A new potential front-runner has emerged for a role in Marvel Studios’ Fantastic Four adaptation. The Hot Mic Podcast has shared a new rumor that Hollywood A-Lister Ryan Gosling is in line for a lead role in the 2025 Marvel Cinematic Universe project. It wasn’t specified which role Gosling would potentially be playing. Though based on the rumor, Ryan Gosling would be a logical choice to play Mister Fantastic in the film. The actor likely wouldn’t match well as any other member of the Fantastic Four and doesn’t have the European heritage to best play a role such as Doctor Doom.
The actor has a strong track record as a leading man in marquee films in the 21st century and has the acting abilities to pair greatly with any current lead of the Marcel Cinematic Universe. In addition, the 42-year-old is of the right age to play the father figure in Marvel’s first family for what would likely be a trilogy of films alongside a handful of crossover appearances.
A notable caveat with a rumor like this is that audiences likely won’t have an official announcement for casting for some bit of time. Being a 2025 release, Fantastic Four likely won’t begin production until early 2024. And with that in mind, one shouldn’t expect an announcement till at least the second half of 2023. An event like San Diego Comic-Con (taking place in July) would be a probable and logical time to expect this sort of reveal. Rumors like these remain fairly a superfluous, yet interesting thought experiment for fans in the meantime before more concrete information is locked in.
Author Colleen Hoover‘s best-selling novel, It Ends With Us, is heading to the big screen. Deadline reported on Thursday that Blake Lively and Justin Baldoni are set to star in the adaptation for Sony and Wayfarer Studios. Along with starring in the film, Baldoni will also serve as the director.
Baldoni and Wayfarer optioned the rights to Hoover’s novel back in 2019. The book continues to dominate the bestseller lists and is a phenomenon on BookTok on TikTok. Hoover’s hashtag on TikTok has been viewed over 2 billion times, and the novel has been on the New York Times Best Seller List for over 90 weeks and earned the title of the top-selling print book in 2022. Hoover, who currently has multiple titles on the bestseller list, will consult on the film adaptation.
Lively will play Lily, a young woman who is looking to start her life after finishing college, while Baldoni will play Ryle. As things begin to grow between Lily and Ryle and she finds herself falling for him, her ex, Atlas, soon appears to try and challenge their budding relationship.
Lively is best known for Gossip Girl. She’s set to make her directorial debut with the adaptation of Bryan Lee O’Malley‘s Second, with the script being penned by writer-director Edgar Wright. While Baldoini is perhaps best known for Jane the Virgin, although he has recently moved behind the camera with an adaptation of Five Feet Apart.
In what may come as a surprise to some, Marvel Studio’s Eternals was the most streamed film from the Marvel Cinematic Universe in 2022. The Chloe Zhao-directed film ranked 13th in Nielsen’s list of the Top 15 Streaming Movies of 2022, and is the only film from Marvel Studios present. Below is the full list of films and their view count.
Encanto (27.416 billion / Disney+)
Turning Red (11.427 billion / Disney+)
Sing 2 (11.347 billion / Netflix)
Moana (8.629 billion / Disney+)
The Adam Project (6.141 billion / Netflix)
Hocus Pocus 2 (5.697 billion / Disney+)
Don’t Look Up (5.141 billion / Netflix)
Frozen (5.133 billion / Disney+)
Luca (4.974 billion / Disney+)
The Gray Man (4.972 billion / Netflix)
Zootopia (4.437 billion / Disney+)
Coco (4.253 billion / Disney+)
Eternals (4.236 billion / Disney+)
Frozen II (4.195 billion / Disney+)
Uncharted (4.179 billion / Netflix)
The list from Nielsen highlights the dominance that both Disney+ and Netflix hold in the streaming landscape. Based on their view counts and subscriber numbers, the two are definitive benchmarks for successful streaming services. This group of 15 films also highlights the domination child-oriented family movies hold in the film industry.
When it comes to Eternals specifically, this type of data could be seen as a promising sign for fans of the original film. While the 2021 theatrical release was one of the lowest performing from both financial and critical perspectives for Marvel Studios, it appears the film has found a sizeable audience on Disney+. With that in mind, one could see such a high view count as a check in the plus column for continuing the franchise for at least a sequel project (if it was ever in doubt to begin with). Though an interesting possibility could then be to move the Eternals franchise exclusively to Disney+. The film has at least appeared to be more accessible via streaming. And allowing a longer runtime that isn’t constrained for a sequel could help further expand the stories of these characters, something that could’ve helped the critical success of the rare mixed performance of a Marvel Studios film.
Ayo Edebiri is set to join the cast of Marvel Studios’ Thunderbolts. The news was revealed on Thursday by Deadline with the outlet revealing Edebiri’s role is being kept under wraps. The actor is coming off of the critically-acclaimed FX series, The Bear, where she plays Sydney Adamu. She has also appeared in Dickinson and has lent her voice to Netflix’s hit series, Big Mouth.
Thunderbolts is set to mark the actor’s first big studio role. She recently appeared in Theater Camp, which recently premiered at this year’s Sundance Film Festival and sold to Searchlight for $8 million. She also has the second season of The Bear coming this summer to Hulu. The Bear proved to be Edebiri’s big breakout, even earning her a Critics Choice nomination.
Edebiri will join a cast that already includes Florence Pugh as Yelena Belova, Sebastian Stan as Winter Soldier, David Harbour as Red Guardian, Julia Louis-Dreyfus as Valentina Allegra de Fontaine, Wyatt Russell as US Agent, and Olga Kurylenko as Taskmaster. And while recent reports have suggested otherwise, Hannah John-Kamen still seems locked to return as Ghost.
Jake Schreier will direct Thunderbolts from a script by Black Widow writer Eric Pearson. The movie is currently slated to hit theaters on July 26, 2024.
The current guard of Fox’s Animation Domination will be remaining intact for the foreseeable future. All three of The Simpsons, Family Guy, and Bob’s Burgers have received renewals for two additional seasons on Fox. This will total the three shows at 36, 23, and 15 seasons, respectively. The three network stalwarts are now owned by Disney following the company’s multi-billion dollar acquisition of numerous assets of 21st Century Fox. The Simpsons iscurrently available to stream on Disney+, while Family Guy and Bob’s Burgers are hosted on Hulu. In a press release, Executive Vice President of 20th Century Animation Marci Proietto waxed ecstatic about the renewals.
Across 750 episodes of The Simpsons, 400 episodes of Family Guy, and 250 episodes of Bob’s Burgers, we couldn’t be more proud to continue delivering these three animated hits with the most brilliant teams in animation. Our relationship with Fox over the past three decades has allowed this trio of shows to thrive, grow and deliver immeasurable moments of hilarious and irreverent entertainment for fans, and we are absolutely thrilled that Fox is doubling down on each of these iconic shows.
Marci Proietto
These renewals show the true staying power animation has on terrestrial network television. As ratings have continuously dropped across the board in traditional television, few stalwarts have been able to maintain sustainable audience sizes. And shows like The Simpsons, Family Guy, and Bob’s Burgers have been able to do so. It ultimately remains to be seen now if the quality of these shows can continue to persist.
As word came that Titans and DoomPatrol were coming to the end of their run on HBO Max, fans of the two DC streaming series voiced their displeasure online. One such fan took to Twitter to blame newly christened co-chairs of DC Studios, James Gunn and Peter Safran, for the cancellations. As usual, however, Gunn used social media to set the record straight.
“The decision to end the series precedes us,” said Gunn. He added, “But I certainly wish the best for the talented group of creators, actors and the rest of the crew that produced both shows.“
The decision to end the series precedes us. But I certainly wish the best for the talented group of creators, actors, and the rest of the crew that produced both shows. https://t.co/jdqDc9TqU1
The two series have grown devoted followings over the years with DoomPatrol routinely being among the most well-received DC projects. Gunn is expected to make news soon by revealing some of the projects on the new DC Studios’ slate.
New information from insider Daniel RPK seems to have indicated that a Variant of Kang known as Victor Timely is set to make his debut in the MCU in 2023. Via his Patreon, Daniel RPK shared that Loki Season 2 will feature another new Variant of Jonathan Majors‘ Kang who is “an inventor from the past wanting to buy stuff from people to affect the future.” Though RPK added he could not confirm that this Variant will be Victor Timely, speculation about the character has revolved around that identity. This isn’t the first time the character’s name has come up, either, given that the insider teased a mention or appearance of Timely in Ant-Man and The Wasp: Quantumania. Who is Victor Timely and why are so many fans sure this is him? Fascinating questions to which there are probably multiple great answers, to be sure, and while we can’t provide the correct answer we can theorize!
Who is Victor Timely?
Interior art from Avengers Annual #21(1992)
Kang is a complex villain and the convoluted and continuous retconning of the character in the pages of Marvel Comics over the years has made a true understanding of him daunting. In one respect, that’s actually worked in the favor of those penning whatever the latest adventures of the character are because they can be as mysterious and crazy as they want given pretty much nobody knows exactly what went on with Kang to begin with and when time travel is involved, anything is possible…and that is the essence of Victor Timely.
Victor Timely’s origins come from a retcon to Kang’s story first published in 1992’s Avengers Annual #21. The issue tells the story of what happened following Kang’s first defeat at the hands of the Avengers. Kang retreated to the past, where under the alias of Victor Timely he founded a city and rose to fame as an inventor and industrialist. His work as Timely quietly shaped the century while he built a fantastical and quasi-temporal base of operations, Chronopolis, from where he could access timelines that other versions of himself had conquered. On Earth, Timely worked from a location–complete with a door that transported him to Chronopolis–and his advancements in technology ultimately put his products into every robot, cyborg and computer, allowing him full access to nearly every piece of technology on the Earth.
Why Does Victor Timely Make Sense for the MCU at This Point in Time?
The short answer is time. One of the reasons fans debated whether or not Kang would make for an appropriate villain in the MCU is the convoluted nature of the character’s comic book past. Marvel Studios seems to have addressed that fairly well in Season 1 of Loki by indicating that He Who Remains was the victor of a Multiversal War among Kangs who has since spent his time pruning timelines and making sure that the Multiverse doesn’t come back into existence and bring Kang Variants back with it. When Sylvie killed He Who Remains, it set loose a chain reaction of events (the repercussions of which will be explored in Season 2 of Loki) including the emergence of an infinite number of Kangs. It’s all pretty confusing, but by the time Loki Season 2 comes around, the Kang Variant that we are theorizing to be Victor Timely will have already lived a life full of experiences and opportunities we are unlikely to see in full on screen.
By following the rules of time travel and the Multiverse as they are currently understood, should a Kang Variant travel back in time (as Timely did in the comics), it would create a Nexus Event and a new timeline. The new future for the Variant, which takes place in the past, can’t change what happened on his old timeline, but it certainly can be conquered in the new timeline. So the Avengers may have beaten that Kang, but can they beat this Kang? And what is this Kang up to? The comics–and an Easter egg from Season 1 of Loki–could give some hints.
While the Variant of Kang set to appear in Ant-Man and The Wasp: Quantumania, Kang the Conqueror, is stuck in the Quantum Realm, he also seems to have lived quite a life already and is well aware of his multiple pasts. It’s possible that this Variant is an older version of Victor Timely. In the comics, Timely traveled time to get a head start on the Avengers by cornering the market on technology while also secretly constructing Chronopolis from where he could access all timelines. The fantastical city within the Quantum Realm that’s been seen in promotional material for Quantumania is almost certainly Chronopolis and Kang almost certainly used it for its intended purposes for a long, long time before being trapped there. It’s possible that the Victor Timely Variant of Kang set to appear in Loki Season 2 is there, in part, to explain to audiences how Chronopolis came to be and to fill in the gaps about who the Conqueror that fans meet in Quantumania is.
If that half of Timely’s story could be adapted from the comics, the other half could be adapted just as easily. RPK’s information suggests that Timely is an inventor in the past and in a very Back to the Future twist (that’s Kevin Feige‘s favorite movie, by the way) is looking to impact the future. That future, a future in which Timely’s technology, not Tony Stark’s, is what drives the world may have already been glimpsed in the Void in Season 1 of Loki. The fifth episode of Season 1, entitled “Journey into Mystery”, revealed an alternate version of Stark Tower, Qeng Tower, had been cast into the Void following the reset of one timeline. That timeline would have been reset at the behest of He Who Remains, whose main purpose was to keep other Variants of himself from taking control. In the comics, Timely continued on by feigning death and “handing down” the company from Victor Timely to Jr. to III. It wouldn’t take much imagination to change it up in the MCU and have him “sell” the company to a new owner who might rename it Qeng.
So why is Victor Timely right for the MCU right now? Telling his story in Season 2 of Loki after meeting him in Ant-Man and The Wasp: Quantumania not only tells the past of the Conqueror trapped in Chronopolis but also why he’ll be a threat to the Avengers in the future as the man behind Qeng Enterprises.
What is Qenq Enterprises?
Qeng Enterprises appeared in just a couple of comics during Mark Waid‘s 2015 Avengers: Ultron Forever but could be set to play a much larger role in the MCU. In the comics, Qeng Enterprises was the Earth-bound base from which Kang planned to launch his New Qeng Dynasty. In the MCU, it could be the equivalent of the point from which he accessed Chronopolis in the comics and the temporal location that the Avengers choose to target him as he wages his Multiversal War. In Loki, the tower has clearly taken heavy damage and given the crazy time-traveling shenanigans in play now, fans may already have seen the outcome of the Avengers’ war on the Kang Dynasty in a blink-and-you-miss-it Easter egg.
Why is Kang Stuck in Chronopolis?
How does a man like Kang, who has conquered so many timelines become trapped in a city of his own design? in the comics, the ability to move discretely between timelines was powered by an object of unfathomable chronal power: the Forever Crystal. More than one theory has discussed the possibility that the Forever Crystal has already been seen in the promotional footage for Quantumania and that it is the McGuffin of that film. If Scott Lang retrieves the Forever Crystal for Kang, he could put into motion the events of The Kang Dynasty.
Summary
The Kang Variant known as Victor Timely sets up shop on Earth, shapes a century or two through his own technology while building and then using Chronopolis to conquer other timelines. At some point in his journey, he becomes trapped in the Quantum Realm. Once he escapes, hehas enough power and/or weapons at his disposal to take on the Avengers, who had previously defeated him, he launces his attack from Qenq Tower. Looping in a previous theory, the Avengers have acquired powerful weapons (potentially created by other Kang Variants) and defeat Kang. What impact could an assault on Qeng Tower and or Chronopolis have on the Multiverse? That’s a theory for another day.
It’s official, after months of speculation, it has been confirmed that Doom Patrol and Titans will end their runs on HBO Max. Originally designed as DC Universe exclusives, the shows were moved to HBO Max after DC Universe shifted its focus to comics. The current fourth seasons of both series will be their last. Luckily, for fans of the series, though, the producers on both shows expected the decision and were able to give the shows a proper ending for fans.
“While these will be the final seasons of Titans and Doom Patrol, we are very proud of these series and excited for fans to see their climactic endings,” an HBO Max spokesperson said in a press release to The Hollywood Reporter.
“We are grateful to Berlanti Productions and Warner Bros. Television for making such thrilling, action-packed, heartfelt series. We thank Titans showrunner Greg Walker, executive producers Greg Berlanti, Akiva Goldsman, Sarah Schechter, Geoff Johns, Richard Hatem, and the team at Weed Road Pictures. For Doom Patrol, we celebrate showrunner Jeremy Carver and executive producers Greg Berlanti, Sarah Schechter, Geoff Johns, Chris Dingess and Tamara Becher-Wilkinson. For four seasons, fans have fallen in love with the Titans and Doom Patrol, investing in their trials and tribulations, and in their legendary battles saving the world time and time again.”
Barbarian was, apparently, only the beginning for newfound thriller maestro Zach Cregger. The filmmaker, whose aforementioned horror project became a surprise hit in late 2022, has officially set his next movie at New Line with a whopping, unprecedented eight-figure deal. Titled Weapons, the film is being described by The Hollywood Reporter as “an interrelated, multistory horror epic that tonally is in the vein of [Paul Thomas Anderson’s] Magnolia“. No other plot details are currently known, though Cregger is confirmed to be producing the project alongside Roy Lee of Vertigo Entertainment and J.D. Lifshitz and Raphael Margules of Boulderlight Productions, his former creative partners on Barbarian.
According to THR, the deal with New Line came less than 24 hours after Cregger pitched the Weapons script for the first time. Multiple major Hollywood studios were heavily interested in being part of the film, with some producers even calling the director’s representatives before his script was ready to be shared, and making offers sight unseen. On top of a staggering payday, Cregger‘s deal with New Line gives him a guaranteed greenlight, a guaranteed theatrical release, controlling interest in a backend pot, and total control over the film’s final cut. An agreement of this nature in today’s market is truly remarkable, considering Cregger has only made a single film prior.
New Line, which reportedly beat out Universal in a heated battle over Weapons‘ rights, released the following statement from President and CCO Richard Brener regarding the deal:
Zach proved with Barbarian that he can create a visceral theatrical experience for audiences and that he commands every tool in the filmmaker toolbelt. We couldn’t be happier that he, Roy [Lee] and Miri [Yoon], and J.D. [Lifshitz]and Rafi [Margules] chose New Line to be the home of his next film, and hope it is the first of many to come.
Richard Brener
As stated by Brener, the studio hopes Weapons will be the first of many collaborations between New Line and Cregger, who has the potential to become a major new player in the cinematic horror scene in years to come.
It looks like something big is happening over at ABC, as Krista Vernoff has officially stepped down as the showrunner of the long-running Grey’s Anatomy and its spinoff Station 19. While responsible for both series, she’s spearheaded the medical drama for six years and its spinoff for another four. Vernoff has shared the following statement in regard to her leaving the two series behind for someone new to take over.
It has been the privilege of a lifetime to be entrusted to run Grey’s Anatomy for the past six years and Station 19 for the last four. The passion of the dedicated fandoms and the impact that these shows have on hearts and minds cannot be overstated. The amount of talent in these two extraordinary casts and these two brilliant writers rooms is beyond measure — and these crews work magic week after week.
Krista Vernoff
Vernoff has been involved with Grey’s Anatomy since its first seven seasons, where she went on to rise the ranks and then return once again in 2017 for its 14th season. It’s also no small task that she was responsible for a second series on the side, and it seems that she’s definitely not leaving ABC, as her production company Trip the Light Productions has several projects already in development, one even eyeing a streaming release on Hulu.
There is currently no one set to take over the next seasons but it seems like a deal is currently being finalized. Currently, veteran Meg Marinis is the favorite to take over with Station 19 to be supervised by executive producer Zoanne Clack who’ll act as a co-showrunner with Peter Paige of Good Trouble and The Fosters fame. So, we might get an announcement sooner rather than later.
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