Tag: Amazon Prime

  • ‘The Boys’ Season 3 Brazilian Teaser Reveals a June Release Date

    ‘The Boys’ Season 3 Brazilian Teaser Reveals a June Release Date

    We’ve been anxiously awaiting when the next season of The Boys would finally release. It’s been a long wait, but the next season will build upon where the last one left us off with, as Homelander is forced to work alongside people he hates. His anger is slowly boiling over and promises an explosive next season.

    We got a few teases with the arrival of Soldier Boy as a new threat for our ragtag team to face and it seems the wait isn’t that much longer. A teaser may have leaked early, as it was shared by @Voughthq that ends on the note that the series will release on June 3rd, 2022.

    https://twitter.com/VoughtHq/status/1479453717225259008
    []

    It’ll be interesting to see if the official release on other media platforms will follow, as the official account doesn’t include it just yet. Still, a June release date seems quite realistic and with the simplicity of this teaser, they might still be working on some of the effects for the next season. As such, we might not get a full trailer until around March as they build up to the release, but we’ll have to wait to see if this release date was meant to release.

    Source: Twitter

  • REVIEW: Wheel of Time 1×8, “The Eye of the World”

    REVIEW: Wheel of Time 1×8, “The Eye of the World”

    Over the course of its first season, Amazon’s Wheel of Time adaptation opted to turn the Dragon Reborn into a mystery to be solved. For six episodes, viewers were left to ponder who would be the Dragon Reborn: Rand, Mat, Perrin, Egwene or Nynaeve. Book readers, of course, knew it would be none other than Rand. However, the series looked to be going in a potentially different direction – until episode seven confirmed Rand to be the Dragon Reborn. “The Eye of the World” sees him come to terms with who he is, all while he recalls a prior life he’s lived. In the end, it makes for a quiet finale, to an otherwise fantastic first season.

    The episode picks back up with Moiraine and Rand making their way through the blight in search of the Dark One (Ishamael). As they fight their way through the blight, the others remain back in the city of Fal Dara, trying to figure out a way to help. Their initial reaction is to run after Moiraine and Rand, however, they know that should they step foot into the blight, it would more than likely result in death. Still, Lan is willing to chance it in order to find Moiraine. So, he uses tracking skills taught to him by Nynaeve to find her, while she aides the others in finding another way to help. The storyline essentially stretches over the show’s nearly one-hour timeframe, and yet, despite so much happening, the story ultimately feels stalled.

    As the episode cuts between the two locations, we see Rand make his way to the Eye of the World with Moiraine following close behind him. Flashes begin to appear as Rand recalls a prior life in which he’s already been to the Eye of the World and faced the Dark One. Their last meeting ended with the Dark One winning. This time, though, Moiraine is willing to do what is needed to ensure Rand does not stray from the light – even if it means killing him. As Rand enters another realm with the Dark One, one where he’s presented with a future with Egwene in which they have a child. It’s a future he wants, and one Rand nearly gives everything up for. Thankfully, however, he soon realizes that the future he’s being presented with is nothing more than a fantasy. Even if he can make it a reality, it isn’t a future Egwene has a say in and therefore isn’t one he can accept. It’s this moment in which Rand successfully overcomes the Dark in order to defeat the Dark One – at least temporarily.

    Unfortunately, though, by this point, an army of Trollocs have already made their way to Fal Dara along with Fades. While the city itself does not fall, those that stayed behind to fight soon find themselves facing certain death. While Egwene and Nynaeve help by accessing the One Power and helping Lady Amalisa (Sandra Yi Sencindiver) channel enough power to try and take down the armies before they make their way to the city. The scene is a stunning one as the lighting stands in stark contrast against the gloomy background. It’s made all the more powerful as the women collapse under the weight of the One Power, with Egwene seemingly the only survivor, until she heals Nynaeve.

    When Rand “defeats” the Dark One, he makes Moiraine promise to tell the others he has died to ensure he can head out on his own. It’s a strong ending to an otherwise uneven episode, however, it’s the closing scene viewers will most likely be talking about going into Season 2. As the episode ends, we see a young girl on a beach. Out of nowhere, a horde of ships come into focus in the ocean, catching her eye. It’s the Seanchan, and they’ve seemingly created a tsunami upon their arrival.

    I’ve thoroughly enjoyed the first season of Wheel of Time because it has successfully managed to combine excellent character work with a love of the source material. It never tried to go full action series as the show respects its source material, which is something most adaptations fail to do these days. Unfortunately, though, because of how eager the show is to stay true to the source, it sometimes feels unsure of how to adapt Robert Jordan‘s work. While there are some fine character moments in “The Eye of the World,” the episode only barley moves the storyline forward.

    Yes, there are some big moments, such as Moiraine losing access to the One power and Rand making the decision to leave the others are quite memorable. However, the bits in between are slow-going. It’s a shame, honestly, because the first season was a great success overall. “The Eye of the World” seems to feel like an afterthought. It’s slow, the few action bits are stellar, but the CGI work is wonky, and the Dark One could have been handled so much better.

  • Amazon Studios Adapting Olivie Blake’s ‘The Atlas Six’

    Amazon Studios Adapting Olivie Blake’s ‘The Atlas Six’

    It looks like TikTok has become quite the jumping-off point for some new talent, as there were quite a few bidders for the rights to adapt TikTok sensation The Atlas Six. The book by author Alexene Farol Follmuth, also known as Olivie Blake, alongside the production company that brought The Crown to life, Brightstar. Amazon won the bidding war for the rights and will release it on its streaming platform as a series.

    It’ll adapt the story of six young magicians who are selected to become part of The Alexandrian Society, a secret society of the world. Each decade, only six are chosen to join as trust and eventual betrayal develops between the participants to join the elusive ranks. It was self-published through Kindle Digital Publishing but became viral on the social media platform, which led to a publishing bidding war. Tor is currently working on a revised and edited version to release in March 2022.

    Follmuth will act as an executive producer alongside Brightstar founders Tanya Seghatchian and John Woodward. It’s quite interesting to see how Amazon Studios is trying to create a niche with fantasy productions to combat the likes of Netflix’s The Witcher adaptation. They just recently released The Wheel of Time to critical acclaim and are in no way slowing down.

    Source: Deadline

  • Neil Gaiman’s ‘Anansi Boys’ Adds Amarah-Jae St. Aubyin and Grace Saif

    Neil Gaiman’s ‘Anansi Boys’ Adds Amarah-Jae St. Aubyin and Grace Saif

    It looks like the upcoming adaptation of Anansi Boys is picking up the pace, as the six-part series has found its female leads. Amarah-Jae St. Aubyin, who some might know from Steve McQueen‘s Lovers Rock, and the Small Axe anthology will play the role of Rosie Noah. She’ll be joined by 13 Reasons Why‘s Grace Saif, who’ll play the character of Detective Constable Daisy Day. Neil Gaiman, the author of the original novels and producer of the series, shared his thoughts on the casting in The Hollywood Reporter piece on their casting:

    When you are casting something on the scale of Anansi Boys you need female leads who are as accomplished, charming, and brilliant as, well, Malachi Kirby in both his incarnations. Amarah-Jae St. Aubyn and Grace Saif are those women. [They’re] both funny, honest, brilliant actresses, and you will fall in love with both of them.

    Neil Gaiman

    The series is currently filming in Scotland, it’ll follow Malachi Kirby‘s Nancy, who discovers that his father was the trickster god of stories, the titular Anansi. He also uncovers that he has a brother named Spider (also played by Kirby), who is going to make his life quite a bit more troubling. Endor Productions and RED Production Company are involved in the project with Gaiman and Sir Lenny Henry co-writing the series. Douglas Mackinnon is acting as showrunner alongside the original author.

    Source: The Hollywood Reporter

  • Amazon Prime’s ‘The Wheel of Time’ Finds Its Season 2 Cast

    Amazon Prime’s ‘The Wheel of Time’ Finds Its Season 2 Cast

    The Wheel of Time‘s first season has been welcomed with much praise as the book adaptation finally found its way on Amazon Prime. Even before it made its premiere, the series already was preparing for its second season and now it looks like they’ve finalized their cast. Deadline reports that Guy Roberts, Arnas Fedaravicius, and Gregg Chillingirian have joined the series in recurring roles.

    Roberts will take on the role of the one-eyed soldier Uno Nomeshta, while Fedaravicius will play Mesema, who is a quiet and intense warrior of Lord Agelmar. Last, but not least, Chilingirian will be Ingtar Sinowa, who is a lord and soldier from a country that was ravaged by war. Marco Polo‘s Thomas Chaanhing will also guest star as Nomeshta’s Lord Agelmar. Sandra Yi Sencindiver will take on the role of Lady Amalisa in the upcoming season.

    The series is an adaptation of Robert E. Jordan‘s books that explore a magical world where only one woman, Rosamund Pike‘s Moiraine, can make use of it. Sony Picture Television has been co-producing the series alongside Amazon Studios. Agents of SHIELD and Chuck writer Rafe Judkins is acting as showrunner and executive producer on the series.

    Source: Deadline

  • ‘The Boys’ Animated Anthology Series, ‘Diabolical’, Coming in 2022

    ‘The Boys’ Animated Anthology Series, ‘Diabolical’, Coming in 2022

    The Boys was an absolute mega-hit for Amazon Prime, adapting and reimagining Garth Ennis’s popular comics. The series now has two seasons on Prime with a third one on the way, alongside a spinoff in development that focuses on the next generation of supes However, it seems that this isn’t the only other project in the works in the wonderfully vulgar and gory world of The Boys.

    Amazon Prime and Karl Urban have announced that an eight-episode animated anthology series, Diabolical, set within the world of The Boys is coming in 2022. All eight episodes of the series are already near complete, but no specific release date has been given. Each episode in the series will feature a new writer, with some big names attached to the project. Awkwafina, Garth Ennis, Eliot Glazer and Ilana Glazer, Evan Goldberg and Seth Racioppa, Justin Roiland and Ben Bayouth, Andy Samberg, and Aisha Tyler were among the writers announced today.

    The Boys head writer Eric Kripke had this to say on the reveal of Diabolical:

    “We’re almost finished with eight episodes of our animated series, Diabolical. We gathered together some incredible creators and we gave them one rule…just kidding, there’s no rules. They blew the doors off it,” 

    No voice cast has been announced for the series just yet. Diabolical is set to be xecutively produced by Eric Kripke, Seth Rogen, James Weaver, Evan Goldberg, Simon Racioppa, Garth Ennis, Pavun Shetty, Neal H. Moritz, Ori Marmur, Ken F. Levin, Jason Netter, Darick Robertson, Michaela Starr. Amazon Studios, Sony Pictures Television Studios, and Kripke Enterprises will produce the series.

  • ‘Hanna’ Season 3 Doesn’t Know What To Do With Hanna

    ‘Hanna’ Season 3 Doesn’t Know What To Do With Hanna

    There are spoilers of the final season of Hanna in this feature. Only continue at your own risk if you haven’t yet seen it.

    Hanna explores a world where the government is training young girls into becoming deadly weapons. That was until Joel Kinnaman‘s Erik Heller broke into a facility to save a young baby from that fate. He raised her hidden in the forest into a strong warrior that could take on anything in case the organization he stole her from found them. After she is set out into the world, we learn that the facility, UTRAX, was still active in the world and a new generation of girls was being trained to do the government’s bidding. Everything culminated in the second season about finally ending its existence. Yet, the third season seems oddly disconnected as a “final season.”

    Motion-thriller Hanna Season 3 Sequence Finale Premiers Novemb

    As fast as Hanna infiltrates the group of girls, the series sends them all out into the world to take on various goals. We spent the last season building up to the moment that Hanna is forced to join them and questioning her place in it. There was a great emotional growth throughout that season, as most of the series so far was about Hanna finding a “home.” Most of the first season explored that with the question surrounding Heller’s parentage. His death capped off her question of finding an identity, especially after being rejected by most girls who were part of the program when she tried to save them. Clara, the only one to join her, was a showcase of her goal

    In the third season, we had a clear goal: take down UTRAX and everything involved with it. The big mystery remained around who exactly was running the facility. Marissa Wiegler, who had a somewhat motherly obsession with Hanna, is the catalyst for that development. So, the show titled Hanna isn’t about Hanna but rather Marissa’s ties to the organization. Outside of her father, our actual protagonist lost her role in the story the moment all the girls got sent out into the world to take down their targets, which happens early in the season. For a final season, it’s an incredibly dangerous undertaking to disconnect plot elements and scatter them across the world.

    Hanna Season 3 Trailer: Hanna's Life As An Assassin Comes To An End

    Yet, that is handled quite well even if they conveniently find their way to the same location in the final view episodes. The issue lies in the fact that Hanna is “given” a reason to be involved in this story through a new love interest. He’s her first target and she starts developing feelings for him. It’s not a terrible idea, as it adds a personal level to the actions she takes, even making some harsh errors throughout. What makes it stand out negatively is that his existence takes her agency. She serves to protect this character rather than to follow through with the initial plan. There’s no direct conflict between these worlds, as most of her actions are mainly to serve other characters.

    It’s quite the departure from her rebellious actions in the first season kicking off the events that would unravel everything. Yes, she still has moments where she takes action but it feels like she became a side character in Marissa’s story. The “end goal” is even simplified to offer a clean cut for the series to end on instead of weaving more of this world’s darkest corners. Hanna was a point of hope, as she believed in the good of people. Helping Clara finds her mother was a clear indication of that. Yet, once she leaves the Meadows, it seemed that goal was completely forgotten.

    Amazon releases season 3 trailer for Hanna

    The character of Sandy is never truly given a chance of redemption after she takes quite a lot of screentime throughout the second season. Jules’ turn isn’t even true given time to develop but rather is a sudden twist in the story that Hanna has no direct influence over. That’s kind of the issue at the end of the day, she’s not an active participant in the story outside of the new romantic subplot introduced early in the season. While I adore that it doesn’t end on the note that you’d expect, it doesn’t make up for an entire season moving further away from what the series was about. The series didn’t end on a strong note but doesn’t undermine what came before either. It just felt like Hanna was noticeably absent within this story and it’s a shame given Esme Creed-Miles continued strong performance in the series.

  • Amazon Prime Nearing Deal to Adapt ‘Mass Effect’ as a Series

    Amazon Prime Nearing Deal to Adapt ‘Mass Effect’ as a Series

    Mass Effect was released to critical acclaim in 2007. The 3rd-person shooter developed by Bioware initially followed the story of an almost fully-customizable character named Commander Shepherd. Their mission was simple: hunt down a rogue Spectre named Saren across the galaxy. Its success led to a sequel that has become heralded as one of the greatest games of all time. Now, the franchise is finally heading into live-action, as Amazon Studios is nearing a deal to develop a series based on the gaming franchise.

    Jennifer Saalke, the head of Amazon Studios, said that we will see the studio “continuing to invest in fantasy genre of all kinds. We have a genre-focused team on the ground in Studios who work tirelessly with our creative partners on those slates, and you can look forward to more.” Mass Effect was highlighted in the article by Deadline about the studio’s upcoming projects to do exactly that.

    The franchise saw a resurgence with the release of the Legendary Edition, which includes the first three entries of the game. While the Andromeda game was controversial during its release, there’s a lot of hope for the recently announced Mass Effect 4. It’ll be interesting to see if the series adapts Commander Shepherd’s story or takes a unique approach within this universe. There are many corners that could get explored in a series with some familiar faces popping up here and there. Sadly, we won’t get to choose our protagonists’ dialogues this time around.

    Source: Deadline

  • ‘Wheel of Time’ is Amazon Prime’s Most-Watched Premiere of 2021

    ‘Wheel of Time’ is Amazon Prime’s Most-Watched Premiere of 2021

    It looks like Amazon Prime’s latest new series, Wheel of Time, is off to a strong start as Deadline is reporting that the fantasy novel adaptation has become the most-watched series of 2021 for Prime Video. Not only that, Amazon Studios head Jennifer Salke has highlighted that it’s in the top 4 of the streaming services launches. So, it looks like they are quite satisfied with its performance and the new series might have a bright future ahead.

    She also added that the series had some of the highest completion rates they’ve seen for a series with third parties pointing it to being the most talked-about release for Amazon so far. The Rosamund Pike-led project was even outpacing Netflix’s popular fantasy adaptation, The Witcher. Early predictions have come true, as it was poised to be their biggest opening since the second season of The Boys.

    Amazon has also highlighted that they are aiming to offer more transparency for the future, which seems to be a reactionary move due to Netflix also offering insight into their top ten streaming performances on a weekly basis. It’ll be interesting to see if we get insight into how exactly these series perform across the board, especially with the ever-growing competition.

    Source: Deadline

  • REVIEW: ‘Hanna’s Final Season Ends on an Aimless Spark

    REVIEW: ‘Hanna’s Final Season Ends on an Aimless Spark

    The most important thing that Amazon Prime’s Hanna gets across in its third and final season is the reality that our titular protagonist needs to face. It’s perfectly summed up when Hanna points out that “even if you gave me the life I wanted, I wouldn’t know what to do with it. I only know how to fight.” Esme Creed-Miles’ performance continues to carry most of the show, as she gives us a character that is world-weary and on her way to completing her mission once again. Yet, it seems the story has forgotten that along the way.

    Hanna' Renewed For Season 3 At Amazon – Deadline

    The show’s first two season’s explored the dark tale of human trafficking and how the government corrupts young women by turning them into soldiers. They are trained to carry out deadly missions while integrating into society seamlessly. Up until now, the bureaucrats behind these missions were faceless but with a clear objective: eliminate perceived threats at all cost may they be for political or tactical reasons. In this six-episode final season, the modus operandi still applies yet now we have a face behind the bureaucrats.

    Hanna is once again fighting for something bigger than herself. Yet, she’s pushed by something she hasn’t been in the past, love. That very thing will have her acting irrational and sloppy in ways we haven’t seen to this point, which is a jarring change in comparison to the last few seasons. It’s quite the departure from a character who’s had a very clear-cut goal in mind only to fall back on something only recently introduced. Hanna’s romance at times brings the show to a halt. The character was already strong on its own merits and it feels like the entire plot point was unnecessary. It’s a narrative that you’d wish wasn’t there at all times. 

    Hanna Season 3: Release Date, Cast, Plot, Trailer, And Everything That You  want To Know! - Best Toppers

    The final season surprisingly cut its episode length down to six rather than the usual eight. Until now, the main issue was it didn’t feel like there was enough story to carry viewers throughout its run. You could make a comparison to many Netflix shows including unnecessary filler episodes. Yet, this season is the opposite, as you’ll end up wishing for more time to spend with Hanna and her relationship with Marissa (brought to life once again through a strong performance by Mireille Enos). Of course, there’s time spent between them but it should’ve been given more focus. It is the show’s core built throughout the last few seasons that seemed sidelined as a result.

    Hanna and Marissa face a very capable foe this time around in Ray Liotta’s Gordon Evans. His intimidation of Marissa drudges up some memories from her past that offer a look into her childhood and how long they’ve stuck with her. It offers some insight into her main motivation throughout the series and why she is so attached to Hanna. Plus, Liotta brings it aggressively here and proves to be dangerous in a way neither of our protagonistsTactically he’s one step ahead and personally, he’s in one of their heads. He’s a welcome addition to the cast as an uncompromising adversary.

    Hanna Season 3 Release Date Announced, First Trailer Revealed

    As the season progresses it becomes more apparent that there could’ve been more time spent with some of the supporting cast, especially Sandy (Aine Rose Daly) and Jules (Gianna Kiehl). They’re victims of UTRAX just like Hanna. So, while they play into the conclusion, it feels like they were undercut. The ongoing rivalry between Sandy and Hanna at least gets a conclusion, there could’ve been more time devoted to it. We never spend enough time on why Sandy despises her and continue to build on their relationship, especially with how this season manages its international espionage. In the case of Jules, it feels like she’s shoehorned her into the closing conflict. These are two supporting characters that have seen a lot of development so far yet ended up as afterthoughts.

    Still, the action in this show remains sublime and very enjoyable. The abbreviated season gives actions more weight and allows it to explore an overall darker theme. It also continues to build on its greatest strengths, such as the international locations offering a wonderful viewing experience. If you’re a fan of Hanna, this is a conclusion that fits the bill of who the character is. It’s not without its faults, especially in how some elements felt underutilized, but still offers a fitting end. Much like the show itself, you can’t have everything you want but you enjoy the time you have.