU’s Multiverse Allow for Daredevil and Kingpin to Meet Again…For the First Time…For the Last Time

    How the Rules of the MCU’s Multiverse Allow for Daredevil and Kingpin to Meet Again…For the First Time…For the Last Time

    A half-dozen Lokis, including a woman, an old man, a child, one that looks just like Tom Hiddleston, and an alligator. Four Doctors Strange, including a zombie with a ponytail. Three Spider-Men. Three Peggy Carters. Two Kangs so far, including one referred to as a “warrior”, with more to come. Two Gamoras. Two Nebulas. Two Thanoses. Two Christine Palmers. And two Mordos and two Maria Rambeaus who hang out with three guys who have never before been seen in the MCU’s 616-universe. The Marvel Cinematic Multiverse is full of Variants and is sure to see more enter it as the Multiverse Saga continues over the next 4 years. So why is it, that in this vast multiverse, Matt Murdock and Wilson Fisk are expected to be the genuine Netflix articles when probability would dictate they probably aren’t?

    The rules of the Multiverse, as created by Michael Waldron and explained in Loki by Miss Minutes, allow for a tremendous amount of room in the creation of Variants. Nearly any event, no matter how great or small, from “creating an uprising” to just being “late for work” causes a Nexus Event which creates a branch from the Sacred Timeline. As Miss Minutes explained, one Nexus Event could “branch off into madness” creating an almost infinite number of Variants and the potential for a multiversal war. That multiversal war is coming in Avengers: Secret Wars, but it’s the more mundane sort of multiversal madness that’s relevant here. Given the relative ease with which a Variant can be created and the fact that the death of He Who Remains allowed the multiverse to branch off into madness, it’s statistically more likely that the Matt Murdock and Wilson Fisk who are on track to meet in Echo are Variants of the ones who appeared in the Netflix Defenders-verse shows.

    In addition to the relative ease with which the MCU can explain away the Variant nature of the two characters, according to Charlie Cox, it seems like that is the plan. Cox has been clear that he and Kevin Feige think of Daredevil: Born Again as Season 1, not Season 4, and recently called it “a whole new deal” that gave the studio a chance to start from scratch in some instances.

    What’s great about that is that we potentially get to tell some of the stories over and over again, in the same way that they do in the comics. Every now and then they start back in the beginning of Murdock’s journey as a little boy and they tell the whole origin story again, so maybe we’ll get to do that. I don’t know.

    Charlie Cox

    Herein lies the brilliance inherent in the simplicity of the multiversal rules. The MCU’s Matt Murdock and Wilson Fisk only need to be a little different from their Netflix counterparts in order to allow Feige, the Marvel Studios Parliament, and the creative teams of Echo and Daredevil: Born Again to keep much of what fans loved about the characters they met on Daredevil while also telling their MCU stories on their terms. And they never have to tell anyone how it happened. Just simply let it unfold on-screen.

    An infinite multiverse means infinite possible Variants of the characters. That means a Matt Murdock who can see, a Kingpin who never killed his father and any other version you can imagine exists somewhere. But in order for Marvel Studios to tell their version of the story, they don’t have to erase all those key points in the development of the character. Vincent D’Onofrio has spoken at length about how he’s playing Fisk as the same character and that makes perfect sense because all of the tragedy and abuse that he suffered when he “was a boy” can still be the backstory for the character.

    I mean, obviously, my character in Hawkeye is physically stronger and can take a lot more physical abuse. But my approach to him is exactly the same approach that I did on Daredevil. He is an emotional human being, he is a child and a monster simultaneously. The same things that are going on inside me when I’m playing the character, the events that I use, whether the joyful ones or sad ones or frustrating ones or angry ones, the events that I use from my life are the same ones that I used in Daredevil that I used to portray Fisk. So it’s connected, for sure. In my mind, for sure.

    Vincent D’Onofrio

    The rules of the multiverse absolutely allow for everything D’Onofrio said about the Fisk that showed up in Hawkeye to be true AND for the character to be different from the Defenders-verse character. How simple is it? Incredibly simple. If being late for work can create a Nexus Event and a new branch of the multiverse, any number of events could be used to explain how a Matt Murdock and Wilson Fisk who are nearly identical to the ones from Daredevil are co-existing in the MCU’s Hell’s Kitchen but have never met one another, much less become archenemies. Why would they do this? To give the MCU’s creatives a chance to tell the story of these two characters on their own terms rather than be forced to accept someone else’s interpretation. As Cox explained, it gives them the opportunity to retell stories as often happens in the comics when new authors take over.

    What would this mean for the MCU? It would mean that to audiences, the characters would seem to be exactly the same, only a little different. Ketchup and mustard Daredevil seems to be, for the most part, the same as black mask Daredevil, except he’s a little different. His fighting style isn’t quite the same, he’s a bit more flippy and he doesn’t seem to hate being alive and is rather quite the ladies’ man. Hawaiin shirt Kingpin seems to be, for the most part, the same as stare-at-the-wall Fisk, except he’s a little different. He works out of a garage in relative anonymity and seems to be a walking tank.

    Using Variants provides the people who worked on Echo and are working on Daredevil: Born Again a tremendous amount of creative freedom. You like the way the story with Stick training Matt as a boy worked? Keep it. It happened before the Nexus Event. You don’t like the fact that Ben Urich is dead? Get rid of it. It happened after the Nexus Event that created this MCU Variant Daredevil. Characters can seemingly be brought back from the dead without ever having died. Don’t like the way the Hand storyline played out in Daredevil? Retell it. It happened after the Nexus Event that created this Variant. Giving the writers working on Echo and Daredevil: Born Again that type of flexibility will ultimately allow for a better final product. There are some hoops to jump through to ensure the chosen point for the Nexus Event follows continuity (so you don’t go the route of Fox’s X-Men films) but it can be done.

    At the end of the day, if fans can accept alligator Loki and are looking forward to seeing Jonathan Majors mold himself into multiple versions of Kang, it doesn’t seem as though it’s asking much to accept that in an infinite multiverse, other versions of their favorite characters can and do exist. Is this a definitive statement that these characters are NOT the Defenders-verse ones? Of course not. Only Marvel Studios can make that statement; however, they are better served in never making it, allowing the debate around the characters to carry on until their decision is revealed on screen, whether large or small.

    You want to believe these guys are your guys? Go for it, probability be damned. You want to believe these guys are Variants? Go for it, the evidence suggests they are. At the end of the day, these are stories meant to be enjoyed by audiences and much of that is determined by what you carry with you in your own mind and if you believe in it strongly enough, not even the multiverse can take it away from you.

  • RUMOR: Harrison Ford Joins ‘Captain America: New World Order’ as Red Hulk

    RUMOR: Harrison Ford Joins ‘Captain America: New World Order’ as Red Hulk

    Just as She-Hulk: Attorney At Law wrapped up with no Red Hulk in sight, an updated rumor suggests that one might not be too far off. According to the Hot Mic Podcast, living legend Harrison Ford has joined the cast of Captain America: New World Order.

    The report indicates that Ford, who will star in the fifth installment of the Indiana Jones franchise in 2023, has joined the cast of Cap 4 as General Thaddeus “Thunderbolt” Ross, a role that had been filled by William Hurt since 2008’s The Incredible Hulk. Hurt passed away in March of 2022 after reprising the role once more in Black Widow.

    Fans have been hoping to see the Red Hulk appear in the MCU for years, with rumors of his appearance in Captain America: Civil War and the upcoming Thunderbolts film among the most well-known. While Marvel won’t comment on casting, fans might not have too long to wait to find out as filming on Cap 4 is slated to begin early next year.

    Much speculation about just how much longer the 80-year old Ford planned to remain active in film, but if this rumor pans out, it’s possible he might be looking at a recurring role in the MCU over the next several years.

    Source: Hot Mic Podcast

  • How the MCU’s ‘She-Hulk’ Became Truly Savage

    How the MCU’s ‘She-Hulk’ Became Truly Savage

    The finale of Season 1 of She-Hulk: Attorney at Law opened with a great callback to the classic Bill Bixby and Lou Ferrigno series, The Incredible Hulk, that ran on network television in the late 1970s and early 1980s and spawned not one, not two but three made-for-tv movies in the late 1980s. The callback, which served as the recap of the series so far, ended with what’s become the norm for the series, a new, weekly title: The Savage She-Hulk. That title is, of course, the title of the first appearance of Jen Walters in Marvel Comics, The Savage She-Hulk #1, which hit newsstands in 1980. Ironically, through the course of the D+ series, Jen’s She-Hulk has been anything but savage for most of the time; however, the same can’t necessarily be said for the series itself.

    Language is an ever-evolving thing and, over the last decade or so, one word that has experienced some changes in its usage is “savage.” The way the kids are using it these days (these days being like 5-10 years ago), it means someone who has zero regard for the consequences of what they say when they rip into a person or a group of people. It’s in this way that Jessica Gao and the rest of the writers’ room on She-Hulk: Attorney at Law made the series one of the most self-aware and savage social commentaries in modern pop culture history.

    As the finale pointed out, Marvel Studios has an internet problem. No matter what project they churn out it wasn’t long enough, didn’t have enough cameos or didn’t include THAT character or THAT story that some fan was certain was going to be there. However, some projects have a bigger internet problem than others: the ones featuring female leads. From Captain Marvel to Ms. Marvel to Thor: Love and Thunder and now She-Hulk: Attorney at Law, female-led projects at Marvel Studios are described as “problematic” and “sloppy” before general audiences have seen a second of footage. And as Marvel Studios enters its second saga of stories and begins to introduce legacy characters, many of whom are female, the internet has come out swinging with chants of “Mary Sue” and “Thor is a name, not a title” as characters like Kamala Khan, Jen Walters and Jane Foster assume heroic mantles.

    It is in addressing these internet problems head-on that She-Hulk became truly, in the modern context, savage. The savagery really began in earnest in Episode 3, “The People vs. Emil Blonsky”, when Jen’s work at GLK&H began to garner more attention. In a brief sequence, the show called out anonymous and misogynistic social media influencers and YouTubers by making a mockery of their go-to commentary. “They took the Hulk’s manhood away, but then they gave it to a woman?” “So we gotta have affirmative action with superheroes?” “No more female superheroes plz.” “Why are you turning every superhero into a girl? Nobody asked for that.” “Why everything gotta be female now???” “So we have a #MeToo movement and now all the male heroes are gone?” Ridiculous only in their accuracy, these comments could have been (and most likely were) taken from real social media account from men decrying that “every hero” is now a female. Forget the fact that Thor: Love and Thunder featured both a man and a woman co-starring as Thor (and the female died), facts have no place in this dojo.

    To add an extra layer of verisimilitude to its social commentary on social media, She-Hulk: Attorney at Law brought the dudebro online community known as The Intelligencia to the forefront. While initial theories about who might run the group understandably centered on characters from the comics associated with the group, it turned out to be a collective of manbabies united by one thing: their insecurities. The creatives laid the satire on thick and in layers going so far as having Jon Bass‘ HulkKing scream “come at me bro” shortly after turning into Chris Kattan-Hulk.

    Between satirizing the ridiculous nature of online discourse around these projects and having Jen be the first MCU character to really explore dating and sex (she even smashes Matt Murdock on occasion), the Gao and the writers certainly had the very same people they were mocking clutching their pearls. And they did so by simply capitalizing on the very nature of the character pulled straight from the comics where she was Marvel’s first character to be aware that she existed inside of a story and interacted with the world that existed outside her story. So while Jen’s She-Hulk proved she was anything but the savage version her cousin Bruce thought she might be, Marvel Studios went full frontal savage and, in doing so, made their most socially relevant project to date.

  • Pierce Brosnan on How Doctor Strange and a Fantastic Script Led Him to a Role in ‘Black Adam’

    Pierce Brosnan on How Doctor Strange and a Fantastic Script Led Him to a Role in ‘Black Adam’

    69-year-old Pierce Brosnan is already a legend. But as if having four Bond films under his belt, including 1995’s GoldenEye, and a memorable role in Mrs. Doubtfire and 94 episodes of Remington Steele weren’t enough to cement the Irish actor’s legacy, he can now check “superhero” off his list. Brosnan’s latest endeavor finds him starring alongside Dwayne Johnson and Aldis Hodge in DC’s Black Adam where he plays Kent Nelson, aka Doctor Fate. As Brosnan enters into his fifth decade as an actor, he remains busy despite having five children and three grandchildren. As it turns out, he might have his children to thank for his latest role.

    In an interview at Black Adam’s World Premiere, Brosnan explained how his son’s fascination with another comic book doctor, Doctor Strange, among other things, inspired him to take on the role of Kent Nelson in Black Adam.

    I loved Doctor Strange and my sons, who are comic book aficionados, would say, “Dad, Doctor Strange.” Well we all know who Doctor Strange his and he is epically brilliant. Benedict…But then you have the bookend to that and it’s Doctor Fate. And Doctor Fate is much-loved, one of the senior members of the sorcerer’s world. Jaume Collet-Serra is the director. Dwayne Johnson as Black Adam. The cast. The text. The script works on many different levels. I think it covers them in a very subtle way and sometimes on the nose culturally…politically…socially. And, more importantly, in a grandiose, epic, entertaining way.

    Pierce Brosnan

    DC comic fans will know that Nelson is just one of several characters to take on the mantle of Doctor Fate but is considered to be the most powerful to have ever donned the Helmet of Fate. While the character has previously appeared in DC-related media, it’s likely that Brosnan’s version will be the one that enters into the collective consciousness of pop culture. Whether or not that means he’ll return in the role again, or if another character from the comics assumes the mantle, remains to be seen. Either way, it’s another checkmark on the legendary Brosnan’s list of achievements.

  • Dany Garcia on Easter Eggs and THAT End Credit Scene in ‘Black Adam’

    Dany Garcia on Easter Eggs and THAT End Credit Scene in ‘Black Adam’

    Black Adam stands to serve both as an introduction to a new cast of DC characters and as a bridge to the pieces of the existing DC Universe that Warner Bros. intends to keep on the board as they move forward. Dwayne Johnson’s Teth-Adam is innately connected to Zachary Levi’s Shazam, but the new film won’t feature Shazam. Rather, it features a modern-day version of the Justice Society of America lead by Aldis Hodge’s Hawkman and Pierce Brosnan’s Doctor Fate, characters who might well find themselves, or other versions of themselves, returning down the road. Meanwhile, Johnson has all but confirmed the return of Henry Cavill as Superman and he might not be the only character from another project who shows up.

    If it seems like a lot for one project, it is, but early word is that the film handles it wonderfully, working to respect what’s been done before while also setting up a different future than many might have imagined. In an interview at Black Adam’s premiere, Dany Garcia, who co-founded Seven Bucks Productions with Johnson, gave some insight into how they pulled it off and what fans might expect.

    I think they’re going to see all of the nods. They’re going to see the respect that we have for the character. They’re gonna find the easter eggs, and they’re gonna see an end credit that speaks to the past but acknowledges what’s to come.

    Dany Garcia

    As the greater DC Universe continues to face uncertainty in the wake of project cancellations, shifts in leadership and issues with some of their talent, it seems that Black Adam will be more than capable of holding down the fort now and in the future.

  • ‘Black Adam’ Scribe Teases Potential Future Spinoffs

    ‘Black Adam’ Scribe Teases Potential Future Spinoffs

    After fifteen years of development, Dwayne Johnson’s superpowered passion project, Black Adam, is set to hit theaters. Set to introduce not only Johnson’s Teth-Adam but also four members of a modern-day incarnation of the Justice Society of America (Hawkman, Doctor Fate, Atom Smasher and Cyclone) and featuring the return of a couple of characters from previous DC projects, the film is laying the groundwork for a wide-range of opportunities to tell stories in the future. In an interview at the film’s premiere, writer Rory Haines was asked if fans should expect to see any additional projects spinning out of Black Adam.

    Hopefully so. DJ’s been working on this for 10 years. Obviously it’s well know…he’s not just an actor, he’s a producer, he’s a visionary himself. He has a lot of vision for this and I think fans are going to really love where he wants to go.

    Rory Haines

    Even though the film’s main plot seems set in the present, the very fact that the JSA shown in the film has a pair of legacy members opens up the potential for a JSA-centric project to be told in the past, present of future of the DC Universe. It’s also possible that solo projects for Hawkman or Doctor Fate could be on the horizon if the characters are well received. Of course, there’s great potential for a Black Adam sequel, perhaps featuring Superman or Shazam. Whatever the case, it remains clear that Johnson’s passion for the character, which was the driving force in seeing Black Adam made through all the changes over the years at WB, will shape what comes next for these characters.

  • Hiram Garcia Teases the Ambitious Plans for Superman and Black Adam

    Hiram Garcia Teases the Ambitious Plans for Superman and Black Adam

    After keeping it secret for quite some time, Dwayne Johnson slowly let the cat out of the bag over the past couple of weeks during the lead-up to the premiere of Black Adam: Henry Cavill is back as Superman. With the Man of Steel’s return to the DC Universe coinciding with the arrival of superpowered anti-hero Black Adam, it shouldn’t be a surprise that the two might run into one another down the road. According to producer Hiram Garcia, when the two do meet, it won’t be only for a brief chat.

    If those guys cross paths, it’s really not just about a showdown…there’s much more we would want to do. We like to really think about the long game. And we like to think about some really interesting long-form storytelling with two characters that are so polar opposite but kind of from the same place in terms of power and approach. So if we are able to pull that off, some way, someday those guys cross paths, it’s not gonna be a quick thing. We have some big ambitions for that.

    Hiram Garcia

    Garcia and Johnson certainly seem to have the fans in mind as they look for a way to move forward the story of Teth-Adam and the shared DC Universe. Fans have been eager for Cavill to return to the role of Kal-El that he first inhabited in 2013 and, over the last few years following his appearance in Justice League, the hopes for that return seemed to dwindle. With Cavill back on board and firmly in the mix to mix it up with Black Adam in a sequel to one or another of their solo projects, it seems Johnson’s Seven Bucks production company is taking the lead in keeping the DC Universe on track for the time being.

  • Dwayne Johnson on Henry Cavill’s Return to the DC Universe

    Dwayne Johnson on Henry Cavill’s Return to the DC Universe

    As Dwayne Johnson’s career trajectory continued upward over the last decade and a half, one thing remained constant: his passion for Black Adam. First announced in 2007, the project has survived stops and starts in DC Universe, changes in leadership and changes in which characters and stories have been prioritized. Now as it’s finally about to be released, Black Adam seems set to serve as a jumping-off point for a new version of a connected DC Universe, but there’s one character that Johnson, and fans, have been eager to see back on screen.

    Henry Cavill made his debut as Superman in 2013’s Man of Steel, which once upon a time seemed to be the jumping-off point for a DC Universe shaped by Zack Snyder. However, following appearances in Batman vs. Superman: Dawn of Justice and Justice League, Cavill was absent from other projects and with no development on a Man of Steel sequel, fans had all but given up hope on his return as Kal-El. Johnson, however, never did. In an interview with ET at Black Adam’s premiere, Johnson seemingly confirmed the return of Cavill as Superman and discussed why it’s so important to have him back.

    The whole goal and initiative of Black Adam was to build out the DC Universe by introducing not only Black Adam but the entire JSA. 5 new superhero characters in one movie and also, as I have been saying all along, there’s an ethos we at Seven Bucks have…Seven Bucks Productions…myself, my co-founder, Dany Garcia, and Hiram Garcia and that is we’ll always put the fans first. Audience comes first. So, for years, audiences have been so passionate and vocal about…we’ve established Black Adam as the most powerful and unstoppable on our planet…but the fans have been so passionate about, as we have been, where is the most unstoppable force in the universe? Where is he? Well, just like I fought hard for Black Adam for fifteen years, Dany has been fighting for six years, Hiram has been fighting for six years, fifteen years. We’ve all been fighting for this moment, so I will say this: welcome home.

    Dwayne Johnson

    Rumors have swirled for months that Black Adam would see Cavill return to the role of Superman and Johnson’s all-but-confirmation here has to be exciting for fans, not only for this film but for the future, which Johnson has also spoken about recently. Let’s hope it doesn’t take 15 more years before we see the two titans share the screen again!

  • A Closer Look at Marvel Studios’ Updated Slate

    A Closer Look at Marvel Studios’ Updated Slate

    Marvel Studios made sweeping changes to their upcoming theatrical slate recently, shuffling the release dates of several projects in what looks to have been a game of dominoes. Upon closer look, however, it seems possible that the last domino hasn’t fallen yet.

    2023

    Phase 5 begins! Outside of Blade being removed from the 2023 slate, the slate remains unchanged. Two projects (Ant-Man and The Wasp: Quantumania and Loki Season 2) look to connect directly with the overarching plot of the Multiverse Saga, but The Marvels might connect to it a bit more than one might think at first glance.

    2024

    The changes to the 2024 slate are where things really start to fall apart and where one has to question whether or not there will be another round of changes ahead. It seems like a big factor in whether or not there are more changes will depend on how connected the Disney Plus series/special projects are to the order of things.

    Originally, Phase 5 was supposed to end with Thunderbolts in July of 2024, now it looks like it will likely end with Deadpool 3 in November of 2024. Blade and Deadpool 3 (even though it wasn’t officially given a date until recently) were always a part of Phase 5, so where they land within it doesn’t seem to matter. However, as of SDCC, the first Phase 6 project was intended to be a Disney Plus series/special presentation scheduled for Fall 2024, before Fantastic Four. Then, another two Phase 6 Disney Plus projects were set to stream before the end of 2024.

    With all the changes, the end date for Phase 5 has now been extended by 4 months, meaning two streaming projects that were meant to be a part of Phase 6 are now TENTATIVELY set to stream before Phase 5 concludes. Can these projects just be moved into Phase 5? It’s hard to determine without knowing the identity of the projects. Do audiences need to see the content delivered in Blade or Deadpool 3 before they can view these series? Again, hard to determine without knowing what the projects are. If they need to be included in Phase 6, Marvel Studios would have to push them into November of 2024 or later, potentially creating a content void that they seem to be trying to avoid. A lot of questions that can’t be answered, but 2024 and Phase 5 are clearly being impacted the most by the changes and potentially impacting everything else the most as a result.

    Summary: Phase 5 ends later and with a different project and would currently experience an increase in the number of projects with some Phase 6 projects set to stream before Phase 6 begins.

    2025

    While the update on Monday revealed two pretty major changes, it also implies that more might be coming. With Fantastic Four being bumped into 2025, Avengers: Secret Wars was bumped out. However, it also means the February slot before Avengers: The Kang Dynasty is now occupied by Fantastic Four when it was clearly meant for another film up until these changes took place. The best bet as to what was intended to be there is the sequel to Shang-Chi. Both films are set to be directed by Destin Daniel Cretton and there’s been enough said to me to indicate that Shang-Chi 2 was meant to lead up to Avengers: The Kang Dynasty. With all that in mind, the slate is what it is at this point, but don’t be surprised to see further changes. One possibility is for one Avengers: The Kang Dynasty to move to the vacated November slot, opening up one of two summer spots for Shang-Chi 2. And while Disney doesn’t date Spidey films, that 4th movie is looming out there, so perhaps one of these 2025 films might come off the schedule entirely to make room for Spidey 4.

    Summary: Phase 6 starts later than expected, but with the same project (Fantastic Four). It also ends later, but with the same project (Avengers: Secret Wars).

    2026

    As announced at SDCC ’22, Avengers: Secret Wars was intended to close out Phase 6 and the Multiverse Saga in November of 2025. The next day, Disney slated 4 Untitled Marvel Studios films for 2026, all meant to kick off Phase 7. But as the delay of Blade led to the delay of another project and another project and so on, Avengers: Secret Wars found itself bumped 5 months to May of 2026. But being the capstone project of the entire Multiverse Saga, moving Secret Wars ultimately means delaying the end of Phase 6 and the start of Phase 7.

    Additionally, in shifting from November 7, 2025 to May 1, 2026, Avengers: Secret Wars actually jumped 2 dates. On the surface and without further changes, this adds a 6th film to the Phase 6 slate. We don’t know what the untitled films are, but when the slate for Phase 6 was revealed, it was comprised of 5 films. With things the way they are now, it’s 6 and this seems like a pretty major change to a slate that one would assume is pretty well planned out and only holds the requisite number of projects to tell the story. The scenario described in the 2025 section above provides some relief to that by removing one of those films to make way for Spidey 4. The best guess here is that Marvel Studios is NOT done shuffling and that these dates should be viewed as placeholders and nothing more.

    Summary: Phase 6 not only ends later but with Avengers: Secret Wars jumping 2 release dates, it currently includes one additional film that was previously slated for Phase 7.

    Realistically, any analysis is probably a waste of time because the only constant with Marvel Studios’ slate of projects is change. So for now, tracking the changes and thinking about how they might lead to more is both the best we can do and the worst thing we can do because it sends us down a path with no clarity just past the horizon.