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  • ‘HAWKEYE’ Production Heads to Canada for Additional Photography

    ‘HAWKEYE’ Production Heads to Canada for Additional Photography

    With just about 2 months to go until its debut on Disney Plus, the Marvel Studios streaming series Hawkeye continues production. Some cast and crew recently completed additional photography for the series in Atlanta and now, according to a report from Hollywood North Buzz, crew members are headed to Toronto for another round of additional photography.

    Series co-star Jeremy Renner is currently working in Toronto on the Paramount + series Mayor of Kingstown, so this seems to be a case of the studios accommodating his schedule in order to get the additional shots. HNB reports that the shoot will be brief, with work being done on September 7th and 8th.

    6 episodes of Hawkeye are set to stream on Disney Plus beginning November 24th. The anticipated series will see Hailee Steinfeld join the MCU as Kate Bishop, introduce Alqua Cox as Maya Lopez/Echo ahead of her own spinoff series and is strongly rumored to feature the return of Vincent D’Onofrio as Wilson Fisk/Kingpin.

    Source: Hollywood North Buzz

  • ‘INJUSTICE’ Animated Movie Sets Release Date

    ‘INJUSTICE’ Animated Movie Sets Release Date

    All the way back in 2013 NetherRealm Studios and Tom Taylor brought the DC Universe into its ultimate clash, the Injustice storyline. The game was released alongside a comic, written by Taylor. With over 150 issues it was a mega-hit, bringing Batman and Superman head to head and splitting the DC Universe down the middle. The franchise would go onto score a second game as well as yet another comic that would run for another over 70 issues continuing the story from the first game.

    A while ago it was announced that an Injustice animated adaption would be coming from WB Animation, DC, and WB Home Entertainment. The film would bring to life the best-selling first installment in the franchise, showing us the murder of Lois Lane and the fall from grace for Superman, as the Regime and Insurgency form. The animated feature has set a release date of October 19th, 2021, launching on digital platforms and Blu-Ray on the same day.

    Matt Peters directed the project with Rick Morales producing alongside Jim Krieg. The film was written by Ernie Altbacker who previously wrote Batman: Hush. Justin Hartley is set to voice Superman, Anson Mount as Batman, Gillian Jacobs as Harley Quinn, Janet Varney as Wonder Woman, Derek Phillips as Aquaman and Nightwing, Brandon Michael Hall as Cyborg, Reid Scott as Green Arrow, and Victor Zsasz, Anika Noni Rose as Catwoman, Kevin Pollak as Joker and Jonathan Kent, Zach Callison as Damian Wayne and Jimmy Olsen, with Yuri Lowenthal as Flash, Shazam, and Mirror Master.

    SOURCE: IGN

  • ‘SHAZAM: FURY OF THE GODS’ Has Wrapped Filming

    ‘SHAZAM: FURY OF THE GODS’ Has Wrapped Filming

    The Shazamily is returning with both the cast and director picking up their respective roles for another electrifying ride through the DCEU. It was announced last year at DC Fandome that the next film in the franchise would be titled Shazam: Fury of The Gods, leading many to wonder just what gods they’d be facing since they’d all been killed by Ares centuries ago.

    While the second Shazam film isn’t set to release until 2023, director David Sandberg announced yesterday that filming has wrapped. This has left quite a large gap of time in between the end of production and release allowing for some speculation to begin.

    https://twitter.com/ponysmasher/status/1432850458566176773?s=20

    With filming having already concluded and release so far out, what could occupy all that time aside from post-production? Possibly pre-production on a third film. One of the biggest issues the films face is with its actors. The cast is mostly made up of child actors who’ve all began to sprout up quite fast in the past years. The issue they need to avoid here is most likely the child actors outgrowing the actors who play their powered-up counterparts. With all this time in between, With how much time they have in between releases, they could easily get cameras rolling sometime in 2022 following post-production on Fury of the Gods.

    Shazam: Fury of the Gods is currently set to release on June 2nd, 2023 with Zachary Levi set to return as Captain Marvel. The film will see the family up against the daughters of Atlas with Helen Mirren and Lucy Liu set to play two of the older sisters, Hespera and Kalypso.

    SOURCE: Twitter

  • What If… It All Leads To Secret Wars?

    What If… It All Leads To Secret Wars?

    With four episodes behind us, Marvel Studios’ What If…? is slowly but surely becoming a staple of Phase 4’s approach to the Multiverse. What, for some, was initially seen as a minor entry in the MCU, is not only allowing for the exploration of alternate realities in a way only animation allows to but also building some of the foundations of future live-action events. As the Marvel Cinematic Universe turned into the Marvel Cinematic Multiverse, branching out its storylines deviating from the Sacred Timeline, the path ahead of us could be one similar to our own Universe’s.

    Following The Big Bang, one of the theories regarding the ultimate fate of the universe is The Big Crunch, where the average density of the universe will be enough to stop its expansion and the universe will begin contracting. The storylines could then eventually begin to merge, bringing together characters that weren’t ever supposed to exist in the same timeline. But such an event, that could very well be an adaptation of Jonathan Hickman‘s Secret Wars (2015) comic book storyline that deals with a similar premise, in order to connect with audiences the way it should, people need to care about the characters, both new and old ones. The gimmick of introducing Captain America or Spider-Man variants could be a fun one to experience, but it’s only by devoting time to each of those characters beforehand that their appearance might mean something more.

    So being, the timelines explored so far in What If…? have eventually left us with a focus on a central character, that while maintaining a few of the traits already seen in the movies have gone through very distinct experiences that ultimately left them in a different place in their life. When and if they do manage to show up down the line on a live-action project, their motivations and impulses will have been properly explored allowing for more dynamic interactions and for the movie itself to hit the ground running as only minimal exposition will be required. 

    A project of this size and scope could still be years away, but with What If…? planned as an annual release on Disney+, it seems the waiting time will be well spent, with more characters added to the MCM roster every year, as we all await a possible Russo Brothers return for what might be the mother of all crossover events. A Marvel Studios led Secret Wars.

  • EXCLUSIVE: ‘POWER PACK’ No Longer In Active Development

    EXCLUSIVE: ‘POWER PACK’ No Longer In Active Development

    Once upon a time, Marvel Studios was looking at several obscure comic properties to bring to the big screen, in an attempt to kickstart some financial backing for the newly-founded studio. One of those properties was Shang-Chi, which comes out later this week in theaters, and Power Pack.

    We spoke with Shang-Chi and the Legend of the Ten Rings producer Jonathan Schwartz about Power Pack, a project he was coincidentally attached to produce at some point in the past decade, and its current status.

    It’s one of those things we look at and talk about every once in a while. We’ll probably get there eventually but it’s not something super active at the moment.

    For the uninitiated, Power Pack is a superhero team made up of pre-teen siblings with powerful cosmic abilities who’d go on crazy cosmic adventures together. The property has been in and out of development throughout the years, with the most recent iteration being the one Schwartz was attached to.

    With so many unique things in development, it is pretty surprising to know that Power Pack is currently not in Marvel Studios’ sights at the moment. Power Pack feels like a property that would be served really well in animation, similar to What If…?. Let’s cross our fingers they finally do something with it because that is a bankable property.

  • ‘SHANG-CHI’ Eyeing $50M Domestic, $90M Global Opening

    ‘SHANG-CHI’ Eyeing $50M Domestic, $90M Global Opening

    As fans continue to waver on how comfortable they feel heading to theaters, Marvel Studios newest origin story, Shang-Chi and The Legend of the Ten Rings, looks to be on track to set a Labor Day weekend box office record with a projected $45-50 million dollar U.S. opening weekend. The film received rave reviews from critics (you can read our review RIGHT HERE) and is on track to add another $40-45 million globally. A $45M domestic box office would top the recently released and well-loved The Suicide Squad.

    Box office projections are not an exact science and are even cloudier now as the Delta variant continues to surge; however, it seems that Disney is going to strike it rich over the usually dead Labor Day weekend. While Shang-Chi won’t be putting up pre-pandemic numbers or even Black Widow numbers (which also premiered day-and-date on Disney Plus via Premier Acess), it seems sure to surpass the current Labor Day weekend record of $37M, held by the 2007 Halloween reboot. It also seems like the film is set to kick off a strong run atop the box office, as competition for the top spot will remain relatively weak over the next 3 weeks. Projections used advance ticket sales as part of their calculations and while those are nowhere near as strong as they were for Black Widow, it’s possible that word of mouth and walk-ins over the long weekend could push the film closer to a $100M global launch.

    Source: Deadline

  • REVIEW: ‘What If… Doctor Strange Lost His Heart Instead of His Hands? -Episode 4

    REVIEW: ‘What If… Doctor Strange Lost His Heart Instead of His Hands? -Episode 4

    What If… Doctor Strange Lost His Heart Instead of His Hands? is easily the best episode yet of the series. If you are looking for your standard happy ending, look away. What If…? truly and boldly takes full advantage of its own premise to explore a story of absolute darkness and destruction instead of a standard plot with an upbeat ending. It’s also the first episode that clearly ties into others that we’ve seen, which is particularly interesting given its potential to resurge down the line in other properties or stories.

    Episode 4 is defined by gut-wrenching heartbreak and grief. Like the title suggests, in this timeline, Doctor Strange finds his path to Sorcerer Supreme through his search for answers and meaning after the death of the love of his life, Dr. Christine Palmer. Using Christine as the anchor actually places Strange in a lighter place at the beginning of the episode than that of Strange in the MCU’s main timeline. He’s kinder, he’s gentler, and though still incredibly arrogant, he actually seems like a nice guy. So, the countless repeats and variations of Christine’s death are absolutely brutal. The episode doesn’t particularly tone down the ruthless ways in which she is killed—the result is a very dark, aggressive, and hopeless backdrop for the rest of the episode. It also proves that the series can pull off a range of narrative styles and themes. While the previous episode had the “dark” premise of Avengers being assassinated, it never captured the level of tragedy and despair that this episode accomplishes. It’s phenomenal.

    The episode is also the first to meaningfully explore the alternate timeline story after the events of the original timeline take place. We learn fairly early on that Strange takes essentially the same journey as he did in Doctor Strange, including the Ancient One’s death and the defeat of Dormammu. In other episodes, this would have been the section of the story that variates from the one we already know. Here, the bulk of the episode explores Strange’s voyage after everything we think we know of his story instead. 

    Strange’s arrogant nature is still a major player in this story. Whereas the loss of his hands in the sacred timeline led him simply down a path of desperation and later redemption, his all-consuming grief from Christine’s death leads him down a path of desperation with only a fleeting moment of redemption before desperation once again takes over. It’s another side of Strange that is just similar enough to what we’ve already experienced with him to be extremely captivating. Instead of moving on from his superhero origin story, he reverts into the past and his arrogance takes over.

    Even with the Eye of Agamotto, all timelines in his universe result in Christine dying. He learns from the Ancient One that her death is an absolute point in time. If it doesn’t happen, Strange would not become a sorcerer and his reality would unravel and cease to exist. Not satisfied that he cannot overcome this, he studies for centuries how to absorb power from interdimensional mystic beings in order to gain enough power to break the absolute point. We see the same tentacle creature that Captain Carter fought in Episode 1, marking the first overlap in the series other than the Watcher. In the process, he becomes a literal monster. 

    Ironically, he doesn’t quite become a figurative monster until his path of darkness leads him to encounter an alternate version of himself—one that chose to move on—that exists in the same universe due to the Ancient One splitting the two in order to try and stop Dark Strange. Light Strange confronts Dark Strange in a worthy magical fight. It is so easy to assume that Light Strange will prevail that Dark Strange’s ultimate victory is even more poignant. Strange truly chose the path of darkness—one without redemption or light at the end of the tunnel. 

    Using the power he gained from the mystical beings and his other half, Strange goes about breaking the absolute point in time that is Christine’s death. When she is revived, she is horrified at the monstrous creature that Strange appears as. As the very fabric of the universe’s reality starts disintegrating around him, Strange realizes he very much botched…everything. He cries out in desperation to the Watcher, who he can sense. The Watcher declines to intervene despite clearly having the means to save this universe, but this episode makes it clear that Uatu is paying more attention than we might think. Strange’s absolute breakdown as his universe is destroyed is brutal and cruel and incredibly well-portrayed. The episode ends with the annihilation of this entire universe, save for a tiny pocket dimension that Strange remains in—a tiny dot in a vast sea of black nothingness. 

    What If…?’s venture into pure tragedy, darkness, and defeat is honestly beautiful. It stands in stark contrast to the generally lighter tones of previous episodes, even where previous episodes based their premises on darker themes. This episode left no room for interpretation of its essence. Benedict Cumberbatch absolutely shines with his work here and even manages to make you forget at times that this wasn’t live action. The episode’s exploration of the story past the general plot from the original film is remarkable both because it provides something new to the series and it showcases the infinite potential of what other universes can provide to the MCU. Going further than retelling Doctor Strange’s story, it imagines a greater universe of mysticism that sets the standard for multiversal creativity, weirdness, and possibilities until future episodes or films raise the bar. 

  • ‘HAWKEYE’ May Reboot a ‘DAREDEVIL’ Season 1 Premise

    ‘HAWKEYE’ May Reboot a ‘DAREDEVIL’ Season 1 Premise

    One big question fans have as they anticipate the return of familiar Marvel TV characters like Daredevil and Kingpin is: “Will they be soft rebooted for the proper MCU?” Both characters have an elaborate backstory inclusive and exclusive of each other in the three seasons of Daredevil we got and a good amount of fans want those stories intact when we see them butt heads with movie characters.

    While we won’t get a clear answer until we see these stories onscreen, Avengers producer Trinh Tran had some very interesting things to say about Hawkeye’s premise. In an excerpt from TV Guide, her quote reads:

    The six episodes take place after the events of 2019’s Avengers: Endgame, when the five-year disappearance of half the population – including Clint’s wife and kids – was reversed. “The city has, in many ways, recuperated and continued thriving. But the same can’t be said for all its citizens.

    Let’s put things into perspective. That premise sounds uncannily the same as the first season of Daredevil, where the destruction from the first Avengers film left New York and Hell’s Kitchen in an unfortunate spot. All that damage to the economy and infrastructure essentially allowed people like Fisk to take over people’s lives.

    Now, this isn’t a novel idea. Most transitional stories about a status quo change deal with some sort of fallout from that said change. Hawkeye dealing with the economic effects of the snap on a micro-level makes a ton of sense. But what makes this premise really fascinating is the reported involvement of Kingpin in the show. Vincent D’Onofrio is said to make his proper MCU debut at some point in the first season, presumably the big bad pulling the strings. With that and Tran‘s premise in mind, it seems like Marvel Studios is doing a full retread of what the first season of Daredevil did, with the OG villain behind the scheme.

    This feels like an indication of a soft reboot in some way in that it’s Marvel Studios cherry-picking the good ideas from the Netflix shows and spinning them in a new way that involves the larger universe. We know that Echo is going to be in Hawkeye and given her ties to Kingpin, the rumors regarding D’Onofrio’s inclusion in her upcoming Disney+ show make sense. It’s also sound to think that Daredevil may appear in that show as well, in addition to his rumored stint in She-Hulk. Looking at the big picture, there’s a through-line that links all these street-level stories that a soft reboot would serve perfectly.

    “Kingpin’s gonna kingpin,” you might say. Just because Marvel Studios is redoing the Daredevil Season 1 premise doesn’t mean it’s a reboot. For all we know, Kingpin could just be redoing what he did all those years ago after the Battle of New York. While that’s certainly a possibility, the premise of him getting out of jail after his definite imprisonment in Season 3 and reattempting the thing that jailed him in Season 1 in a show where there are Avengers around to stop him sounds too reckless for a twice-convicted felon.

    But who knows?

  • ‘THE CROODS: FAMILY TREE’ Series Heading to Hulu and Peacock

    ‘THE CROODS: FAMILY TREE’ Series Heading to Hulu and Peacock

    DreamWorks isn’t done with the Croods family quite yet, as they just announced a brand new animated series based on the popular film franchise titled The Croods: Family Tree. It’s heading to Hulu and peacock and will start streaming as of September 23rd. Mark Banker and Todd Grimes are serving as executive producers on the series. We also got a brand new poster for the new series:

    The story will continue where A New Age left off, as the Croods and the Bettermans learn to live together in an ideal prehistoric farm. You can expect a lot of misadventures as the two families try to overcome their differences as they adjust to living together in a tree house. Kelly Marie Tran once again voices Dawn with Amy Landecker joining as Ugga.

    The franchise started back in 2013 which explored the prehistoric family. Initially, the cast consisted of Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Cloris Leachman, and Clark Duke. They returned for the sequel film but will be voiced by other actors in the series. The film was one of the few that managed to release during last year’s pandemic and tested the waters on how the Box Office may perform. You can check out the first trailer here:

  • HBO’s ‘THE LAST OF US’ Pilot Wraps Production With First Look at New Logo

    HBO’s ‘THE LAST OF US’ Pilot Wraps Production With First Look at New Logo

    HBO has been hard at work preparing their upcoming adaptation of Naughty Dog’s popular The Last of Us. We got our first look at the series entering production back in July, which featured Pedro Pascal as Joel and Pedro Gabriel Luna‘s Tommy. It teased a very familiar scene from the original game’s intro. Russian director Kantemir Balagov was hired to direct the pilot for the series and he just took to his Instagram to share that he has wrapped work on the episode’s pilot. In the image, he also shares a look at the production logo for the series.

    https://www.instagram.com/p/CTOazs-LKHG/

    It’s sad that the director was only attached for the pilot, but hopefully he may return for a future season. The adapation will bring the story of Joel and Ellie to life, as they travel through the United States on the search for the Fireflies. It’s their only hope to utilize Ellie’s immunity to save humanity. We still don’t know if the series might take a unique route, especially as they added a few new names to the cast, such as the original voice of Tommy, Jeffrey Pierce, playing a new character.

    While Balagov took over directing duties for the pilot, other episodes will be taken over by Jasmila Žbanić and Ali Abbasi. The series focus on introducing some internationaly acclaimed directors is a great move, as it offers quite a bit of diversity to make the series stand out from the original game franchise.

    Source: Instagram