Tag: House of the Dragon

  • ‘House of the Dragon’ – Best & Worst of ‘The Rogue Prince’

    ‘House of the Dragon’ – Best & Worst of ‘The Rogue Prince’

    House of the Dragon is back for another round of violent mayhem and questionable decision making! The series’ second episode, titled The Rogue Prince, was all about succession and the disdain that comes with being rebuffed. In fact, it was so much about succession, it might as well be called Succession With Dragons, because it feels an awful lot like Succession, but with very cool dragons instead of Brian Cox. Anyway, the episode continues the show’s strong start with a heavily political outing – replacing last week’s jousting duels with a series of Small Court shouting matches. Everyone either wants King Viserys to marry their kid, or name them the direct heir to the Iron Throne. Events play out as chaotically as one might expect. Let’s get into it.

    The Best – The Women of King’s Landing

    There was a lot to love in The Rogue Prince. When it comes to the very best part of the episode, however, it becomes a little harder to narrow things down. The obvious resolution to this would be the moment Milly Alcock‘s Princess Rhaenyra came swooping through the clouds to put a stop to unnecessary bloodshed and reclaim what was hers. Yet, the true answer is actually a bit finer and lies deep within that very sequence of events. Throughout this entire episode, the women of King’s Landing absolutely run circles around their male counterparts.

    Rhaenyra and her best friend, Emily Carey‘s Alicent Hightower, are the heart and soul of this entry. This may turn out to be true of the series as a whole, but it’s especially on display here. The moments they are on screen are consistently the most interesting of the episode. Alcock and Carey‘s characters also mirror each other perfectly, as both are forced to confront their unknown futures via awkward conversations with their respective fathers. There’s a moment specifically early on when Alicent seems to realize she may one day wed Viserys, and the look of quiet disturbance that crosses her face puts every other performance in The Rogue Prince to shame. An honorable mention must also go to Eve Best‘s Princess Rhaenys Targaryen, who finally gets some chewable dialogue in a pivotal scene with her cousin’s daughter.

    The Worst – King Viserys’ Wife Sweepstakes

    Similar to last week, this episode’s worst moment is less of a storytelling critique and more of an uncomfortable, cringe-filled sigh. Now six months after the death of his wife and newborn son, King Viserys is pressured to select a new bride. It matters not if the man is still grieving, as the kingdom and his family’s reign must continue to persevere. Only, there’s one massive problem. As is customary in the culture presented in the Game of Thrones franchise, all of Viserys’ potential suitors are either literal children or very young women who don’t want to be involved – and honestly, it’s really gross. Yes, this is part of the show, but that doesn’t mean it’s enjoyable to watch a grown man flirt with a girl who is, at most, a few years older than his teenage daughter.

    Ultimately, Viserys chooses Alicent as his future bride. This is weird because, again, she is basically a teenager and very close with his own child. However, the episode makes it seem like the more noble choice by setting up the King’s decision with a truly terrible conversation. Before he decides on Alicent, his Grace must consider the pros of wedding Rhaenys and Lord Corlys’ 12-year-old daughter instead. This culminates in a shockingly uncomfortable scene where Viserys essentially goes on a date with the aforementioned Lady Laena, who tells him her mother said she “won’t have to bed him until she’s 14.” It’s something worth gagging over. Luckily, this is as far as that relationship goes, but it doesn’t make the fact Alicent will likely have to birth her friend’s half-brother much of an easier pill to swallow.

  • ‘House of the Dragon’ Lands Early Season 2 Renewal

    ‘House of the Dragon’ Lands Early Season 2 Renewal

    It would seem the dragons will reign over Westeros for a little while longer. House of the Dragon, HBO’s first spinoff in the Game of Thrones franchise, has officially been renewed for a second season. The series debuted earlier this week to staggering viewership, drawing in nearly 10 million viewers across all platforms. It quickly became the biggest premiere in HBO’s entire history, with numbers already nearing the impressive 19.3 million viewers who tuned in for Game of Thrones’ series finale in 2019.

    House of the Dragon is a prequel series based on George R.R. Martin’s novel Fire & Blood. Set over a century before the events of its predecessor, the show chronicles the lives of the Targaryan family as they rule over Westeros with a fiery fist. It stars Paddy Considine, Matt Smith, Emma D’Arcy, Olivia Cooke, Rhys Ifans, Steve Toussaint, and Eve Best among many others in an ensemble cast.

    The fact it gets renewed after just one episode already showcases just how much they believe in this project. Fantasy has reached a whole new level with viewers, but there is something special about the Game of Thrones franchise. Not only did it become the first true “blockbuster” television show when it premiered but its build-up was quite a bit something special. Though the last few seasons had people scratching their heads and may have also brought in a whole new audience curious about where House of the Dragon would land. Going by its critical and fan reception, it’s definitely a show to keep an eye on.

    Source: Twitter

  • REVIEW: ‘House of the Dragon’-Episode 1: Heirs of the Dragon

    REVIEW: ‘House of the Dragon’-Episode 1: Heirs of the Dragon

    3 years of no Westeros coverage came and went in the blink of an eye. Even with how the last couple of seasons ended, The House of the Dragon was appointment television, and will continue to be throughout the duration of the show.

    ONE BIG FLASHBACK

    If you somehow stumbled upon the Season 1 Primer, you’re likely a little confused and that’s ok. It was expected that the series might start closer to the actual Dance of Dragons, which is around 129 AC. This entire episode, save the Great Council of Harrenhall at the very beginning, was in 109 AC, so the show is sowing seeds even earlier and deeper than expected, which is fantastic news considering the rush of Game of Thrones. It seems now that this series is going to be jumping back and forth. We should still expect to see a lot more of young Rhaenyra and Alicent to set up the conflicts and series. Slow burning plots are good news!

    We saw the *arguably* greatest King in Targaryen history, Jaehaerys, during the opening scene, where the Great Council sided with Viserys, the male heir and the current king, over Rhaenys, the female with the better claim, and Corlys’ wife. This will set a precedent for the next 200 years in Westeros.

    The creatives really nailed Viserys and his uneasiness over conflict. When the Hand of the King, Otto Hightower verbally sparred with Corlys and Daemon, they had slick camera work showing how it affected Viserys. He just wants everyone to get along and drink and party.

    Young Rhaenyra is a bit of a mix of Arya and Daenerys. Willful and disobedient, she doesn’t really pay much attention to the gender norms of Westeros. Alicent is the Sansa of the duo, very proper and wary of toeing out of line. Daemon the Rogue Prince (Matt Smith) was every bit the violent, irrational character from the novel who always speaks before he thinks.

    And we got Dragons! They seem to be a lot more colorful this time around, and they have some distinct individual features. Daemon’s dragon Caraxes has wings on its feet and a longer neck. Truly peak dragonshit.

    Changes from Fire and Blood

    House of the Dragon is adapted from a book the author George R.R. Martin wrote about the history of the Targaryen Dynasty. It’s pretty broad, so it’s up to the show to fill in the details between events. Below are changes that the show has made from the text.

    Corlys Velaryon is black – This one sparked some controversy when the initial cast news came out. The Velaryons and Targaryens are both ancient Valyrian houses, obsessed with blood purity. It would make sense for them both to have the pale skin, platinum silver hair and violet eyes, but in the show only the platinum hair is shared between the two families. This will come into play later in the show, but for now it’s a detail that only will piss off the worst kind of people.

    Rhaenyra and Alicent are the same age – In the book these two did not grow up as friends within King’s Landing. Alicent was 9 years older, and they weren’t as close as in the show. I like the change in the show, especially as these two drift apart trying to play the game of thrones.

    Very small changes, and on the whole, this was as faithful an adaptation as the first few seasons of GoT.

    Aegon’s Dream

    When Viserys named Rhaenyra heir to the Iron Throne, he talked about the dream that Aegon had that motivated him to take the Seven Kingdoms: the long night and the White Walkers descending onto the continent, and how only the Targaryens could defeat it. This dream has been passed down from king to heir since Aegon, but it curiously does not reappear until Rhaegar (Dany’s brother and Jon Snow’s father) rediscovers it before getting his chest caved in by Bobby B. Does this dream never get passed down after the Dance? Makes you wonder.

    Other Foreshadowings

    Alicent and Viserys – Alicent was prodded by her father to put on a dress and “console” Viserys after his wife and son have died. This is hinting towards her father Otto from overreaching in the kingdom, as well as hinting towards their marriage.

    Rhaenyra and Criston Cole – In the novel, Rhaenyra develops a massive crush on the newest Kingsguard, Criston Cole. He becomes her personal shield and bodyguard. It will be interesting to see how the showrunners handle this.

    Corlys’s warning about the Stepstones – The Stepstones are the islands between Westeros and Essos, which is what Corlys warned the small council about – particularly the “Triarchy.” While nobody is worried about that right now, both Corlys and Daemon will team up to try and handle these islands.

    All in all, it’s fantastic to be back in Westeros, and this is a great start to a series.

  • ‘House of the Dragon’ is 2022’s Most Watched Premiere

    ‘House of the Dragon’ is 2022’s Most Watched Premiere

    It looks like HBO and HBO Max have a hit on their hands. Deadline has reported data from third-party analysis SambaTV that the Game of Thrones prequel House of the Dragon has the highest same-day viewership of 2022. It stands at 2.6M viewers, which is the best for any premium cable or streaming service so far. Though these can go even higher, as Samba only measures based on a panel of three million households.

    Samba TV has been our main point of analysis in regards to how streaming services’ latest shows have performed. As transparency hasn’t quite reached the level for us to understand how exactly these projects are performing, third parties offer our best insight yet. So, it’s definitely interesting to see just how big the House of the Dragon premiere ended up being. These numbers even beat the day-and-date numbers of their movie releases from last year.

    What makes this viewership stand out is that it even doubled same-day data for Stranger Things, which was among Netflix’s biggest releases. Perhaps the potential of a redemption story after the more mixed received final seasons of Game of Thrones pulled in quite the viewership curiosity. We also shouldn’t forget just how large this franchise was when it first premiered on HBO years ago and redefined what it meant to produce a blockbuster TV series.

    Source: Deadline, Twitteere

  • ‘House of the Dragon’ – Best & Worst of ‘The Heirs of the Dragon’

    ‘House of the Dragon’ – Best & Worst of ‘The Heirs of the Dragon’

    Westeros is finally back on television, and there’s a whole lot to be excited about. HBO’s House of the Dragon, the first spin-off and prequel to the smash hit series Game of Thrones, premiered last night after much anticipation. The show had quite the legacy to live up to, and by all accounts, it checked off almost every box it needed to be considered a worthy successor. Coming on the heels of a controversial final season of Game of Thrones, House of the Dragon found its rhythm early and picked up where the absolute peak of Thrones left off. However, despite a rather strong start, nothing can be truly perfect. In a new weekly article series, Murphy’s Multiverse will break down both the best and the worst each episode of Dragon has to offer.

    The Best – Jousting & the Politics of the Throne

    There was quite a bit of good in this wildly eventful pilot episode, aptly titled The Heirs of the Dragon. With King Viserys I Targaryen, played by Paddy Considine, and his family suffering from some hushed health issues, the topic of the next royal heir is more relevant than ever in King’s Landing. This leads to several heated moments between Viserys’ advisors because as in any good court drama, nobody seems to be able to agree on who should gain true political power. The scenes focused on this are perhaps the episode’s most exhilarating, bringing fans back to a time when double-crossing and backhanded planning were the franchise’s main focus.

    Specifically, the tension between Matt Smith‘s Prince Daemon Targaryan – a nasty fellow – and Rhys Ifans‘ Ser Otto Hightower – a calculated King’s Hand – proves to be among the very best the premiere puts forward. The two high-ranking officials at first appear to be on opposite ends of the political spectrum, but small moments throughout the episode hint that they may be more alike than their demeanors suggest. The major difference between them is their execution. Where Daemon is outward with his intentions and desires, often far too aggressively, Otto hides behind a façade of respectability. Both seem to want more power, but where Daemon will say this to his brother’s face, Otto instead sends his daughter to woo a grief-stricken friend. It seems House of the Dragon is setting up an ongoing conflict between its own versions of Aiden Gillen’s Littlefinger and Iwan Rheon’s Ramsay Bolton, which should be enough to bring any viewer back from week to week.

    What the Westeros franchise does best, however, is bring together multiple smaller conflicts onto one larger stage. In Heir of the Dragon, this occurs at a joust. The King happily announces to his subjects that the Queen is in labor, something the audience knows to be a dangerous scenario, and allows the festivities to commence. During the “celebration”, nearly every plotline collides, intensified by the tragedy the viewers know is about to play out in the background. Daemon causes a stir, Otto confronts his anxieties, the Princess Rhaenyra questions her future, and men are murdered violently. Everything anyone could want from the show, wrapped up nicely in a single elongated sequence.

    The Worst – The Death of Queen Aemma & Alicent’s, *Ahem*, Awkward Situation

    It’s odd to call these things the “worst” of the episode when they were both also referenced as part of the “best”, but maybe that just speaks to the complexity of storytelling. Ever since the pilot of Game of Thrones hit the small screen in 2010, uncomfortable situations have been a key part of the viewing experience. The writers and directors on the series would tend to use the raw emotion of disturbing visuals and implications to their advantage, using the planned reactions from audiences to prop up the severity of important moments, and it’s now apparent the creatives behind House of the Dragon will do the same. Either way, the death of Queen Aemma Arryn, portrayed by Sian Brooke, is hard to watch, especially when it’s so obviously unnecessary and unfruitful for the man who ordered it. Yes, the scene works exactly as planned by the writers, but it also felt partly gratuitous to show so many of the gory details.

    In a similar vein, watching Otto Hightower “suggest” to his young daughter that she “comfort” the King in his time of need was – to be honest – not great. Again, this is something that comes with the territory of Westeros, and it effectively tells fans everything they need to know about both Otto and Alicent at this point in time, but that doesn’t make it entertaining to witness. Prior Thrones storylines give viewers a pretty good idea of where this is likely headed, and it probably won’t be the fan favorite subplot going forward. Although, who knows? Maybe this is just the beginning of a Sansa Stark-type turnaround in future seasons. Viewers will just have to keep watching to find out.

  • ‘House of the Dragon’ Showrunners Explain Why They Chose to Adapt ‘Blood and Fire’ After ‘Game of Thrones’

    ‘House of the Dragon’ Showrunners Explain Why They Chose to Adapt ‘Blood and Fire’ After ‘Game of Thrones’

    While Game of Thrones may have gone out with a bit of a whimper, it doesn’t seem to have put a damper on fan expectations for the next show set in George R.R. Martin’s fictional Westeros. Season one of House of the Dragon is set to premiere on HBO Max and fans are hopeful that the GoT prequel series, which is adapted from Martin’s novel Fire & Blood which told the history of the House Targaryen. In an interview with Comic Book, showrunners Ryan Condal and Miguel Sapochnik explained why they felt now was the right time to bring that story into live-action.

    The question that I’m left with at the end of Thrones, of the original season, when you start to look at, ‘What do I want to know more about?’ is I’m fascinated by the idea of like, ‘What are Dany’s origins?’ Like, ‘Where does you know, where do these people come from? Why are they so crazy?’ You know, ‘Where did they get that white hair from?’, Saponchik told Comic Book.

    For Saponchik, that meant Fire & Blood, which details two opposing sides of what he calls “Targaryen exceptionalism”, provided the perfect answer to those questions.

    I mean, those are, I think that this answers those questions and gives you a real sense of Targaryenism. We’ve got a thing in this show which we call Targaryen exceptionalism, which is an argument, a kind of a philosophical argument that often happens between Viserys and his brother, where one sees the future of Targaryens belongs to the dreamers, who are the people, the occasional characters, the occasional Targaryens who have prescient vision and see the future as they did see the end of Valyria. And then there’s the old school, Fire & Blood Targaryens like our character Daemon, who really think that everything should be conquered and conquest is everything.

    Miguel Saponchik

    To Condal, going from a world where Targaryens were a rarity to one where they ruled everything made for a more compelling story.

    If you really think about it this is the most obvious successor show to pursue. “I mean, the minute George pitched it to me, a million years ago is, ‘Oh, this is the one that I want to do the most.’ It made the most sense because it’s, we didn’t get to know anything about the Targaryens in the original series, not really. I mean, we got to know Daenerys very well and Viserys a little bit, until he was melted. And so it’s fascinating to go from that world where there were no Targaryens and they were trying to reclaim the scraps of this empire to a time when, the height of their power and decadence and glory and see what it was actually like when they were in power with dragons.

    Ryan Condal

    As for the disappointing ending of Game of Thrones, much of which fans tie to Martin never completing his novels, Saponchik doesn’t believe that’s a concern for House of the Dragon. Not only are Saponchik and Condal dealing with a complete story, but they also have a definitive end point in mind. “We have a very, very precise idea of where we wanna go with it, but we can’t tell you.” As for whether there are more stories on either side of House of the Dragon, Saponchik calls upon another expansive mythology for comparison saying, “I think that the important thing is that this is a… Think of this as an Episode IV, the Star Wars Episode IV. So it’s kind of, we’re in the middle of a history that is rich and full of stories to tell and it’s a good place to start.” 

    For fans of Martin’s novels or those who fell in love with the World of a Song of Ice and Fire by watching Game of Thrones, this is a surprising comparison, to be sure, but a welcome one.

    Source: Comic Book

  • SDCC: ‘House of the Dragon’ Screenwriter Teases the Dragons

    SDCC: ‘House of the Dragon’ Screenwriter Teases the Dragons

    Continuing our coverage of San Diego Comic-Con, Hall H continues with a panel on the upcoming Game of Thrones spinoff with the House of the Dragon. The first spin-off from the wildly popular adaptation of A Song Of Fire & Ice brings us to a time when the Lannisters were not in power, but rather explore the Targaryen empire. We heard these stories throughout Game of Thrones, but now we are going to see them play out on the small screen. One question that has popped up a ton as we are ready for the August premiere of House of the Dragon: how many dragons will we see?

    During the panel, screenwriter Ryan Condal was asked whether how dominant we’d see the symbol of the Targaryen and their rise to power. Given that Daenerys birthed three dragons in the original series, and we saw the skulls of dragons under Kings Landing, it does bode the question of how many would appear. He reveals that seventeen dragons are present throughout the HBO Max’s series runtime.

    Now, keep in mind that in Game of Thrones lore only a select few Targaryens can ride dragons. So, it is going to be interesting to see if there is this competitive nature between the various family members that can ride and the ones who can’t. Still, seventeen dragons are nothing to scoff at and would go a long way towards explaining the expensive budget the show is working with.

  • George R. R. Martin Reveals Game of Thrones Prequel Titles

    George R. R. Martin Reveals Game of Thrones Prequel Titles

    HBO’s hit series, Game of Thrones, which garnered more attention than almost any other show during it’s run, ended in 2019. However, the network has plans to continue expanding the franchise through multiple prequel series over the course of the next several years. The first of these shows, House of the Dragon, will debut later this year, but at least four more projects are also on the horizon. In a recent interview, Thrones creator George R. R. Martin gave updates on each of the prequels, revealing their official titles and current showrunners.

    The first series will be centered around a legendary Dornish warrior-queen, and is still repping it’s original title of Ten Thousand Ships. Amanda Segel, known for her work on Person of Interest, will serve as showrunner. Another show, about famed explorer Corlys Velaryon, has changed its title from Nine Voyages to The Sea Snake, in an effort to avoid having multiple shows with numbered monikers. Bruno Heller, who worked on DC Comics’ adaptations Pennyworth and Gotham, is currently set as showrunner.

    The long-awaited adaptation of Martin’s “Dunk and Egg” novellas, about the companionship of a wandering knight and a youthful Aegon V Targaryan, does not yet have a title, but Martin says it will likely either be The Hedge Knight or Knight of the Seven Kingdoms. The showrunner will be Steve Conrad, of Patriot fame, and Martin revealed he would like to write more novellas to help with the continuation of the live-action show. Lastly, the writer confirmed that an animated series is in development tentatively titled The Golden Empire, which will shed more light on the China-inspired land of YiTi. No showrunner is attached at the moment.

    Source: The Hollywood Reporter

  • ‘Game of Thrones’ George R.R. Martin Talks ‘House of the Dragon’ as Production Wraps

    ‘Game of Thrones’ George R.R. Martin Talks ‘House of the Dragon’ as Production Wraps

    It feels like yesterday when we first ran the story on the upcoming Game of Thrones spinoff focusing on the Targaryens. Fittingly titled House of the Dragon, the upcoming series will see a new all-star cast further explore a dragon-filled Westeros. Creator of the original novels, George R. R. Martin took to his personal blog to share that pöroduction has wrapped on the series and also that he’s seen the rough cuts. His blog states that:

    I have seen rough cuts of a few of them, and I’m loving them.Of course, a lot more work needs to be done. Special effects, color timing, score, all the post-production work. But the writing, the directing, the acting all look terrific. I hope you will like them as much as I do. My hat is off to Ryan and Miguel and their team, and to our amazing cast.

    It’s always great to hear the creator of a franchise praise an upcoming adaptation. As this is the first spinoff for the franchise, there’s some concern if it can recatch the magic that made it a tentpole HBO series that it is, especially avoiding the mistakes from later seasons. The casting has already been quite promising and who knows just how deep the lore in House of the Dragon will get explored once it releases eventually.

    Source: George R. Martin’s Blog

  • New ‘House of the Dragon’ Set Photo Leaks Online

    New ‘House of the Dragon’ Set Photo Leaks Online

    It looks like a brand new image from the set of Game of Thrones spinoff, House of the Dragon has found its way online. The last time we saw anything from the series, it was our first look at Matt Smith and Emma D’Arcy. The Twitter page @HOTDBr shared a new look at the set, which doesn’t show any of the announced cast directly, especially with the recently expanded cast, but it does highlight our visit back to the time when the Targaryen ruled, which takes place 300 years before the events of the original series.

    It’s great to see more of the Targaryen. Sadly, we still don’t have a single tease of when and where dragons will come into play for the story. It’s only natural we’ll see more of them hanging around now that we’re visiting a time where the dragon riders were a common appearance. It’s curious how much budget this series got. Amazon has confirmed their The Lord of the Rings series will have a massive budget of $465M, making it the most expensive season ever produced.

    Source: Twitter