Now that Eternals is out, the big question has arrived: where are these characters and stories heading next? Well, it seems that the film’s writers Kaz and Ryan Firbo are quite excited to spend more time with these characters, as in an interview with The Hollywood Reporter they’ve openly discussed their excitement to explore not only a sequel but also a prequel series on Disney+. They even pitched a few ideas on how they could tackle the series, as we may bridge the gap between their arrival 7,000 years ago up until the modern-day.
We’ve even said jokingly that there should be an Eternals prequel show on Disney+. Go back and do a Kingo episode in 1890s Mumbai where he is juggling his life as a movie star, dealing with Gandhi’s peaceful dissolution of the British empire in India. And there’s an episode with Thena where she’s in Greece. I would love to make that show. There are a lot of opportunities. If the audiences allow us, there’s going to be a story to tell with Dane Whitman. There’s going to be a story to tell in the Cosmos with the Eternals confronting Arishem and all the Celestials who are these incredible metaphors for creation. I think there’s a lot of stories in the Eternals universe.
Kaz Firbo
There’s a lot of potential with the history that is hinted at throughout the film. While we only get to spend time with them in specific eras and hear stories of how they defined Earth’s earliest legends, it would be interesting to see how they coexisted alongside the Asgardians, or if the actual Olympians had some kind of role. Perhaps Thena spent time with a different kind of Zuras, who became famous as Zeus to people before he left the planet again. Here’s hoping they get a chance to explore these different stories across MCU history.
Of all the major names attached to the cast of Marvel’s Eternals, the biggest may be Angelina Jolie. The actress has starred in countless films over multiple decades, headlining a vast portfolio of movies like Tomb Raider and Maleficent. Yet, it looks like she won’t be leading any films for Marvel anytime soon. In a recent interview with Brazilian outlet CinePop, the Tourist star clarified that she has no intentions of working with the company on a solo Thena project, although she is very open to returning to the role in another supporting capacity.
I loved being part of the family, so I have no desire to separate from the family. But I would be happy to play her again and explore even more deeply the struggles that she has. I think it’s fun thinking of where they’ve been over the years. We’ve got thousands of years worth of material. We can take her anywhere. I think that’s fun and I like the idea that we can pop up somewhere, maybe in other Marvel movies.
Angelina Jolie
It was a surprise to almost everyone when Jolie signed on to Chloe Zhao‘s superhero epic in 2019. Aside from an adaptation of Mark Millar’s Wanted, the actress stayed away from the comic book films during the peak of their popularity. In the same interview with CinePop, the actress revealed that the only reason she boarded Eternals was that it centered around the idea of family. So, it would make sense that she doesn’t want the spotlight all to herself. Here’s hoping Kevin Feige and company find a way to include her elsewhere sooner rather than later.
Eternals has finally dropped and offered a new perspective on what mysteries lie within the cosmos of the Marvel Cinematic Universe. Its ending left us with more questions than answers, as multiple new storylines could pave the way to change the franchise as we know it. Chloé Zhao has recently teased that she has mapped out quite a bit with this film, and in an interview with ScreenRant, she continues to play coy on whatever effect and long-lasting changes we can expect from this film.
Huge, huge. I can’t say anything! I can’t say anything, but one thing I can say is that we knew going in that the origin of the MCU will be defined to a certain extent in this film by exploring the mythology of the Celestials, and we know this is going to have repercussions for the future.
Chloé Zhao
Those that have seen the film might remember that there are some noticeable changes to the world and some obscure hints on where certain characters’ fate lies. Yet, we still haven’t gotten a sequel announcement or even a confirmation where we’ll see them next. The film does end with the tease they will make a return, but it’s quite uncertain moving forward. Yet, the way she is actively hiding it might hint at her having a hand in shaping the MCU’s future.
Sometimes things happen for a reason. There are castings that are hard to imagine being played by someone else, but others were you imagine what could’ve been. It seems that Kumail Nanjiani had quite a curious history in joining the Marvel Cinematic Universe. We now know him as the Eternal Kingo, but it seems he almost didn’t have the role. In an interview with the podcast My Mom’s Basement, writer Kaz Firpo pointed out that the actor didn’t initially join the project because he was already cast in James Gunn‘s Guardians of the Galaxy Vol. 3.
Little fun fact, we literally basically pitched from like the jump. We were like, we love Kumail, we love everything he pretty much has done, specifically Silicon Valley and what he is up to. And we pitched to the producers right from the beginning, like it’s got to be Kumail. They were like: ‘It can’t be because he’s got a role in Guardians of the Galaxy Vol. 3, James Gunn like has already written him into it so he can’t do Eternals.’
Kaz Firpo
Of course, as we all know things didn’t quite pan out for the third Guardians film early on and it got delayed indefinitely. Luckily, the wait has come to an end, as it just recently entered production. Sadly, the writer has pointed out that they don’t know what role exactly he had, but it’s quite interesting that Gunn wrote one with him in mind. Perhaps we’ll find out later down the line once we’ve learned more about the threequel.
You can watch the full interview on the topic here:
Sometimes what’s left out of Marvel Studios movies could end up being just as relevant as what’s left in. Most of the time we’re talking about plot points that are explored in forthcoming sequels, either to allow them to gain relevance and weight over time or simply because the runtime doesn’t allow for everything to be touched upon. But what’s not so usual is for certain aspects of a superhero’s background to be left out in order to use it on another IP.
There are rumblings of how Kamala Khan’s powers might be reinterpreted in the Ms. Marvel series, with the reasoning being that they might be too similar to Reed Richard’s, who’s soon joining the MCU. On the other hand, there never seemed to be any issues with the number of super-soldiers running around the MCU, all with similar strengths and weaknesses, so who’s to say if the rumors regarding Ms. Marvel have any truth to them. What is not a rumor, as we’ve now seen in Eternals, is how a pivotal and intrinsic characteristic these characters have in the comics has been mostly disregarded (primarily in terms of easy access to the technology), something that might end up being used when the Mutants come around.
Even the latest Eternals run, written by Kieron Gillen and launched earlier this year, makes it extremely clear why Eternals have the name that they have. They are, as their name says, eternal. They might die but are quickly resurrected with the help of their own Resurrection Machine, hidden underneath the surface of the Earth. Their bodies are restored with their memories intact, meaning they know why they died, and who might have been responsible for it. By apparently leaving such a defining aspect of the Eternals out of their MCU introduction, Marvel Studios could be setting up something quite big.
When relaunching the X-Men books in 2019, Jonathan Hickman introduced a similar concept. As part of the creation of the mutant island-nation of Krakoa, it became possible to resurrect mutants who had met a premature end. A telepath would transfer the mutant’s latest Cerebro backup into a developing body inside a cocoon, allowing it to be reborn with memories up to said backup. Both the Eternals’ and the Mutants’ intended resurrections could still hit a few snags, as both the Resurrection Machine and the Krakoan Resurrection Protocols weren’t without flaws and shortcomings, so it’s not like there would be no stakes involved in whatever storyline that ends up being put to screen.
It’s doubtful that the MCU, which is already sometimes referred to as a universe where nobody stays dead, will introduce the resurrection possibility in two of its Phase-4-and-beyond teams. Even if the Eternals are referred to as being built (therefore capable of being rebuilt when destroyed), the process seems to imply Celestial intervention. So being, and even if this weekend we were all reminded that Salma Hayek signed up for Multiple Marvel films, it certainly appears unlikely Arishem would bring back entities that rebelled against him. Her future appearances might turn out to be through flashbacks (the timeline certainly allows for that) or even portraying a different iteration of the character altogether, not a resurrection per se.
By rejecting to apply the concept of resurrection to the most obvious of characters (or at least the ease of the process we grew used to) we might get to a point where Marvel Studios end up keeping one of the most groundbreaking changes to the mutant status quo in decades in its X-Men storylines. Hickman’s work has always lent itself to the sort of sci-fi glimpses the MCU has evolved into, and this specific choice would be the perfect response to the no-death complaints: Embrace it. For a while at least. With caveats.
Much has been said about the elaborate costumes in Marvel’s Eternals, especially in how they relate to the comic books that inspired them. While most of that discussion has been directed at the looks worn by the Eternals themselves, designed by the talented Sammy Sheldon, not nearly as many people have taken notice of Kit Harrington’s far more casual threads. The simple and stylish jacket-and-scarf combo is eerily reminiscent of Dane Whitman’s comic book Black Knight uniform, and it appears we have Harrington himself to thank for that.
In a recent interview, the British actor was asked about what it was like to dress for a superhero blockbuster. During his response, director Chloé Zhao chimed in to reveal some interesting information, as Harington joked that he had only to put on some regular clothes for the scenes in the film.
I mean, we let you do your own thing but you chose the colors from the comic books.
Chloé Zhao
It would appear that the former Game of Thrones was paying attention when researching his new MCU role, and it’s interesting to learn just how much input he had with his own character. Hopefully, we’ll get to see Harington suit up sooner than later. Until then, we can all admire the beautiful ensemble that he put together himself.
Eternals is confusing in how it comes across—somehow it could have both terrible and great moments in the same 30 seconds. The first third or so of the movie was, honestly, just not good. I don’t remember the last time I watched a MCU film for the first time and thought, “uh oh, this is bad.” But it picks up steam over time, and there are genuinely delightful moments of humor, action, and character focus. Personally, I thought Sersi and Ikaris were some of the most bland personalities around, so the film’s primary focus on those two definitely didn’t do it for me and weighed it down too much. There were phenomenal emotional moments between some characters throughout, but they were few and far between. Phastos, for example, has some incredible interactions with Ikaris in the climax, but it mostly felt like it came out of nowhere. I do think that there were too many things going, and not much was given enough attention to allow it to be great. Still, I am excited about a lot of the MCU elements that Eternals brought, including Celestials (visually, they were so stunning that I would have watched two and a half hours of them just hanging out), several of the Eternals themselves (my favorites going forward are Makkari, Druig, Phastos, and Kingo), and the expansion of the cosmic MCU overall. At the end of the day, I would not say it’s a “good” movie—there are too many forced, cringey, and otherwise bad moments compared to the good ones. But I’m still pretty happy with how Eternals fits in the MCU and the new material it gave us.
Filip Manka
Eternals opened a new chapter in the MCU that exudes freshness and uniqueness in terms of content delivery. Chloé Zhao confronted the myth of superhero, or in this case, God, by deconstructing and reinterpreting certain beliefs and myths. Zhao crafted a love letter to the world and humankind that also serves as a warning against our self-destructive nature, placing the film in the context of global issues such as climate change. Despite the narrative and script problems, Eternals will stay in my heart for a long time by its balance between scale and momentousness, and intimacy and proximity.
Nathan Miller
I loved Eternals! I can see that it isn’t a typical Marvel Studios film, and that’s OK. Part of the beauty of a cinematic universe is that teams can try out different things and still have the space to develop them. I thought it was brilliant and showed a continuing evolution of the studio, that there were no outright binary evil villains, but rather just different perspectives on the matter at hand. I adored the hope in the message of needing to band together collaboratively to prevent ecological devastation. The performances of the actors really played into this element. It’s clear that Sersi is burdened by the beauty of humanity, with her first line, in contrast to Ikaris’ stoicism. Chloe Zhao’s framing of shots and the lighting adds to the mythological feeling of the film. I’m really looking forward to how the film changes the MCU. On one hand introducing 10 lead characters is a lot, but on the other hand that is again the beauty of a continuing universe that we will visit them again. Perhaps we can change our expectations somewhat to align with this, and in that way Eternals is changing cultural expectations of cinema. It would be brilliant for Marvel Studios to follow through on this forward charge by announcing a green-lit sequel sooner rather than later!
DA Osorio
The fight between Ikaris and the Eternals? Really great. Marvel doing super speed, and a fight between a speedster and a God, better than DC has ever done it? Amazing. The first half was a lot of mythology and deep Marvel cuts, and a GRC mention puts it at the same time more or less as FWS. That helps set this apart from Shang Chi, IMO, in the sense that the parts in the US didn’t seem to be connected to the rest of the Earth MCU (not a knock, just an observation). Thor knowing them was cool too, and I wonder if we are going to find out that the Asgardians were also created by the Celestials like they are in the Ultimates. I’d give it a 8/10. Kro was whatever, and some of the deviant designs weren’t great, and I don’t love them being advanced robots, but man, there was a lot of good there.
Also: Mahershala Ali making his debut, with the Ebony Blade being tied to Dracula and Moon Knight, means that we are on the road to a version of the Midnight Sons. You know what I’d like? For them to go with Alejandra Jones’s Ghost Rider (she’s the female Ghost Rider), and be called the Avengers of the Supernatural instead. Either way, Eternals was very good.
Hunter Radesi
Marvel’s Eternals is an absolutely beautiful, earnest jumble of thoughts and ideas. The film gets off to a bumpy start, with a first act that tries to cram a plethora of characters and information into a total runtime that could have lasted over three hours. However, once the movie is allowed to hit the points it’s really trying to make, it begins to tell an epic story of humanity through the eyes of gods in a way only Chloé Zhao could muster. Ultimately, the film is imperfect and awkwardly paced, but a worthy and welcome addition to the zeitgeist of Marvel’s modern blockbuster.
Joseph Aberl
Eternals is a strange piece to me. It’s far from what we are used to from Marvel Studios, as it’s less about a bombastic setting but rather explores a more personal story in a larger setting. The lore and exploration of history are curious, but most everything is in service of character. The film is less a Marvel movie but an indie film with a blockbuster coat. It avoids linear storytelling to explore history in service of character rather than to build up to its end goal. In a way, it’s also its biggest fault, as revelations are giving less weight besides a large info dump. There are fewer highs in this that could mask its early troubles and the characters don’t earn their revelations. On the one hand, it plays into the story’s structure about a “higher purpose” which is more poignant in the finale than early on. What truly makes this film work for some and not others is dependent on your interest in the characters. The film takes more nuance in making you care for them than their actual journey, especially evident in the Emergence’s lack of a “timing.” We know it’s happening but not when or where until we enter the confrontation. The investment in these characters overshadowed this issue and made it quite a visually captivating and new take on heroic deconstruction.
Joao Pinto
Personally, Eternals is the MCU’s most intriguing entry to date. By only having watched it once, I’m trying to allow myself to go beyond my immediate response to the movie, which wasn’t all that positive. I’m now expecting to have a more definite opinion in the coming days after going back for more viewings. All things considered, I do believe it did way more things right than what it might have done wrong. The cosmology of the MCU has been reshaped in a way that I simply adore, opening the doors for the MCU to finally become a proper Universe in and of itself. At the same time I’m not completely sold on the pacing when introducing a dozen new characters and their relationships over millennia, all while world-building within such a large scope. At the end of the day I’m still highly intrigued by what might come next for these characters and the MCU as a whole, meaning Eternals accomplished what every entry this franchise has to see as a win: it kept audiences engaged and wanting more.
Arlyn Murphy
When I watched Eternals for the first time I was like “WHOA”. I honestly felt that it was a little too god and goddess-y for Marvel. I also felt that some of the characters were out of place, including, Angelina Jolie and Barry Keoghan’s Thena and Druig. In the end, I just didn’t connect with them; however, I connected with Sprite and Kingo who both made me laugh so many times. If I were to rank this movie in comparison to the other Marvel Studios’ movies, it would probably be right in the middle. I liked the story line, however, there was a lot of information in the movie and I feel as though it was just all crammed in. On the other hand, it had great introductions to the all of the new characters, some of whom I would like to see again and others…not so much.
Charles Murphy
After my first screening of Eternals, I felt a lot of frustration. Frustrated at the changes made to the origins of the Eternals; frustrated at the changes made to and the use of the Deviants; frustrated at some editing choices that took me out of the film. Outside of those frustrations, I was also really disappointed in some of the performances in the film. Angelina Jolie’s performance tops the list of ones that I wish I could forget, closely followed by Salma Hayek. Jolie seemed to be there just to pose and smolder while Hayek’s expressionless face belied the allegedly maternal emotions of the character. At times I could argue that Arishem emoted more than Ajak. Fortunately, these performances were balanced out by the rest of the cast. Kumail Nanjiani was brilliant and the Bollywood scene is among the high points of the film; Richard Madden played Ikaris as the arrow he is described to be; and Lia McHugh delivered an adult-sized range of emotions to the role.
Following my second screening, it was clear that while the many of the problems remained the same, the film is less problematic than I originally believed it to be and I found myself less frustrated and enjoyed it quite a bit more. I originally thought it moved along great until the flashback around 35 minutes in (Tenochtitlan) and attributed the decision to flashback again there to taking me out of the film. In truth, that flashback isn’t the problem. It’s a huge part of the overall narrative as it explains Thena’s memory loss and why the group drifts apart. In my second screening, I realized it wasn’t the story that lost me but the really uninspiring performances by the two actors who shared the bulk of that chunk of the film: Jolie and Barry Keoghan. In fact, if the really wanted Druig to put Tiamut to sleep, they could probably just show him that part of the film and be done with it. At no point during the film, did either one these actors elicit any sort of emotion from me other than an eye roll. I’ve read criticisms that there are too many characters and while I can agree with that to an extent, I think some of that might be lessened if the people portraying them made them interesting.
Chloe Zhao did do something magnificent here. This film’s scale was not too big for her, as some have said. She weaved a fascinating narrative against an incredibly beautiful backdrop. She explored the bonds between us that can just as easily form as they can break and the hold that memories can have on all of us. She wrote the earliest chapter of the history of the MCU and wow did she deliver on the size and scope of the Celestials; not just physically, but in who they are and what they do (I was thrilled to see them adopt the Earth X plot, which I guessed they might way back when). At the end of the day, it seems like she checked a lot of boxes but, as the director of these actors, missed one big one: getting solid performances out of all of them. This isn’t a top-tier MCU film, but I think it might end up being something like Avengers: Age of Ultron in that after a few years, it’ll be one to revisit and might look like an entirely different film. Zhao had a Herculean task here in not only telling the tale of the MCU’s entire past but also setting up a huge chunk of its future (including two great scenes in the mid and post credits, one of which is top 5 of its kind in the MCU); she did an admirable job on the first part and only in time will we be able to truly judge how she did with the second half of that task. While I didn’t love Eternals, I fully support Zhao’s return for the sequel.
Megan Murphy
Before watching Eternals I assumed that I would be diving into another team like the Guardians of the Galaxy or the Avengers, however, the plot of this story was much different. To start off, I think that the drastic timeline and different events that took place within the movie were a good way to incorporate real history into the MCU, but I also think it took away from the actual Eternals. When watching the movie I was more drawn into the plot and the setting of the movie than the characters. I believe that characters such as Thena and Druig could have had a much more present role in the movie because of the extent of their powers and what they are capable of doing. I also thought that the way the Eternals were portrayed was a little too much ancient Greece and not enough MCU. On the other hand, the way that Sprite was turned into a human was a very good addition to the end of the movie. With this action, in later movies we might be able to find Sprite to be a more influential character if she is able to be more comfortable as an adult. Overall, the Eternals was much different then the average Marvel movie but had a little too much going on to really understand the characters.
We’ve been watching Eternals‘ predictions go up and down throughout the weekend. Some pointed to it underperforming with around $69M as its highest possible outcome, but it looks like it did keep pushing through and now ends the weekend on $71M. It is behind Shang-Chi and the Legend of the Ten Rings‘ $75.3M but takes the fourth spot of highest-earning film openings of the year at the domestic box office. Including its international cume, it now stands at quite an impressive $161.7M with the pandemic still raging.
As of now, the top four releases of the year are Marvel-based properties with three of them stemming from Marvel Studios. The best opening at $90M is still held by Sony’s Venom: Let There Be Carnage film. There is a good chance the upcoming Spider-Man: No Way Home film might take the top spot before the year ends. Still, Eternals is the second-biggest international opening of any film during the pandemic which is quite impressive and shows that it simply has a stronger pull in other markets, especially South Korea.
Eternals numbers aren’t your usual Marvel Studios fair, as they commonly beat the lowest expectation. Yet, it’s not the first time it happened. Back in the day, Ant-Man also opened to the lower end of its expectations. There’s a strong connection to build-up and connectivity between the various franchises that may play a factor here. Plus, we’re still in the pandemic. The latest entry of the MCU seems to have an older audience in mind, which is currently still entering cinemas later than usual. Naturally, it’s behaving closer to an indie film on a larger scale given Zhao‘s touch and its reception by audiences. It’ll be interesting to see how it develops.
Eternals has finally released and gave us a hint at the fate of the newly introduced race of aliens that lived among humans for decades. The all-star cast includes quite a few big names, such as Angelina Jolie, Gemma Chan, Don Lee, Kumail, Nanjiani, and many more. Playing the race’s leader is Selma Hayek, who recently joined Smallzy’s Celebrity Small Talk podcast, where she revealed that she has signed up for multiple Marvel Studios films. The host also took to Twitter to share her full quote, where she confirms she has a multi-film deal but she doesn’t know if or when she might return to the role.
I did sign multiple movie deals! It was kind of fun being part of this…secret society that you have to protect so fearlessly.
Salma Hayek
If you haven’t watched the film yet, only continue at your own risk, as we will spoil a major moment in the story.
So, this is a rather curious confirmation. Salma Hayek‘s character Ajak famously dies early on in the story and acts as a catalyst for the events that unfold. Her role as their leader is passed on to Gemma Chan‘s Sersi. So, her signing up for multiple sequels might have an implication on where exactly the story is heading. It also opens the window for other Eternals that passed away in the story to make a return at some point down the line. It also might hint that Chloé Zhao might have mapped out these characters’ future, as she even hinted that the inclusion of Harry Styles as Starfox was a “package deal” when she signed on for the project.
Box office numbers are slowly rolling in, as we got a clearer picture of just how well Eternals did on Friday. It looks like the film pulled in $30.7M. It’s slightly above the base $30M reported last night and puts the film on a path to potentially beat out Black Widow‘s $80M opening weekend. For now, it’s slightly behind Thor: The Dark World and Doctor Strange, who didn’t have to compete with the pandemic. At its current standing, it is Disney’s highest opening day with a theatrical exclusive release, as it just barely passed Shang-Chi‘s impressive $29.5M in September.
The big test will be how word-of-mouth affected the film, as while it has a 48% on Rotten Tomatoes by critics, fans have generally deemed to enjoy the film with 84%. Yet, it currently has a B CinemaScore standing with audiences, which is the lowest for an MCU film. Still, it’s a great start and still opens the possibility of it passing Black Widow’s opening numbers. Internationally, the film has been performing well and garnered $38.4M, which means it has earned $69.1M in just its first day. Currently, it is trending ahead of the previous entries of the franchise.
For now, we’ll have to keep an eye on how it develops over the weekend and if word-of-mouth might hurt it long-term with a stronger drop in its second week. Shang-Chi was a strong showing for the studio as it continued to hold on to the top spot for quite some time. With more competition heading its way, it’s unclear if Eternals might manage the same, or face a harsher drop given its mixed reception moving forward. Its massive running time is also part of the issue here, as it means fewer showings for the film, which doesn’t have the whole “end of a decade” selling point attached to it.
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