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  • Kevin Feige Teases New MCU Announcements “in the Coming Months”

    Kevin Feige Teases New MCU Announcements “in the Coming Months”

    There’s been a lot of questions about where the future of the Marvel Cinematic Universe may be heading. Phase 4 has seemingly been the most disjointed, echoing the early days of Phase 1 and 2 where it seemed like these projects were a bit looser in connection. Yet, as the MCU’s Phase 4 is slowly coming to an end with its upcoming releases, Marvel Studios President Kevin Feige has teased that we’ll get to see more of the roadmap in the coming months. The time frame would match with San Diego Comic-Con, D23, and Disney+ Day on the horizon. His full quote is as follows:

    […] we’ll be a little more direct about that in the coming months, to set a plan, so audiences who want to see the bigger picture can see a tiny, tiny, tiny bit more of the roadmap.

    Kevin Feige

    It’s exciting to know that we’ll get a tease of what the future has in store, but it does seem like we shouldn’t expect any full-phase announcements. It does seem like Marvel Studios has generally moved away from that concept and with the new TV series also trying to build upon smaller announcements to further expand the franchise. So, who knows if Phase 4 truly will end or just continue to whenever thee story is getting a new kickstart into the next stages of the current Saga.

    Source: TotalFilm

  • A Caper With Actual Capes: How ‘Thunderbolts’ Can Be More Than the MCU’s Suicide Squad

    A Caper With Actual Capes: How ‘Thunderbolts’ Can Be More Than the MCU’s Suicide Squad

    From the moment Helmut Zemo made his debut in the Marvel Cinematic Universe, comic book film fans have looked forward to the possibility of seeing his signature team, the Thunderbolts, enter the narrative. And recently, it became (semi) official, as it was reported in the industry trades that the long-rumored project was in active development, with a writer and director attached, and an expected filming schedule of Summer 2023. And with speculation season now in full swing, now’s a great time to look at what the MCU’s version of the Thunderbolts could entail, and what form the project could (and should) look like.

    The Thunderbolts is a group that has had several incarnations in the comics, but is best understood to be former villains assuming heroic roles, either at their own behest or at the behest of the government. At first measure, then, it’s easy to understand why one would think of the Thunderbolts as Marvel’s answer to the Suicide Squad. And with two somewhat successful cinematic forays into presenting that kind of team to audiences, it wouldn’t be completely surprising if Feige & Co. decided to go that route. But the original premise for the Thunderbolts, back in 1997 in a story written by Kurt Busiek, was much more groundbreaking, because readers were led to believe that they were in fact new heroes who had stepped up to fill the void in a world without an Avengers team. That is, until the rug was pulled out from under the audience, and the Thunderbolts were revealed to be an elaborate ruse to earn the world’s trust while covering for their villainy. It is that idea that can truly distinguish the T’bolts from the Suicide Squad, because it’s essentially a con job. And a movie based around a con job can allow the MCU to do a full-blown crime caper…with actual capes.

    The heist movie is a familiar genre, and in the Ant-Man films, as well as Avengers: Endgame, we’ve definitely seen nods made to those types of films. But a crime caper where all the characters are criminals is far more intriguing, because there is more potential for shifting loyalties and double-crosses, as everyone’s morality is a little more murky. Captain America isn’t really going to abandon the Time Heist for Peggy Carter, for instance. But if one of the characters in a crime caper gets the opportunity to go for dolo and turn on their teammates, that character just might. And that adds another layer of uncertainty to the stakes.

    Thinking about the film like a con/crime caper also helps us outline how the story might play out, as well as who the best fit for the Thunderbolts lineup would be, both in terms of MCU characters we’ve seen before, and who we might realistically see introduced in the film. Consider this as a loose blueprint for the Thunderbolts film.

    The Con


    In a world where the Avengers are currently disassembled, various players have a stake in getting a piece of The Next Big Thing in superheroics. With the Sokovia Accords still in effect, but public support for them somewhat on the wane, there is significant interest by the US government in having high profile superhero operatives who can do the PR work while also following deployment and stand down orders with minimal pushback.

    Enter Project Thunderbolt. A fully government-sponsored team led by the decorated (but disgraced) super soldier John Walker, the US Agent, and assisted by a cadre of colorful new heroes, recruited through various means by Valentina Allegra de Fontaine, a private off-the-books contractor with ties to several intelligence agencies. The Thunderbolts are provided with enough tech and logistical support to become America’s premier superhero team.

    But in fact, the Thunderbolts are actually a plan by Helmut Zemo to use the government’s desire for an Avengers replacement to engineer his release, gain the public’s trust, and procure access to the Mother Lode, a top secret storage facility that contains the most advanced and powerful confiscated tech in the world, including a working copy of the Ultron AI.

    The Characters


    The Mastermind (Helmut Zemo aka Z) We’ve already seen his penchant for playing the long game in The Falcon and the Winter Soldier. His disdain for superheroes, specifically powered individuals, is well-documented, as is his belief that the people are gullible and easily fooled. So would it be terribly shocking if he played up his Batmanesque penchant for contingencies in order to cook up a caper worthy of the prep time?

    In the comics, Zemo chose “Citizen V,” a star-spangled fighter of fascists, as his cover identity, but that would be redundant with US Agent at the forefront of this Thunderbolts team. The Z persona, then, would be something slightly different, a swashbuckling international man of mystery who would evoke both Bond and Zorro, and allow him to get his Errol Flynn on.

    But how would he get himself freed from international custody? Enter…

    The Partner In Crime (Conrad Mack aka Smiling Tiger – new character): Every Danny Ocean needs a Rusty. DiCaprio in Inception needed a Joseph Gordon-Levitt. The Mastermind typically needs a swiss army knife, a character with all the skills to be the #1, but who is content to be the #2. But currently, there aren’t too many folks in the MCU who’d fit the bill. However, the aforementioned Disney Plus series introduced us to an associate of Zemo’s who is well-known in the Madripoor underworld scene, a flashy dresser, and somewhat resembles Sam Wilson, but little else beyond that. This provides a somewhat blank canvas for introducing a backstory, motivations, and the skill set the stories required.

    A Black man with a cat motif is going to invite Black Panther comparisons, and I think that’s worth leaning into. He should absolutely pretend to be Wakandan, and interactions around that ruse could easily be played for comedic effect. However, none of that should undercut his core competency and ability to excel in a variety of situations. He pitches Zemo as the asset that Project Thunderbolt needs, because of his contacts and vast knowledge of the inner workings of Hydra and other networks.

    The Antagonist (Henry Gyrich – new character): To be clear, Zemo’s scheme is nefarious. But one reason we might be willing to root for him is that it provides an opportunity to defeat an far less likable character. This is who Gyrich is, the government bureaucrat who loves the power that having a fiefdom affords him. And having superheroes that answer to him makes him even more loathsome. With Project Thunderbolt as his crowning achievement, Gyrich’s eventual discovery of its subversion by Zemo should be positioned as an tremendous humiliation for Gyrich, a takedown that the audience should absolutely be rooting for.

    The Benefactor/Backer (Valentina Allegra De Fontaine): So far, we’ve been her as the go-between for her unnamed backers and both John Walker and Yelena Belova (more on them later). Her comics counterpart is an espionage operative on par with Nick Fury, so we can expect this character to have her finger in a lot of pies. And she’s more likable and charming than Gyrich. So far, Val seems unlikely to freelance, as opposed to standing in for the interests she represents. But that situation could change, and she, like a lot of spies, would ultimately serve her own interests. Val, then, wouldn’t be an antagonist per se, but she wouldn’t be a full ally either.

    The Tech Specialist (Justin Hammer aka “HQ”): Be it a hacker, gadget guy, or man in the chair, every heist needs someone who can make the impossible possible through technological shenanigans, and Sam Rockwell’s Hammer stole scenes in Iron Man 2 with his charismatic performance. When we last saw him, he was in custody, but a role in the Thunderbolts as both their “Q” and their man in the chair (and occasionally, quasi-mission participant via remote piloted armor) can afford him the opportunity to secure his release and step into the “superhero mogul” void that Tony Stark left.

    In reality, however, Hammer has been co-opted, and the tech he supplies to the T-Bolts has all been equipped with overrides controlled by Zemo, based on the promise of not only a substantial cut of their score, but access to the Ultron AI, which he believes he can improve upon, and one up Stark for all time.

    The Femme Fatale (Yelena Belova aka “the White Widow”): Trained as a Black Widow assassin, Yelena not only has top notch skills in infiltration and diversion, but a master of weaponry and fight skills. And as the sister of a beloved Avenger, she has a built-in avenue to garner sympathy with the public, as the same “red in her ledger” narrative carries over.

    But despite her ruthlessness, we’ve seen Yelena’s reluctance to behave strictly as a weapon. This would position her as a possible “change of heart” candidate, someone who could actually grow to enjoy the trappings of being a hero, despite her more cynical exchange with Natasha in Black Widow about not wanting to be celebrated as a killer. She’d be most likely to experience misgivings about her role in the con.

    The Thief (Ava Starr, Ghost AKA “Silver Phantom”): On a team with multiple spies, Ghost might seem somewhat redundant, but being able to phase and become invisible makes her uniquely suited to perform side heists while the team is on a mission, as well as be the contingency plan if things go sideways. And her history of being a former SHIELD/Hydra operative means that her orientation tilts towards the morally grey.

    Ava’s constant need for quantum energy made her somewhat easy for Smiling Tiger to co-opt, but it’s more so that she’s pretty cynical about who gets to be viewed as a hero, and who gets to be redeemed. The Silver Phantom persona allows her to reinvent herself as someone not cursed by her abilities, but gifted with them.

    The Muscle (Emil Blonsky AKA “Agent Gamma” ): Formerly the Abomination, this super soldier turned Hulk nemesis has all the strength one would want. He’s morally compromised, yes, but he’d be willing to work with the government in exchange for some degree of freedom, even if his gamma issues make full freedom unlikely. Wearing a helmet that conceals his identity and outfitted with experimental tech that allows him to siphon off the gamma radiation coursing through him, Blonsky can temporarily maintain a more humanoid form (or even full human) before he goes full Code Green. The Agent Gamma persona gives him a heroic rebrand, and affords him the opportunity to capitalize on some of the goodwill Hulk and She-Hulk have been able to garner.

    However, this guy doesn’t want to play nice with authority. Being locked up has embittered him, and as soon as he can get the opportunity to break bad, he will. Zemo has promised him the means to get completely free and start a new life somewhere he can’t be extradited from.

    The Fixer (Toni Masters, Taskmaster AKA “Winter Soldier II” ): The cover story for Antonia Dreykov is that she was part of the Red Room’s continuation of the Winter Soldier project as Taskmaster, and after being freed by Yelena Belova, now she wants to do good in the world. The truth is actually more complicated. After being freed from her father’s control, Toni abandoned her surname and decided that she’d become the “Master” of her fate, choosing to live a hedonistic lifestyle funded by her ability to replicate any skill she sees, and sell her services to the highest bidder.

    The role Taskmaster should play in the caper is the ability to mimic anyone’s mannerisms or skill set, and with her natural androgyny combined with potential false face tech, she should be able to step into anyone’s identity if need be. As for her susceptibility to fall in with Zemo’s scheme, she absolutely should be willing to go along with the con in service of a bigger payday.

    The Inside Man (Rick Mason): A former SHIELD operative turned contractor, he has shown a propensity for acquiring whatever needs being acquired. So while he may not be an official member of the Thunderbolts, he would be an asset to the team.

    Mason’s association with Natasha in defiance of The Sokovia Accords put him in a tough spot, as his business ventures were squeezed by the government in an attempt to draw her out. So really, he is working with the Thunderbolts because he has no choice, and if Zemo can promise him a better deal, he might just take it.

    The Patsy (John Walker AKA the USAgent): For this con to work, Zemo needs to employ an unwitting ally, someone who is meant to be out in front, loud and flashy, to take attention from, while being oblivious to, the caper happening around him. And John Walker fits the bill. He’s a hothead, but he really wants to do good. He’s not averse to taking extreme measures, but he can still find righteousness in the cause. And so, given the opportunity to show that he can be just as inspiring a leader as Steve Rogers, he can be manipulated into thinking he’s modeling for his teammates a course towards redemption, and that he’s keeping Zemo on a short leash.

    In reality, of course, Zemo is running Walker. His compliance tech, already subverted by Zemo. His leadership tactics, anticipated and steered towards Zemo’s contingency plans. His inspiration of his teammates, a way for those teammates to get close enough to gauge his suspicion, and relay what they find to Zemo. And when the day comes for the Big Job, there’s enough doctored evidence secretly planted to make it look like Walker was in on it all along.

    THE COMPLICATION(S)


    The Thunderbolts actually start to make a difference, saving lives and protecting the innocent, and that leads to each of them having misgivings about going through with the Big Job. Walker, as we all know, does want to redeem himself and for the most part wants to see these former villains redeem themselves as well. For Yelena in particular, she begins to understand better what her sister’s legacy was, and that it is a noble pursuit. For Ghost, having people actually see her, as well as look up to her, starts to gnaw at her conscience as well. Other characters have similar existential crises and conflicts.

    Additionally, Val begins to suspect that something is afoot, and starts looking into things in order to report her findings to Gyrich. But thankfully, she and he aren’t 100% on the same page, and when it comes down to it, if she won’t benefit from exposing the con, she just might see how things play out.

    THE CONCLUSION


    I mean, it’s a con job, and it’s a superhero film. Some things go wrong when it’s time for our (anti)heroes to pull off the Big Job. There’s infighting and a betrayal or two. Ultron kind of gets rebooted, and they have to put their differences aside to save the world. The (anti)heroes win, and the heist is ultimately aborted it. Or is it?

    Ultimately, the setup laid out above would make for an innovative and effective introduction of the Thunderbolts concept to a mass audience, while also providing a distinct enough throughline to stave off the Suicide Squad comparisons. The MCU loves to put its own spin on concepts from the comics, and I think that letting the audience know from the outset that there is a caper afoot still pays homage to Busiek’s original story, but sets up new trajectories for the characters involved that would be tremendously intriguing going forward.

  • ‘Ms. Marvel’ From Page to Screen: Episode 2

    ‘Ms. Marvel’ From Page to Screen: Episode 2

    Welcome back to another installment of From Page to Screen. Last week we looked at how Marvel Studios’ Ms. Marvel adapted Kamala’s power-activation moment from Ms. Marvel comics in the series’ first episode. Episode 2, titled “Crushed,” is another example of how Ms. Marvel is taking quite a bit of inspiration from its comics origins. Looking at the comics, the story arc featured in Ms. Marvel #13-15 is also entitled “Crushed” and they have one major thing in common—Kamala’s crush Kamran. The character of Kamran played an important role in Kamala Khan’s early days as a superhero in the comics and is also clearly going to be a significant force in driving the series’ plot forward. 

    In both iterations of the character, Kamala falls head over heels for Kamran practically the second she sets eyes on him—sometimes that just happens. In the comics, he is a family friend who is visiting. In the series, however, Kamala meets him for the first time at school but otherwise does not know much about him. In any event, both page and screen Kamala find themselves enamored over Kamran, whom they share countless interests with on top of having in common similar life experiences. In the comics, the two bond over some wild coincidences in their lives, but in both comics and series, Kamala and Kamran have impassioned discussions over Bollywood movies and stars.

    Ms. Marvel #13 (2015)
    Ms. Marvel #13 (2015)
    Ms. Marvel #13 (2015)
    Marvel Studios’ Ms. Marvel Episode 2
    Marvel Studios’ Ms. Marvel Episode 2

    Interestingly enough, Aamir serves to interrupt the two’s first meeting/hangout in every version of the story. In the comics, he chaperoned the two on a walk but butted in when it looked like the two were about to hold hands. In Episode 2, Aamir arrives at a similar time to ruin the mood, but he does not actually know Kamran (yet) in live-action other than through this encounter. It is then also Aamir who first causes Bruno to admit he has feelings for Kamala. On both page and screen, Bruno is clearly jealous of Kamala’s interest in Kamran. In the comics, Aamir tells Bruno that he and Kamala could never work, and this is the first time in the Ms. Marvel comic that Bruno’s romantic interest in Kamala is made explicit. In the series, Kamala and Bruno’s relationship is sure to go down that path, and Kamran may just be the spark Bruno needs to figure out his own feelings and maybe someday make a move. 

    Ms. Marvel #13 (2015)
    Ms. Marvel #13 (2015)
    Ms. Marvel #13 (2015)
    Marvel Studios’ Ms. Marvel Episode 2
    Marvel Studios’ Ms. Marvel Episode 2

    But what happens next with Kamran in the comics is where the series’ adaptation will be most interesting. In the comics, Kamran reveals himself as an Inhuman to Kamala (whose comic iteration is also Inhuman) and shows her his powers. Kamala is shocked but also intrigued at yet another—and major—thing the two have in common. In Ms. Marvel, Kamran’s reveal was left as the cliffhanger at the end of Episode 2. Like in the comics, he clearly knew that Kamala was the masked, super-powered person dressed like Captain Marvel. He also introduces Kamala to his mother, who was the mysterious woman Kamala kept seeing in her bangle-induced visions. It is safe to say that Kamran may have some powers of his own given the connection, but we have yet to see any. 

    Ms. Marvel #13 (2015)
    Ms. Marvel #13 (2015)
    Ms. Marvel #14 (2015)
    Marvel Studios’ Ms. Marvel Episode 2
    Marvel Studios’ Ms. Marvel Episode 2

    It is easy to guess how the car conversation plays out. But first, it is fun to mention that Kamran essentially picks her up and kidnaps her in his car in both the comics and the series. But in the comics, Kamran is a member of an Inhuman faction that believes Inhumans should take their place as the superior beings on Earth and overthrow the existing Inhuman order. In short, he is a henchman for a group of villainous Inhumans who want to take over the world. He believes he can recruit Kamala for the cause, even if our superhero is not convinced by the evil rhetoric. At the end of the day, Kamran is a significant villain Kamala must ultimately defeat in the early days of being a superhero.

    Ms. Marvel #14 (2015)
    Ms. Marvel #14 (2015)
    Ms. Marvel #14 (2015)
    Marvel Studios’ Ms. Marvel Episode 2
    Marvel Studios’ Ms. Marvel Episode 2

    Kamran will certainly play some version of that role in Ms. Marvel. But with the absence of Inhumans, it will surely be a bit different. What might end up being the same, however, is the general theme of superior heritage—Kamran and his mother may very likely tell Kamala who she is in terms of where she got her powers from, tell her they come from the same lineage or have the same genes, and then pitch to her that they are superior to other people and should live up to that “destiny.” It is a strong storyline that would allow the series to utilize the comics extensively, but also use it to advance Kamala’s family history mystery and force Kamala to grapple with her own identity and who she or what she is meant to become.

    Ms. Marvel #15 (2015)

    In conclusion, while the Inhuman Problem (the lack of Inhumans in Ms. Marvel) throws a wrench in adapting the comics, the live-action series is actually doing quite an exemplary job of accurately translating Ms. Marvel’s pages to the screen. As stated before, live-action Kamran comes straight from Ms. Marvel #13-15, and “Crushed” certainly looks like a story arc that the series intends to play out.

    The first two episodes of Ms. Marvel are now streaming on Disney+. 

  • ‘Lightyear’ Loses to ‘Jurassic World 3’ While ‘Top Gun’ Continues to Soar

    ‘Lightyear’ Loses to ‘Jurassic World 3’ While ‘Top Gun’ Continues to Soar

    The numbers are in and, as sadly expected, Lightyear isn’t going to set the box office in flames. The Toy Story spinoff which isn’t necessarily an actual spinoff of the original franchise, but rather a fictional film that takes place in that same universe, has opened to $51M over the weekend. With a wide release in 4,255 North American which is on par with many current releases but it does seem like family audiences aren’t quite ready yet to return to theaters as initially hoped. David A. Gross, who runs Franchisee Entertainment Research, shared the following statement on its release:

    This is a soft opening for a spin-off of one of the most successful animation series of all time. ‘Toy Story’ defied gravity at the box office during its 27 year run, each episode topping the last, the last two clearing a billion dollars worldwide. But like all spin-offs, the ‘Lightyear’ story is narrower now.

    David A. Gross

    The early expectations had the film at around $70M but it’s sadly now going to be one of Pixar’s least successful releases, especially with a high production cost of $200M. Lightyear isn’t a sign of Pixar losing its draw at the box office, but more a reflection of the pandemic’s influence on younger audiences and Disney+’s strategy of using one of its biggest franchises to boost subscription numbers. Internationally the film has also been a lukewarm release with $34.6M, which puts it at an international release of $85.6M, which is a far cry from its initial expected $135M+.

    Jurassic World Dominion kept its dominance at the box office, as it held on to the top spot, but did face a harsh 60% drop in its second weekend. It’s not too far from Doctor Strange in the Multiverse of Madness‘ 67% and highlights how these franchise films operate. With a lower opening than the Marvel Studios project, it reflects how these drops normally operate, but the dinosaur epic still generated $58.6M which is a strong release and now stands at $259M domestically.

    It’s second-weekend highlights even more how much Top Gun Maverick is an exception than the rule, as the film has taken a massive $44M in its latest weekend which is just a 15% drop. As such, it is the second-highest fourth weekend with the only exception being Avatar. The film is likely going to pass a billion in just a few weeks as it already stands at $885M and will likely become the highest-grossing film of the year very soon. It sparked the box office in a big way and is a testament to just how sudden some projects can pull in viewers.

    Source: Variety

  • First Look at ‘Avatar’s LEGO Set Ahead of ‘The Way of the Water’s Release

    First Look at ‘Avatar’s LEGO Set Ahead of ‘The Way of the Water’s Release

    It may have taken way longer than anyone suspected, but a new LEGO set for Avatar has been unveiled. While the first entry of James Cameron‘s sci-fi epic was released back in 2009, the sequel The Way of the Water is only a few more months away from hitting theaters. Now, LEGO has unveiled its new Avatar-themed set during LEGO Con 2022. The set is titled “Toruk Makto & Tree of Souls” which will be made available to purchase on October 1st, 2022, as shared through Jay’s Brick Blog.

    They have also shared an image of what the set looks like built, highlighting the many figurines included in the model. It’s surprising that with the title of The Way of the Water, they wouldn’t include an aquatic set going in.

    LEGO sets have become a common tie-in to big blockbuster releases. So, it’s no surprise that they will do the same with the latest Avatar film. There’s a lot riding on its release, as not only will it kick off various others but it also has the legacy of the biggest movie release ever to compete with. Either the film will fall short of the original film’s overall box office, or it could even surpass it if the long wait between films has proven with the recent release Top Gun Maverick. It’ll be interesting to see what the box office has planned for a film entering its franchise stage.

    Source: Jay Bricks blog

  • Amazon Prime’s ‘Paper Girls’ Eyeing July Release, New Look at Cast

    Amazon Prime’s ‘Paper Girls’ Eyeing July Release, New Look at Cast

    It looks like the upcoming adaptation of Paper Girls has been steadily building up steam. Not only did we get a first look not too long ago, but now Amazon Prime released a close look at the team while also highlighting that the series is going to release on July 29th. It’s crazy to think how far the project has come that initially started shifting into gear back in October of 2020. The comic explores the story of a group of four young paper girls in 1988, who suddenly find themselves traveling through time.

    The previews certainly have teased quite the style for the project and it does seem like a trailer isn’t too far off with a July release. It is curious that they are taking the Netflix promotion route this time by having it showcased this close to its initial launch window. Either way, the adaptation looks quite promising and a time travel storyline is definitely something to grab people’s attention currently. We’ll see if the trailer can also tease the vibe that the comics offered and how they may bring it on Amazon Prime.

    Source: Twitter

  • ‘Lightyear’ Currently Underperforming, May Not Dethrone ‘Jurassic World: Dominion’

    ‘Lightyear’ Currently Underperforming, May Not Dethrone ‘Jurassic World: Dominion’

    It looks like Lightyear is struggling a bit to catch its legs at the box office, as the latest Pixar film may not beat Jurassic World: Dominion at the box office this weekend. Going in, the Pixar film was eyeing a potential $85M+ opening weekend but after a lukewarm Friday, it does seem like Dominion may keep its dominion (pun fully intended) over the box office domestically. The film opened to $20.7M on Friday, which includes the decent $5.2M preview screenings, yet the film is very likely to end at around $52M.

    There are many theories online on what exactly led to this opening. The biggest aspect is definitely the pandemic, as while Top Gun Maverick pulled audiences back into seats they likely haven’t visited in a long time, families are still a bit uncertain. They also released the last three films exclusively on Disney+ to push subscriptions but it may have shown its fangs on dragging that out while letting Marvel Studios roam free as of late.

    Luckily, the numbers would put it as one of the strongest family films since the pandemic started, but a $200M budgeted spinoff based on a toy from a film franchise is not an easy sell. It did get an A- CinemaScore, which hints at word-of-mouth being strong for the Pixar release. Lightyear may just not have the same selling effect that Pixar hoped for, as it doesn’t have the Toy Story branding, and outside of its main character, has no connection to the original.

    So, it’s a spinoff that is also an original film based on pre-existing characters without the original voice. Toy Story 4 opened to a powerful $120.9M in 2019, which was already a powerhouse year, but simply highlights that this is more a case of Solo: A Star Wars Story than

    Source: Variety

  • ‘Thor: Love and Thunder’ BTS Image Offers a Glimpse at Christian Bale’s Transformation into Gorr the God Butcher

    ‘Thor: Love and Thunder’ BTS Image Offers a Glimpse at Christian Bale’s Transformation into Gorr the God Butcher

    Thor: Love and Thunder is only a few more weeks away and we’re anxiously awaiting the journey that Christian Bale is going to take us on with his take on Gorr the God Butcher. While we had to wait a bit for the first official reveal, the second trailer for Love and Thunder offered a look at a very different interpretation of the character. We’ve known very little about how his transformation came to be, but a new behind-the-scenes image shared offered some insight into how they brought him to life.

    While we don’t get a good look at his full make-up, it does reveal that Christian Bale has originally shaven his entire head to play the role of Gorr. Yet, very likely due to contractual reasons with another project, he wasn’t able to during reshoots and so they had to tackle a different way of making his bald head come to life. Bart Mixon shared a look at how they created a bald cap to make it seem like he had no hair at all.

    https://www.instagram.com/p/CexS0GnDJ4t/

    Bale is the kind of actor that would go the extra mile to bring his character to life, but it’s interesting how they manage to still create a realistic-looking bald head. Karen Gillan talked bout how they were able to use a bald cap for her role as Nebula to avoid her constantly having to shave her head, even if she did it for her initial casting to prove how ready she was to take on the role.

    Source: Instagram

  • ‘Ms. Marvel’ May Be Disney+’s Least Viewed Live-Action Marvel Series But It’s a Hit With Gen Z

    ‘Ms. Marvel’ May Be Disney+’s Least Viewed Live-Action Marvel Series But It’s a Hit With Gen Z

    There’s been a few discussions surrounding the viewership numbers of any Marvel Studios Disney+ series. We don’t truly understand what makes a Disney+ series a success or not, as we are strongly dependent on third-party analysis data. So, the announcement that Ms. Marvel has hit 775K US households, quite a bit lower than any other Disney+ series by Marvel Studios, it’ll get quite the attention. There is, however, one aspect that is swiftly overlooked by the easiest takes.

    Ms. Marvel may be far from the usual 1M+ households, the series has a very distinct target audience. It was quite the hit with Generation Z according to Samba TV, who has provided the analysis. Viewers between 20 to 24 watched it at the highest rate than any other MCU series and now has the most diverse viewing rate. As such, the series has done exactly what it targeted and that is impressive considering its diverse cast, and complete newcomer in the form of Iman Vellani.

    If you need a comparison, Samba TV has offered an extensive overview, but until now the lowest viewed Marvel Studios project was Hawkeye at 1.5M. Yet, we don’t know how diverse the viewership numbers have been, and Ms. Marvel is only the second series based on a non-existent previous entry. Moon Knight‘s big selling point was the star power of not only Oscar Isaac but also Ethan Hawke.

    It’s not surprising that the series was competing with WandaVision‘s viewership numbers and the latest release is holding strong against one of their most-watched Star Wars series in Obi-Wan Kenobi. Disney+ would be smart to spread out their releases more and it wouldn’t be too surprising if this was a test for the streamer; even if it was bad timing with such an important culturally-relevant project. We’ll see if the word-of-mouth, which is overwhelmingly positive, may pick up in later episodes. It should also be noted that once Disney+ enters the ad space, a target-focused offering is a perfect opportunity to diversity its audience moving forward.

    Source: Twitter

  • Yasmeen Fletcher Initially Didn’t Get the Part of Nakia in ‘Ms. Marvel’

    Yasmeen Fletcher Initially Didn’t Get the Part of Nakia in ‘Ms. Marvel’

    Ms. Marvel is a special kind of series that not only represents something important to a community but also adds a little something special to a franchise. The Marvel Cinematic Universe has been going on for quite some time now, but they still find ways to reinvigorate the world and offer something to its audience. That was one of the appeals to Yasmeen Fletcher, who plays Nakia in Ms. Marvel, as she reveals in an interview with WWD.

    I think the first Marvel movie I watched in theaters was ‘Guardians of the Galaxy. And I’d seen a couple at home before then, but ever since then, I was looking forward to every movie on the edge of my seat, trying to theorize, connect different things. I’ve been a huge fan, so this was the dream call, basically

    Yasmeen Fletcher

    She also shares how she got the role of Ms. Marvel, especially highlighting that it was a friend of hers that got her into the original comics before she tried to get an audition with the help of her manager.

    A friend of mine who’s a huge Marvel fan was, like, ‘There’s this comic series that I think you would really like. I think it’s something that you’d relate to. Then when the rumor for the show came out, I sped to my computer to email my manager and be, like, ‘If there’s any possibility of me being a part of this in any way, please, I would love to be a part of this.

    Yasmeen Fletcher

    In a surprising twist, it seems that even after auditioning she didn’t initially get the role. Her manager had to tell her that they passed on her only for two weeks later to get the call where they decided for her to take on the role after all.

    After doing the test, I texted my manager and told her how it went and the next day she called me and was, like, ‘So bad news. You actually didn’t get the part. It’s not going for you, they’re still looking, I’m so sorry.’ And that was world ending, devastating,” she says. “So for two weeks, I was completely convinced that I didn’t get the part and it wasn’t going [to] me, and then out of the blue, I got a call from my manager again, saying, like, ‘Hey, in a really strange turn of events, it’s coming right back for you.’

    Yasmeen Fletcher

    It definitely sounds like it was a rollercoaster to join the Marvel project, but she highlights how much it meant to her to take on this role in the past. It’ll be interesting to see how her character’s story unfolds in the series as we get a clearer look throughout the next few episodes and how Nakia’s own pursuits may stand out throughout the season.

    Source: WWD