Of all the obscure comic book characters introduced over the 9-episode run of She-Hulk:Attorney At Law, it was an original character developed for the show that captured the hearts of fans. Patty Guggenheim’s Madisynn was undoubtedly the surprise star of her time on the show. Her “bestie” relationship with Earth’s Sorcerer Supreme, Wong, played by MCU vet Benedict Wong, played out wonderfully throughout Episode 4, “Is This Not Real Magic”, and continued on into a hilarious post-credit scene. As it turns out, while She-Hulk featured several scripted post-credit scenes, Madisynn’s “Wongers” scene wasn’t one of them.
According to director Kat Coiro, the idea for the scene developed as the crew delighted in the on-set chemistry between Wong and Guggenheim.
You know, when Wong and Madisynn have their little moment, that was not scripted but they had such incredible comedic chemistry that, at the end of the day, I had them sit on the couch, and threw a couple cameras on them and said, ‘Go. Go forth and make comedy.’ And they sure did. So, part of what was amazing about this process was the collaboration and really leaning into the strengths of our actors. And part of the secret of comedy is letting people get loose, and have fun, and play around. And so, whenever we had the opportunity to do that we would.
Kat Coiro
It’s great to see that the creative team of She-Hulk was able to recognize the comedic gold they had on their hands in Madisynn. Noboy’s asking for a Mr. Immortal spinoff, but MCU fans are definitely wondering when they might see Madisynn again!
Disney’s live-action Goosebumps series has added Rachael Harris to its cast. The news comes courtesy of Variety, with the outlet stating she’ll play a character named Nora. The character is described as “Jeff’s (Will Price) mother and an unassuming waitress at a local café that dabbles in sorcery.”
The live-action series is said to follow a group of five high schoolers who accidentally unleash supernatural forces upon their town. In order to save the town, they’ll all need to work together, learning much about their own parents’ teenage secrets in the process. This will mark the second time the Goosebumps books have been adapted for television, as there was a series that aired 74 episodes between 1996 and 1998. Unlike that series, which took an anthology approach, though, the Disney+ series will focus on five of the most popular Goosebumps books.
Harris is perhaps best known for her stints on shows such as Lucifer, Friends, Frasier, and Curb Your Enthusiasm. She has also appeared in New Girl, Modern Family, and The Office. On the film side, she’s starred in films such as Diary of a Wimpy Kid and The Hangover.
Harris joins Price, as well as the previously announced Ana Yi Puig as the smart and shy Isabella, Miles McKenna as the class clown James, Justin Long as teacher Nathan Bratt, Zack Morris as football player Isaiah and Isa Briones as the bookworm Jane. Nick Stoller and Rob Letterman will act as the executive producers and are the co-creators of the Disney+ series adaptation. Neal H. Moritz, who was a producer on the 2015 and 2018 films, is also attached as an executive producer.
When the news of the cancellation of Daredevil reached fans in November of 2018, a group of fans took it upon themselves to start an online campaign to get Cox back in the role. Over the years, the Save Daredevil campaign grew into a massive, highly organized undertaking who were able to celebrate their success when news broke that Cox was returning to the role in Spider-Man: No Way Home. According to Cox, he has them to thank for his return to the role…and the future of the character.
Charlie Cox at a rooftop party with the Save Daredevil crew in NYC Photo credit: Save Daredevi
There’s so much I want to say. Whatever happens to my career going forward from this point on, I owe most of it to the “Save Daredevil” campaign. That even when I had lost hope years ago, they did not, and they continued to campaign and support. And over the years, I’ve met many of them, and they’re such an enthusiastic, passionate crowd.
Charlie Cox
While Marvel Studios worked hard to keep Cox’s return a secret in the past, the future is a wide-open book. Following his work on She-Hulk: Attorney at Law, he’s expected to appear in Echo, though he’s played coy about that appearance so far, and then star in Marvel Studios most ambitious Disney Plus streaming series yet: Daredevil: Born Again. Demonstrating his trademark passion for the character, Cox explained that he can’t wait to get started on the new series, which he’s called “a whole new deal” for the character.
I’m so excited about the future. I can’t wait to get on the set from the first day of the new show. I’m already starting to train. As you know, I’m already starting to make plans in terms of living and training and having conversations with the writers and all of those things. So it’s starting to feel very real.
Charlie Cox
Principal photography on Daredevil: Born Again is expected to begin sometime early in 2023 with some work set to be done in New York City. The actor had indicated that production is expected to both physically and mentally challenging, given the ambitiousness of the project, but the payoff should be great. With an 18-episode run, fans can expect to see a lot of Cox on Disney Plus throughout 2024.
After being one of the biggest surprises in upcoming shows announced by Marvel Studios, Agatha: Coven of Chaos has been subject to numerous questions as to what the show may pertain to. Though with a recent update, it may not be too long until there will be some idea of what to expect from the WandaVision spin-off. While at the Chicago Film Festival, Kathryn Hahn (who is set to star in the titular role) spoke about her excitement about what this opportunity has provided. As well, Hahn provided a somewhat surprising update on the speed at which the show is moving along.
It’s nothing I could have ever dreamed of, was to be asked to play a centuries-old witch that no one had ever heard of. And then all of a sudden, cut to a spin-off show, which is just like, ‘What?’ So, it’s very, very exciting. We’re in the middle of getting the Coven ready, and it’s going to be very delicious. I’m very excited for people to see that. We start shooting in about a month.
Kathryn Hahn
Production starting next month is certainly an exciting development for Marvel Studios as it begins producing the next swath of shows that will make up Phase Five. Some rumors, though, have already begun to surface for major players in the series. Firstly, a casting grid has been discovered that seems to potentially involve the inclusion of both Wiccan and Hulkling in Agatha: Coven of Chaos. And then comes the currently developing rumors that Sacha Baron Cohen will be playing the infamous Mephisto in the Marvel Cinematic Universe. While his debut would seemingly be in Ironheart, rumors suggest he will play a larger role in Marvel Studios’ future in projects such as the Agatha series. Either way, the concept of magic in the Marvel Universe is certainly set to be further explored for Agatha: Coven of Chaos.
The series is currently set to be released on Disney+ in the winter of 2023 and/or 2024.
After Moon Knight proved to be a critical and commercial success for Disney+ and Marvel Studios, star actor Oscar Isaac has confirmed that he is actively discussing a follow-up to Moon Knight with Marvel Studios executives. Though the major point of note comes in the uncertainty of whether this would come in the form of a second season or in a film. While talking with Comicbook.com, this is what the actor had to say about his future with Moon Knight.
There have been some specific conversations. They were pleasant. The spilling of the details is that there’s no details. We don’t know [if there will be a second season], but we’re talking about it.
Oscar Isaac
It should definitely come as a point of excitement that Isaac remains interested in continuing the story of the multi-personalities of Moon Knight. While further elaborating on the topic, Isaac talked about his openness to whatever type of story best keeps him passionate for the character (whether that be a second season, transferring him to a film franchise, or placing him as part of a team).
Truthfully, it’s about the story. Is there a story worth telling? Is it interesting? Will I feel embarrassed about it when it comes out? So it’s just about, is there something worth pouring everything you have into. And with Moon Knight, that was very much about that. It’s creating a structure so that every morning when the alarm went off, I couldn’t wait to get to the set because I wanted to try something different. Whether that’s in a group thing or maybe a great idea comes around for a season two or if it’s a standalone film or whatever it could be. I think it’s just approaching it in that kind of way. It’s the story first.
Oscar Isaac
Ultimately, it will be quite interesting to see what direction Marvel Studios will take with the character in the current landscape of the Multiverse Saga. The end of the first season of Moon Knight certainly left the door open for a solo follow-up focusing on the Jake Lockley persona and openly facing his Marc Spector and Steven Grant identities. Whether that will be in the form of a narratively extended second season or a more streamlined feature film or a special presentation remains to be seen at this point.
As well, Isaac‘s suggestion of a team-up is interesting with the current line-up of heroes in the Marvel Cinematic Universe. While the Avengers franchise is gearing up for its next two outings in the coming years, one of the more appealing teams for Moon Knight would potentially be the Midnight Sons (or whatever they’d be referred to as by Marvel Studios). With Werewolf by Night releasing this month and Blade (finally) arriving in the future, Moon Knight could have ample amounts of compelling stories in the supernatural side of the universe.
The entirety of the first season of Moon Knight is available to watch on Disney+
The season finale was all about fourth wall breaking by doubling down on the few times Jen did just that in the previous episodes. She now literally breaks the fourth wall by breaking out of Disney+, going into the real Marvel Studios HQ all while demanding script changes from K.E.V.I.N., an in-joke for the Marvel Studios head Kevin Feige.
Marvel Studios’ She-Hulk: Attorney at Law Episode 9
Marvel Studios’ She-Hulk: Attorney at Law Episode 9
This, the breaking out not just to connect with the viewer/reader but going a step beyond and conversing with the creator itself, questioning his decisions and proposing something more to her liking, is fairly similar to what happened in the John Byrne’sThe Sensational She-Hulk #37. Here, Jen, after getting into a dispute with the Living Eraser, mishandles his Dimensionizers and erases herself blaming Byrne for such a poor decision.
The Sensational She-Hulk #37 (1992)
This serves as a prime example of the kind of impact that Byrne had on the character since, at the time Stan Lee wrote her first issue, 1980’s The Savage She-Hulk #1, her ability to step out of the comics wasn’t yet a thing. It wasn’t until Byrne’s iconic 1989 run that she truly became one of the most distinct Marvel characters by gaining such power. But instead of just breaking the fourth wall, Byrne’s She-Hulk made use of it. She tore pages apart so she could skip ahead to the villain more quickly and when things weren’t going her way she would request to basically skip over a fight she knew she would lose. She would even try to convince Byrne and the Marvel editors to change her looks whenever she felt her hair looked bad. The Sensational She-Hulk really made a tremendous contribution to both establishing a comic paradigm shift and dismantling comic book physics.
And the same can be said regarding the Marvel Cinematic Universe. Even if K.E.V.I.N. identified the programming error that allowed Jan to step out of the show into the real world, making sure to say to her that this was the last time she would be able to do that, there is no denying that the level of self-awareness the character may yet instill into the MCU is substantial. That is, if the other characters actually believe her on that, something that both She-Hulk: Attorney at Law and the comics hint at, as these panels from The Incredible Hulk #412 can attest to.
The Incredible Hulk #412 (1993)
If Marvel Studios ever decides to introduce a character that is also in on the gag, much as Marvel Comics did with her boyfriend Wyatt Wingfoot and the Blonde Phantom that decided to make a comeback as a She-Hulk sidekick while breaking the fourth wall herself, in The Sensational She-Hulk #4, there are surely a number of possible contenders. Even if this may somehow make Jen’s powers feel less unique, in the context of the MCU it is a concept that will surely thrive. With the upcoming Avengers: Secret Wars, why not introduce the idea of a universe where every single Marvel character grew bitter and disgruntled by knowing their free will, their freedom to do otherwise, and the power of self-determination was in the hands of a random writers’ room on Marvel Studios HQ?
The Sensational She-Hulk #4 (1989)
She-Hulk: Attorney at Law is now streaming, in its entirety, only on Disney+.
“Wouldn’t you rather give it all at once to something real?”
At the time they were spoken to Cassian Andor by Luthen Rael, those words seemed to be a foreshadowing of the known end of Andor’s story: his death on Scarif in service of the Rebellion as seen in Rogue One. In a story like Andor where the ultimate fate of the main character is a known quantity, an easy argument can be made that there are no stakes for that character and that everything that happens to them is irrelevant. Episode 7 of Andor goes a long way in disproving this argument as it strips Cassian of everything the series has made important to him so far, providing stakes that are a payoff of the emotional investment made through the first six episodes.
Predictably, the heist on Aldhani has caught the attention of the Empire and their response, detailed by Colonel Wullf Yularen in a brilliant cameo, is crushing and ultimately speaks to the ruthlessness of the Empire. As terrifying as the Empire’s response sounds for the rest of the galaxy, Cassian believes himself to be relatively safe from them. However, over the course of the episode, Cassian is faced with the consequences of his choices. Returning home to Ferrix, Cassian is sequentially dismissed by Bix and Maarva while the audience learns that Luthen Rael intends to tie up the loose end Cassian created when he killed one of his crew and bailed. Now on his own, Cassian ends up on the resort planet of Niamos where he ultimately finds himself detained by an Imperial Security Droid and given a six-year prison sentence. Choices have consequences and Cassian experienced them all in rapid succession. By the end of the episode, it would appear he has given it all even though we know there’s more in store for the character.
The strength of this episode, then, isn’t in the cliffhanger ending of Cassian’s sentence. True tension is absent given the known outcome of the character. Rather the strength lies in Diego Luna’s performance as Cassian struggles to accept that he’s created his own hell. Even in the episode’s closing moments, Cassian can’t help but try to dig himself out of a hole when it’s clear he’s only making it deeper. Luna’s performance has been strong across the board, but his understanding and care for the character are on full display in this episode.
The episode also continues to provide a fascinating look inside the burgeoning Rebellion by focusing on the stark contrast between two of its key figures. As Mon Mothma makes a surprise appearance at Luthen Rael’s storefront, a scene plays out where Rael’s ruthlessness is shown to equal that of the Empire. Rael’s blunt words to Mothma, spoken while he displays the blunt-force Utapauan monk cudgel, serve to symbolize that there’s dirty work to do for the fledgling Rebellion, no matter the cost to those who may not even be aware it’s happening. There’s work to be done and Rael will see it through, no matter the consequences, including ordering the death of Cassian, who he seemed to hold value in so recently. Despite her horror at what Rael’s plan has wrought, Mothma continues to do her part in finding a way to financially back the Rebellion. Genevieve O’Reilly shines during Mothma’s dinner party where she demonstrates how invisible her character is to those in power by setting up plans to fund the Rebellion at her own dinner party. Seen as an “annoyance” to those in power, Mothma continues to keep up appearances (“Smile.” “Smile.”) while putting herself in a position similar to Cassian’s where she may well lose everything.
Fascinatingly enough, even as Mothma advances her plan, Andor finds a way to make us root for the character that might ultimately prove her greatest foe: Deedra Meero. Slighted so far at every turn, Meero cleverly takes advantage of the Empire’s response to find the information she’s needed to help prove her theory of a connected Rebellion forming. Challenged at an ISB meeting, Meero boldly makes her claim about the Rebels, finally catching the attention of Major Partagaz in a positive way. Like Mothma, Meero has been seen as an “annoyance” until now. It appears Meero will become a major player in Andor’s game, and one whose investigative brilliance may find her on the opposite side of the board from Mothma.
Though it takes its foot off the gas pedal again, Episode 7 provides a much-needed reset following the last 3 episode arc that culminated in the Aldhani heist. Perhaps in hindsight, the Aldhani heist will almost certainly prove to be a pivotal moment in the history of the Rebellion. They’ve announced their presence to the Empire and the Empire’s response, as Yularen says is to determine how tightly they will close their fist in response. Those words are almost certainly meant to cause fans to remember Princess Leia’s warning to Governor Tarkin in A New Hope: “the more you tighten your grip, Tarkin, the more star systems will slip through your fingers.” So perhaps, in hindsight, the Empire’s response to the Aldhani heist, as seemingly predicted by Rael, will also prove to be a pivotal moment in the history of the Rebellion. Episode 7 allows for think time about the repercussions of the choices made in the first six episodes, both on an individual and galactic scale. The Empire has announced its response. How will the galaxy respond in kind?
The big fourth wall break in the middle of the She-Hulk: Attorney at Law finale may be the most memorable part of the episode, but the very beginning was also iconic. The opening was a stellar homage to the opening credits of The Incredible Hulk television series starring Bill Bixby and Lou Ferrigno that aired on network television in the late 1970s and early 1980s. It was not too off-the-wall that the self-aware show would reference the classic Marvel show, but head writer Jessica Gao recently opened up about the somewhat surprising way it came about. Speaking to Comicbook.com, Gao said:
One day, out of the clear blue — this was post-lockdown, so everyone’s just working from home — my fiance, Truck Torrence, just walks into the room that I’m in working. And just announces, ‘I think you should do an opening that’s like an homage to the 1970s Incredible Hulk. That is all.’ And then he just walked out of the room. And I thought, ‘That’s a great idea,’ and then it just snowballed from there.
Jessica Gao
The idea luckily worked in practice at the end of the day. Even if some younger viewers did not immediately make the connection, most did and the aesthetic was absolutely on point. Gao continued:
And I am so tickled that we actually got to do it…[i]t looks fantastic. Our second unit director, who is also our stunt coordinator, Monique Ganderton, directed that. And you could tell that Tatiana and Mark had so much fun in those ’70s clothes. In the scripts I wrote ‘Ruffalo is in a Bill Bixby wig.’ But what was great is Mark naturally has this beautiful curly hair, so we didn’t need to put a wig on him. Like his hair naturally could support that wonderful ’70s volume.
Jessica Gao
She-Hulk: Attorney at Law is now streaming on Disney+.
Considering She-Hulk brought back major references to 2008’s maligned and often ignored The Incredible Hulk, many thought that additional characters from that movie might make an appearance. Specifically, some theorized that Tim Blake Nelson’s Samuel Sterns, who was last seen beginning his transformation into the supervillain known as The Leader, would be the overarching or background villain of the series, especially after he was announced to be returning in Captain America: New World Order.
While The Leader was nowhere to be found in She-Hulk, head writer Jessica Gao says he was in her original pitch for the series. Speaking to Comicbook.com, Gao stated:
In my original pitch, I did have The Leader in there. Just as an option, as a suggestion, you know?…[b]ut really, I can’t remember why [it was taken out]. I don’t remember if it was organically taken out, because we just came up with other stuff, or if we were told no. I honestly don’t remember. But there was thought about either bringing him back or doing some version of a new version of Leader, or some relation to him. But, I mean truly, this was three years ago, and the show has evolved so much that I don’t remember what actually happened.
Jessica Gao
Now having seen the full She-Hulk series, The Leader’s absence did not weighing heavily on the character or story. Still, Gao’s comments add fuel to the growing theory flames that Marvel Studios is plotting a grand and expansive Hulk-related plotline in the future.
She-Hulk: Attorney at Law is now streaming on Disney+.
According to a new report, Aquaman and Candyman star Yaha Abdul-Mateen II is in talks to add a third man to his resume: Wonder Man. According to Screen Geeks, the information comes from a casting grid that also indicates the Marvel Studios streaming series is casting from a female lead and a talent manager for Simon Williams, aka Wonder Man.
The report indicates that talks with the star are ongoing, meaning it’s not a sure thing that Abdul-Mateen will ultimately take on the role of the Ionic Avenger. In the comics, Williams was born into a wealthy family as one of the sons of Sanford Williams, a successful weapons manufacturer. When Simon’s brother, Eric, declined to take over the company, Simon did…and shortly ran it into the ground. Eric, who became the villain known as the Grim Reaper, came to his brother’s aid by setting him up with some shady characters. Eventually, Simon found himself in debt to Baron Zemo, who experimented on him turning him into Wonder Man, a being composed of ionic energy. A few wild turns later, Simon was an Avenger who then became a stuntman, taking advantage of his inability to sustain damage.
The MCU series will be produced by Destin Daniel Cretton and is being written by Brooklyn Nine-Nine scribe Andrew Guest. It’s believed that it will be a Hollywood parody and pick up Simon as a failed actor. No timeline has been given for production on the show and Marvel Studios has yet to officially place in among their two upcoming phases, but if casting is underway now, it would be reasonable to assume it might begin filming in the first quarter of 2023.
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