With Werewolf by Night nearing a week from its official release on Disney+, anticipation for Marvel Studios’ first Special Presentation has certainly been on the rise. Ever since the official announcement of the project paired with the first trailer, many fans were pleasantly taken aback by how much this creative team went all in on the 1930s horror genre pastiche.
This was followed by the social media embargo lifting and critics giving overall positive responses to the 50-minute short film for its ability to honor classic filmmaking in the streaming landscape. A large heap of that praise should then land at the feet of director Michael Giacchino for creating this vintage aesthetic.
While sitting down with Collider for an interview, Giacchino discussed how some of these implementations came into place. Namely, the usage of cigarette burn cue marks throughout the special.
As we were editing and stuff, my editor Jeff and I are such nerds for this kind of thing, and we were just like, ‘Oh, we got to put in those things too. We got to put in the reel changes.’ Because we always approached this as something that was being done in the 30s. What would they have done and what would they have had at their disposal? How would they have done it? So, we did as many practical effects as we could.
Michael Giacchino
While being such a distinct element that could very well go unnoticed to most casual viewers, it’s emblematic of Giacchino’s care for matching the form of classic horror movies in the golden age of film. As well, the reliance on practical effects will likely stand out distinctly in relation to the heavy reliance on digital effects in film (especially in the superhero genre). The director went on to elaborate on his desire to have fully built sets for the actors to interact with in Werewolf by Night.
I wanted the actors to feel like they were in a true environment as opposed to having not only the work of creating these characters for us to experience on film, but then they would have to also imagine what was around them.
Michael Giacchino
Ultimately, these types of quotes from Michael Giacchino continue to build high amounts of promise for Marvel Studios’ upcoming project. If nothing else, Werewolf by Night is shaping to be one of the most visually unique projects to release in the Marvel Cinematic Universe.
Werewolf by Night stars Gael Garcia Bernal and Laura Donnelly and is set to release on Friday, October 7 on Disney+.
When we got our first look at Marvel Studios’ Werewolf by Night, you could tell it was going to be something special. Not only did it offer something familiar to classic Hammer and Universal monster movies, under the guise of a “Special Presentation,” but it even teased quite a bit of gory action filtered through a classic black-and-white design.
In an interview with Collider, director and long-time Marvel composer Michael Giacchino got the chance to tease what he’s been working on and the love of a genre that inspired it. That’s not all, as he also got a chance to talk about the way they were able to push the boundaries with its blood and gore, even if he seemingly isn’t that big of a fan of slasher flicks.
I think that helped us. It certainly didn’t hurt us. I think that doing something like this, we were able to push a little further into that direction than we might have if he had done it any other way. I think people will still be surprised when they see it. The people who are just turning it on and seeing, but hey, that’s part of the fun of it. I felt like as long as it didn’t become sadistic … that was our thing. Because I’m very squeamish generally. I don’t like slasher movies for that reason. So, I didn’t want it to ever get into that realm where it’s just indiscriminate killing. Everything needed to have a reason and a why and a how and all of that. So, I do think that being in black and white helped us with a lot of that, keeping it in that realm.
Michael Giacchino
It’s definitely going to be interesting to see just how far they managed to push the project, as we only have a bit longer until it releases on Disney+. Marvel Studios has been all-in with this project showcasing it at Fantastic Fest and even Beyond Fest, highlighting it as their big push for a genre project. We’ll see if Werewolf by Night can really pull it together.
Court is now in session and Jennifer Walters is here to reprsent the defendant in the matter of Superhuman law. She-Hulk: Attorney at Law has finally hit Disney+ as the next installment of the Marvel Cinematic Universe and seems to be one of the studios most unique projects yet. With it comes a whole slew of C-listers and D-Lister heroes and villains that have found themselves in legal trouble.
The Prosecution Calls To The Stand: Man-Bull!
Before he was the monstrosity he is now, William Taurens, also known as Bull Taurus, was a goon that worked for Mr. Kline, an android known as MK-9 sent from the future to stop an impending apocalypse posing as a mob boss. Kline had tasked Taurens and his partner in crime, Itch to kidnap random people off the streets to be used as subjects in his testing trials. William and Itch were stopped by Daredevil, but due to their failure, were subject to MK-9’s test themselves in which William Taurens was transformed into the malignant mammal we know today.
This punishment didn’t stop him, however, as Taurens hit the streets yet again, intent on kidnapping more victims. Of course, Daredevil stopped him once more, and he reverted back to his human form.
When in Man-Bull form, Taurens possesses some pretty basic superhuman abilities such as strength, invulnerability and endurance. When in a state of intense rage his adrenaline pushes him into an unstable mood that actually allows him to control bovines through psionic means.
Mann-Bull made his live-action debut in She-Hulk: Attorney at Law, now streaming on Disney+.
After finishing the seventh episode of She-Hulk: Attorney at Law, it is extremely natural to wonder—what is this show? For a series billed as a legal comedy, there certainly is no particular plethora of legal plotlines. In Episode 7, for example, there are none at all. For a “superhero show”, there can be a stunning lack of superheroics. So what is She-Hulk? That may not be an easy question to answer, but the series has a personality that connects everything at its core; that is not a given for most series. In any event, it is genuinely hard to care about picking apart every ounce of She-Hulk when Episode 7 was everything a reasonable person could want.
Some of the biggest, deepest laughs of She-Hulk come from this episode without a doubt. The level of comedy the series attained in some of its earlier, more legal-heavy episodes returns in a very different form. In a universe and franchise so focused on action, adventure, and high-concept stories, any person that has the capacity to feel joy can appreciate some D-list supervillains in group therapy helping out the protagonist get over a guy who did not text her back. That premise is absurd, and it can only work in a very specific context. Luckily, She-Hulk provides that context.
Nothing could be said about Episode 7 without emphasizing how amazing the supporting cast of characters is. Obviously, Tim Roth’s Emil Blonsky makes a welcome return after his last appearance in Episode 3 to continue the “Abomaste” gag. And while various legal cases brought out some interesting figures in the past, such as Donny Blaze, Mr. Immortal, or the shape-shifting light elf, Episode 7 absolutely knocks it out of the park. Man-Bull, El Águila, Porcupine, Saracen, Wrecker, and Blonksky all come through as colorful characters. The fact that such a group got to spend most of its time together and interacting with one another is simply a unique experience in the Marvel universe, which allows She-Hulk to bring out the inherent humor of corny comic book characters in a safe space both literally and figuratively.
A major theme running through She-Hulk is that Jen is constantly losing. Sure, she is a functional Hulk and landed a snazzy job, but episode after episode has emphasized that Jen the human is not enough. Her dating life is perhaps the prime example of that, and the episode’s focus on Josh building her up and then letting her down just hammered that theme more. The “twist” that Josh is actually a villain was perhaps one of the most obvious reveals, so it was smart that her emotions stemming from the rejection were in the spotlight while the dramatic reveal was only given a few seconds in the end. It was refreshing to see Jen get a personal “win” this episode when she has her emotional breakthrough at the Blonksy retreat with the friendly help of some memorable characters with their own identity struggles. In fact, self-identity seemed to be the core issue tying all of those people together in one way or another.
Since Jen now knows, apparently, that “Jen is great” alongside She-Hulk, perhaps that is the audience’s cue to prepare for less self-growth and more plot resolution going forward. Granted, there are only two episodes left in the season, so that may not be hard to guess. But it does potentially give away what kind of place Jen will be mentally when she has to eventually deal with the invisible HulkKing villain (to the extent She-Hulk itself will actually deal with a potential explosion of Hulks in the MCU), as well as when she inevitably comes across Charlie Cox’s Daredevil. Doubtless, many have suffered in agony for seven weeks with no Daredevil, but at least they can be grateful the show may combine them when Jen/She-Hulk is at her best.
1993’s Hocus Pocus is a film that has unquestionably grown on people in the 29 years since its debut. Not well-received by critics at the time, audiences have come to embrace the film as an annual Halloween movie must-see. Whether its the over-the-top nature of Bette Midler’s performance, the quotability of it (“I smell children!), or simply the 90’s nostalgia dripping from the film, Millenials love it and have been pining for a sequel for the better part of three decades.
And after several starts and stops and rumors and failed attempts, Disney found the right time and the right place to unleash the Sanderson sisters once again in Hocus Pocus 2, a sequel that’s not only worth the wait but also a stronger film than the original. Directed by Anne Fletcher (27 Dresses, The Proposal) Hocus Pocus 2 smartly retains the loveable pieces of the first film’s DNA and upgrades it by telling a more coherent story that serves as both the heart of this film and retroactively makes the plot of Hocus Pocus a little more digestible.
Following in the footsteps of Hocus Pocus, the sequel opens in 17th-century Salem; however, in what turns out to be maybe the most important choice the creatives behind it made, the audience is introduced to Winifred, Sarah, and Mary as children, with Winifred acting as the guardian of her two sisters. And while the younger versions of the Sanderson sisters are already displaying their trademark traits, they’re not yet the monstrous, child-eating coven of witches they’ll turn out to be. Rather they are a group of young girls without parents who the town has grown to disapprove of, especially Winifred, whose family unit is threatened to be torn apart by the Reverend Traske. A distraction allows the young Sandersons to escape and leads them to the Forbidden Woods where they meet the Mother Witch who introduces them to Book and sets them on the path to becoming the witches hanged in Salem years later.
For all the laughs they gave audiences in the first film, the choice to go deeper into the past of the Sanderson sisters allows the audience to empathize with them, possibly for the first time and serves as an investment into an emotional arc that pays dividends in the film’s third act. The young Sanderson’s trip into the Forbidden Woods forges a bond between them and with the audience and interestingly deepens the mythology of what now looks like it might just be primed for a run as an expanding franchise.
The same Salem woods that serve to tell the true tale of the Sandersons also work as the primary setting of the present-day part of the tale. With the events of 1993 so far in the past, the true nature of them has been forgotten and the Sanderson sisters are looked at as a fun part of the local lore, with a Sanderson cosplay contest part of Salem’s Halloween celebration and a spooky store, run by Sam Richardson’s Gilbert, all coming into play over the course of the plot. Anchoring the events of the present are a trio of friends, Becca (Whitney Peak), Izzy (Belissa Escobedo), and Cassie (Lilia Buckingham) whose transition to high school has put a strain on their status as lifelong besties. Their struggles to stay close come to a head on Becca’s birthday, which happens to fall during a full moon on All Hallow’s Eve. Gilbert’s birthday gift to Becca sets the Sandersons free in Salem where they definitely want to hunt down more virgins and eat more kids, of course. However, the sisters also seek revenge on the Traske family who set them on their path to becoming monsters over 300 years ago.
And so the stage is set for another Halloween adventure, much like the events of the original Hocus Pocus, but whether it’s because it’s shiny and new or because it’s a more well-developed script, Hocus Pocus 2 plays as a much more charming, magical, heartfelt and easier-to-watch film than the original. The best fun, of course, comes from seeing Bette Midler, Sarah Jessica Parker and Kathy Najimy return as the Sanderson sisters, but it doesn’t come across as cheap fun and doesn’t seem to wear off as the film moves on. If fact, an argument can be made that the trio, especially Midler, bring something extra to the trio this time around. Yes, they revisit old jokes (when there aren’t enough brooms to fly, a Swiffer and some Roombas will do) and bust out a couple of musical numbers, but nothing here FEELS old or unearned. They even find enough for Doug Jones to do as Billy Butcherson to make his appearance more than just nostalgia for nostalgia’s sake
And ultimately, “more than just nostalgia for nostalgia’s sake” is probably the best way to describe what’s so wonderful about Hocus Pocus 2. Much like Top Gun: Maverick (settle down, I’m not comparing the quality of the movies here), Hocus Pocus 2 brings back familiar characters to a familiar setting to tell a somewhat familiar story, but also breaks new ground by choosing to spend a little more time developing the characters and drawing out what, in this case, probably should have always been the core of the story of this coven of witches: they are all each of them has. It seems that in taking its sweet time to deliver on the sequel, Disney stumbled into a Goldilocks goldmine in terms of timing: after Top Gun: Maverick and ahead of Avatar: The Way of Water. And while Hocus Pocus 2 won’t have a box office total and won’t be talked about as one of the best films of all time, its rewatchability is going to be pretty high and bring it back into the conversation every Spooky Season, just like its predecessor.
Hocus Pocus 2 will stream on Disney Plus beginning September 30th.
Court is now in session and Jennifer Walters is here to represent the defendant in the matter of Superhuman law. She-Hulk: Attorney at Law has finally hit Disney+ as the next installment of the Marvel Cinematic Universe and seems to be one of the studio’s most unique projects yet. With it comes a whole slew of C-listers and D-Lister heroes and villains that have found themselves in legal trouble.
The Prosecution Calls To The Stand: El Aguila!
First appearing in Power Man and Iron Fist #58, Alejandro Montoya was a mutant born in Spain who kept his abilities a secret until he took up the identity of the vigilante El Aguila. Inspired by his childhood hero, Zorro, Montoya hit the streets of New York as a modern-day swashbuckling Robin Hood, fighting crime and taking down mob bosses to redistribute the money to the poor of the city. These late-night heroics eventually lead Aguila right to the Heroes for Hire, Power Man and Iron Fist. Ultimately, Montoya teamed up with the duo to save Jeryn Hogarth from would-be assassins.
Aguila’s mutant abilities give him the power to generate electrostatic charges and discharge up to 100,000 volts. He harnessed this power through his rapier as the vigilante was a skilled swordsman as well as an acrobat and master of hand-to-hand combat. Currently, the character remains depowered as a direct result of the M-Day event, losing his abilities due to Scarlet Witch’s altering of reality.
El Aguila made his live-action debut in She-Hulk: Attorney at Law, now streaming every Wednesday on Disney+.
Episode 6 presented itself as a tricky one when it came to finding a strong enough connection to She-Hulk comics. Both Mr. Immortal and Intelligencia had a somewhat meaningful presence in it but were already the focus of a couple of features from the past week. It was then time for something different. And much like Jen herself stated, in the starting sequence, that episode 6 was a “self-contained wedding episode”, why not try and make this a self-contained P2S feature? If an engagement featured in a She-Hulk comic can also be referenced, then that’s enough to justify the option. Let’s go with that.
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
In 1989 Marvel published a two-part story entitled She-Hulk: Ceremony, that focused on Jen and Wyatt Wingfoot getting engaged. In the midst of it all both also had to help stop a madman attempting a mystical world conquest. Much as She-Hulk: Attorney at Law tries to focus on the comedic side of the character, this was a story that was initially intended to be a romantic comedy. But what began with the best of intentions turned out to be one of Marvel’s most clumsy attempts at giving feminism a much-needed spotlight.
She-Hulk: Ceremony #2 (1990)
The basic plot goes a little something like this:
While watching a TV soap opera, She-Hulk feels the need to become a mother. She decides to look for something to fill that “void she has discovered in her life” because she “feels empty.” In a baffling decision, she somehow sees her ex-boyfriend Wyatt Wingfoot (who she briefly dated when She-Hulk was a member of the Fantastic Four) as the only one who can help her. Wingfoot, a native American, is just beginning his legal education while still residing in the Baxter Building and is utterly shocked by being approached by Jen and being asked to father her children out of the blue.
By trying to appease the usual rom-com structure and conflicts, the story also ended up following the same clichés the genre usually features. She-Hulk thus ended up being portrayed as extremely bashful and uneasy about sharing her thoughts, very much unlike her usual honest, straightforward, and forthright character when it comes to her emotions. Another characterization that seems incredibly outdated is how the comic shows Jen as being very ambivalent regarding the right to choose to have an abortion or not, something she clearly states following a bomb threat at a local abortion clinic. This sort of tactlessness when it came to her character perhaps only came second to the disrespect towards native American culture with it being depicted in the most stereotypical fashion, filled with mystical nonsense, reducing it to a caricature.
In the end, and after finally defeating the big bad, Carlton Beatrice, Jen and Wyatt realize that they weren’t really in love with each other. They become aware that their engagement was (at least primarily) a result of a mystical basket (the story’s McGuffin) connecting them. They choose to separate with Jen making use of her legal expertise to assist in recovering Wyatt’s Keewazi Reservation which had been affected by the entire ordeal.
What does this have to do with She-Hulk: Attorney at Law? Not much. There’s Jen, there’s She-Hulk, there’s the idea of a wedding, there are fights and lots of nonsense (both the good and the wrong kind). But what ultimately sticks when revisiting such a story is just how much She-Hulk eventually evolved into a proper Marvel feminist icon, and how the Marvel Studios’ show manages to address several of the same issues in a much more respectful and gracious manner. With the show having such a strong sense of self-awareness, explicitly criticizing the misogynistic trends that, particularly on social media, surround female superheroes and female-led initiatives, She-Hulk has indeed come a long way in what it can add, as a character, to not to what comics and TV are concerned, but more importantly to the general discourse.
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
The first six episodes of She-Hulk: Attorney at Law are now streaming on Disney+.
Marvel Studios’ first Special Presentation, Werewolf By Night, has been widely discussed as a love letter to monsters that was inspired and pays homage to the Classic Universal Monster movies of the early 20th Century. Among the first rumors about the project were that star Gael García Bernal’s lycanthrope appearance would be entirely practical in order to cement that “classic” aesthetic. In a recent interview with Phase Zero, director Michael Giacchino confirmed the rumors and detailed the work-intensive process.
The trailer for Werewolf By Night gave fans ample opportunity to check out the look, including a portion of it where Bernal’s Jack Russell changes into the werewolf, a shot that Giacchino said took months to plan and execute.
Now the other thing about that shot is it was all done in-camera. That’s not a visual effect, that shot. That was all done in-camera and that took months to design and figure out how we were going to do it, but Joe Farrell, our visual effects supervisor, was incredible in helping put that together. But that is almost exactly as I storyboarded that moment, exactly that… so wherever we could do practical, in-camera effects, we did it, and I would say there [are] a ton of them in there, you just would never even know.
Michael Giacchino
The use of practical effects absolutely paid off in setting Werewolf By Night apart from other Marvel Studios projects which rely heavily, if not entirely, on VFX. Those effects, in addition to the project being screened in black and white and the campy nature of the writing, have been among aspects of the project listed in what amounts to effusive praise for the project ahead of its October 7th release on Disney Plus. With Giacchino teasing more monsters in the future, perhaps what is old is new again and fans should prepare for a second age of practical effects!
While it’s already been screened by select members of the media, fans around the world are just more than a week away from being able to stream Marvel Studios’ first Halloween Special, Werewolf By Night. Starring Gael García Bernal as lycanthrope Jack Russell and Laura Donnelly as monster hunter Elsa Bloodstone, the nearly hour-long live-action special has been described as a love letter to monsters by director Michael Giacchino. Filmed in black and white and intended as an homage to the Universal monster movies of the 1930s and 40s, Werewolf By Night has been racking up monster reviews from those who have seen it. According to Giacchino, this special is just “peeling back the corner of monsters in the MCU” and fans can expect them to “pop up again.” And though Giacchino stopped short of revealing when and where they might pop up again, there’s one interesting potentiality with connections to several of the project’s characters: The Legion of Monsters.
One of Giacchino’s goals with the project was to establish that “for centuries there have been monsters within the world of the Marvel Cinematic Universe, and they’ve been being tracked or hunted or kept at bay by these hunters.” Those monster hunters, including Bloodstone, are heavily featured in the trailer for the project and, from what can be gleaned from the footage, end up hunting and capturing Russell, who seems to be attempting to hide in plain sight amongst them. Giacchino also noted that there are “different species and types” of monsters, some of whom are also featured in the project either as trophies or in the artwork found on walls within the monster hunter mansion. As pointed out by Maximillian Marvel, one such creature may have made the briefest appearance in the trailer, though the identity of the monster may not be the one many have come to believe.
Seen in the briefest of glimpses, the creature in the screenshot above has yet to be properly identified but a popular theory making its way around is that the unidentified creature is Marvel’s Nosferatu, a powerful and ancient vampire who would potentially link Werewolf ByNight to Blade, Marvel Studios next “monster” project. And while that may indeed by Nosferatu, it’s worth adding another name into the mix of possibilities: Manphibian.
Co-created in 1975 by Marvel horror master Marv Wolfman, X-Men legend Dave Cockrum and Tony Isabella and first introduced in Legion of Monsters #1, Manphibian is essentially Marvel Comics take on the classic Universal monster the Creature from the Black Lagoon. In that sense, Manphibian would make a nice trophy in a tank in a project inspired by Universal Classic Monsters (Creature from the Black Lagoon was produced and released by Universal in 1954), whereas Nosferatu is not associated with Universal. Given it’s just the briefest of glimpses, it’s hard to discern exactly who the character might be, but the creature does seem to have Manphibian’s trademark big, round eyes and a mouthful of teeth other than the two sharp teeth of Nosferatu. This is far less about “who is right and who is wrong”, however, and much more about what is possible.
Interestingly enough, if it is Manphibian rather than Nosferatu, the character would join Werewolf By Night, Elsa Bloodstone and Man-Thing, who is said to play a key role in the project, as members of comic book Legion of Monsters who appear in the project. In a recent interview with One Take News, Giacchino name dropped another member of the team: Frankenstein’s monster. With Giacchino also insisting that Werewolf By Night is just the tip of the iceberg for Marvel monsters joining the MCU, perhaps it’s possible that rather than building up to a Midnight Sons project, as so many assume, Giacchino and Kevin Feige are planting the seed for a Legion of Monsters adaptation.
As is the case with most of Marvel Comics “teams”, the roster of the Legion of Monsters rotated over the years as did their purpose. One potential pathway from the comics to a Legion of Monsters MCU project, however, could be the team’s pact to protect monsters from hunters out to kill them. Obviously this would have direct ties to Werewolf By Night and could even go so far as to explain why Jack Russell is posing as a hunter in the first place. WIld speculation, to be sure, but with Giacchino keen on brining more monsters into the fold and Marvel Studios loving its team ups, this one can’t necessarily be counted out. If, as Giacchino stated, monsters have inhabited the MCU for centuries there’s no reason that other Marvel monsters such as Frankenstein’s monster, N’Kantu the Living Mummy and even Simon Garth/Zombie couldn’t “pop up” and everyone is already expecting Dracula. Let’s just hope it’s not too late for poor Manphibian!
While a lot of eyes are on the upcoming release of Black Panther: Wakanda Forever and the current Disney+ series She-Hulk, Attorney at Law, we also have a Halloween Disney+ special on the horizon. Werewolf by Night will offer something very new, as Marvel Studios ventures out into its new Special Presentation territory and promises a Hammer-inspired black-and-white horror spectacular.
Early reviews have been very positive and that is quite exciting for Michael Giacchino, as this project marks his first true directorial debut. He’s seemingly been quite interested in tackling the character and was even approached by Kevin Feige on if there was a character he’d love to bring to life, which led to him tackling a character he dearly loves. In an interview with Empire, he highlights how he grew up with the character’s comics and teases how the idea evolved to become a “love letter to monsters and the humanity behind them.”
I still have the comics that I bought when I was a kid. Kevin and I kept talking about it, and it’s evolved into this love letter to monsters and the humanity behind them.
Michael Giacchino
He’s also teased that this will be a “fun horror” adaptation of the popular character. He does highlight that this is still a horror story and jokingly reveals that his nephew couldn’t sleep the night he was able to watch it. So, it seems we’ll get that MCU story that can take a bigger bite out of the R-rated territory; something we’ve seen growing ever since Moon Knight offered us a small tease of what they might do.
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