Murphy's Multiverse

Tag: Marvel Studios

  • ‘Thor: Love and Thunder’: Post-Credits Scenes Explained

    ‘Thor: Love and Thunder’: Post-Credits Scenes Explained

    Marvel Studios has returned with another movie, which means another round of exciting post-credits scenes that fans can theorize on for years to come. Thor: Love and Thunder, like many of the Marvel Cinematic Universe films before it, features two extra tags at the end of it’s runtime. The first of these teases continues the tradition of introducing surprising new characters after the credits roll, while the second brings back a familiar face to put a nice little bow on the fourth Thor story. As always, there’s quite a bit to break down, so sit back and relax your brain while we do the work and explain what exactly is going on in those signature Marvel stingers.

    Enter: Hercules

    Well, if you’ve made it this far, you probably already know that Brett Goldstein is Marvel’s Hercules. About halfway through Love and Thunder‘s credits, the Ted Lasso star pops up as the Greek Prince of Power in a surprise reveal. The scene acts as a continuation of an earlier sequence in the movie where Chris Hemsworth‘s Thor confronts Russell Crowe‘s Zeus for refusing to act on the rise of Gorr the God Butcher, a conversation that would ultimately result in Zeus’ very public humiliation in Omnipotence City. After the chat between both Thunder Gods turns sour, a physical conflict begins, and Thor’s best buddy Korg is seemingly struck down by Zeus’ powerful lightning bolt. Korg turns out to be alive, but that doesn’t stop an enraged Thor from catching Zeus’ next bolt and chucking it right back to where it came from. The bolt goes through Zeus’ chest, and the renowned leader topples silently from his regal perch.

    The mid-credits scene lets the audience know that Zeus is not dead, but is instead plotting his revenge on Thor while recovering from his wound. To do this, he enlists the aid of his son, Hercules. Following a dramatic monologue in which Zeus laments the lack of fear modern mortals have for gods, he asks Hercules to find Thor and prove that the gods are still a force to be reckoned with. The camera then cuts to Goldstein standing up in full comic book Hercules attire, complete with flowing chest hair and his fun little club weapon.

    The character has long been rumored to be making his MCU debut in Phase Four, and Love and Thunder was such a perfect place for the entrance to happen it’s almost shocking it didn’t occur in the main story. In the comics, Hercules has encountered Thor many times, at first as an enemy but eventually as a longtime friend. When the two first meet, Thor is searching for Olympus alongside his brother Loki on a mission of peace, but Hercules’ natural desire to prove his strength leads to initial conflict. In fact, the concept of Herc and Thor duking it out to prove who is stronger would become a recurring thread in their relationship. Despite actually becoming quick pals, a friendly rivalry would remain for the rest of their days. As Herc himself would eventually say in Tony Isabella‘s Champions #1; “Whatever Thor canst do – Hercules can accomplish more mightily!“

    The MCU’s introduction of the character implies a potential Thor 5 plot might revolve around Hercules and the Greek gods clashing with Thor and his Asgardian comrades. However, as previously mentioned, these two entities are often more in line with each other than they are in opposition. Not long after Hercules meets Thor, the former is tricked by the Enchantress into visiting Earth and attacking the Avengers. He’s swiftly snapped out of it, but his actions anger Zeus and, like Thor before him, he’s banished from his home on Olympus and forced to live among the mortals. Hercules then becomes an on-and-off member of the Avengers, later co-founding his own team called the Champions, and creating a new life for himself on Earth and pulling away from the Hercules known in Greek mythology.

    Perhaps the post-movie setup is actually for a future team-up where Hercules attacks Earth’s Mightiest Heroes before having a change of heart, ultimately being banished by Zeus for not fulfilling his mission and becoming a regular mainstay of the MCU Avengers. Or, maybe, his assault on Thor will only last briefly, before the two partner up to take on a bigger threat. The duo have confronted massive villains like the Chaos King Amatsu-Mikaboshi and Herc’s Uncle Pluto together in the past. There’s a good chance one of those baddies lines up against the “God Squad” of Herc and Thor in another solo adventure down the line.

    Valkyrie: Jane Foster

    Once the credits have been completed, fans are treated to a short scene that could serve to either wrap up Dr. Jane Foster’s MCU story or open the door to an entirely new chapter. In Love and Thunder‘s final moments, Jane uses a crumbling Mjolnir to entrap the blade of Gorr’s God-slaying sword and destroy it for good. This effectively defeats the God Butcher and saves the lives of all gods, but it also robs Foster of the only thing keeping her alive. After her sacrifice, Jane dies contently in the arms of Thor, knowing the universe has been made a better place for everyone. The post-credits reveal that Jane, having died an Asgardian hero, has been granted access to an afterlife in Valhalla.

    She’s welcomed to life-after-death by Idris Elba’s Heimdall, who previously perished in battle against Thanos and the Black Order. He’s happy to see Jane, who saved the life of his son after he was kidnapped by Gorr, and welcomes her to a post-mortem existence as both a warrior and a friend. The pair walk off together, gladly embracing whatever Valhalla may have in store for them. If Marvel so chooses, this could be the perfect ending to the tale of Jane Foster, especially if actress Natalie Portman decides she’s done with the superhero gig forever. However, it could also be teeing up an adaptation of a very recent comic run from legendary Thor scribe Jason Aaron.

    Still ongoing at the time of this publication, Valkyrie: Jane Foster tells the story of Foster after she loses the power of The Mighty Thor. Forced to sacrifice a crumbling Mjolnir in a last-ditch effort to save the universe, Jane is blessed with the powers of a Valkyrie and becomes the first in a new generation of Asgard’s most elite group. She then accepts help from a recently deceased Heimdall, ultimately using her newfound abilities to aid a grieving Thor and take Heimdall’s spirit on one last adventure through the multiversal afterlife. Sound familiar? Love and Thunder establishes a close friendship, and possible romance, between Foster and Tessa Thompson’s Valkyrie. It’s not far-fetched to think Val might find a way to bless Jane with Valkrior power in a future MCU project, and the post-credits scene perfectly sets up the new friendship between Foster and Heimdall. If Portman and Elba are both down for another outing, this story could be adapted as a sub-plot in Thor 5 or as a Valkyrie spin-off series on Disney+. After all, Kevin Feige and company really do love their series spin-offs these days.

    Source: Marvel

  • First Look at ‘X-Men ’97’, ‘Marvel Zombies’ and ‘What If…?’ Season 2 Confirmed for SDCC

    First Look at ‘X-Men ’97’, ‘Marvel Zombies’ and ‘What If…?’ Season 2 Confirmed for SDCC

    We were all quite surprised when Marvel Studios announced its return to San Diego Comic-Con this year. Not only were D23 and Disney+ Day on the horizon, but the last time they visited the event is when they showcased their Phase 4 plans. Now, it seems that they won’t just have their iconic Hall H showcase, but also confirmed that there will be an additional showcase for their future animation projects.

    On the official SDCC website, the schedule has arrived for Friday, July 22nd. From 11.45 to 1.15 PM, they will seemingly have a panel hosted by Brad Winderbaum, Marvel Studios Head of Streaming, Television, and Animation alongside Visual Development Head Ryan Meinerding. They also tease that there will be special guests. Yet, the big thing is the confirmed exclusive first looks at What If…? Season 2, X-Men ’97, and Marvel Zombies. They also tease that more is coming as well.

    It’s surprising they aren’t highlighting the only other confirmed MCU tie-in show, Spider-Man: Freshman Year. They’ve been working on it for quite a bit but it seems like the series might not release for some time. Of course, they might be keeping that project close to their chest as it’ll act as a prequel to Tom Holland#s run as the character, but it’s uncertain if he’ll return to voice himself given he’s technically signed under Sony and not Marvel Studios. With special guests teased, it would be quite a great surprise if they managed to make it work.

    Source: Comic-Con

  • ‘Thor: Love and Thunder’ Off to a Godly Start at the Domestic Box Office

    ‘Thor: Love and Thunder’ Off to a Godly Start at the Domestic Box Office

    Thor: Love and Thunder kicked off its opening weekend with a tdlyhunderous night of previews. The fourquel reportedly earned $29 million from Thursday previews, making it the second-best preview figure of the year behind another Marvel Studios flick, Doctor Strange in the Multiverse of Madness. That film, of course, pulled in $36 million from Thursday previews when it opened back in May.

    While Love and Thunder’s preview haul didn’t quite reach the heights of the Multiverse of Madness, $29 million was enough to serve as the fifth biggest preview night for a Marvel Cinematic Universe title. Other movies to earn more during preview nights were Avengers: Endgame with $60 million, Spider-Man: No Way Home with $50 million, Avengers: Infinity War with $39 million, and Multiverse of Madness. Recent projections had the film set to open between $140-$160 million stateside with an overall $300 million worldwide opening projected. 

    It remains to be seen whether critics impact the film’s overall box office performance, or if word of mouth helps to boost the film. After all, while critics have don’t seem to care for the film, audiences are responding to the latest Thor film much better with a current 85% audience rating on Rotten Tomatoes.

    It is of note, though, that Love and Thunder’s preview haul was double that of Thor: Ragnarok’s back in 2017. That film brought in $14.5 million during its Thursday previews with the movie reaching $46.4 million on its opening day.

    Thor: Love and Thunder is now playing in theaters.

    Source: Deadline.

  • ‘She-Hulk: Attorney at Law’ To Have Amie Doherty as Composer

    ‘She-Hulk: Attorney at Law’ To Have Amie Doherty as Composer

    She-Hulk: Attorney at Law has found its composer.

    Amie Doherty will be the composer for the upcoming Marvel Studios series on Disney+, She-Hulk: Attorney at Law. Some of Doherty’s work includes Spirit Untamed, Undone, Happiest Season, The High Note, Battle at Big Rock, and Here and Now.

    The series will be the studios’ first foray into legal dramas and features Tatiana Maslany as Jennifer Walters, the cousin of Bruce Banner, as she traverses through her life as a single attorney in her 30s — all while she deals with being a green six-foot-seven-inch superpowered being. Mark Ruffalo will guest star as Smart Hulk. Tim Roth also makes his return as the Abomination after a brief appearance in Shang-Chi.

    Jameela Jamil, Josh Segarra, Ginger Gonzaga, Jon Bass and Renée Elise Goldsberry also star in the nine-episode series.

    Jessica Gao served as the head writer on the show. She is also listed as an executive producer on the project alongside Marvel Studios titans Kevin Feige, Louis D’Esposito, Victoria Alonso, and Brad Winderbaum. Also earning an executive producer credit is Kat Coiro who directed episodes of the series along with Anu Valia.

    Additionally, Doherty will be a participant in the film/TV composer panel Musical Anatomy of a Superhero at San Diego Comic-Con later this month. One can hope that she will briefly discuss her role on the series there.

    She-Hulk: Attorney at Law premieres on August 17.

    Source: Film Music Reporter

  • Daredevil, Kingpin Confirmed to Return for ‘Echo’

    Daredevil, Kingpin Confirmed to Return for ‘Echo’

    Rumors have swirled for quite some time, but now it’s official. Charlie Cox and Vincent D’Onofrio are returning to reprise their roles as Matt Murdock and Wilson Fisk, respectively, in Marvel Studios Echo.

    When Marvel Studios confirmed the cast for Echo back in May, many fans were quick to note the absence of both Cox and D’Onofrio. However, as is often the case, the initial casting announcement only included a handful of cast members: Alaqua Cox as Echo, Devery Jacobs (ReservationDogs) and Graham Greene. Joining them will be Chaske Spencer (The Twilight Saga), Tantoo Cardinal (Wind River), Cody Lightning (Four Sheets to the Wind), and Zahn McClarnon (Reservation Dogs), reprising his role as Maya’s dad, Willie Lopez. It is currently unknown how many episodes the actors will appear in, however, they are also rumored to be joined by former Defender, Krysten Ritter, who has long been rumored to reprise her role as Jessica Jones. Interestingly, while THR does address the Ritter rumors, the outlet does not confirm or deny her potential appearance in the series.

    As for how Cox’s Matt Murdock/Daredevil will be incorporated into the series, THR reports that Echo is set to feature a plotline in which Daredevil is on the search for a former ally. Cox starred in all three seasons of Daredevil and also starred in the team-up series, The Defenders, while D’Onofrio played Wilson Fisk on Daredevil for all three seasons.

    Cox most recently appeared as Matt Murdock in Spider-Man: No Way Home, while D’Onofrio recently appeared alongside Alaqua Cox in Hawkeye. Production on Echo has been underway in Atlanta since May. As of now, Echo has no release date.

    Source: THR

  • ‘The Walking Dead’ Cinematographer Joins Sony’s ‘Madame Web’, Hints at Marvel Studios’ Involvement

    ‘The Walking Dead’ Cinematographer Joins Sony’s ‘Madame Web’, Hints at Marvel Studios’ Involvement

    Sony has been busy preparing work on their upcoming Madame Web film, which will see an all-star cast consisting of Dakota Johnson, Sydney Sweeney, Emma Roberts, and Isabela Merced. Jessica Jones‘ S.J. Clarkson will spearhead the project and direct the film based on a screenplay by Kerem Sanga, Matt Sazaa, and Burk Sharpless. Now, it seems that The Walking Dead cinematographer Duane Charles Manwiller has not only confirmed his involvement but added someone else’s as well.

    Manwiller has seemingly added to his Instagram account that he is actively working on the latest Spider-Man spinoff film from Sony that will likely not feature the webhead. After Venom, Morbius and the still in-production Kraven the Hunter, Sony has been trying to get its own franchise running. Yet, which might surprise many, Manwiller may have hinted that Marvel Studios is also involved with the production.

    There have been rumors that Olivia Wilde‘s unconfirmed Spider-Woman film would also be co-produced by Marvel Studios, as she hinted at Kevin Feige‘s involvement. Perhaps he’s started taking a more active role in these projects, but there’s no real confirmation on how the project will come together. If it is indeed under Marvel studios’ umbrella, we’ll likely get the logo included with the official reveal. Yet, there’s also a chance he simply added it in as it seemed to be part of the co-production that Tom Holland is leading.

    Source: Instagram

  • REVIEW: ‘Ms. Marvel’ Episode 5—”Time and Again”

    REVIEW: ‘Ms. Marvel’ Episode 5—”Time and Again”

    In typical penultimate episode fashion, Ms. Marvel’s “Time and Again” spends the thrust of its runtime in 1940s India following the mysterious Aisha. On some level, the episode did what was somewhat expected of it—the viewer got to see the entire “last train to Karachi” story that the series had been hinting at since the second episode. So much of Kamala’s story and super-origin rest on Aisha and her death, so watching it play out resonated on another level than dealing with it through exposition. While every moment of the episode had the potential to reveal an answer to a major question, it was almost surprising how little the audience’s understanding has changed by the end of Episode 5. The episode is another prime example of phenomenal storytelling by the series, but it is the first time it has felt somewhat frustrating in the lack of details and foundation. The rushed Clandestine demise also opened up the door for a very uncertain and unpersuasive final adversary for Kamala. Considering Marvel Studios’ Disney+ track record, the fact that so much is seemingly left for Ms. Marvel’s finale is as nerve-wracking as it is exciting.

    And the larger flashback sequence was beautifully human, even with freckles of Najma and bangle treachery sprinkled in. It invoked pure warmth and love between Aisha and Hasan, and the family stronghold of Ms. Marvel has proven once more to be one of its most expertly crafted elements. Not only was the human element noteworthy, but Marvel Studios took a (relatively) bold step into depicting the real historical world events of Partition. While Captain America: The First Avenger certainly brought a campy, sanitized, and fantasized version of World War II to the table, Episode 5’s portrayal of Partition and the events surrounding it is a far cry from what the Marvel Cinematic Universe has been willing to acknowledge before.

    Even though “Time and Again” undoubtedly tread the path of resolving the underlying mystery of Kamala’s powers, it somehow left even more questions to be answered. Most significantly, Kamala clearly did some version of time traveling to lead Sana back to her father. Such an act has countless and far-reaching potential consequences in the MCU, yet it is not explicitly confirmed or further explained in the episode. It potentially answers the question as to where the second bangle is—Kamala brought her own into the past—but that still is far too uncertain. Sana’s comment that, while everyone would love to know what is going on, is simply just the product of two people in love making something bigger than themselves, is a bit concerning for those wanting answers. That note almost seems to signal that the finale does not intend to fully flesh out the inter-dimensional elephant in the room, which is frustrating.

    The “veil” breakdown toward the end of the episode, unfortunately, fell a bit flat for a similar reason. The Noor Dimension had been built up as the driving plot device and, in a way, adversary. It seems to have come and gone quickly with little explanation for why it opened up a portal in the first place. Moreover, Najma having the ability to close it and transfer completely out-of-nowhere powers to Kamran also invokes far more questions in a series that previously felt like it carried just the right amount of secrets.

    Still, the ups and downs of Episode 5 were genuinely entertaining. While Ms. Marvel has not reinvented the MCU wheel, the edge-of-your-seat feeling during the train station scenes and the longing for answers is a happy consequence of the series’ ability to tell a moving, gripping, and intriguing story. While this penultimate episode maybe did not provide the number of surprises expected or hoped for, the thrill of the ride thus far is, for the most part, unmatched in the MCU.

    Overall, “Time and Again,” is immensely enjoyable as its own story, but it manages to be frustrating in how much it holds back. The MCU series are notorious for rushed and forced-feeling finales, and where this episode leaves off is not particularly encouraging in that context. It is unclear if the ultimate villain is supposed to be Damage Control (which we have not seen do anything of substance or character since Episode 2), or if Kamran will keep the Clandestine adversarial line afloat. Either way, neither of those two options make much sense going into the finale, particularly since Kamran’s status has been so consistently fluffy as to have no real impact. 

    The Ms. Marvel finale certainly has a lot of work to do to wrap up what has so far been a very satisfying series. If a second season lingers, it would make sense that so much still feels unsettled. But if Kamala’s bangle and powers are not legitimately explained in the final episode, the series will be leaving itself a hole considering the gradual reveal has been the most enjoyable part of the series’ plot by far. 

  • EXCLUSIVE: ‘Ms. Marvel’ Director Teases More Reveals About the Clandestines

    EXCLUSIVE: ‘Ms. Marvel’ Director Teases More Reveals About the Clandestines

    Since first meeting Najma and the Clandestines, the audience (and Kamala Khan) have learned an awful lot about the other-dimensional beings…and not all of it has been good. They’ve gone from a stranded family to a group of exiled refugees willing to destroy Earth in order to return home. The audience has heard their side of the story; the audience has heard Waleed’s side of the story. With Aisha’s side of the story still yet to be told, we asked director Sharmeen Obaid-Chinoy if we could close the book on the Clandestines as villains, or if there might be more to the story.

    I think you have a lot left to uncover about who these people are and what their desire is and what they want to do. I will say this, that it was so important for us to sometimes look at villains as people of circumstances and that not all villains are black and white, that there are shades of grey in that. I think that with the Clandestines, there is a lot of grey.

    Sharmeen Obaid-Chinoy

    As with any good villain(s), allowing the audience to empathize with them can go a long way. By drawing parallels between the Clandestine and the millions of people displaced in the Partition, the team of directors behind Ms. Marvel is creating a fascinating bit of cognitive dissonance in the audience and forcing them into some uncomfortable places.

    Episode 5 of Ms. Marvel, which will likely resolve some of the untold bits of the Clandestine’s story, will stream on Disney Plus tomorrow.

  • REVIEW: ‘Thor: Love and Thunder’ Is a Comic Book Come to Life

    REVIEW: ‘Thor: Love and Thunder’ Is a Comic Book Come to Life

    When superheroes first became a fixture on the big screen, they were saddled with a pretty specific caveat. Studios seemed to believe that if these movies were going to land with the mainstream culture, they had to find a way to ground themselves in reality. Cartoonish oddities would only be allowed if they were coated by some form of gritty, down-to-Earth paint job. Whether it be swapping colorful spandex for solid black leather or trading the Batmobile for a speedy tank, the unwritten rule was that comic book movies should not actually feel like comic books. On July 7th, when Thor: Love and Thunder hammers its way into theaters, audiences will learn this is no longer the case.

    One of the best sketches to come out of Key & Peele‘s impeccable run was ‘Gremlins 2′ Brainstorm, in which Hollywood’s greatest “sequel doctor” raids the creative meeting for Gremlins 2 and radiantly exaggerates every idea the writers have. “What about a brainy Gremlin?,” one scripter asks. The doctor replies excitedly, “You’re talking about a Gremlin with glasses who can talk and sing ‘New York, New York’? That’s brilliant. It’s in the movie. Done.” This is how I imagine the writers’ room for Love and Thunder played out, but with Taika Waititi at the helm instead. The level of absurdity that the film operates on suggests that the famously eccentric writer/director never encountered an idea that he wasn’t able to use. It’s Ragnarok on steroids, filled to the brim with vibrant hilarity, energetic chaos, and ball-breaking action.

    Most importantly, however, it feels like watching a comic book. Marvel Studios has spent the past few years dipping further and further into full-blown funny paper territory, and the fourth Thor may be the project that has finally put the studio over the edge. Fans have known since the release of the film’s early trailers that several shots during its runtime are lifted directly from the illustrated page. Yet, it’s the essence of nonconformity that really sells the schtick. There’s a certain emotional freedom that comes with watching a movie so completely free of expectation. Of course, no direct adaptation can exist without some degree of presupposition, it’s just that Love and Thunder doesn’t care what logic says it’s “supposed” to be. It simply lives as itself, and viewers will be better off surrendering to the magic of the moment than they will be trying to fight it off.

    The title, Love and Thunder, has more than one meaning, which will become apparent to fans by the time the credits roll. Taken literally though, the titular nouns represent the two main aspects of the film. “Love,” for the central plot concerning the protagonist’s growing dependence on his own emotions, and “Thunder,” for the absolute exuberance emitted from every scene. The backbone of the movie is composed of “Love,” which is why it works as well as it does. Always present amongst the madness is a central theme connecting it all back to an admittedly endearing sense of humanity. Fantasy is fun, but it can’t work if it isn’t somehow relatable. It’s the “Love” that permits the “Thunder” to continue rolling, and roll it does. Thor, Mighty Thor, and their supporting cast have never been funnier or, simultaneously, cooler than they are here. The action is often creatively jaw-dropping, and the project’s unending well of energy means you probably won’t find a good time to use the bathroom.

    Adding to the joy is the movie’s cast, arguably the only ones having a better time than the viewers themselves. Chris Hemsworth, who was once ready to throw in his godly towel, appears to be more comfortable in the role than ever, and Natalie Portman, who really did once walk away from the franchise, no longer seems to be playing Dr. Jane Foster against her will. The actors also suddenly have genuine chemistry with each other, something that was never present in their previous interactions, perhaps as a result of both actually wanting to be there. Tessa Thompson is a predictable delight, portraying a more developed Valkyrie than we’ve seen before. It’s truly a feat when a performer can be in the majority of a movie and still leave the audience wishing she was around for more.

    In actuality, though, it’s likely Christian Bale‘s scene-stealing Gorr the God Butcher who deserved more screen time. The villain isn’t in a ton of the film, even if his presence is always looming over the general merriment, and that may be the story’s greatest weakness. Nevertheless, when he is on screen, the Academy Award winner demands to be watched. Bale plays the character with an unexpectedly terrifying glee. His menacing, sickening smile, combined with an intensely threatening aura, makes for one of the more intriguing Marvel Cinematic Universe baddies in recent memory. Gorr’s motives take up the recent trend of superhero antagonists with a tinge of sympathy, but make no mistake, he’s still out for blood. When the God Butcher enters the room, all manner of commotion stands still.

    Altogether, Thor: Love and Thunder is the most entertaining a comic book adaptation has been in a while, and it feels like Hemsworth and Marvel Studios are just getting started with this fresh take on the God of Thunder. While this sort of thing has been said about most recent blockbuster releases, this time it could actually be true. It’s a comic book come to life, with all the vibrant colors and out-of-this-world surrealism one might expect from the pages of a Walt Simonson, or more accurately, Jason Aaron monthly magazine. If you don’t believe me, go find out for yourself. I promise it’ll be worth it.

  • Chris Pratt Praises James Gunn’s Work on ‘Guardians of the Galaxy Vol. 3’

    Chris Pratt Praises James Gunn’s Work on ‘Guardians of the Galaxy Vol. 3’

    One of the most surprising successes of the Marvel Cinematic Universe has been the studio’s ability to draw from the far reaches of their intellectual property and turn those characters into household names. Perhaps the best example of this is the Guardians of the Galaxy franchise, which has spawned into one of the most well-known groups in pop culture.

    James Gunn‘s 2014 film has become a staple in the MCU and characters like Star-Lord and Gamora have played huge roles in the building of the universe. To say anticipation is high for the third installment, set to be released on May 5, 2023, is an understatement.

    The ending of the trilogy has been teased by the cast and director as being quite emotional for some time now. Chris Pratt, who plays Star-Lord, was asked by Digital Spy in an interview about his thoughts on the third film while promoting his new Amazon series, The Terminal List.

    Pratt had high praise for Gunn:

    It’s fantastic. [Director] James Gunn just watched a rough assembly the other day. I called him yesterday. We Facetimed, and he’s very, very proud of the work that everyone’s done. He said it’s the best work all of us have ever done. He feels very, very confident. The script was amazing.

    Chris Pratt

    But Pratt didn’t stop there. He went on to make a bold claim about the upcoming film as well:

    And I can say with utter confidence that he’s made a true masterpiece, and I just cannot wait for people to see it. It’s James Gunn. He did all three movies, which is really rare and really special in the world of big box-office trilogies.

    Chris Pratt

    What do you think? Will Vol. 3 be able to outrank the previous films? Leave your thoughts in the comments below.

    Source: Digital Spy