But now that some time has passed, now that we actually see how well-integrated the stories are, I personally, Brad Winderbaum, will confidently say that they are part of the Sacred Timeline.
“I don’t know why people keep asking me this. There’s no signs. It’s not like they’ve just recently revived one of the Marvel Netflix shows,” teased Colter when asked if he was set to return for as Cage in Daredevil: Born Again.
Mike Colter teases Luke Cage's MCU debut during an appearance at Edmonton Expo:
*I don’t know why people keep asking me this. There’s no signs. It’s not like they’ve just recently revived one of the Marvel Netflix shows.” pic.twitter.com/qOFiLqjx4B
Colter‘s comments certainly come across as confirmation of his return as Cage, though nothing is certain until the star shows up in an episode. If Colter is indeed “back”, the timing of the revelation would align with the star joining the cast for the third season, which will go into production in early 2026, though an appearance in Season 2 can’t be ruled out.
The decision by Marvel Studios to canonize Netflix’s Daredevil series as part of the creative overhaul on Marvel Television’s Daredevil: Born Again meant that the adventures of the Devil of Hell’s Kitchen weren’t the only stories retconned into MCU continuity. Indeed all of Netflix’s series made the jump because of the interconnected nature of their stories and the shared experiences of the title characters in The Defenders. So while Matt Murdock, Wilson Fisk, Frank Castle, Benjamin Pointdexter and others will share the screen again in Daredevil: Born Again, Jessica Jones, Colleen Wing, Danny Rand, Misty Knight and Luke Cage are out and about somewhere in New York City. And while fans of those characters wait to learn what’s next for them, the first trailer for the new series acknowledges another one of the Defenders for the first time.
As can be seen around 28 seconds into the trailer, during a New Year’s Eve gathering in Times Square in which Wilson Fisk is seen giving a speech, one of the billboards just above the advertisement for Rogers: The Musical serves as an advertisement for Harlem’s Paradise.
Founded in the 1960s by Buggy Stokes and Quincy McIver, Harlem’s Paradise served as headquarters for the Stokes Crime Family and was a key location in both seasons of Luke Cage. As of the series finale, ownership of the club had been passed on to Cage following the death of Mariah Dillard.
Harlem’s Paradise is the place where hip-hop, funk, jazz & rock and roll all come back to the mothership. It’s a party, y’all.
Though the billboard is advertising the club through a quote, the lettering on the sign is unclear. However, the nod to the location is an easy way to incorporate one of the key settings of the Defenders-verse into the MCU without making any major changes to the world previously created or painting themselves into a corner.
Daredevil: Born Again debuts on Disney Plus on March 4th.
While promoting Echo, Brad Winderbaum, Head of Streaming, Television and Animation Marvel Studios stirred up quite a bit of buzz when he shared his thoughts on if the events from the various Netflix Dedenders-verse series (Daredevil, Jessica Jones, Luke Cage, Iron Fist, The Defenders and The Punisher) took place onthe MCU’s Sacred Timeline.
“So, I can say that up until this point, we’ve been a little bit cagey about what’s Sacred Timeline and what’s not,” said Winderbaum. “That was born, frankly, out of a period at the studio where we were like ‘we have to stick the landing with Avengers.’ It was another part of the company developing the Netflix stuff; we were aware of what they were doing, they were aware of what we were doing, but it was a lot.. it was a lot to balance anyway,” he explained. “But now that some time has passed, now that we actually see how well-integrated the stories are, I personally, Brad Winderbaum, will confidently say that they are part of the Sacred Timeline.” And it was that last bit that left enough wiggle room available to keep the debate alive of whether or not those series, which were not produced by Marvel Studios should be considered as Sacred Timeline canon. Now it seems like the debate is settled.
Accompanying the release of Echo, the studio’s first Marvel Spotlight production and its first TV-MA offering, the studio made massive changes to the Timeline Order subsection of the Marvel Studios channel on Disney Plus. Though it’s not yet updated in all regions, the studio has retroactively placed all 161 episodes of the Netflix series in the Infinity Saga.
Daredevil and Jessica Jones are now located between Guardians of the Galaxy Vol. 2 and Avengers: Age of Ultron. Luke Cage, Iron Fist and TheDefenders are now placed between Ant-Man and Captain America: Civil War. And, finally, The Punisher is shown to be set after Spider-Man: Homecoming and before Doctor Strange.
The changes have wreaked some havoc on the streaming service and it seems quite a few bugs are still being worked out.
The moment we saw Charlie Cox return as Daredevil, the floodgates were open on who else might also return in one form or another. So far, we only got Vincent D’Onofrio‘s Kingpin in the Marvel Cinematic Universe but we’re still waiting for any hint on what the future may have in store for the rest of The Defenders. So, anyone getting a chance to interview an actor that played one of the roles on the Netflix series will use the opportunity.
ComicBook.com got the chance t interview Mike Colter if he’d be interested to return as Luke Cage. His story infamously was cut short just as he was hinted at potentially diving into the darker side of Harlem. It would be a great opportunity to soft reboot his character while also hinting at what those hints may have originally developed yet it seems he’s hung up the yellow shirt for now.
I just try to stay in reasonable shape just because, but I don’t think about Luke Cage opportunities. It’s one of those things where it’s in the rear view mirror at this point. If somehow I get a call, my dance card is kind of full. But if I get a call, something happens, great.
Mike Colter
He still keeps the door open a bit to potentially re-appear if something comes together, but it does seem like he’s got enough on his plate with the new film Plane, his work on the series Evil, and more. So, it might be quite difficult to even find the right time for him to join the ever-growing franchise.
Quentin Tarantino, the acclaimed creative behind indie megahits like Pulp Fiction and Reservoir Dogs, has been on a bit of a tear lately in regards to superhero cinema. A recent interview with the Los Angeles Times saw the director call filmmakers who work with Marvel Studios “hired hands“, and claim that modern auteurs like himself “can’t wait” for comic book movies to fail. Not long after, Tarantino continued his tirade to imply companies like Marvel Studios had killed the “movie star”, effectively making characters more famous than the actors who play them.
This is, of course, not a surprising stance for the famously old-fashioned talent to take, but it is unexpectedly harsh for someone with a long history of almost working on comic-based projects. Throughout his career, Tarantino has been attached to four separate superhero adaptations and has admitted to using comic-adjacent concepts as the basis for some of his released projects. Kill Bill, one of Tarantino’s seminal works, famously includes a comic-inspired monologue, and the director is known to have rows of superhero books stored in his home. He even recently revealed that Inglorious Basterds, another fan favorite from his resume, was heavily inspired by Marvel’s Howling Commandos line from the 1940s.
For what it’s worth, Tarantino does not seem to despise the idea of adapting comics. He once said that, in his 20s, the idea of making films based on his favorite superheroes was all he wanted to do, but that he’d since “grown out” of that phase and moved on to focusing on original concepts. It would appear that his true qualms with superhero adaptations stem more from their unexpected impact on the film industry, and his perception that they’re produced at a high rate with low quality. As such, it’s intriguing to look back on the films his name was once attached to, and ponder what could have been different in a world where Tarantino was among those who had left their mark on the history of superhero cinema.
Luke Cage: Hero For Hire
Perhaps the closest Tarantino ever came to actually making a Marvel movie. The Jackie Brown filmmaker spoke with MTV in 2013 and dropped the bombshell he had once actively attempted to get a Luke Cage: Hero For Hire film off the ground. He claimed the idea for the project came very early in his career after he completed production on his directorial debut, Reservoir Dogs. That puts Tarantino’s pitch somewhere around 1992, nearly a decade before Blade, Spider-Man, and X-Men put comic book movies back on the map, and a lifetime before Netflix’s Luke Cage series made the character a household name. At the time, Marvel Studios had not yet been created, so Cage’s film rights were among the countless of their kind being bounced from company to company. As it turns out, however, Tarantino nailed down their then-owner, and a potential star, in a strong effort to get Hero For Hire made:
After ‘Reservoir Dogs,’ I had considered doing a ‘Luke Cage: Hero For Hire‘ movie. Ed Pressmanowned it at that time and we talked about it. And I talked with Larry Fishburne about being Luke Cage and he really liked that idea.
Quentin Tarantino
In the same interview, Tarantino explained that Hero For Hire fell by the wayside when the idea for Pulp Fiction grabbed his attention. As time continued to slip by, Hero For Hire suffered a quiet creative death. Much later, in a 2020 podcast interview, Tarantino added that some of his geekier pals were to blame for the Luke Cage film’s demise. Apparently, they felt dramatic actor Laurence Fishburne was not suited for the title role and had pestered Tarantino about casting action star Wesley Snipes instead. Never a fan of being told what to do, the director said this back-and-forth “ruined the whole damn thing”, despite Cage being his “absolute hero” at the time. Ultimately, Tarantino said he felt like he “made the right choice” in committing to Pulp Fiction as his second feature.
Silver Surfer
Around the same time, after Reservoir Dogs and before Pulp Fiction, Tarantino is reported to have written a full-blown script for a film based on Marvel’s cosmic mascot, the Silver Surfer. What’s more, he supposedly brought the script to German studio Constantin Film, who owned the rights at that point. In the early 90s, several creatives saw the immense potential in a Silver Surfer adaptation, but most studios – Marvel included – felt there was no money to be made in Silver Surfer on the big screen. The visual effects required to bring a movie like that to life were considered too expensive, and as a result, every attempt to develop a cohesive film was shot down. This, unfortunately, included Tarantino’s treatment, which was supposedly around 500 pages long.
Green Lantern & Iron Man
Years later, after superhero films had gained steam but prior to the Marvel Cinematic Universe’s emergence, Tarantino was offered two separate major adaptations from big-name studios. Green Lantern and Iron Man, both in varying stages of development in the late 2000s, were pitched to the Django Unchained director by their respective producers as his first tentpole picture. Obviously, he passed on both. While Tarantino has never publicly commented on his opportunity to bring Iron Man to life, which came at a time before the involvement of Robert Downey Jr. or any of the factors that eventually made it a huge hit, it likely came to him in a scenario similar to what he described for Green Lantern:
I was offered the ‘Green Lantern’. Not since it’s been a script, but just like, ‘Hey we own the ‘Green Lantern.’ Would you like it?’
Quentin Tarantino
Again speaking to MTV, Tarantino conceded that, by the time Green Lantern and Iron Man arrived at his door, he had fully grown past his phase of wanting to adapt other people’s material. He elaborated, saying if he were to ever make a superhero film, it would have to be something entirely of his own design:
It wouldn’t be an existing comic book character. I’m a writer. I’d want to use my imagination and not have to fight with geeks’ memories of how this character should be and, ‘Oh, I cast an actor as opposed to a bodybuilder’ or it’s not as good as the way Neal Adams drew him.’ If I were to do something like that, I would want the fun of coming up with the superhero myself.
Quentin Tarantino
With only one film left in his 10-film career plan, Tarantino will likely never make a superhero movie. Unless, of course, he decided he wanted to contribute to the trend, and use his imagination to show the current crop of directors how he thinks it should be done.
There have been many theories on what the future has in store for the Netflix Marvel characters. Not only did Charlie Cox and Vincent D’Onofrio returned to play their iconic characters from Daredevil, but they also got their very own series heading to Disney+ in 2024. With theories abound about others returning, it seems former Danny Rand, Finn Jones, is also down to return.
In an interview with ComicBook.com, the actor revealed that he’s definitely down to play the character from Iron Fist again. He even has an idea how he’d like to see him return and that would be in a TV series based around the Heroes for Hire, especially to get another chance to work alongside Mike Colter.
I would love to continue playing that character. I think there’s a lot of room for growth. Personally, where I would like to see the reintroduction of the character would be something like a Heroes for Hire TV series. I think that would be the most dynamic and fun way to reintroduce those characters. I loved working with Mike and I loved the on-screen chemistry between Danny and Luke. I think it’s a really interesting creative place that show can be taken in. I’d love to pick up that mantle again and keep moving this character forward and make the best possible Iron Fist there could be.
Finn Jones
Of all the Netflix series, it’s easy to say that Iron Fist was definitely the most controversial. Outside of the initial reactions to the casting, there were also a lot of discussions surrounding its quality, at least in its first season. Scott Buck infamously has a bad track record and concerns grew when he was set to showrun the first season; which he’d continue to prove with Inhumans.
It wasn’t until Raven Metzner took over in its second season that the project was given any momentum. It wasn’t able to give us a shot at more due to Netflix ending its deal with Marvel but it did leave the character in an interesting direction.
Yet, in an interview with The View, he revealed that it wasn’t more than just two former colleagues meeting up. While the Instagram post including the reference does add a lot more questions, it does seem they just live “really close to each other” and that’s what led to them bumping into each other.
You know, we live in a neighborhood really close to each other, and it’s funny, we bumped into each other at a strawberry patch that’s like an hour away, and we just happened to be in the same place hanging out with our kids. And I bumped into another actor who I did not know, who came up to me; we were talking and he’s like, ‘oh, you know Krysten [Ritter’s] here.’ And [I’m like], ‘Krysten?’ I thought they were friends. So then I texted her and she pops up in front of me and we start hanging out and let the kids play… I don’t know what’s happening with Marvel. I, you know, I loved working with her and really don’t know anything other than that. That’s it.”
Mike Colter
Mike Colter has been quite busy working on his series Evil, and it does seem like he might not have the time to make a grand MCU return. Yet, we’ve also had many theories in regard to other projects. So, we’ll have to see if he ends up surprising us with a sudden return in a future project.
Long before Marvel Studios started creating series set in the MCU for Disney+, there was Marvel Television. Marvel Television is now under the Marvel Studios banner, and the effects of that have been pretty clear. The Disney+ series, such as WandaVision and Loki, have been wholeheartedly welcomed into the greater MCU family. It only emphasizes how the previous Marvel TV’s connection to the universe is definitely unclear.
Marvel Studios had consistently steered clear of establishing television series outside of Disney+ originals as canon, the recent news that a “new” but “continued” Daredevil series is in the works at the streaming service. The often bitter debate about which or whether Marvel TV shows are canon is likely only about to get more heated. The easy answer is to enjoy the shows you like (if you like any), consider them headcanon if you want (or ignore them completely), and move on with your life until Marvel Studios ever wants to make it more clear.
But since many will still wake up every day and choose violence on Twitter instead, here are the Marvel TV shows ranked from best to worst. Marvel Studios can make any of these canon at any time (yes, I can hear those of you already yelling that some are), but will they? This list does not include the few shows originally made as part of the old Fox X-Men universe, nor the animated M.O.D.O.K. or Hit Monkey series.
1. Daredevil
Marvel’s ‘Daredevil’ (2015)
It is no surprise that Netflix’s Daredevil tops this list. The #SaveDaredevil crowd is celebrating the announcement of a Disney+ series for Matt Murdock. It certainly seems like canon territory for the original series, but it really is yet to be seen how the upcoming show might actually adapt the previous one so as to be formally part of the MCU.
But the fact that Daredevil is the first “revival” of old Marvel TV on Disney+ is a testament to the quality of the series. While never entirely consistent across its three seasons, the show features exciting action, violence that generally surpasses that in the MCU, solid performances by Charlie Cox and Vincent D’Onofrio, and a gritty emotional layer that films struggle to achieve.
2. Jessica Jones
Jessica Jones was made with the type of quality that Daredevil brought to the table. Krysten Ritter’s Jones was one of the first leading women in Marvel TV (Agent Carter premiered months before) and would have been one of the first in the MCU as well by years. She was not forced, and her struggles and traumas related to David Tennant’s chilling antagonist hit a tone that many were afraid to explore—especially at the time. The series also had plenty of upbeat notes with Jones’ personality, and the street-level detective work was a fresh addition to the Netflix Defendersverse.
3. Luke Cage
Luke Cage may not go down in history for nailing all of its storytelling elements, but the action-packed and star-studded show is a solid watch. But the series truly excels at putting the spotlight on Black experience and culture through both its subject matter and in the way the show was made, especially with music. One thing that Marvel TV was able to accomplish before the greater MCU was pushing boundaries of representation and actually developing a character within that perspective.
4. Agent Carter
Marvel’s ‘Agent Carter’
Yes, Agent Carter was canceled after two seasons on ABC due to low viewership. And the show was not particularly phenomenal. But where it did succeed is that it made sense as a piece of the MCU puzzle. It has been by creators more recently that the show was made specifically to be canon to the MCU, while others like Agents of S.H.I.E.L.D. may not have necessarily had that same attention. But the series kept Captain America: The First Avenger’s 1940s story going. It was fine. It had its charm and it stayed consistent. It never tried to do too much, which is a major problem with some other series on this list.
5. Runaways
As noted above, Runaways definitely felt like it was trying to do too much at times. The Hulu show came at a time when MCU fans started to get a bit tired of keeping up with shows that were beginning to feel less and less relevant to the film universe. But Runaways also felt like it was exploring a corner of the comics that Marvel TV and the MCU had not touched, and the focus on younger heroes certainly gave it a fresh perspective. Like other shows on this list, it pushed representation boundaries—particularly with LGBTQ+. The whole series might not be the most enjoyable experience, but the first season or so isn’t too bad.
6. Defenders
Something about the story and writing in Defenders really felt like a flop, but plenty enjoy Marvel TV’s first crossover event. It definitely came across as the Avengers of television, but it was nowhere near as cool. In any event, now that Daredevil is eyeing Disney+, that just begs the inevitable question of whether the Defendersverse as a whole is headed there with it.
7. The Punisher
I’m sure many would argue that The Punisher should be higher on the list. Marvel TV got arguably its darkest and most violent here, and it brought a very popular character to the screen. Plenty were not fully satisfied with the portrayal of Frank Castle, but some really appreciated the character development the show afforded him. But the show overall felt like a drudge through a relatively one-note anger fest with lots of guns. While maybe the point of the show, it could still be much better.
8. Cloak & Dagger
Cloak & Dagger has some meaningful moments filled with heart amongst a pretty forgettable series overall. Where it shined, it did well, but at the end of the day, it felt like another victim of ABC mediocrity, albeit on Freeform.
9. Agents of S.H.I.E.L.D.
Marvel’s ‘Agents of S.H.I.E.L.D.’
I will start by saying that Agents of S.H.I.E.L.D. has a dedicated fanbase that loves the show. I am very happy for them, enjoying stuff is fun. But listen, as someone who has watched the show due to the fact that it was the first Marvel TV show that half-promised it was in the MCU, it is so bad.
Of course, some moments across the bloated 7 seasons are naturally better than others. But watching this show was work. It fell prey to the ABC network television level of “meh” before the writing and story made it so nonsensical and ridiculous to the point where it is extremely difficult to understand how someone would like it. Considering where the series took itself, the likelihood of the show itself being canon to the MCU is so incredibly low. But if it is, I like the MCU less.
But there is no strong reason to think that none of the AoS characters or actors will make actual MCU debuts. The fanbase is odd but strong, so the MCU would naturally get some boost of morale if someone like Chloe Bennet’s Quake got a firm reboot somewhere.
10. Iron Fist
Iron Fist basically failed before it even tried to fail. But at no point did the series feel like it was trying to succeed. Jessica Henwick’s Colleen Wing managed to feel like a positive at the end of the day, but overall this show is known as one of the worst across the board. Still, it exists within Netflix’s Defendersverse, so it has some staying power.
11. Inhumans
Marvel’s ‘Inhumans’
Inhumans is Marvel’s most infamous failure. From premiering the first bad episodes in IMAX theaters to releasing the rest of the horrible episodes on television was just absolutely unredeemable. But Anson Mount’s Black Bolt made a multiversal cameo in Doctor Strange in the Multiverse of Madness, so the series is getting some renewed attention it does not need.
12. Helstrom
Honestly, does anyone know about this show? Apparently, the Hulu show suffered from a severe lack of marketing as well as not being good. It definitely debuted in that awkward space of late 2020 when Marvel Studios was gearing up to premiere its Disney+ slate. Marvel Studios took over Marvel Television while Helstrom was filming, meaning it was the last cry of Marvel TV that was too late to stop.
Only time will tell how Marvel Studios intends to use (or not) these shows, and Daredevil‘s “continued” series will be quite the eye opener as to how these properties could be formally integrated into the MCU.
Now that Daredevil’s new Disney+ series has been officially confirmed, it does add a lot of weight to what could happen with the rest of the Netflix Marvel cast moving forward. So, this news also adds to an Instagram post by Mike Colter and Krysten Ritter where the former included the captions “L.C. + J.J. = Big Tease” alongside hashtags of their characters and Marvel. Of course, with many theorizing abouttheir potential return alongside Charlie Cox, the photo definitely adds a spark of fire to those who believed they’ll also make their return at some point.
It definitely is a tease to get people hyped, and there’s always a chance that they just happened to run into each other. Of course, they may be working on some kind of project together. Luke Cage actor Mike Colter has been busy working on the Parmaount+ series Evil. Krysten Ritter is set to appear in the HBO Max project Love and Death, which is a miniseries where she’ll appear alongside fellow Marvel actress Elizabeth Olsen.
What seemed like a fun tweet between former co-stars has now become the feeding bed for many theories, especially witht he “big tease” inclusion in the Instagram post. It does open up the question where they might show up, but a private investigator would be perfect addition for a series like Secret Invasion, as Nick Fury needs someone off the radar to look into something for him. Luke Cage could still be running Harlem’s Paradise afte rhe chased out Mariah Dillard. So, who knows who might pop up there in a brief visit to Harlem.
While being surprised that the Marvel Netflix series wasn’t seeing an international release, they are slowly starting to roll them out in other countries. While there’s no official reveal on the official Twitter account, a Twitter user by the name of @almanaquedisney has shared a familiar visual to those that were hyped when the Marvel Netflix series were making their way to Disney+ stateside.
According to them, Daredevil, Jessica Jones, Iron Fist, and the rest of the Defenders will make their way to Disney+ Brazil on June 29th. They will also come with the same parental controls as the United States got with their initial release. There is currently still no word if it’ll also find its way to European countries around the same time, as there was a statement from the Netherlands that hinted at a June release. So, we might see a similar release date. The release has not yet been officially released on the official Twitter page and may have only been shared through a newsletter.
🚨🚨🚨🚨🚨🚨🚨
A Disney Brasil acaba de confirmar que as séries da Marvel Television que estavam na Netflix chegarão ao @DisneyPlusBR no dia 29 DE JUNHO.
Assim como nos Estados Unidos, nosso Disney Plus terá atualização no controle parental, permitindo conteúdos +16 e +18. pic.twitter.com/xhriKvrTXA
Here’s hoping an official statement drops soon, but the June release is motivating that the series will be made available for all Disney+ subscribers at some point. It’s still surprising that there has been a delay with an international release, especially as those countries with the Star branding already have a function age restriction service built-in. So, we’ll see if more countries get the announcement in the coming weeks.
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