Author: Joseph Aberl

  • Den Den Murphy Episode 10 – Chapter 1036 & 1037

    Den Den Murphy Episode 10 – Chapter 1036 & 1037

    Suki and Joe are back in the new year to talk not one, but two of the latest One Piece chapters. We’ve finally gotten back to Luffy’s battle with Kaido, but the latest chapter ends on a massive revelation.

  • New Leaked ‘One Piece’ Set Video Offers Closer Look at Alvida’s Ship

    New Leaked ‘One Piece’ Set Video Offers Closer Look at Alvida’s Ship

    Not too long ago, the first images have found their way online of Alvida’s ship which will be used in Netflix’s upcoming live-action adaptation of One Piece. It was from the distance so you didn’t get a good look at it, but luckily Twitter user @BantuKingu shared a video from up close. Not only is it our best look yet, but it also gives us an update that they are indeed adding some color to the ship. If you look closely you can even see the red on the sails that would replicate the hearts the Miss Love Duck had in the manga and anime. It’s also impressive how big the ship is, which might probably only end up used in a few scenes. You can check it out here:

    https://twitter.com/BantuKingu/status/1483887827712724994

    It does seem like they are making some changes to the original design, such as the swan head being pink rather than white. In the anime, the entire ship was. The fact they are going for practical effects instead of simply adding it in post also a sign they care about bringing this series fully to life. It seems they are still busy preparing for the shoot, which is understandable considering how much time it might take to get one of these ships ready for the production. Here’s hoping we might also get a good look at other ships as they continue building them ahead of the production start.

    Source: Twitter

  • ‘She-Hulk’s Tim Roth Didn’t Expect to Return to the MCU

    ‘She-Hulk’s Tim Roth Didn’t Expect to Return to the MCU

    She-Hulk will see the return of Tim Roth to the role of Abomination. While he did get a small cameo in Shang-Chi and the Legend of the Ten Rings, it’ll be his true return to the role since the release of 2008’s The Incredible Hulk. Of course, it surprised many as that film seemed like Marvel Studios was trying to move away from the externally produced film, but started embracing it more since William Hurt‘s return as Thunderbolt Ross in Captain America: Civil War. In an interview with Uproxx, Tim Roth reveals he never expected to ever make a return to the MCU.

    Well, honestly, it totally surprised me. I went in to chat with Kevin Feige and he said, “I’ve got an idea. Come in.” Really? Really? Because the original thing that I did, when I did that first Incredible Hulk movie, was I just did it for my kids.

    Tim Roth

    He was quite surprised given the complicated beginnings of the franchise, but it highlights just how much Marvel Studios has changed over the years. Ross even praises their work but points out not every project worked for him, highlighting Wolverine and Deadpool as his favorites. He goes on to say:

    Did that. So I was amazed when they came back around and said, “How would you feel about…” And I went, “Yeah. All right!” And we just shot it, I guess in the summer last year or whatever. I think that they’re in post now doing it, so whenever. Bonus, I got to work with Mark Ruffalo. Awesome. Who I love. And I don’t know if I’m allowed to say. Oh, I can say that. But this extraordinary woman, Tatiana…Incredible, that woman. So that was a blast. It was insane

    Tim Roth

    It’s certainly exciting to see the praise Roth is giving Tatiana Maslany, who will spearhead the project as Jennifer Walters. We don’t know yet how she’ll become the titular She-Hulk, as it was through a blood transfusion in the comics, and what role Ross’ Abomination may have, but here’s hoping it opens up the window for him to return in the future.

    Source: Uproxx

  • EXCLUSIVE: Robert Downey Jr.-Led Series ‘The Sympathizer’ Eyeing June Production Start

    EXCLUSIVE: Robert Downey Jr.-Led Series ‘The Sympathizer’ Eyeing June Production Start

    We were all surprised when it was announced that Robert Downey Jr.’s next major project was an HBO series adapting The Sympathizer by Viet Thanh Nguyen. Park Chan-wook was attached to direct the series, which explores the tale of a Vietnamese communist spy during the end of the Vietnam War, as he is exiled to the United States. While not much has been reported since the announcement, we can exclusively reveal that the series is being developed with multiple seasons in mind.

    The production is still actively casting its co-lead to tar opposite Downey Jr. and is currently scheduled to begin a nearly year-long production this June. The project is actively casting actresses and actors with a Vietnamese background to ensure the authenticity of the project. As such, they will also film parts of the project in Vietnam and Los Angeles once they get the cameras rolling.

    It’s great to see the production focus on the book’s cultural background and shoot on location in Vietnam, which generally also helps boost the local economy. The production will also have a predominant Vietnamese cast with Oldboy director Chan-wook also acting as a co-showrunner alongside Don McKellar. HBO, A24, and rhombus Media are producing in association with Cinetic Medi and Moho Film.

  • UPDATED: ‘Black Panther: Wakanda Forever’ Production Reportedly Restarted After All

    UPDATED: ‘Black Panther: Wakanda Forever’ Production Reportedly Restarted After All

    UPDATED: So, there has been some confusion surrounding the current state of Black Panther: Wakanda Forever‘s production. In the THR article, it was included with the statement that “production was set to restart this week” without a confirmation it was able to do so. It’s uncertain if this was a statement based on old information, but The Direct’s Jack McBryan has offered an update stating that production is currently underway:

    While he mentions something that happened earlier this month, the implication is on a report from January 14th – last week – by THR. It’s when the production wasn’t able to restart as planned that Monday and includes the reference to the cast and crew, as well as Lupita Nyong’o, contacting COVID. At the time, the report was accidentally overlooked, which is why the latest entry was mistakenly written as the first update on her condition. For now, it seems that the latest THR piece published on the 18th may have been based on old information, or they were able to restart today. No matter if they did or not, hopefully everyone affected by COVID was able to recover.

    Source: THR, Twitter

    It seems like just a few days ago, we were reporting that Black Panther: Wakanda Forever was able to start up production again after a long vacation break so that Letitia Wright‘s severe injury can heal. Sadly, it seems that in a new piece by The Hollywood Reporter the production was forced to close down again, as cast and crew members were tested positive for COVID. It was originally going to start up production this week again, which will once again face further delays. Among those tested positive is also one of its stars Lupita Nyong’o.

    This news is sadly becoming common once again, as Star Trek Picard also was closed down after over 50 people involved with the production were tested positive. As a result of this rise in numbers, it seems a new deal was struck for new COVID-19 safety protocols to ensure that this cannot happen further with the spread of the Omicron variant.

    Source: The Hollywood Reporter

  • REVIEW: ‘The Book of Boba Fett’ Episode 4 – The Gathering Storm

    REVIEW: ‘The Book of Boba Fett’ Episode 4 – The Gathering Storm

    We’ve returned once more to The Book of Boba Fett with the episode “The Gathering Storm,” which kicks off with another flashback sequence. As somewhat expected, the series explored the time when Boba met up with Fennec Shand, how he ended up saving her, and even his journey to retrieve his armor. There are great moments in this episode, but it once again suffers from feeling aimless throughout its 40+ minute runtime. Can those moments outshine the retelling of a story already told?

    Up until this point, the flashbacks during Boba’s ongoing Baccta tank resting plan offered some great moments to humanize the once style-over-substance character. While we get moments like that this time around – especially with his Bantha – it feels even more aimless in this episode. We catch up with The Mandalorian’s introduction of Shand but from his perspective. The use of his iconic audio cues – which highlights just how iconic Din Djarin’s character has become – was a great touch, but most of the story explored here was already explained.

    Yes, the medium should abide by the “show don’t tell” rule, but we’re showing what we’ve already been told. Even if it’s a great tie-in to why Boba recruited the Mods in the modern-day, we didn’t need to see Fennec get her implants. The highlight of the episode was the heist action sequence to steal his ship and the subsequent return to the Sarlacc Pit. He also got his revenge on the bikers in a rather short sequence that felt like a handwave rather than a poignant moment for his character, even if there are implications they weren’t working alone.

    We’ve now understood the Pykes are the main antagonists – as far as we know – for the upcoming battle for Mos Espa, but then we jump back into the past for most of the episode. Outside of learning why Fennec trusts Boba and what makes him different from the Hutts, which we already know since the first episode, there wasn’t much new here. The best moments of the episode – once again – are all the parts of his time trying to maintain his new empire.

    Krrsantan makes a surprisingly early reappearance, as he’s just kind of drinking his life away at the casino we visited in the first episode. He’s a great addition to the story, and the fact Boba recruits him was a great way to keep him in the story while also not relegating the character to a slave, as the Hutts sold him off, but it feels anti-climactic. Instead of coming in later on to help, he’s just a gun-for-hire now but my feelings on its quality are also conflicted with the fact that it works in Fett’s overarching narrative’s favor. So, it’s well handled but could’ve been better.

    I will say that this episode ended on a better note than previous entries. Din Djarin is making his return and the use of his soundtrack was a great touch without having to name the character outright. Supposedly, Boba is fully healed and it seems that these injuries that kept him going back to the Bacta tank have come to an end. Hopefully, he also gets a true moment to shine like his return in the second season of The Mandalorian. His short stint in the bar against the bikers was a good appetizer, but the character has never been truly unleashed up to this point.

    We are four episodes in and I can’t help but feel like the series is playing catch-up most of the time. The narratives from the past and present don’t feel interweaved as effective as they could’ve been to ensure we’re building up to something. Its predecessor Disney+ series had the luck of having individual storylines per episode that made it feel exciting each time. Yet, this season seems to be struggling with wanting to tell not one but two cohesive linear storylines, while keeping each episode self-contained. There’s a lot to love here, but I sometimes feel like this series may have benefitted from a Netflix-style binge watch rather than a weekly release.

  • REVIEW: ‘As We See It’ Is Charmingly Honest

    REVIEW: ‘As We See It’ Is Charmingly Honest

    Life isn’t easy out there, especially not if it feels like the world is stacked against you. Everyone strives to be like those that seemingly have it all together, even if they may struggle in their way. As We See It takes a closer look at that very struggle through the eyes of Jack (Rick Glassman), Violet (Sue Ann Pien), and Harrison (Albert Rutecki), three roommates on the autistic spectrum. In the past, the portrayal of autism has been rough in films and TV. Yet, this series by Jason Katims finds a humanizing way to induce comedy and drama that shows a charmingly honest look at their lives and those around them.

    What I believe this show handles best is that it avoids autism as a caricature or even turning it into the butt of the joke. Instead, it embraces its characters and every aspect that defines them. We’re not in a sitcom. This show warms your heart by showing you the highs when even the smallest challenge is accomplished – a lesson perhaps many of us should learn as well. Harrison managing to walk down the street may seem unimportant but it means the world to him. He manages it because of the support system he has in Sosie Bacon‘s Mandy.

    Speaking of, her role in the story highlights another strength of this series. While Jack, Violet, and Harrison are technically our main trio, a lot of time is spent fleshing out the people around them and how their lives start to interweave. Mandy’s storyline is about her questioning to follow her dreams – if they truly were her own – or continue the work she’s doing for these three. The show doesn’t harp on drama but doesn’t shy away from it. That’s why I mention it is “honest” earlier in the review.

    They don’t sugarcoat autism and how it affects not only those living with it but those closest to them. Violet’s relationship with her brother Van (Chris Pang) is a great showcase of exactly that. He takes harsh actions due to having to handle it on his own after the passing of their parents. There’s so much pressure already on him that he’s become overprotective. It’s a natural progression of his character that is punctuated throughout his development in this show, heightened by Pien and Pang‘s performances.

    However, I will say there is one plotline that seemingly felt predictable yet forced at the same time. I do not want to spoil it, but I feel once it happens many will understand what it is. It exists purely to add drama and it takes away from a character’s nuanced struggle. The idea is fine, but I do feel like if it was slowly introduced for a future season it may have more impact, as well as not taken away from an already nuanced struggle that a character faced.

    There are some moments where the show takes its time with storylines, but it’s part of its charm. It offers an unrelenting experience of the struggles our main characters go through. Glassman‘s Jack tries to take a very direct approach to solve his issues while the underlying emotional challenges are yet to be addressed. Through Violet’s experiences, the series highlights the cruelty of the real world and how unkind people can be. And even those that are good-natured at their core, like Harrison, may be misunderstood by a world that just simply is untrusting.

    When tackling such a sensitive topic, there’s always going to be a fine line that is hard to keep intact. I can’t help but praise how As We See It manages to do it so well. There’s a charming honesty at display in its portrayal of its characters and the struggles they face. It teaches you that no matter how difficult it may be, there’s always going to be a moment to smile, connect, and live. Even if there may be a new challenge just around the corner, that only means well face a new opportunity to grow. Perhaps for some, this show can do exactly that.

  • ‘Eternals’ Takes Top Spot as Marvel Studios’ Biggest Disney+ Debut

    ‘Eternals’ Takes Top Spot as Marvel Studios’ Biggest Disney+ Debut

    Eternals has finally released on Disney+ and offered many a chance to check out the Chloé Zhao-directed film that didn’t get a chance to see it in theaters. Of course, a release on any streamer is bound to get the attention of people that want to see just how much of a second life a streaming service can give a project, and it looks like Marvel Studios’ take on an Indie film has garnered quite the attention in its home release.

    SambaTV, who has shared data on various projects in the past based on internal study panels, has revealed that 2M households in the United States alone viewed the film within five days of its release. As pointed out by @Luiz-Fernando_J, this is the biggest film debut from the Marvel Cinematic Universe, as it has surpassed Shang-Chi‘s 1.7M debut.

    The film had a strong run at the box office, ending its run almost hitting the $400M benchmark without a Chinese release. While it didn’t have the momentum that other Marvel Studios projects had, it still had an impressive run. So, it getting a second life on Disney+ is a sign that the film still had a strong showing and may finally give Marvel Studios a push to hint at what the future has in store for the franchise.

    Source: Twitter, The Numbers

  • Paramount+ Unveils Release Dates and Renewals for Several ‘Star Trek’ Series

    Paramount+ Unveils Release Dates and Renewals for Several ‘Star Trek’ Series

    It looks like Paramount+ is about to boldly go into the next year, as the official Star Trek Twitter account shared quite a few announcements in one major wave. The new year will see the release of Discovery‘s fourth season as of February 10th, followed by Picard‘s second season on March 3rd, Strange New Worlds then on May 5th. That is quite the line-up of heavy hitters one after another. The Nickelodeon series Star Trek: Prodigy also will have new episodes from the first season through February 3rd with new ones announced for later in the year. It also looks like the third season of Lower Decks will return in the summer of this year.

    That is not all, as the announcements also include quite a few renewals. Lower Decks will get a fourth season, Discovery will also make a return with a fifth season while Strange New Worlds gets a second season renewal. Picard, surprisingly, did not get a renewal which may hint at it potentially ending in the second season, but they may also want to be keeping the door open to catch viewers by surprise. Still, it’s a massive move to renew three series on the same day, but they announced it with a set of great visuals highlighting each series, which you can check out here:

    It’s crazy to think just how many shows are currently running that explore different corners of the Star Trek universe. Lower Decks takes a comedic look at what it’s like living in a ship that travels through the galaxy to explore undiscovered parts of the galaxy. Discovery was part of the current revival of the franchise through TV series, which had mainly expanded in cinemas. It’ll be interesting to see if they have other projects cooking to further expand their franchise.

    Source: Twitter

  • Marvel Announces New ‘Moon Knight’ Anthology Series

    Marvel Announces New ‘Moon Knight’ Anthology Series

    We just got the trailer for the upcoming Moon Knight series heading to Disney+. Naturally, Marvel is using the opportunity to cross-promote with a brand new anthology series, which is the second comic book series for the iconic Marvel character. The four-issue anthology titled Moon Knight: Black, White, and Blood aims to explore the darker side of the titular hero and the one who may replace him.

    https://cdn.mos.cms.futurecdn.net/w2SxjjKxBDNsBqb9YhbGNb.jpg

    There are three teams working on individual short stories, such as one being from writer Jonathan Hickman and artist Chris Bachalo. Marc Guggenheim is teaming up with Jorge Fornés while Murewa Ayodele will work with Dotun Akanda. The series is another addition to a series of anthology series with the “Black, White, And” concept. Deadpool, Wolverine, Carnage, and Elektra were the latest series to get an entry in this anthology series. DC also had a similar trend using color naming.

    The first issue of the anthology will be made available in April, which is perfect timing, as the Disney+ series will release on March 30th. As the title implies, we might be in for a bloody adventure featuring the Fist of Khonshu and the recently introduced new character of Hunter’s Moon. Even as an anthology, it may offer some additional insight into what the future has in store for Moon Knight.

    Source: Newsarama