Eternals has finally dropped and offered a new perspective on what mysteries lie within the cosmos of the Marvel Cinematic Universe. Its ending left us with more questions than answers, as multiple new storylines could pave the way to change the franchise as we know it. Chloé Zhao has recently teased that she has mapped out quite a bit with this film, and in an interview with ScreenRant, she continues to play coy on whatever effect and long-lasting changes we can expect from this film.
Huge, huge. I can’t say anything! I can’t say anything, but one thing I can say is that we knew going in that the origin of the MCU will be defined to a certain extent in this film by exploring the mythology of the Celestials, and we know this is going to have repercussions for the future.
Chloé Zhao
Those that have seen the film might remember that there are some noticeable changes to the world and some obscure hints on where certain characters’ fate lies. Yet, we still haven’t gotten a sequel announcement or even a confirmation where we’ll see them next. The film does end with the tease they will make a return, but it’s quite uncertain moving forward. Yet, the way she is actively hiding it might hint at her having a hand in shaping the MCU’s future.
The MCU’s Spider-Man films have had some dark moments but were mostly light-hearted. Now, he’s about to face his biggest challenge yet, as villains from other cinematic storylines are entering the fray. Not only is he about to face multiple villains, but he’ll also learn fast that they’ve already faced a Spider-Man before, especially with how Alfred Molina‘s Doc Ock seemed quite familiar with Peter Parker. In an interview with Total Film, Tom Holland highlights that this might be the darkest entry in the trilogy.
What people will be really surprised about is that it’s not fun, this film. It’s dark and it’s sad, and it’s going to be really affecting. You’re going to see characters that you love go through things that you would never wish for them to go through. And I was just really excited to kind of lean into that side of Peter Parker.
Tom Holland
It’s certainly an intriguing tease by the actor, especially with how this might push our favorite webhead to his limits. Of course, the actor also gets a chance to explore Parker in new and distinctive ways. He goes on to highlight:
Peter Parker is always someone who’s looking up. He’s always really positive. He’s always like, ‘I can fix this. I can do this.’ Whereas in this film, he feels like he’s met his match. He’s like, ‘I don’t know what to do.’ That was an aspect of the character that I’d never seen before, and I was really, really excited to try to tackle.
Tom Holland
It makes you worried about what it might mean for Parker and his supporting cast. In a way, it makes you wonder if he might face another tragedy in his life that continues to push him forward while forcing him to rethink what it means to be a hero. He already lost his mentor and is about to face an ever-changing universe.
Now, we all know what you’re thinking about with the title. So did Total Film when they sat down with Tom Holland to discuss his role in the upcoming Spider-Man: No Way Home film. Throughout the interview, it seemed that the actor almost let slip one of the worst-kept secrets in the industry. It didn’t help that when they questioned if he had to prove himself on set with the cast while pointing out rumors of Andrew Garfield and Tobey Maguire making the rounds, he said the following:
It was interesting having those guys come in because they have a certain ownership over Spider-Man in their own way”
Tom Holland
He naturally corrected quickly to point out he is talking about working alongside Alfred Molina, Jamie Foxx “and those guys,” probably alluding to the other rumored returning actors like the recently teased Willem Dafoe. Both actors are returning from very different types of films. Holland also points out how interesting it was to see them adapt to a new director and new Spider-Man, as they bring back these classic characters.
It means a lot to me. The first time you see Doc and the rest of the characters that come back, it’s so exciting – and it’s such a huge moment in cinematic history. It’s three generations coming together.
Tom Holland
His last point is certainly the highlight of what the film’s new multiverse direction is offering, as we get another chance to revisit characters we’ve come to love over the years. It’ll be interesting to see how the film explains their appearance and what it might mean for the character’s future in the Marvel Cinematic Universe. He did jokingly reference that no one would believe him if he continues to deny that previous Spider-Man actors are in the film, but laughs it off.
Sometimes things happen for a reason. There are castings that are hard to imagine being played by someone else, but others were you imagine what could’ve been. It seems that Kumail Nanjiani had quite a curious history in joining the Marvel Cinematic Universe. We now know him as the Eternal Kingo, but it seems he almost didn’t have the role. In an interview with the podcast My Mom’s Basement, writer Kaz Firpo pointed out that the actor didn’t initially join the project because he was already cast in James Gunn‘s Guardians of the Galaxy Vol. 3.
Little fun fact, we literally basically pitched from like the jump. We were like, we love Kumail, we love everything he pretty much has done, specifically Silicon Valley and what he is up to. And we pitched to the producers right from the beginning, like it’s got to be Kumail. They were like: ‘It can’t be because he’s got a role in Guardians of the Galaxy Vol. 3, James Gunn like has already written him into it so he can’t do Eternals.’
Kaz Firpo
Of course, as we all know things didn’t quite pan out for the third Guardians film early on and it got delayed indefinitely. Luckily, the wait has come to an end, as it just recently entered production. Sadly, the writer has pointed out that they don’t know what role exactly he had, but it’s quite interesting that Gunn wrote one with him in mind. Perhaps we’ll find out later down the line once we’ve learned more about the threequel.
You can watch the full interview on the topic here:
Once upon a time, Guardians of the Galaxy Vol. 3 was scheduled to hit theaters in May of 2020. As it turns out, if things go according to plan, we’ll see what director James Gunn has called the final chapter for this version of the team 3 years after that original date. It’s been a long time coming, both for fans and for the cast of the film, but production finally began on the film yesterday and, according to star Chris Pratt, the wait will be worth it for us all.
Following the first day, Pratt took the time to give some feedback on the first day via Instagram and left us wondering just exactly what went on:
We’ve heard several members of the cast describe the Vol. 3 script as emotional and with Gunn continuing to insist it’s the end of the line for this version of the team and indicating that it’s quite possible some members of the team won’t make it out of this one alive, it’s no surprise to see Pratt share those sentiments.
Films don’t always shoot scenes in the order in which they appear in the film and thank to Gunn, we know what cast members were on set yesterday, including newcomer Chukwudi Iwuji. Given Pratt’s comments and the presence of both Iwuji and Zoe Saldana (whose Gamora will probably need some time to be located and figure out her place on the team since she is the time-displaced version of the character), it’s possible the scene filmed yesterday could be one from later on in the film where one of the characters has met his or her fate. Pratt says the movie will be worth the wait and for now, we’ll have to take his word for it.
Guardians of the Galaxy Vol. 3 is currently scheduled to rock into theaters on May 5, 2023.
There’s been quite a bit of debacle if any Marvel Studios films would get a release in China, especially with the discussions surrounding Shang-Chi and Eternals. Both projects relied mainly on specific markets with the former even being a strong showcase of Marvel’s resolve to keep the original vision alive by denying edits of LGTBQ+ scenes for specific markets. Yet, it’s a comment by director Chloé Zhao that may be the catalyst for its exclusion. Still, it doesn’t mean they won’t ever release anything in China, as Variety reports that Spider-Man: No Way Home may get approval to release in the Middle Kingdom. It’s a big win for the film especially with how well Spider-Man projects have performed in the country.
A release in China is a big move for any project, as it adds that extra boost during the pandemic for a better box office showing. Ever since the pandemic started, the country has restricted its already limited availability by quite a bit. One of the highest-grossing films of the year is a locally produced one that was released just as theaters opened there. Given Spider-Man’s popularity, he’s very likely to leave an impact. Given all the theories, there’s a chance the film will leave quite a memorable dent in 2021’s box office.
Disney+ is uniquely expanding its offerings, as you’re going to be able to stream your favorite Marvel movies in a brand new format. To celebrate Disney+ Day, the streaming service is offering your favorite films, including the soon-to-be-released Shang-Chi and the Legend of the Ten Rings, in the newly expanded aspect ratio of 1.90:1. It’s quite the move by Disney to add a layer to their offerings with the service and will be available with a limited amount of films.
Black Widow includes around 22 minutes of IMAX shot sequences, which adds reason to rewatch the film once it is made available on November 12th. The current list of films with the newly expanded aspect ratio is the following:
Avengers: Endgame
Avengers: Infinity War
Black Widow
Ant-Man and the Wasp
Captain America: Civil War
Captain Marvel
Doctor Strange
Thor: Ragnarok
Shang-Chi and the Legend of the Ten Rings
Iron Man
Guardians of the Galaxy
Guardians of the Galaxy Vol. 2
It’s quite an extensive list and offers a reason for anyone that was looking for another reason to check out their favorite Marvel film. For now, it seems they are doing it mainly for their Marvel offerings, but we may see other films get the same treatment in the future. Disney is showing their fangs in the streaming wars and they are adding more pressure to the competition.
It’s been quite the wait but we finally got our first official look at the Spider-Man: No Way Home poster. It did accidentally drop early as a poster was noticed on the side of a bus, but it turns out the official poster took a different approach with its design. Not only did they add more elements teasing other villains that have been long rumored. Yet, while Jamie Foxx‘s Elektro is hinted with the lightning bolt and a sandstorm hinting at the return of Spider-Man 3‘s Sandman, it’s the most obvious inclusion that caught everyone’s attention. If you look closely into the background, Willem Dafoe‘s Green Goblin is hanging out in the background ready to tackle Spidey.
We got a brief tease of his pumpkin bombs from the original 2002 Sam Raimi film, but this is our first real look at his inclusion. Alfred Molina‘s Doc Ock took center stage in the initial trailer and promotional material, but his inclusion here might hint at the fact he’ll make an appearance in the second trailer. It’s unclear how big the role is, but his return has been teased since back in December when the first rumors started spreading about the various members of the film’s central group of villains. It’s still unclear how long we might have to wait until the second trailer releases, but we are certainly getting more hints at the main antagonists of this project. It’ll be interesting to see the dynamic between these different villains
Much has been said about the elaborate costumes in Marvel’s Eternals, especially in how they relate to the comic books that inspired them. While most of that discussion has been directed at the looks worn by the Eternals themselves, designed by the talented Sammy Sheldon, not nearly as many people have taken notice of Kit Harrington’s far more casual threads. The simple and stylish jacket-and-scarf combo is eerily reminiscent of Dane Whitman’s comic book Black Knight uniform, and it appears we have Harrington himself to thank for that.
In a recent interview, the British actor was asked about what it was like to dress for a superhero blockbuster. During his response, director Chloé Zhao chimed in to reveal some interesting information, as Harington joked that he had only to put on some regular clothes for the scenes in the film.
I mean, we let you do your own thing but you chose the colors from the comic books.
Chloé Zhao
It would appear that the former Game of Thrones was paying attention when researching his new MCU role, and it’s interesting to learn just how much input he had with his own character. Hopefully, we’ll get to see Harington suit up sooner than later. Until then, we can all admire the beautiful ensemble that he put together himself.
Eternals is confusing in how it comes across—somehow it could have both terrible and great moments in the same 30 seconds. The first third or so of the movie was, honestly, just not good. I don’t remember the last time I watched a MCU film for the first time and thought, “uh oh, this is bad.” But it picks up steam over time, and there are genuinely delightful moments of humor, action, and character focus. Personally, I thought Sersi and Ikaris were some of the most bland personalities around, so the film’s primary focus on those two definitely didn’t do it for me and weighed it down too much. There were phenomenal emotional moments between some characters throughout, but they were few and far between. Phastos, for example, has some incredible interactions with Ikaris in the climax, but it mostly felt like it came out of nowhere. I do think that there were too many things going, and not much was given enough attention to allow it to be great. Still, I am excited about a lot of the MCU elements that Eternals brought, including Celestials (visually, they were so stunning that I would have watched two and a half hours of them just hanging out), several of the Eternals themselves (my favorites going forward are Makkari, Druig, Phastos, and Kingo), and the expansion of the cosmic MCU overall. At the end of the day, I would not say it’s a “good” movie—there are too many forced, cringey, and otherwise bad moments compared to the good ones. But I’m still pretty happy with how Eternals fits in the MCU and the new material it gave us.
Filip Manka
Eternals opened a new chapter in the MCU that exudes freshness and uniqueness in terms of content delivery. Chloé Zhao confronted the myth of superhero, or in this case, God, by deconstructing and reinterpreting certain beliefs and myths. Zhao crafted a love letter to the world and humankind that also serves as a warning against our self-destructive nature, placing the film in the context of global issues such as climate change. Despite the narrative and script problems, Eternals will stay in my heart for a long time by its balance between scale and momentousness, and intimacy and proximity.
Nathan Miller
I loved Eternals! I can see that it isn’t a typical Marvel Studios film, and that’s OK. Part of the beauty of a cinematic universe is that teams can try out different things and still have the space to develop them. I thought it was brilliant and showed a continuing evolution of the studio, that there were no outright binary evil villains, but rather just different perspectives on the matter at hand. I adored the hope in the message of needing to band together collaboratively to prevent ecological devastation. The performances of the actors really played into this element. It’s clear that Sersi is burdened by the beauty of humanity, with her first line, in contrast to Ikaris’ stoicism. Chloe Zhao’s framing of shots and the lighting adds to the mythological feeling of the film. I’m really looking forward to how the film changes the MCU. On one hand introducing 10 lead characters is a lot, but on the other hand that is again the beauty of a continuing universe that we will visit them again. Perhaps we can change our expectations somewhat to align with this, and in that way Eternals is changing cultural expectations of cinema. It would be brilliant for Marvel Studios to follow through on this forward charge by announcing a green-lit sequel sooner rather than later!
DA Osorio
The fight between Ikaris and the Eternals? Really great. Marvel doing super speed, and a fight between a speedster and a God, better than DC has ever done it? Amazing. The first half was a lot of mythology and deep Marvel cuts, and a GRC mention puts it at the same time more or less as FWS. That helps set this apart from Shang Chi, IMO, in the sense that the parts in the US didn’t seem to be connected to the rest of the Earth MCU (not a knock, just an observation). Thor knowing them was cool too, and I wonder if we are going to find out that the Asgardians were also created by the Celestials like they are in the Ultimates. I’d give it a 8/10. Kro was whatever, and some of the deviant designs weren’t great, and I don’t love them being advanced robots, but man, there was a lot of good there.
Also: Mahershala Ali making his debut, with the Ebony Blade being tied to Dracula and Moon Knight, means that we are on the road to a version of the Midnight Sons. You know what I’d like? For them to go with Alejandra Jones’s Ghost Rider (she’s the female Ghost Rider), and be called the Avengers of the Supernatural instead. Either way, Eternals was very good.
Hunter Radesi
Marvel’s Eternals is an absolutely beautiful, earnest jumble of thoughts and ideas. The film gets off to a bumpy start, with a first act that tries to cram a plethora of characters and information into a total runtime that could have lasted over three hours. However, once the movie is allowed to hit the points it’s really trying to make, it begins to tell an epic story of humanity through the eyes of gods in a way only Chloé Zhao could muster. Ultimately, the film is imperfect and awkwardly paced, but a worthy and welcome addition to the zeitgeist of Marvel’s modern blockbuster.
Joseph Aberl
Eternals is a strange piece to me. It’s far from what we are used to from Marvel Studios, as it’s less about a bombastic setting but rather explores a more personal story in a larger setting. The lore and exploration of history are curious, but most everything is in service of character. The film is less a Marvel movie but an indie film with a blockbuster coat. It avoids linear storytelling to explore history in service of character rather than to build up to its end goal. In a way, it’s also its biggest fault, as revelations are giving less weight besides a large info dump. There are fewer highs in this that could mask its early troubles and the characters don’t earn their revelations. On the one hand, it plays into the story’s structure about a “higher purpose” which is more poignant in the finale than early on. What truly makes this film work for some and not others is dependent on your interest in the characters. The film takes more nuance in making you care for them than their actual journey, especially evident in the Emergence’s lack of a “timing.” We know it’s happening but not when or where until we enter the confrontation. The investment in these characters overshadowed this issue and made it quite a visually captivating and new take on heroic deconstruction.
Joao Pinto
Personally, Eternals is the MCU’s most intriguing entry to date. By only having watched it once, I’m trying to allow myself to go beyond my immediate response to the movie, which wasn’t all that positive. I’m now expecting to have a more definite opinion in the coming days after going back for more viewings. All things considered, I do believe it did way more things right than what it might have done wrong. The cosmology of the MCU has been reshaped in a way that I simply adore, opening the doors for the MCU to finally become a proper Universe in and of itself. At the same time I’m not completely sold on the pacing when introducing a dozen new characters and their relationships over millennia, all while world-building within such a large scope. At the end of the day I’m still highly intrigued by what might come next for these characters and the MCU as a whole, meaning Eternals accomplished what every entry this franchise has to see as a win: it kept audiences engaged and wanting more.
Arlyn Murphy
When I watched Eternals for the first time I was like “WHOA”. I honestly felt that it was a little too god and goddess-y for Marvel. I also felt that some of the characters were out of place, including, Angelina Jolie and Barry Keoghan’s Thena and Druig. In the end, I just didn’t connect with them; however, I connected with Sprite and Kingo who both made me laugh so many times. If I were to rank this movie in comparison to the other Marvel Studios’ movies, it would probably be right in the middle. I liked the story line, however, there was a lot of information in the movie and I feel as though it was just all crammed in. On the other hand, it had great introductions to the all of the new characters, some of whom I would like to see again and others…not so much.
Charles Murphy
After my first screening of Eternals, I felt a lot of frustration. Frustrated at the changes made to the origins of the Eternals; frustrated at the changes made to and the use of the Deviants; frustrated at some editing choices that took me out of the film. Outside of those frustrations, I was also really disappointed in some of the performances in the film. Angelina Jolie’s performance tops the list of ones that I wish I could forget, closely followed by Salma Hayek. Jolie seemed to be there just to pose and smolder while Hayek’s expressionless face belied the allegedly maternal emotions of the character. At times I could argue that Arishem emoted more than Ajak. Fortunately, these performances were balanced out by the rest of the cast. Kumail Nanjiani was brilliant and the Bollywood scene is among the high points of the film; Richard Madden played Ikaris as the arrow he is described to be; and Lia McHugh delivered an adult-sized range of emotions to the role.
Following my second screening, it was clear that while the many of the problems remained the same, the film is less problematic than I originally believed it to be and I found myself less frustrated and enjoyed it quite a bit more. I originally thought it moved along great until the flashback around 35 minutes in (Tenochtitlan) and attributed the decision to flashback again there to taking me out of the film. In truth, that flashback isn’t the problem. It’s a huge part of the overall narrative as it explains Thena’s memory loss and why the group drifts apart. In my second screening, I realized it wasn’t the story that lost me but the really uninspiring performances by the two actors who shared the bulk of that chunk of the film: Jolie and Barry Keoghan. In fact, if the really wanted Druig to put Tiamut to sleep, they could probably just show him that part of the film and be done with it. At no point during the film, did either one these actors elicit any sort of emotion from me other than an eye roll. I’ve read criticisms that there are too many characters and while I can agree with that to an extent, I think some of that might be lessened if the people portraying them made them interesting.
Chloe Zhao did do something magnificent here. This film’s scale was not too big for her, as some have said. She weaved a fascinating narrative against an incredibly beautiful backdrop. She explored the bonds between us that can just as easily form as they can break and the hold that memories can have on all of us. She wrote the earliest chapter of the history of the MCU and wow did she deliver on the size and scope of the Celestials; not just physically, but in who they are and what they do (I was thrilled to see them adopt the Earth X plot, which I guessed they might way back when). At the end of the day, it seems like she checked a lot of boxes but, as the director of these actors, missed one big one: getting solid performances out of all of them. This isn’t a top-tier MCU film, but I think it might end up being something like Avengers: Age of Ultron in that after a few years, it’ll be one to revisit and might look like an entirely different film. Zhao had a Herculean task here in not only telling the tale of the MCU’s entire past but also setting up a huge chunk of its future (including two great scenes in the mid and post credits, one of which is top 5 of its kind in the MCU); she did an admirable job on the first part and only in time will we be able to truly judge how she did with the second half of that task. While I didn’t love Eternals, I fully support Zhao’s return for the sequel.
Megan Murphy
Before watching Eternals I assumed that I would be diving into another team like the Guardians of the Galaxy or the Avengers, however, the plot of this story was much different. To start off, I think that the drastic timeline and different events that took place within the movie were a good way to incorporate real history into the MCU, but I also think it took away from the actual Eternals. When watching the movie I was more drawn into the plot and the setting of the movie than the characters. I believe that characters such as Thena and Druig could have had a much more present role in the movie because of the extent of their powers and what they are capable of doing. I also thought that the way the Eternals were portrayed was a little too much ancient Greece and not enough MCU. On the other hand, the way that Sprite was turned into a human was a very good addition to the end of the movie. With this action, in later movies we might be able to find Sprite to be a more influential character if she is able to be more comfortable as an adult. Overall, the Eternals was much different then the average Marvel movie but had a little too much going on to really understand the characters.
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