Marvel Studios’ first Special Presentation, Werewolf by Night, was unique for quite a few reasons. Chief among them, however, was the short film’s commitment to displaying its dark new corner of the Marvel Cinematic Universe almost entirely in black and white. The spooky aesthetic helped cement the monsters of the world as memorable figures in the MCU’s character roster, but the visual filter wasn’t always going to be a part of the project. It took director Michael Giacchino a few tries to convince Marvel boss Kevin Feige to make the switch away from their traditional look, and in that time, it seems a few passes were made at designing the titular werewolf for a story told in full color.
Concept artist Billy Christian recently took to his Twitter account to unveil the final approved design for Gael García Bernal‘s Werewolf by Night. In the post, he confirms that he was unaware the special would eventually be done in black and white and says his art was intended to be used as a style guide for the rest of production. It was clearly still influential, as the practical look of the monster was essential to the overall vibe of the hour-long short.
Werewolf by Night. My illustration for the new Halloween Special by Marvel Studios. This artwork will be used as a style guide. I didn't expect that they made the whole film black and white. If you're interested, give it a try! #WerewolfByNight#Marvelpic.twitter.com/BnhSKXrg5A
The art is perhaps the best idea fans will get as to what Marvel’s werewolf may look like when he ultimately crosses paths with other heroes in their own colorful projects. A similar appearance can currently be seen in costume form at Disney Parks’ Avengers Campus, as an actor roams the lot dressed in full Werewolf by Night regalia.
With less than a month until release, Marvel Studios’ Black Panther sequel, Wakanda Forever, is tracking for a massive debut. Box Office Pro has unveiled the latest tracking for the film, and as it stands, Wakanda Forever could potentially set a new November record.
Box Office Pro believes Wakanda Forever could open between $180 million and $225 million. Working in the film’s favor, of course, is that Black Panther was a phenomenon and demolished records with its $202 million domestic debut. The character later went on to become a big part of the Marvel Cinematic Universe, appearing in both Avengers: Infinity War and Avengers: Endgame, and later in an episode of What If…? on Disney+. With a huge gap between films, fans have been eagerly awaiting Wakanda Forever‘s release, helping to push the film’s trailer views past those of its predecessor.
Of course, given that we are still very much in a pandemic, it’s possible the film could open lower than expected. The box office has struggled since COVID first hit in 2019, and it’s still struggling to return to normal. Moviegoers don’t seem as ready to head to theaters like they once did. It doesn’t help either that Thor: Love and Thunder had such a mixed reception, or that many feel as though there’s too much content hailing from Marvel Studios thanks to Disney+.
Wakanda Forever is set to hit theaters on Nov. 11th. Tickets are on sale now.
With a director set in place and a set of writers tackling the script, it shouldn’t be too surprising then that stories regarding the film’s cast have begun to circulate. A new rumor from the folks at Deux Moi suggests that Marvel Studios is already looking at actors for its first family, including actors from Lucifer and Hamilton.
Per Deux Moi, Maddie Hasson and Tom Ellis are reportedly in the running for the roles of Sue Storm and Reed Richards. The site also claims that Daveed Diggs has auditioned, although it’s not specified as to which part that might have been for. It’s also rumored that Michael Provost is the favorite for Johnny Storm, while Jason Biggs is thought to have auditioned for The Thing. It’s of note that this is all merely a rumor. In fact, Deux Moi previously reported that Alexandra Daddario and her brother, Matthew Daddario, were being considered for the movie.
These names, however, are an interesting mix of up-and-coming actors and established actors. Hasson has worked on a lot of television shows, such as ABC Family’s Twisted and Peacock’s Mr. Mercedes adaptation. While Ellis is perhaps best known for his starring role in Lucifer. Diggs, of course, got his big breakout with Hamilton and has since built a rather impressive resume that includes the Snowpiercer television series and the forthcoming Little Mermaid film. As for Provost, like Hasson, he’s perhaps best known for his work on the small screen, including Netflix’s Insatiable and Fear Street: Part Two – 1978. Biggs, of course, is best known for the American Pie films, but he’s also appeared in Orange Is the New Black and recently appeared in Law & Order: Special Victims Unit.
Production on Fantastic Four is expected to kick off next year. The film is slated to hit theaters on Feb. 14th, 2025.
Fans were enraptured by the lengthy fourth-wall-breaking sequence in this week’s She-Hulk finale where Jennifer Walters stormed the offices of Marvel Studios to confront the mastermind behind all the wackiness happening in the episode. Turns out, it was Kevin behind it all. Not the Kevin Feige, per se, but an AI robot named K.E.V.I.N., an obvious reference to the big boss himself.
In an interview with She-Hulk head writer Jessica Gao, the team lobbied hard for Feige to voice his MCU robotic counterpart and to sign off on the robot’s own hat.
We campaigned very hard for Kevin to do the voice and he refused. Yes, we did get in a fight over the hat because in the script it says that SHe-Hulk enters the inner sanctum. There is this big Akira-like Hal-9000 type machine. The pre-vis team, had already started mocking up all types of versions of Kevin. They all had a little black baseball cap on top. Real Kevin says, ‘You can’t have the… It doesn’t make any sense for a machine to wear this baseball hat.’ I was like, ‘Kevin, this is the problem you have with all of this?
The scene was a fun nod to the machinations of the MCU, poking fun at its own shortcomings through its tenure while acknowledging the franchise’s criticisms. Had Kevin Feige voiced K.E.V.I.N., the scene would come across way better. Nonetheless, it’s a bold sequence to end the season with.
As production continues on Red Sonja, the film looks to be experiencing a bit of a shake-up with its cast. Deadline reports that Rhona Mitra is joining the production, as Oliver Trevena has been forced to exit the project. Details regarding who Mitra is playing are unavailable, but Trevena is said to have left the project over scheduling conflicts. The news comes just days after Millennium Media revealed the first official look at MatildaLutz as the titular character.
Mitra has appeared in films such as Underworld: Rise of the Lycans, Game Over, Man!, and Skylines. While on the television side, she’s starred in shows like Supergirl, where she played Mercy Graves, and The Strain.
Starring alongside Lutz in the film are Wallis Day, Robert Sheehan as Draygan, Michael Bisping as Hawk, Martyn Ford as General Karlak, Eliza Matengu as Amarak, Manal El-Feitury and Katrina Durden. M.J. Bassett (Solomon Kane) is directing the film from a screenplay penned by Joey Soloway (Transparent) and Tasha Huo (Netflix’s Tomb Raider).
As of now, the film does not have a set release date.
When Disney released Halloweentown in 1998, it’s safe to say no one imagined how believed the Disney Channel Original Movie would be over twenty years later. It wasn’t a spooky film, and sometimes the acting was subpar, but there was something charming about the film and the inclusion of the iconic Debbie Reynolds as a witch didn’t hurt, either. A town with a supernatural secret. And an evil determined to take over the world if a young girl and her family don’t do something to stop it. Simple enough plot, right? Sure, but it was a charming movie that continues to delight even now. And Netflix’s latest movie, The Curse of Bridge Hollow feels like it could become the streaming giant’s Halloweentown.
The Curse of Bridge Hollow focuses on Sydney and her family as they move from Brooklyn to a small town called Bridge Hollow. It’s a safe small town, which Syd’s mother adores. For Sydney, though, she quickly finds herself enthralled by the town’s love of Halloween, especially as her father has always refused to let the family celebrate it. After hearing a rumor that her new house is hunted, Syd sets out to find the truth and ends up unleashing chaos upon the small little town.
Here’s the thing, there’s nothing super special about The Curse of Bridge Hollow. The plot is simple, the acting is sometimes so-so, and the writing can leave something to be desired. But! It’s a delight that families are sure to eat up. A charming tale of a daughter and her father as they uncover supernatural secrets of their new town? Perhaps it’s not the easiest of sells, especially when that father despises Halloween, but Marlon Wayans and Priah Ferguson are a dynamic duo. The movie’s tone feels reminiscent of Halloweentown, and that’s far from a bad thing. In fact, like that Disney movie, Bridge Hollow isn’t trying to be a masterpiece, it’s simply trying to entertain, and it does so with ease. Those looking for a spooky Halloween title will be disappointed, but those in search of something more light-hearted with an occasional thrill with delight in Bridge Hollow.
The Curse of Bridge Hollow knows what it wants to be and thrives on its willingness to let loose. It doesn’t try to take itself seriously, and it’s a refreshing change of pace. There are some legitimately creepy character designs – let’s just say Clowns – but most of the haunted decorations are family-friendly. Kids will adore this Halloween movie that feels like a classic in the making. It’s far from perfect, but the occasional hiccup is acceptable with a movie that understands how to have fun.
Those with children should definitely give The Curse of Bridge Hollow a watch as Halloween nears.
A half-dozen Lokis, including a woman, an old man, a child, one that looks just like Tom Hiddleston, and an alligator. Four Doctors Strange, including a zombie with a ponytail. Three Spider-Men. Three Peggy Carters. Two Kangs so far, including one referred to as a “warrior”, with more to come. Two Gamoras. Two Nebulas. Two Thanoses. Two Christine Palmers. And two Mordos and two Maria Rambeaus who hang out with three guys who have never before been seen in the MCU’s 616-universe. The Marvel Cinematic Multiverse is full of Variants and is sure to see more enter it as the Multiverse Saga continues over the next 4 years. So why is it, that in this vast multiverse, Matt Murdock and Wilson Fisk are expected to be the genuine Netflix articles when probability would dictate they probably aren’t?
The rules of the Multiverse, as created by Michael Waldron and explained in Loki by Miss Minutes, allow for a tremendous amount of room in the creation of Variants. Nearly any event, no matter how great or small, from “creating an uprising” to just being “late for work” causes a Nexus Event which creates a branch from the Sacred Timeline. As Miss Minutes explained, one Nexus Event could “branch off into madness” creating an almost infinite number of Variants and the potential for a multiversal war. That multiversal war is coming in Avengers: Secret Wars, but it’s the more mundane sort of multiversal madness that’s relevant here. Given the relative ease with which a Variant can be created and the fact that the death of He Who Remains allowed the multiverse to branch off into madness, it’s statistically more likely that the Matt Murdock and Wilson Fisk who are on track to meet in Echo are Variants of the ones who appeared in the Netflix Defenders-verse shows.
In addition to the relative ease with which the MCU can explain away the Variant nature of the two characters, according to Charlie Cox, it seems like that is the plan. Cox has been clear that he and Kevin Feige think of Daredevil: Born Again as Season 1, not Season 4, and recently called it “a whole new deal” that gave the studio a chance to start from scratch in some instances.
What’s great about that is that we potentially get to tell some of the stories over and over again, in the same way that they do in the comics. Every now and then they start back in the beginning of Murdock’s journey as a little boy and they tell the whole origin story again, so maybe we’ll get to do that. I don’t know.
Charlie Cox
Herein lies the brilliance inherent in the simplicity of the multiversal rules. The MCU’s Matt Murdock and Wilson Fisk only need to be a little different from their Netflix counterparts in order to allow Feige, the Marvel Studios Parliament, and the creative teams of Echo and Daredevil: Born Again to keep much of what fans loved about the characters they met on Daredevil while also telling their MCU stories on their terms. And they never have to tell anyone how it happened. Just simply let it unfold on-screen.
An infinite multiverse means infinite possible Variants of the characters. That means a Matt Murdock who can see, a Kingpin who never killed his father and any other version you can imagine exists somewhere. But in order for Marvel Studios to tell their version of the story, they don’t have to erase all those key points in the development of the character. Vincent D’Onofrio has spoken at length about how he’s playing Fisk as the same character and that makes perfect sense because all of the tragedy and abuse that he suffered when he “was a boy” can still be the backstory for the character.
I mean, obviously, my character in Hawkeye is physically stronger and can take a lot more physical abuse. But my approach to him is exactly the same approach that I did on Daredevil. He is an emotional human being, he is a child and a monster simultaneously. The same things that are going on inside me when I’m playing the character, the events that I use, whether the joyful ones or sad ones or frustrating ones or angry ones, the events that I use from my life are the same ones that I used in Daredevil that I used to portray Fisk. So it’s connected, for sure. In my mind, for sure.
Vincent D’Onofrio
The rules of the multiverse absolutely allow for everything D’Onofrio said about the Fisk that showed up in Hawkeye to be true AND for the character to be different from the Defenders-verse character. How simple is it? Incredibly simple. If being late for work can create a Nexus Event and a new branch of the multiverse, any number of events could be used to explain how a Matt Murdock and Wilson Fisk who are nearly identical to the ones from Daredevil are co-existing in the MCU’s Hell’s Kitchen but have never met one another, much less become archenemies. Why would they do this? To give the MCU’s creatives a chance to tell the story of these two characters on their own terms rather than be forced to accept someone else’s interpretation. As Cox explained, it gives them the opportunity to retell stories as often happens in the comics when new authors take over.
What would this mean for the MCU? It would mean that to audiences, the characters would seem to be exactly the same, only a little different. Ketchup and mustard Daredevil seems to be, for the most part, the same as black mask Daredevil, except he’s a little different. His fighting style isn’t quite the same, he’s a bit more flippy and he doesn’t seem to hate being alive and is rather quite the ladies’ man. Hawaiin shirt Kingpin seems to be, for the most part, the same as stare-at-the-wall Fisk, except he’s a little different. He works out of a garage in relative anonymity and seems to be a walking tank.
Using Variants provides the people who worked on Echo and are working on Daredevil: Born Again a tremendous amount of creative freedom. You like the way the story with Stick training Matt as a boy worked? Keep it. It happened before the Nexus Event. You don’t like the fact that Ben Urich is dead? Get rid of it. It happened after the Nexus Event that created this MCU Variant Daredevil. Characters can seemingly be brought back from the dead without ever having died. Don’t like the way the Hand storyline played out in Daredevil? Retell it. It happened after the Nexus Event that created this Variant. Giving the writers working on Echo and Daredevil: Born Again that type of flexibility will ultimately allow for a better final product. There are some hoops to jump through to ensure the chosen point for the Nexus Event follows continuity (so you don’t go the route of Fox’s X-Men films) but it can be done.
At the end of the day, if fans can accept alligator Loki and are looking forward to seeing Jonathan Majors mold himself into multiple versions of Kang, it doesn’t seem as though it’s asking much to accept that in an infinite multiverse, other versions of their favorite characters can and do exist. Is this a definitive statement that these characters are NOT the Defenders-verse ones? Of course not. Only Marvel Studios can make that statement; however, they are better served in never making it, allowing the debate around the characters to carry on until their decision is revealed on screen, whether large or small.
You want to believe these guys are your guys? Go for it, probability be damned. You want to believe these guys are Variants? Go for it, the evidence suggests they are. At the end of the day, these are stories meant to be enjoyed by audiences and much of that is determined by what you carry with you in your own mind and if you believe in it strongly enough, not even the multiverse can take it away from you.
In 2021, Marvel Studios announced that Marvel Zombies would be coming exclusively to Disney+. Since then, however, details regarding the animated series have been sparse. Now, thanks to an interview with Comicbook, it looks like we at least know the episode count for the series and it’s on the shorter side.
While at New York Comic Con, the folks at Comicbook were able to speak with writer Zeb Wells who revealed some brief information regarding Marvel Zombies. Wells noted that, while he didn’t work on the zombie episode of What If…?, he did work on its spinoff series, Marvel Zombies, which he says will consist of four episodes. Unfortunately, like the rest of us, he’s unsure when the series will actually hit Disney+. Well did, however, state that it’s “looking really cool.”
In July, it was revealed that the forthcoming series would be rated TV-MA for mature audiences. As of now, a release date has not yet been announced, but it’s expected to be released sometime next year.
Another theme park attraction is getting the movie treatment. On Thursday, The Hollywood Reporter announced that Ryan Reynolds was teaming up with Strange World co-director Qui Nguyen to develop a movie based on Society of Explorers and Adventurers. Nguyen will pen the screenplay for the film, which will be a live action take, while Reynolds will produce through his Maximum Effort banner.
This marks the second project centered around the Society of Explorers and Adventurers attraction. A Disney+ series is also in the works from executive producer and writer Ron Moore (For All Mankind). It’s said that Moore’s project will exist within the Magic Kingdom Universe, while Nguyen’s film will add “alternative angles to SEA mythology in present day by adding a new supernatural element to the history and following new characters not present in the original SEA lore.”
The Society of Explorers and Adventurers, or the SEA, first launched in Tokyo Disneyland before expanding to Hong Kong Disneyland. The attraction has a rich mythology to it that “sees its founding in 1538 in Italy and expanding around the globe as an organization that consists of not only explorers and adventurers but also scientists, artists, and travelers.” Disney is hopeful to launch a new franchise with the film.
Reynolds, of course, is prepping for Deadpool 3, the first Deadpool movie to be a part of the Marvel Cinematic Universe. Production is expected to kick off sometime next year. While Nguyen has Strange World up next with Disney in November. He penned the screenplay and co-directed the film starring Jake Gyllenhaal. Prior to that, Nguyen also wrote the screenplay for Raya and the Last Dragon.
Just as She-Hulk: Attorney At Law wrapped up with no Red Hulk in sight, an updated rumor suggests that one might not be too far off. According to the Hot Mic Podcast, living legend Harrison Ford has joined the cast of Captain America: New World Order.
The report indicates that Ford, who will star in the fifth installment of the Indiana Jones franchise in 2023, has joined the cast of Cap 4 as General Thaddeus “Thunderbolt” Ross, a role that had been filled by William Hurt since 2008’s The Incredible Hulk. Hurt passed away in March of 2022 after reprising the role once more in Black Widow.
Fans have been hoping to see the Red Hulk appear in the MCU for years, with rumors of his appearance in Captain America: Civil War and the upcoming Thunderbolts film among the most well-known. While Marvel won’t comment on casting, fans might not have too long to wait to find out as filming on Cap 4 is slated to begin early next year.
Much speculation about just how much longer the 80-year old Ford planned to remain active in film, but if this rumor pans out, it’s possible he might be looking at a recurring role in the MCU over the next several years.
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
This website uses cookies
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
comment_author
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.