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  • A24’s ‘Hazbin Hotel’ Shares Updated Look at Alastor, The Radio Demon

    A24’s ‘Hazbin Hotel’ Shares Updated Look at Alastor, The Radio Demon

    Not too long ago, we got our first look at the upcoming A24 series adapting Hazbin Hotel as a series. We got a new look at Charlie Morningstar’s new redesign as she got a few nice updates for the upcoming production. That wasn’t all, as we now also got a first look at the updated design for Alastor, The Radio Demon. The character that talks as if he’s speaking through a 1930s radio became quite the fan-favorite from the initial pilot episode pitch.

    He looks mostly untouched with just some added flourishes to his suit, such as the white accents. Creator Vivienne Medrano has jokingly also pointed out that he got to keep his “dumb haircut.” It was a standout character in the pilot and had a great design from the get-go, so it’s good they didn’t change much. We still haven’t seen any footage and hopefully, he also got to keep his iconic voice, but with Medrano’s involvement, they’ll surely keep elements such as that.

    https://twitter.com/VivziePop/status/1504891931548999682

    Overall, a great design and hopefully we’ll slowly get a look at the rest of the cast before they finally drop a trailer. For now, there’s still Helluva Boss to check out on YouTube as we wait for an official release of any update for the series. It’ll offer a different take on hell and promises a cast of colorful characters that all are trying to get rehabilitated. At least that’s what Charlie wants, Alastor might have some other plans.

    Source: Twitter

  • Wayne T. Carr Shares First High-Res Look at His Green Lantern for Zack Snyder’s ‘Justice League’

    Wayne T. Carr Shares First High-Res Look at His Green Lantern for Zack Snyder’s ‘Justice League’

    Back in May of 2021, we got our first look at Wayne T. Carr as the Green Lantern that Zack Snyder originally envisioned for his Justice League film. Sadly, it didn’t even make its way into the HBO Max special he was able to make, as Warner Bros. wouldn’t let him use the character. He only offered a shot of what could’ve been through his phone, but on the one-year anniversary, actor Wayne T. Carr just shared a high-res look at him in the costume offering the best look yet at what could’ve been. Not only that, but he is also continuing the “Restore the SnyderVerse” movement hoping to see the two planned sequels see the light of day, or maybe just the brightest day.

    It’s a nice touch for the first-year anniversary and it really is a shame we didn’t get to see his version of the character. The design looks great, and the symbol floating above the chest piece has been a personal favorite addition to their design. So, it’s great seeing it in live-action. Warner Bros. is still working on a live-action series and film focused on the Green Lantern Corps, but the project has gone cold quite some time ago. For now, we’re still waiting for an official announcement as it’s mostly just been rumored.

    Source: Twitter

  • Staff Uproar Has Led to the Restoration of a Same-Sex Kiss in Pixar’s ‘Lightyear’

    Staff Uproar Has Led to the Restoration of a Same-Sex Kiss in Pixar’s ‘Lightyear’

    There has been quite a bit of controversy surrounding Disney, most notably CEO Bob Chapek. His handling of the “Don’t Say Gay” bill has had some important consequences, as LGBTQ employees and allies of Pixar sent statements that “overtly gay affection” was being cut out of films by the studio. According to Variety, the same almost happened with the upcoming Pixar film Lightyear, which features the character of Hawthorne (Uzo Aduba) who was going to kiss another woman in the film. The recent uproar has led to the scene being added in once again. For many, this is a hopeful turn for the company and its handling of LGBTQ representation.

    Pixar has long fought the battle to include LGBTQ representation in their projects but was consistently hitting a wall when working on their projects. The recently released Luca was also going to include a scene with the character Giulia. While it was claimed that the issue came from uncertainty with adding a girlfriend character to highlight the character’s sexuality, it seems that the Disney corporate review process has been their main issue. The statement included the following statement:

    Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is a protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it

    Sadly, this is quite an international issue with films like Onward featuring a lesbian cop getting banned in Kuwait, Oman, Quatar, and Saudi Arabia. Marvel Studios has shared a clear statement on their official account and has ensured that their recent release of Eternals wouldn’t get censored in any way. The fact that the scene was added back in for Lightyear is hopefully a big showcase for a more welcoming future, especially for the employees that have been fighting for it.

    Source: Variety

  • Greta Gerwig’s ‘Barbie’ Ready to ‘Tick, Tick … Boom!’ as  Alexandra Shipp Joins Cast

    Greta Gerwig’s ‘Barbie’ Ready to ‘Tick, Tick … Boom!’ as Alexandra Shipp Joins Cast

    I am starting to run out of ways to talk about Greta Gerwig‘s upcoming adaptation of the popular children’s doll Barbie. Not only do we know very little about the actual plot of the film or even the director’s approach to modernizing the character, but we’ve had one of the biggest cast announcements. It may only rival that of Christopher Nolan‘s Oppenheimer. Still, it’s not over yet for Barbie, as Tick, Tick … Boom! star Alexandra Shipp has joined the project.

    I could count down the massive cast that includes Simu Liu, Kate McKinnon, and so many more, but I’ll just link you to the categroy on our site here. Could one accuse me of being lazy? Probably, but try to figure out how to write about a film adapting a Barbie doll multiple times as the film just collects one actor after another. To be fair, it’s at least easier than trying to make up multiple articles that aren’t carbon copies when talking about an adaptation of J. Robert Oppenheimer‘s life.

    Alexandra Shipp has been quite busy, as she filmed the sequel to Kung Fury opposite Michael Fassbender and also was in Silk Road. She’s also appeared in Shaft, and Jexi before making quite the splash with her appearance in Lin-Manuel Miranda‘s directorial debut film, Tick, Tick … Boom!. It’s great to see her join this big project, and it’ll be interesting to see how the cast members factor into the story. Perhaps we’ll get a wide variety of Barbie copies or clones, but we can only theorize for now.

    Source: Variety

  • ‘Scream’ Sequel Gets March 2023 Release, Courteney Cox Returning

    ‘Scream’ Sequel Gets March 2023 Release, Courteney Cox Returning

    Spyglass Media’s Scream revival has been quite the success and it looks like Paramount doesn’t want to waste any time, as they have now given the film a March 31st, 2023 release. The reboot took in $140M at the global box office, which is quite impressive with the current conditions and given how long it’s been since the film’s release. Directors Matt Bettinelli-Olpin and Tyler Gillett are once again attached with James Vanderbilt and Guy Busick writing the screenplay for the remake sequel.

    That’s not all, as it looks like the upcoming film will also see the return of Courteney Cox in the sixth entry of the franchise. It’s currently eyeing a production start in Canada at some point in June, which would put it on track to hit its 2023 release.

    I got the script yesterday. And I haven’t read it yet. I just got it, and I’m so used to getting, you know, Shining Vale scripts, which are 26 pages, and I’m, ‘Whoah, I’ve got to read a script.’ I’m excited to read it. don’t know if I’m supposed to say anything. Let me tell you the killer.

    Courteney Cox

    The sixth entry was quickly greenlit after the success of the remake over MLK weekend, and we’re seeing another popular slasher franchise make a grand return. While reception to Netflix’s Texas Chainsaw Massacre was mixed, the Halloween sequel series has been quite popular with it spinning out into two more sequels. With those titles having some fun with the title, here’s hoping the next Scream entry is called “Scream Again” or “Scream Some More.” So, maybe we’ll see other slasher icons return in the near future.

    Source: Deadline, Just for Variety via IGN

  • George Lopez, Adriana Barraza And More Join ‘Blue Beetle’

    George Lopez, Adriana Barraza And More Join ‘Blue Beetle’

    It looks like the cast for Blue Beetle continues to grow with the DC film adding some big names to its cast. The film is eyeing an August 2023 release and has now added George Lopez, Adriana Barraza, Elpidia Carrilo, and Damián Alcázar to its cast. They join Xolo Maridueña who will take on the leading role of Jaime Reyes, who will end up turning into the interstellar hero Blue Beetle through the help of a strange device attached to his back.

    The cast round out the Reyes family with Lopez as Uncle Rudy, Alcázar taking on the role of Alberto, Barraza‘s Nana, and Carrillo as Rocio. The only other member cast so far was Bellisa Escobedo as Milagro. Director Angel Manuel Soto offered some insight into his approach to ensuring that the Reyes family consisted of Mexican and Mexican-American talent:

    Initially, my goal with finding the family was to be able to have an authentic group of people, not just as authentic on the Latino side, but authentic on the accents and authentic on the experience overall, it was very important for me to have the elders in the family to be from Mexico. And more than just being from Mexico is honoring those amazing beloved actors from Mexico that have paved the way not just in Latin American cinema, but also crossing over to the Anglo Saxon community and Latin American community in the United States

    Angel Manuel Soto

    It’s a great approach to not only keep the family dynamic authentic but also to highlight the characters’ roots. Comic Book films have been becoming the center of more representation in cinema, and it’s great to see the talent reflect that. Bruna Marquezine and Harvey Guillén, who recently also joined another DC series, Harley Quinn, as Nightwing, also round out the cast.

    Source: The Wrap

  • REVIEW: ‘Young Souls’ Breathes Life To The Beat ‘Em Up Genre

    REVIEW: ‘Young Souls’ Breathes Life To The Beat ‘Em Up Genre

    The world of video gaming is more expansive than ever. Where players were once limited to what was accessible at an arcade, they are now able to experience a vast array of styles and mechanics. However, an unfortunate side effect of this gaming revolution has been a loss of exposure for the genres that started it all. While they may not be as graphically impressive as AAA studio projects or as multiplayer-friendly as the ever-popular online battle royale, side-scrolling brawlers still just as fun as they were decades ago. Attempting to prove this is The Arcade Crew’s Young Souls, a 2D beat ’em up that exemplifies how entertaining the basics can still be.

    Of course, Young Souls isn’t just a brawler. It’s also a surprisingly immersive, story-rich RPG, that’s sure to pull its audience in quickly. The beauty of the game lies in the way it mixes the two concepts, resulting in a relatively simplistic combat system that feels complex. Most of the action, which sees two adventurous teenagers doing sword-and-sorcery battles against hordes of goblins and darkly magical creatures, is fairly standard. Players can perform regular sword attacks, heavy sword attacks, and block with their shields. This feels a bit repetitive at first, and knowledge gained from the initial tutorial will only get a player so far before bigger baddies and more powerful adversaries start to test their patience. Luckily, progressing through the story unlocks new abilities and purchasable upgrades that slowly begin to diversify gameplay. Eventually, useful tips and tricks like parrying and a well-placed rolling dodge will allow the player to do more and get further in accomplishing their tasks. They’ll just have to do a better job than myself at remembering which buttons do what.

    Including RPG elements in the progression system is a really charming way of keeping the player invested and varying the game’s overall experience. Between dungeon raids and evil library romps, the two protagonists can make their way towards town via countryside cruises on their moped. Once there, they have the ability to enter several buildings and locations, most of which serve a purpose in developing the characters and their stat lines. For example, among the many institutions is a shoe store at which co-lead Tristan likes to shop. Disguised in-story as a means for the lad to up his style, selecting a new pair of kicks to buy is actually important for getting past some of the game’s harder spots. Each shoe comes with a different ability perk, giving gamers a chance to both show out and show up when things get heated. Most of the establishments in the titular character’s hometown serve a similar purpose, such as the pawnshop where you can trade items you’ve collected for cash to continue upgrading as you please.

    Another great aspect of gameplay comes from having two playable characters, each with their own set of health, strengths, and weaknesses. Both Tristan and Jenn start the game with the same base information but can be modified and enhanced by the player separately at various stages of the game. Notably, the gym in town can be used to touch up different stats, like strength or stamina, by way of a button-mashing mini-game. It’s possible to make one character offensively heavy, increasing their strength, and the other defensively heavy, increasing durability, and alternate between the two in battle as necessary. This adds a certain amount of strategic, RPG-based play that helps to further transform Young Souls from a basic side-scroller to an encompassing gaming experience.

    Gameplay aside, Young Souls features an original story that is unexpectedly captivating. Pitched against a backdrop of strikingly bubblegum animation, it tells the tale of the two aforementioned leads as they set out to quell the conflict between a hidden fantasy world and their own. Along the way, they must also save their eccentric adoptive father and aid innocents, both human and non-human, who also find themselves caught between universes. The dialogue is quick-witted and often humorous, with a cast of characters who are relatively down-to-earth, whether Earth is the location of their origin or not. Conversations can be interactive, as well, with prompts occasionally appearing for the player to select responses and stay engaged. Though enjoyable in its own right, the sometimes cynical comedy fodder is also brilliantly juxtaposed by a truly heartfelt story. It almost feels like a 1980s Jim Henson movie brought to life on a PC instead of a movie screen. It’s probably not worth spoiling anything here, but Young Souls is worth playing for the story alone. It’s one of those rare finds that’s just as fun to watch play out as it is to actually play.

  • REVIEW: ‘Windfall’ Is Neo-Noir Prestige

    REVIEW: ‘Windfall’ Is Neo-Noir Prestige

    Set in a quaint vacation home where an embittered man robs the home of a mogul, Windfall proudly touts itself as a Hitchcockian thriller and does its damnedest to feel like one. The opening credits alone, where cinematographer Isiah Donte Lee’s motionless image of a lavish patio conspires with the thumping Bernard Hermann-inspired score and vintage typography fading on-screen, paints an eerie picture of the suspense creeping up in this vacation home. As the camera dollies closer to Jason Segel‘s character named Nobody enjoying the panoramic view of a lush orchard, Danny Bensi and Saunder Jurriaans‘ score fades out, tethering dread and silence together. And when the owners discover the Nobody robbing their home and are held hostage, director Charlie McDowell begins to slowly appoint the audience as voyeurs in this uncanny unraveling of marriage, wealth, and power.

    Contrary to McDowell’s Hitchcockian virtues is Andrew Kevin Walker‘s screenplay co-written with Justin Lader, which is low on plot but heavy on themes. Walker’s celebrated screenplay for Se7en pings back-and-forth from scene to scene, building a mystery that asks audiences to connect the dots alongside its characters. Windfall, on the other hand, simmers mostly in thought, leaving wide-open spaces in the storytelling that feels too loose. The mystique the screenplay tries to construct by having all three leads unnamed and their backstories obscured mostly fails to materialize in any meaningful way. Walker’s script reckons heavily with populist views of excess and capitalism and uses it to subtly define the characters. The character referred to as the CEO, played by Jesse Plemons, rambles about hustle and opportunity while the disenfranchised Nobody preaches equality. These traits wouldn’t be so bad if the characters weren’t just those identifiers; Plemons and Segel end up caricatures rather than autonomous, with nothing else to say beyond class arguments progressives and conservatives argue about daily on Twitter.

    The Nobody may be a tiresome character but Segel’s performance is not. Segel does decent work as he aptly embodies a man clinging to what dignity he has left. Segel’s pathetic bumbling may seem like a fumble on the actor’s part but in the little we learn from his disputes with the CEO, it’s evident that the pathos comes from conviction. Plemons, on the other hand, borders on generic as an unapologetically rude man of wealth. There’s fun to be had in seeing Plemons chew up the scenery with jackassery but the performance feels uninterested in leveling itself with the taciturn of the film.

    Ironically, the character we end up learning about the most ends up the most engaging. As the Wife, Lily Collins gets to define her character in a way that isn’t encumbered by Walker’s social commentary. Little is explicitly said about the Wife but Collins fills in the gaps with hefty anecdotes that hint at a backstory that is pained and at odds with her current disposition. While the Nobody rants about the vague and cruel ramifications of the CEO’s technology, the Wife is unconcerned with neither and is musing about her own past and future. When her marriage with the CEO is put into question along with her autonomy as their cozy hostage situation draws on, Collins embraces the noirish ambiguity of it all and displays a subdued darkness. Collins’ performance is emblematic of the potential of a script concerned with character more than proving a point.

    Windfall ultimately works thanks to Collins’ enigmatic presence, McDowell’s precise understanding of Hitchcock’s work and his deftness in distilling that influence into a rambling script. With a meticulously constructed atmosphere and a haunting conclusion, Windfall is a thriller rife with noir prestige.

  • Samuel L. Jackson Says Nick Fury Will Return for ‘Ant-Man and The Wasp: Quantumania’

    Samuel L. Jackson Says Nick Fury Will Return for ‘Ant-Man and The Wasp: Quantumania’

    With so many Marvel projects in the works, it is easy to lose track of where some characters are in the universe and when we might see them reappear in the future. Case in point, all eyes have been on Samuel L. Jackson reprising his role as Nick Fury in the upcoming Disney+ series Secret Invasion. Given his conenction to Captain Marvel, it is no surprise that we are expecting to see Fury return in The Marvels as well.

    In a recent appearance on the Happy Sad Confused project, Jackson mentioned his role in both Secret Invasion and The Marvels, but he also appeared to confirm that Nick Fury will return yet again in Ant-Man and the Wasp: Quantumania:

    It used to take a while to make a movie. It still kind of does, but people make about two or three of them at the same time. In the Marvel universe, it’s crazy. When I was in London just now, there was Ant-Man and Captain Marvel 2 was happening and we were getting ready to do Secret Invasion. So it was like three Marvel movies on one lot. So I was kinda running around from place to place.

    Samuel L. Jackson

    Fury has been a staple of the MCU since its very first post-credits scene in Iron Man, so it is encouraging to see him as a mainstay in 2023, which will feature both The Marvels and Quantumania, and likely Secret Invasion as well.

    Not much is officially known about Quantumania yet, though recent set photos have shown a bit of Paul Rudd’s Scott Lang. With Jonathan Majors’ Kang the Conquerer as the Villain and the Quantum Realm a major focus, the third Ant-Man film will likely get pretty wild. That makes Fury’s inclusion in the film so much more interesting considering he is generally a very grounded character. How his Skrull connections and Secret Wars arc will play into the greater MCU is an even larger question now than it was before. Ant-Man and the Wasp: Quantumania is expected to hit theaters on July 28, 2023.

    Source: Happy Sad Confused via ComingSoon

  • Harvey Guillén Joins ‘Harley Quinn’ as Nightwing

    Harvey Guillén Joins ‘Harley Quinn’ as Nightwing

    Harvey Guillén is on a hot streak, as he’s been cast in quite a few projects over the course of the last few weeks. Not only is he taking on a big role in Puss In Boots: the Last Wish, but now it seems he’s also got his hands on a big animated project. Deadline has just revealed that the actor has joined Harley Quinn in the role of Nightwing. He’ll make his debut in the upcoming third season, which will be when it first gets released on HBO Max.

    There currently is no release date, and it’s unclear what direction he is taking with this version of the character. Still, it’s exciting to see the actor’s hot streak after his success working on the FX series What We Do In The Shadows. He’s also finished his work on the series I’m Totally Fine and will also be seen in the upcoming live-action adaptation of the popular DC character Blue Beetle.

    We’ve already seen previous members of the Bat-family in the first two seasons. We did meet a version of Robin, who was Damian Wayne. Batman, of course, also had quite the role throughout the series’ run. It’ll be interesting to see if we’ll also meet others from the Bat-family and get to explore their dynamic more in the R-rated series. Plus, a potty mouth version of Nightwing is probably going to be quite hilarious.

    Source: Deadline