Category: News

  • UPDATED: ‘Moon Knight’ Head Writer Says “Marlene Was Never Part of Our Show”

    UPDATED: ‘Moon Knight’ Head Writer Says “Marlene Was Never Part of Our Show”

    UPDATED: It looks like Moon Knight’s head writer has taken to Twitter to clarify that “Marlene was never part of our show.” While Layla’s character so far seems to have virtually the same background as the classic love interest from the comics, Jeremy Slater emphasized that the character (though not originally named Layla El-Faouly) was created in the first week of writing and it seems as though he is implying that the written character was never Marlene due to the team wanting a more diverse character. Previous reports (and May Calamwy’s interview) have said that the character was intially written as white, but perhaps there was some confusion as to whether they were referring to the comcis character being white.

    Either way, the way Layla has been written clearly conjures up Marlene given both their fathers being archaelogists and killed in the process. At the same time, both are Marc Spector’s (and his alter’s) primary love interests from all we have seen so far. Slater seems to want readers to understand that the long-running comics character in her exactness was not intended for Moon Knight. You can read Slater’s statement in its entirity below:

    Source: Twitter, ELLE

    While Moon Knight is being led by Oscar Isaac’s phenomenal performances, an undeniable breakout character is May Calamawy’s Layla El-Faouly. Layla is a character not found in Moon Knight comics, but her role has always been reminescent of comic book Marc Spector’s classic love interest, Marlene Alraune. Calamawy’s character is also arguably a much-improved version of the traditional character in a lot of ways.

    Now, the actress confirmed in an interview with ELLE that the original script was in fact written to include Marlene prior to Calamawy being cast opposite Isaac. In particular, she described how the series creators and Marvel Studios president Kevin Feige worked to transform the original character into an Egyptian heroine:

    It started even on the page as a white woman and when we came on board, me and [Moon Knight writer Sarah Gohar], she was then changed into half Egyptian and we pushed it. Let’s make it into an Egyptian character and they welcomed that.

    May Calamawy

    Calamawy praised Moon Knight writers, director Mohamed Diab, and Feige for working to rewrite the character in order to avoid stereotypes and create an authentic take on the Eyptian actress’s Layla:

    Anytime I felt uncomfortable, I would go talk to [Diab] and his wife and I love how Kevin Feige gave us the freedom to share that, let people know, ‘This is not what it’s like, if we do that it’s gonna be a stereotype.’ I realized quite early on this is a space where my voice was going to be heard and that’s the best feeling.

    May Calamawy

    Also important to the actress was for Layla to stand apart from other similar and well-known female characters of the past. Calamawy noted how important the “soft strength” of Middle Eastern women is to the character:

    I was careful not to draw inspiration from someone in the West because they want me to bring my side. In the Middle East, I find women have such a soft strength to them. And I was like, ‘How can I bring this to her? Why should I sit and copy what I think Angelina Jolie would do?’ Every woman I know is a bunch of dichotomies, and I wanted to bring that.

    May Calamawy

    The series’ decision to cast Calamawy and rewrite Marlene’s character into Layla is surely one of Moon Knight’s strongest decisions. While it is unknown just how Marc Spector’s love interest was originally written, it is undeniable that Layla’s presence is a far cry from the fairly bland and often outdated damsel in distress in the comics. The fact that the series originally intended to feature another classic character from the comics, though, begs the question as to whether it has bigger plans for the iconic Moon Knight characters we have seen in cameos going forward in the Marvel Cinematic Universe.

    The first four episodes of Moon Knight are now streaming exclusively on Disney+.

    Source: ELLE

  • Natalie Holt to Become First Woman Composer for Live-Action ‘Star Wars’ Project

    Natalie Holt to Become First Woman Composer for Live-Action ‘Star Wars’ Project

    Natalie Holt is headed to a galaxy far, far away.

    Holt, who is coming off the first season of Marvel Studios’ Loki, is set to become the first woman to score a live-action Star Wars project thanks to Obi-Wan Kenobi. The news was revealed courtesy of Vanity Fair, with the outlet revealing Holt teamed with Star Wars icon, John Williams, on the score with William crafting a new theme for Ewan McGregor’s character. This is yet another huge title for Holt, who is also set to score Batgirlfor DC and Warner Bros. 

    On getting to work with Williams with Obi-Wan, Holt noted her excitement. “Obviously, I’m just thrilled to be mentioned in the same breath as John Williams,” she said. “It’s been exciting and overwhelming at times, because I’m such a fan. I want to pay respect to the history of it, and do it justice as well.”

    So, how did Holt come to work with Williams on the project? The story of Williams’ involvement is a fun one as it turns out Williams approached Lucasfilm president, Kathleen Kennedy about the series. Per Holt, Williams wanted to write a theme for Obi-Wan because it is the “only legacy character that he hadn’t done.” 

    Holt makes it clear, however, that while Williams does craft the theme for Obi-Wan, she still brings her voice to the series. “There are elements to the show that are new and fresh, and I’ve been able to have my own interpretation with elements – that I can’t reveal. So, it’s been glorious, working with my hero and also bringing my own voice to the show.”

    Obi-Wan Kenobi debuts on Disney+ on May 27th. The series stars Ewan McGregor as the titular character and sees Deborah Chow serve as the showrunner. The six-episode series will premiere with two episodes in May, before going on to release an episode a week leading to the finale.

    Source: Vanity Fair.

  • Saudi Arabia Bans ‘Doctor Strange in the Multiverse of Madness’ 

    Saudi Arabia Bans ‘Doctor Strange in the Multiverse of Madness’ 

    Once again, Saudi Arabia is refusing to show a major Marvel blockbuster. The Hollywood Reporter has officially confirmed the rumors that Doctor Strange in the Multiverse of Madness has been banned from playing in the Middle Eastern country, reportedly due to the inclusion of an openly LGBTQ character. This is the third time in recent memory that something like this has happened, with Marvel’s Eternals and Steven Spielberg’s West Side Story also receiving bans for endorsing the LGBTQ community. With Eternals, it was said that Marvel had been told the film could play in Saudi Arabian theaters if the studio cut a certain amount of unapproved footage, but Marvel and Disney declined and pulled the project from release instead.

    The LGBTQ character in Doctor Strange will be Xochitl Gomez‘s dimension-hopping America Chavez. Making her Marvel Cinematic Universe debut with this movie, Chavez originally appeared in the pages of Vengeance #1, created by Joe Casey and Nick Dragottain 2011. The character is known to be gay in the comics and is expected to be portrayed as such in the film, too.

    While tickets are no longer available for purchase for cinemas in Saudi Atabia, Kuwait and Qatar, they are still available in the United Arab Emirates, suggesting that an edited version of the film could be shown there as was the case with Eternals.

    Doctor Strange in the Multiverse of Madness will hit theaters on May 6th.

    Source: THR.

  • EXCLUSIVE: Disneynature’s ‘Polar Bear’ Director on the Film’s Hopeful Ending

    EXCLUSIVE: Disneynature’s ‘Polar Bear’ Director on the Film’s Hopeful Ending

    Disneynature’s latest documentary, Polar Bear, tells the story of a new mother whose memories of her own youth prepare her to navigate motherhood in the increasingly challenging world that polar bears face today. While the film has many uplifting and joyous moments, it takes place against the background of climate change in the Arctic that is threatening the survival of polar bears.

    Still, Polar Bear ends on a noticeably optimistic note, with the mother bear (in the form of the voice of two-time Academy Award nominee Catherine Keener) expresses that she and her cub will persevere and survive the changing and dangerous environment. In an exclusive interview with Murphy’s Multiverse, directors Jeff Wilson and Alastair Fothergill were asked why they chose to end Polar Bear in that way. Wilson stated:

    I think it’s important for our audiences to have a sense of empowerment and hope at the end of the film, because we believe that that’s the greatest emotion that will drive people to take action. And that really helps us get our message across.

    Jeff Wilson

    Wilson went on to describe one particular moment in the film that embodies that spirit of hope and resilience:

    [The] extraordinary images of the mother bear climbing the iceberg…it’s so impossibly beautiful that you’d never imagine that would happen. But when you film something like that—and you realize at that moment in time when you’re filming it—the power of those images, and the power of the metaphor of what is happening there, you do suddenly the chemistry of script and narration and music and and just the serendipity of capturing that unique moment. [It] gives you the power to take hope, and plant it firmly in the audience’s lap and say, hey, look, this, there is hope here. But you know, there’s also uncertainty.

    Jeff Wilson

    Viewers can enjoy the documentary’s story and powerful moments when it releases on Earth Day. Disneynature’s Polar Bear launches exclusively on Disney+ on April 22, 2022.

  • James Gunn Name Drops a Marvel Hero That “Almost” Made It Into ‘Guardians of the Galaxy Vol. 2’

    James Gunn Name Drops a Marvel Hero That “Almost” Made It Into ‘Guardians of the Galaxy Vol. 2’

    Production on Guardians of the Galaxy Vol. 3 is coming to a close and when it hits theaters just over a year from now, director James Gunn has said it will close the book on the version of the team that first came together in 2014. Given how wildly and unpredictably successful the franchise has been, however, that doesn’t mean a new collection of Cosmic heroes won’t come together to continue their good work. Over the years, Gunn has talked openly about some heroes that, for one reason or another, haven’t made the cut, which leaves the door open to them joining that new team of heroes. Adam Warlock, who will be played by Will Poulter in Vol. 3, used to top that list, along with Bug, ROM, Quasar and a handful of others rounding it out and now Gunn has added one more name to the list: Darkhawk.

    In response to a tweet encouraging Gunn to take on a Darkhawk solo project, the director casually mentioned that the character “was almost in (Guardians of the Galaxy) Vol. 2.”

    https://twitter.com/JamesGunn/status/1517347586818162688

    The character of Darkhawk has undergone some big changes since first being introduced in 1991. Teenager Chris Powell became Darkhawk when he stumbled upon an amulet that allowed him to suit up in an incredible suit of armor. For the majority, perhaps entirety, of the first 15 years worth of appearances, Darkhawk was an Earth-based hero who joined the New Warriors and teamed-up with the West Coast Avengers, Runaways, Spider-Man and over the years. During Marvel Comics Cosmic renaissance in the late 2000s, led by writers Dan Abnett and Andy Lanning, the character was overhauled significantly and became a major player in 2009’s War of Kings. It’s almost certainly this retconned version of the character that would be of interest to Gunn.

    With Gunn revealing the character was on the short list for an appearance in Vol. 2, the door is open to him popping up in the near future. Could he be among the heroes called to serve at the end of Vol. 3 or would a solo project be more in order. In August of 2021, writer Kyle Higgins launched a new Darkhawk series that put a new character in the familiar armor, so it is possible that Marvel was looking to get the character back in the spotlight ahead of a potential MCU appearance. With Marvel Studios now having access to all the major players of the Realm of Kings/War of Kings events and a Nova project in the works, it wouldn’t be surprising at all to see him enter the MCU in the near future.

  • ‘Pig’ Director Michael Sarnoski to Adapt ‘Sabrina’ Graphic Novel

    ‘Pig’ Director Michael Sarnoski to Adapt ‘Sabrina’ Graphic Novel

    Here’s an interesting surprise as it looks like Michael Sarnoski, the director of the Nicholas Cage-led film Pig, will be quite busy soon. In January, we learned that he was in talks to direct A Quiet Place spinoff. Yet, it looks like he has already set his eyes on another project, as Deadline has just reported that he is going to adapt the graphic novel, Sabrina. He’s currently set to write and direct the feature film based on Nick Drnaso‘s work with New Regency and RT Features involved.

    While I made the mistake of thinking it might be related to Sabrina Spellman, the graphic novel is about a man whose girlfriend went missing. After moving in with an old friend from the Air Force, a strange videotape finds its way online and goes viral. Sabrina’s vanishment becomes a headline and the two become the focus of conspiracy theorists going wild with theories on what really happened that day.

    Sarnoski made quite the splash with his work on Pig, which was a critical and audience darling when it was released. He even received the National Board of Review Award for Best Directorial Debut. So, it’s no wonder that people are lining up to get him to tackle their next project. We haven’t heard much on his A Quiet Place spinoff. So, we’ll see what his schedule will look like in the near future.

    Source: Deadline

  • Netflix No Longer Developing ‘Bright’ Sequel

    Netflix No Longer Developing ‘Bright’ Sequel

    We’ve long wondered what exactly happened to the sequel of Bright. The 2017 film starring Will Smith and Joel Edgerton may haven’t received a lot of critical acclaims, but it was still one of Netflix’s most-streamed films at the time. Many were wondering when the sequel of the modern take on a fantasy world would end up starting production, but it seemingly kept getting dragged out. Sadly, it seems that Netflix has pulled the plug on the project.

    Will Smith has been losing one project after another due to the infamous slap during the Oscars. It turns out, however, that Bright’s cancelation has nothing to do with it. In a post by Bloomberg’s Lucas Shaw in relation to an article where National Geographic delayed their nature series starring Smith, he highlighted that Bright was abandoned for unrelated reasons.

    Of course, this opens up the question of why they’d pass on the project. They just released Bright: Samurai Soul last year, which was an animated spinoff of the film. Perhaps they are looking to continue the franchise through that medium, as demand and costs for Smith would otherwise blow up the production costs.

    Yet, you’d think that one of their most successful films would end up getting a sequel. Sadly, Netflix has developed this habit of swiftly canceling its projects which may have played a part in its current troubles.

    Source: Bloomberg, Twitter

  • ‘Multiverse of Madness’ Michael Waldron on the Challenges of the Multiverse and Keeping the Focus on Doctor Strange

    ‘Multiverse of Madness’ Michael Waldron on the Challenges of the Multiverse and Keeping the Focus on Doctor Strange

    Michael Waldron is the mastermind not only behind Loki but also the upcoming Doctor Strange sequel, Multiverse of Madness. He’ll explore the multiverse that he unleashed, but is very aware of the true dangers of exploring this kind of storyline. It offers the endless possibility, especially if you lose focus along the way on why exactly you’re telling the story. Yet, the unique scenario also lends itself to create a unique character study.

    The danger is you can expand your scope too wide, and you can actually reduce the stakes if you don’t make it personal as you go bigger and wider. But the opportunity in the multiverse is to have characters confront literal ‘What ifs?’ and alternate versions of themselves and perhaps others in their lives. It’s an interesting way to hold up a mirror to characters

    Michael Waldron

    He highlights that this is definitely a “Doctor Strange’s story above all else,” which may help some that were getting worried after the recent statement by Bruce Campbell, where he jokingly referenced that Benedict Cumberbatch may not know if he’s even in the film, as director Sam Raimi had to adapt some elements due to story consistency.

    In every way, it shapes the emotional heart of the story. It has to. The multiverse isn’t just a MacGuffin where we’re like, ‘Okay, this is just a kitschy thing that we’re playing with in this movie.’ If you’re faced with alternate realities and with alternate versions of yourself that has to become the emotional heart, exploring who you might be if you were a different version of yourself, if you made other choices, the right choices or the wrong choices. It’s complex stuff, emotionally, and that’s exactly why it’s so thrilling and so great for a cast as dramatically talented as this one.

    Michael Waldron

    He also highlighted that he rewatched the first film multiple times to ensure that this is definitely his story even with all the multiverse shenanigans going on. It’s certainly promising to see how Strange faces the What Ifs of his Variants and how that might affect his future.

    Source: SFX

  • Paul Bettany Expects to Put on Vision’s “Tights and Cloak” Again

    Paul Bettany Expects to Put on Vision’s “Tights and Cloak” Again

    There have been many theories that the inclusion of Wanda Maximoff in Doctor Strange in the Multiverseof Madness might also see the potential appearance of Paul Bettany‘s Vision. While we saw a white version of the character fly off in WandaVision, we haven’t heard much about what the future has in store for him. Luckily, Entertainment Weekly got a chance to talk to him and he hinted that he expects to return as Vision in the near future.

    No, the honest answer to that is — well maybe it’s not the honest answer, but it’s the answer I’m going to give you and you’ll just have to cope with it — at the end of WandaVision, you see Vision fly off and that’s a loose end. And Kevin Feige is a man who doesn’t really allow loose ends. So I assume at some point I will be putting on my tights and cloak for another outing, but I don’t know when that might be.

    Paul Bettany

    Of course, it’s quite vague and no one knows exactly when we might expect him. The actor has been busy with A Very British Scandal but a potential return in the near future certainly seems to be on the table. perhaps he already got whispers on what to expect and is playing coy, especially when he highlighted that Feige doesn’t like to keep loose ends. So, we’ll see what they might have in store for us and the Vision’s new path to self-discovery.

    Source: Entertainment Weekly

  • Meet the Cast and Characters of ‘Lightyear’

    Meet the Cast and Characters of ‘Lightyear’

    Pixar movies don’t just come to life through animation. It’s through the voice and performances of the actors behind the visuals that these characters are fully realized. And Lightyear boasts a cast of talented performers. During the early junket of the film, members of the press, including Murphy’s Multiverse, were given a primer on who was playing who.

    It didn’t take long after Chris EvansAvengers: Endgame victory lap for him to be attached to Lightyear. It was a peculiar choice at the time of the announcement but was quickly justified in the 30-minute presentation we saw. According to producer Gayle Susman, it was a no-brainer.

    When casting Buzz, it was important to differentiate our hero Buzz from the toy that’s made on his character and represented in the Toy Story movies. So that meant we needed a new voice for Buzz.  He needed to have that nice rich sound, able to be both dramatic and comedic.  And most importantly, he needed to be heroic without coming off as arrogant or dense.  And that’s a tall order.  And we immediately knew we had to ask Chris Evans.  What we didn’t know is that he is a huge animation fan and would bring that love and passion into the project.  He even attended an animation dailies and gave the team a pep talk.

    Opposite Chris Evans is Uzo Aduba‘s Alicia Hawthorne. The film quickly establishes Hawthorne and Lightyear’s friendship, centering her as the heart of the film that compels Buzz to set out on his journey. From the brief glimpse we got of her, Aduba gives off a heartfelt performance which was only given credence by Susman’s description of her:

    The emotional anchor for act one is Buzz’s best friend and the commander of the mission, Alicia Hawthorne.  Both commanding and compassionate, a straight shooter who cares about living a good life.  If you watch just two minutes of Uzo Aduba’s Shirley Chisholm in Mrs. America, you see all of that.  She’s just an amazing talent, and we are so fortunate to have her on the team.

    The time travel element of the film means that there will be a revolving door of characters for Buzz to interact with. While the first act of the film focuses on Buzz’s friendship with Alicia, for most of the film, Buzz sees himself paired with an unlikely group of misfits decades later. The first of which is Izzy Hawthorne, played by Keke Palmer. Izzy is a character that isn’t present in the first 30-minutes that were showcased so we have yet to see what she’s like. However, from Susman’s breakdown, Izzy seems like the perfect successor to her grandmother Alicia.

    Izzy Hawthorne, Alicia’s granddaughter, has a striking resemblance to her grandmother until she’s put in a tough spot.  She has spunk, she has the courage, but she’s completely untrained and unproven, and not sure that she can live up to the family name.  Keke Palmer brought just the energy and the heart we were looking for for this role

    An ensemble isn’t complete without comedic relief and this ensemble is rounded off by Mo and Darby, played by Taika Waititi and Dale Soules respectively. Like Izzy, we haven’t a clue on what these characters are like but their descriptions and character designs all seem exciting.

    Mo and Darby are a bit of comic relief, as well as being uniquely able to challenge Buzz where he most needs to grow. Mo is a feather in the wind, never quite able to commit to any one direction. Taika is able to bring a likeability to that kind of character when they can often be a little annoying.  His improvisational skills really brought a depth and warmth to Mo.  Darby is the classic tough curmudgeon with a record.  She’s handy, inventive, and extremely salty, a great addition to the team.