Tag: Marvel TV

  • Failed Pilot: Looking Back at ‘MARVEL’S MOST WANTED’

    Failed Pilot: Looking Back at ‘MARVEL’S MOST WANTED’

    After a stand-out performance in one of last year’s best films, the charismatic Delroy Lindo has found himself in the heat of awards season headlines. With his name back in the public eye, I remembered simpler times in Marvel Television history that many seem to have forgotten. I am referring to that lost period in 2015 when Agents of SHIELD was supposed to have a spin-off, with Lindo set as one of the leads. Yes, acclaimed actor and Tony Award-nominated thespian Delroy Lindo once signed the dotted line to become part of the Marvel Universe on ABC. The series was titled Marvel’s Most Wanted, but it never came to fruition. Public interest in the show died almost as soon as news of its demise came to light, but what we learned about the project in the months beforehand indicated it could have been one of the more unique projects in Marvel Television’s repertoire. So, why didn’t the series make it to air? Let’s take a look at the brief history of this unproduced Marvel unicorn.

    Background

    Image result for marvel's most wanted

     

    It was long before The Avengers‘s success, Marvel TV’s Jeph Loeb was trying to adapt lesser-known characters to the small screen. Marvel’s Mockingbird was announced at the 2011 San Diego Comic-Con. They teased it as an Alias rip-off for ABC Family, where Bobbi Morse was a college student who tried to balance her life working for the famous spy organization and going to college. It was eventually dropped in favor of the MCU tie-in SHIELD show, but to make up for it, an older version of Morse was introduced in that show’s second season, played by Adrianne Palicki. Unable to use classic love-interest Clint Barton organically, she had an ex-husband mercenary. It was the obscure comic character Lance Hunter who got reinvented with Nick Blood in the role. The pair become series regulars for two seasons until, still intent on giving Mockingbird her show, Loeb and showrunner Jeffrey Bell had them written off to become the protagonists of their very own spin-off.

    Most Wanted

    Image result for marvel's most wanted

     

    Most Wanted would have been a Mr. and Mrs. Smith-inspired action thriller that saw the duo on the run from a long list of enemies looking to claim a bounty on their heads. At the heart of the story, there would have been the relationship of Morse, a rule-abiding badass, and Hunter, a renegade hotshot, as their semi-romantic dynamic would evolve over multiple seasons. The two would have found themselves in the employ of one Dominic Fortune, a suave rogue adventurer first introduced in Marvel comics in 1975. His wealth of resources would have kept them both alive in exchange for their expertise on assignments. In January of 2016, Marvel TV announced that Lindo will tackle the role of Fortune. A couple of months later, the rest of the cast filled out, with Fernanda Andrade coming on board to play Fortune’s mysterious niece Christina Santos. Oded Fehr joined as the show’s villain, who was teased as a well-known character from the comics. Sadly, his actual role has never been revealed. The pilot even featured a guest appearance from up-and-coming talent Mckenna Grace, who went on to join the MCU as a young Carol Danvers in Captain Marvel.

    So What Happened?

    Image result for marvel's most wanted

    Although it never aired, Marvel Television did film a pilot. Produced in early 2016, it seemed certain that the project would get a series order, with showrunners Bell and Paul Zbyszewski openly confident in the prospect. However, in May of that year, ABC announced that Most Wanted would not be happening. The news came as a shock to SHIELD fans, who felt cheated out of more time with two fan-favorite characters now permanently expelled from the world of Marvel Television, for what felt like no real reason. Eventually, ABC President Channing Dungey explained the situation with a statement to Slashfilm.

    Most Wanted, ultimately at the end of the day, did not feel as strong as some of the other pilots that we shot. We talked about it with Marvel and we all came to an agreement that we want to figure out what the next show is that we do together, is something that we all feel is as creatively strong as it can be.

    Most Wanted was given a small chance of survival, as it got shopped around to other networks, but its strong ties to SHIELD prevented any sort of interest from ABC’s competitors. Ultimately, the project didn’t get picked up, and circumstance meant Palicki never got a chance to finish the story of Mockingbird, the character who ironically started it all. Blood did eventually reprise his role as Hunter for a single episode of SHIELD‘s fifth season. Sadly, Lindo and company never got to leave their mark on the MCU as promised, and the rest of us were left wondering if the proposed spin-off would have been as unique as its mother series’ final few seasons.

    Sources: Slashfilm, Collider, The Hollywood Reporter, Entertainment Weekly, IGN, Slashfilm, Variety, Collider

  • REVIEW: ‘WandaVision’ Represents the Future of the MCU

    REVIEW: ‘WandaVision’ Represents the Future of the MCU

    THIS REVIEW IS SPOILER FREE

     

    To say that WandaVision’s sitcom trappings are merely a gimmick to bring something new to the smorgasbord of superhero fare is a disservice to what it actually does. There’s an actual sincerity to the way WandaVision is designed. A profound appreciation for what the American sitcom has meant to pop culture and to the intricate world the MCU has built. Under the guise of the shows of old, Wandavision celebrates all that came before it and what will come in a way that hasn’t been done before. The show is a representation of the MCU’s future. 

    In true comic fashion, the show pretty much throws you right in the middle of this idyllic town of Westview with little to no exposition as to why Vision and Wanda are living in their own Truman Show. The vignettes that make up each episode provide a glimpse at the happy day-to-day life these two Avengers have made for themselves.  Life has been good for the Visions since we last saw them; their romance is flourishing; they just moved into this great neighborhood, and the people around them are welcoming. But all good things must come to a slow and painful end. For the Visions, it begins with them noticing the many glitches in the matrix and the proverbial red pill they have yet to take is the mystery box of the show. 

    As bleak as that premise sounds, the show is surprisingly fun. The absurdity of two superheroes trying their dandiest to carry on with a normal life is at the forefront here which allows for fine situational comedy. Wanda struggles to make dinner while Vision tries to join the neighborhood watch. There’s honestly nothing more to ask for in a show like this.  

    It’s honestly hard to pinpoint what doesn’t work in WandaVision. The complexity of the premise might be inaccessible to newcomers who have no idea who these characters are, to begin with. At the same time, the show’s quirky format provides autonomy from all its overwhelming world-building needle drops. The singular day-to-day adventures Wanda and Vision go through to fit in their neighborhood of Westview work perfectly without any exposition. Each decade they adapt is its own thing with its own set of threads. These threads don’t necessarily carry over to the next episode. There’s almost no semblance of a larger story arc with the exception of the needle drops at the end of each episode. Even the character arcs are left vague to service the mystery of what the hell exactly they’re building up to. 

    Having the arcs shrouded in a mystery box, in addition to the surrealist nature of the show, allows for Wanda and Vision to be completely different characters from their previous appearances. It’s a very unusual way to develop these characters but it also gives stars Elizabeth Olsen and Paul Bettany carte blanche to play it however they want. And boy, do they really have their fun with it.

     

     

    For me,  Bettany is, by far, the MVP of this show. He grounds the show’s sitcom pastiche in a zany performance that is equally self-aware as it is charmingly ignorant. My condescending highbrow self certainly didn’t expect to laugh out loud at 50’s humor, but I did thanks to Vision acting like a believable buffoon. Bettany is totally hilarious in this and steals so many scenes in more ways than one. 

    Olsen unsurprisingly stands her ground to Bettany’s wacky performance and delivers a tour de force act of her own. While Bettany brings in some grade-A levity to the show, it’s Olsen who balances it with depth and range. She has a jaw-dropping moment in the third episode that will surely elicit some exciting reactions from fans. More than Bettany, the show asks the most out of Olsen, and will likely spotlight the full spectrum of her talents when Wanda becomes the bigger focus in the season’s latter half. 

    As of the first three episodes, there’s not much yet to grasp with the ensemble cast. Kathryn Hahn’s wink-wink tongue-in-cheek performance as Agnes lends itself to the seeming sinister nature of what Westview really is. She’s fun to watch and is totally hamming it up for good reason. Teyonah Parris as Monica Rambeau brings an aura of warmness to an ensemble filled with unsettling Stepford Wives characters.  As a fan of her work on That 70’s Show, seeing Debra Jo Rupp channel in her inner Kitty Foreman once more, in a Marvel show no less is a blast to watch.

    The way the show commits to authenticity as they navigate through the various eras of the sitcom world is impressive as hell. With a few exceptions of a few frames that look too modern and anachronistic, the shows stay true to form as to how these sitcoms actually looked and felt. It even manages to nail the cultural and social sensibilities of the past down to the ridiculous gender norms. For someone like me who finds pop culture of all eras fascinating, WandaVision functions as a nice history lesson on what came before, albeit with a synthezoid and a witch.

     

    Most MCU properties have a rewatchability thanks to the proven and tested Marvel Studios formula that perfectly marries levity, spectacle, and good old comic book fare that make their films worth watching. However, WandaVision just might be the property that takes the cake, as far as rewatchability goes. Kevin Feige, Jac Schaeffer, and Matt Shakman have crafted a make-believe world within a make-believe world so intricate that every detail on screen seems to have a life of its own. So much of what you see in the show feels like it means something, even though it might not. Be it the silly gags or the jokes, there’s a purpose to it. Every innocuous detail feels like an easter egg that’ll lead tinfoil-wearing fans into a rabbit hole and keep them rambling for weeks. Even the less nuanced callbacks to previous MCU moments and arcs have a heft to them as they allude not only to the MCU’s past but also to its future. It’s one of those shows where once they finally unveil the ace in their sleeve, every episode that came before will feel completely different.

    WandaVision makes a truly convincing argument that the future of the MCU rests within the world of serialized television. The chilling moment where the monochromatic world of Wanda and Vision bursts into Technicolor is emblematic of this new era of the MCU that’s being ushered in front of our very eyes.

  • EXCLUSIVE: Marvel HQ to Premiere Kids-Targeted ‘ETERNALS’ Animated Series in 2021

    EXCLUSIVE: Marvel HQ to Premiere Kids-Targeted ‘ETERNALS’ Animated Series in 2021

    Murphy’s Multiverse has learned that Star India’s Marvel HQ is planning to release an Eternals animated series early in 2021. While we can’t confirm it for a U.S. release, Marvel HQ’s content often mirrors that of Disney XD.

    Eternals: Marvel Reveals New Ongoing Series From Kieron Gillen and Esad  Ribic - IGN

    Marvel loves its corporate synergy and is getting the Eternals into the limelight. A Kieron Gillen scribed Eternals comic book is set to debut in January of 2021 and will be shortly followed by the new animated series which looks to introduce younger audiences to the MCU’s version of the Eternals ahead of next year’s Marvel Studios feature film, currently set to hit theaters on November 5th, 2021.

  • EXCLUSIVE: First Look at Alaqua Cox as Echo in ‘HAWKEYE’

    EXCLUSIVE: First Look at Alaqua Cox as Echo in ‘HAWKEYE’

    Earlier today, a trade report revealed that newcomer Alaqua Cox had joined the cast of Hawkeye as Maya Lopez, aka Echo. Thanks to Edward Baker, who was able to capture the first footage of Hailee Steinfeld as Kate Bishop, we now have our first look at Cox on set.

    In the videos below, Cox can be seen communicating using sign language and rehearsing her scene. In the videos, we see Echo exit a taxi and head towards an apartment. It appears that this apartment is the home of her father, William Lopez, as Zahn McLarnon was also on set this evening.

    Hawkeye is now filming in Brooklyn and will stream on Disney Plus

  • Our Pitch For a ‘Superior Foes’ Series In the MCU

    Our Pitch For a ‘Superior Foes’ Series In the MCU

    I promised myself I’d swear off writing one of these on account of them taking so much of my headspace for weeks at a time but I just had to write it down because I dug the idea so much. One of the best things I’ve read in the past 5 years was Nick Spencer‘s Superior Foes of Spider-Man, a screwball spin-off featuring the Seinfeld version of the Sinister Six. The comic saw several D-list villains come together to try tried to make it as a supervillain team all the while dealing with each other’s bullshit. The comic’s unique tone reminded me of the works of the Coen Brothers and shows like Better Call Saul. How it deftly bridged the wacky irreverence of characters, the despicability of their actions, and the absurdity of the situations they get themselves in. So it was only natural for me to imagine this show as a dark comedy, in the vein of the shows I mentioned above, should it ever make it to the MCU. And yeah, I went the extra mile and tried to plot an entire season.

    SETTING

    Ever wondered what it was like to live in the 5 years when half of the universe disappeared? I have, which is why this Superior Foes story is set in that timeframe, approximately a year before Scott Lang escapes the Quantum Realm. That time gap is so ripe for interesting stories and themes. The main thing I wanted to figure out was what the quality of living was like in a world that essentially nosedived into chaos and oblivion. Does it feel post-apocalyptic? Does the world look like an episode of The Walking Dead? With half of the world gone, imagine how crippled law enforcement would be and how remaining criminal organizations would fill the void left by their rivals.  How does one make a living in a period like this? It already sets up an immensely intriguing arc. This story tries to address those ideas while staying true to the spirit and irreverence of Nick Spencer‘s comic.

    Mind you, this iteration of the team is a reimagined one with none of the characters from the comics with the exception of Beetle. Because the comic was super Spidey-centric, I wanted a team made of up villains that didn’t necessarily belong to one particular rogue’s gallery. Also given how finicky the live-action rights of Spidey characters are, I figured to just try to keep most of the characters within the legal rights of Marvel Studios. However, l think what made the comic so good was the type of characters it included; Overdrive and Boomerang are legit D-listers that added a fun irreverence to the story. The characters that show up in this story are in that vein and are some of the most ridiculous characters in Marvel’s history.

    PLOT

    EPISODE 1

    Prologue: Paladin’s origins

    Arms dealer and crime syndicate boss Sonny Burch gets word that a highly dangerous, “world-changing” piece of hardware is stashed in an abandoned AIM base in Arizona. Fearing the hardware falling into the hands of rival organizations, he commissions washed-up mercenary Paladin to form an extraction team of his own. Paladin brings his partner-in-crime Jeb into the fold along with four down-on-their-luck schmucks – Stilt-Man, Paste Pote-Pete, Jester, and Beetle. Jester is quickly kicked out of the team for being an asshole. Expecting some resistance from rival factions, Sonny Burch contacts former Stark employee William Riva to arm the team. The team heads to the hidden AIM base in Montana where they encounter a rival faction led by Grizzly. The two groups engage in a piss-poor firefight with Paladin’s team escaping with the hardware. The group takes shelter in one of Nick Fury’s hidden bases in the state. They open the hardware and see that it’s the severed head of Ultron. It awakens instantly and becomes sentient.

    EPISODE 2

     

    Prologue: Paste-Pot Pete origin story

    The robot’s awakening sends the entire team into a panic. They angrily debate on whether to surrender Ultron to Burch, who they think is planning to use the robot to take over the world. Fearing another world-ending catastrophe just after the snap, conscience strikes the team and they all agree to betray Burch and come up with a new plan: bring the head to the Avengers HQ and get compensated handsomely. The team departs Fury’s hidden base and soon after that, Burch gets an anonymous message informing them of their plans. 

    EPISODE 3

     

    Prologue: Stilt-Man origin story

    Tensions rise between the team as they make their way to Roswell, New Mexico, where Jeb has set up a rendezvous with a contact, a former Hammer Industries agent codenamed K, to get them to New York as soon as possible. Paladin and Beetle grow distrustful of one another, believing each other to have their own agendas while Stilt-Man and Paste-Pot Pete take a liking to Ultron, who is now an active participant in the team’s discussions, helping them navigate through the trip. They also meet Gary the Cameraman, last seen in Iron Man 3, who they befriend. The team makes an effort to keep Ultron a secret from K to stay out of trouble but is futile as K manages to see Ultron. Learning the full extent of their situation, K agrees to take them to New York. As they prepare to depart for New York, the team is ambushed by Jester and Grizzly’s crew, who are now working for Burch. The fight goes poorly once again and much to everyone’s dismay, Beetle escapes with Ultron in the middle of the fight.

    EPISODE 4

     

    Prologue: Beetle origin story

    The fight abruptly ends as everyone races to find Beetle. Both Paladin and Jester’s team make several attempts to outpace one another. Beetle rushes through the streets of Roswell when she is suddenly stopped by K, who reveals himself to be a Skrull named K’ravt. Both teams arrive in the nick of time just as K’ravt is about to steal Ultron from Beetle, much to their shock at the revelation. Nonetheless, they band together and have their own little Endgame moment, a posse of ragtag misfits against one evil alien. That sense of relief quickly goes away when a small Skrull aircraft hovering above them decloaks and beams down three more Skrulls, revealing the Skrull Kill Krew. Jester’s team zooms past everyone leaving Paladin’s team to fight them. Against all odds, the Skrulls are defeated by Paladin’s team but not without repercussions. Stilt-Man and Paladin are wounded in the fight. The aircraft they were supposed to use to fly to New York, which is actually a Skrull ship, has been destroyed. But most important of all, Jeb makes an earth-shattering revelation and reveals himself to be a Skrull.

    EPISODE 5

     

    Prologue: Jeb origin story

    With two members injured, having no resource to move on with their plan, Beetle having just betrayed them, and the revelation that Jeb is a Skrull, the team reaches an all-time low. They are helped by Iron Man 3’s Gary the Cameraman, who they meet in Roswell earlier. Gary helps them find shelter in a warehouse outside the city. This episode mostly has the team dealing with their trust issues and coming to terms with how screwed up they are. Paladin gets outed by Beetle for trying to secretly contact Burch throughout their trip. Paladin comes clean with his debt problems with Burch, but claims he didn’t sell the team’s location to him. Jeb is confronted by the team on whether he planned to surrender Ultron to the Skrulls. 

    Ultron helps them devise a plan on how to deal with their two dilemmas: getting to New York and dealing with Burch chasing them. They decide to have Burch come to them under the pretense of surrendering Ultron. In actuality, they plan to steal Burch’s repurposed Quinjet, who has been seen using it in the first episode. They make the call and set a rendezvous. Burch makes several calls to various mercenaries to help him out but is unsuccessful. With no other option, Burch brings out a mysterious weapon. As Ultron helps the team strategize, we cut to an undisclosed laboratory where we see a kid sitting in front of several huge monitors mimicking and controlling what Ultron is saying through a mouthpiece in real-time. The kid turns out to be Amadeus Cho. 

    EPISODE 6

     

    Prologue: Amadeus Cho origin story

    The episode opens with 8-year old Amadeus Cho walking around the Avengers compound. He peeks out of a window to see Captain America and Falcon boarding a Quinjet. He walks by Bruce Banner’s office and looks inside to see if his favorite Avenger is in the room. Jump to 3 years later where he, his sister, and his mom, Helen, are living in the city. The snap happens and his sister and mom disappear. Cut to 3 years later, Amadeus is in a makeshift laboratory tinkering with something on his computer. We see him help law enforcement raid an illegal arms cache through remote hacking. Satisfied with the raid, Amadeus continues with studying the schematics of a redacted Ultron file he uncovers. He tracks the file’s origin to Arizona. On his computer, he parses through files of wanted active crime bosses. On the list is Sonny Burch among several others. Amadeus manages to remotely access the head of the Ultron bot and anonymously puts the word out that the head is up for grabs.  

    We then see various points of the season through Amadeus’ perspective; the heist, talking to the team, manipulating them to go through certain routes and locations, pinging Burch on their whereabouts, the arrival of the Skrulls until we get to the present. The team is now holed up in a bunker in Arizona awaiting Burch’s arrival. Expecting Burch to arrive with a slew of mercenaries, the team prepares a plan to take down Burch’s crew efficiently with Jeb masquerading as Paladin and Paste-Pot Pete planting a slew of traps. Things turn upside quickly when Burch arrives with his secret weapon: the Super Adaptoid. Of course, the fight doesn’t go as well as Burch had hoped as the Adaptoid doesn’t have any formidable abilities to adapt from his enemies. 

    The tide turns in favor of the team as they gain the upper hand. But just as they’re about to defeat the Super Adaptoid, the fight is interrupted by the intervention of an unexpected challenger: Bruce MF Banner, who is now Smart Hulk. The Adaptoid’s power level increases and the fight becomes a lot harder. But the team manages to come together and help Professor Hulk destroy the Super Adaptoid. Burch tries to make his escape but is stopped by Gary. The destroyed head of Ultron is uncovered in the rubble. 

    Burch is arrested once more and is shipped off to the Raft. Professor Hulk tracks down Amadeus Cho’s location where they meet in person for the first time. It is revealed that Cho was instrumental in Bruce’s success in merging both his and Hulk’s personalities as he anonymously corresponded with Bruce and sent formulas. Cho admits to taking a liking to Paladin’s crew and asks Hulk what happened to the team. Bruce reveals that he let the team go under the condition they attend Steve Rogers’ group counseling session on a weekly basis. Cut to the team sitting in a circle with Steve Rogers. 

    CHARACTERS

    Paladin – a former S.H.I.E.L.D. agent who excelled in the boot camp and wowed superiors but failed to be amount to anything on the field. Needless to say, Paladin peaked way too early. His days on the field as a SHIELD agent were a dud as several missions he was involved in were botched due to his incompetence. The collapse of S.H.I.E.L.D. became Paladin’s opportunity to prove himself elsewhere so he turned to private military contracting where he failed as well. Desperate to finally win in life, he sets up an elaborate operation with the help of his friend Sonny Burch’s finances where his team is intended to come out successful. Paladin, once more, takes another L as the snap happens during the mission, leaving him as the only survivor. Paladin becomes in debt to Burch.

    Jeb/J’bronii – A shy soft-spoken Skrull who has assimilated on Earth for several years. Jeb was originally sent to Earth alongside countless others to help facilitate the pending Skrull Invasion.  His task was to infiltrate Hydra to learn the ins and outs of the organization. However, a misunderstanding leads Jeb to join an industrial company called Hydro. Jeb manages to work his way up the career ladder and is an assistant regional manager when the snap happens. Having not heard from his superiors or allies in years, Jeb starts feeling guilty – thinking the Skrull Empire has somehow failed the invasion of Earth – and starts a journey of self-discovery to reclaim the Skrull in him once more.

    Stilt-Man – A henchman whose claim to fame was that he squared off with Captain America in the Lemurian Star, an encounter that left him permanently injured. He befriends Jeb and Paste-Pot Pete after a chance encounter and the three begin hanging out regularly. When he gets the invite to join Paladin’s team, he is given a suit of armor that allows him to extend his height. Neither malicious nor decent, Stilt-Man is a bit of a dummy who thinks hanging out with supervillains would elevate his chances of being a famous superhero one day. Gets along with Ultron and Paste Pot Pete really well.

    Paste-Pot Pete – The everyman of the group. Paste Pot Pete began dressing up and fighting crime in his youth inspired by the adventures of Captain America. Unlike his teammates, Paste-Pot Pete has no ambition in power or wealth. Now, he’s a mild-mannered 60-year old man urged his late grandson who perished in the snap to relive his glory days as a cheesy costumed fighter from the 80s. Arguably the nicest member of the group.

    Beetle – Daughter of a retired crime boss called the Beetle. The Beetle in his heydey was one of the west coast’s most powerful crime bosses until the 21st century came along, where his traditional organization was left in the wind by the more tech-centric organizations like AIM. The Beetle eventually had to sell off most of his assets to a rival group, leaving him and his family broke. The power struggle left by the snap convinces the now-retired Beetle to urge his daughter to help rebuild his criminal organization. He sends her on a path that leads her to Paladin’s team.

    Amadeus Cho – a boy-genius who grew up in close proximity with the Avengers thanks to his mother Helen Cho’s involvement with the team. Cho exhibited breathtaking intellect at a young age, impressing the likes of Bruce Banner. Cho is instrumental in Bruce’s eventual transformation into Professor Hulk, anonymously corresponding with Bruce in every step of the experimental process. With no one left to assist the Avengers after the snap, Cho takes it upon himself to round off the remaining criminal organizations as a vigilante hacker. His masterplan essentially is to put a stop to Burch’s operation so he comes up with an elaborate scheme to entrap Burch.

    Sonny Burch – Since getting arrested by Jimmy Woo and the FBI, Burch has managed to slither back into society and is up to no good once more. Since we last saw him in Ant-Man and the Wasp, Burch has gone up the ranks of criminality and is now the top dog in his organization.

     

     

    Bruce BannerAvengers: Endgame glossed over the finer details of how Bruce managed to merge his personality with the Hulk so I thought it neat to fill in some of the blanks of his transformation and build Bruce’s world a little bit. An Endgame deleted scene also showed Bruce rescuing a family in a burning building, which would have teased the Hulk actually doing some day-to-day superheroics. I figured what better way to showcase Bruce’s full transformation into a real hero by him going on missions himself to stop bad guys.

  • EXCLUSIVE: First Look at Hailee Steinfeld as Kate Bishop

    EXCLUSIVE: First Look at Hailee Steinfeld as Kate Bishop

    Earlier today we shared a nice set photo of Lucky the Pizza Dog from the set of Hawkeye. Now, we are lucky enough to bring you set video of what should be the first look at Hailee Steinfeld as Kate Bishop!

    A video from the subway set in Brooklyn, taken by fan Edward Baker, shows Jeremy Renner’s Clint Barton, Steinfeld’s Kate Bishop and Lucky running down the stairs and through the subway. Baker confirmed for us that the actress in the video was Steinfeld, who was seen around set during the day.

    Steinfeld was said to be in talks for the role of Bishop, one that is expected to serve as the face of Disney Plus for the next few years, in September of last year. Rumors have swirled since then about why she hadn’t been confirmed and if Marvel Studios had gone in another direction. Her contract with Apple TV seemed to be a sticking point, but it seems now that the COVID-related delay in production on Hawkeye may have smoothed that road out bit. Steinfeld is our Kate Bishop!

  • What I Heard This Week: Two Potential Moon Knights

    What I Heard This Week: Two Potential Moon Knights

    Every now and then I come across some information the veracity of which can be confirmed by a second source. What happens FAR more often is that I come across some information that while believable and from trustworthy sources, cannot be confirmed by other sources for various reasons. For instance, on February 19th, I wrote this piece relaying some rumors I’d heard about Marvel Studios updating its Disney Plus slate; the next day, the news broke that a special Disney Plus event would be held in London on March 5th where it is expected that Marvel Studios and Star Wars slates will be updated. I also shared information about Peyton Reed directing episodes of season 2 of The Mandalorian months before he made it official. With productions either underway or ramping up, information is starting to come back in and this time I heard something incredibly interesting about Marvel Studios Moon Knight.

    While rumors have persisted that Marvel Studios Disney Plus streaming series Moon Knight will begin production in 2020, it seems like it’s destined to begin filming in early 2021 alongside She-Hulk. Like She-Hulk, however, it’s also been rumored for some time that the studio has settled on their lead actor. I heard whispers as far back as August that the studio had found their Marc Spector and have done everything I could to try to uncover the identity of the actor but ran into roadblocks at every turn. This weekend, however, a very trusted source shared a couple of names with me that he had heard associated with the role. To be clear, there is no evidence that one of these actors has landed the role and I was unable to confirm with a second source that these two actors were in the mix; however, with the absence of news about who Marvel Studios has chosen, I believe sharing some info about names they MAY have considered could generate some interesting discussion. According to the source, Marvel Studios showed interest in actors Daveed Diggs and Nick Kroll for the role of Marc Spector!

     

     

    Diggs and Kroll both fit the mold while breaking it at the same time. Given the prominent role that Spector’s Jewish background plays in the comics (his father is a rabbi), it’s been the popular opinion that Marvel Studios would seek out a Jewish actor to portray Spector and both Diggs and Kroll fit the bill there. On the other hand, Kroll is known as more of a comedian and it’s been Diggs’ vocal talents that have helped propel him towards stardom, though both actors have moved outside their comfort zones in their recent work. Kroll displayed his dramatic chops in 2018’s Operation Finale and Diggs received rave reviews for his role in the uber smash hit Hamilton, 2018’s Blindspotting, and more recently in the Snowpiercer series, a role in which he’s delved not only into some big-time action sequences but also into a world of loss and violence not altogether different from the one inhabited by Marc Spector.

    Again, there’s no indication that either actor sat down and had discussions with Marvel Studios about the role, much less signed on for it. Realistically, unless one of these actors gets the role, there’ll never be a way to “prove” they ever considered; however, if they were in fact on “the list”, it shows an impressive amount of non-paradigmatic thinking on the part of the Kevin Feige’s trusted casting crew led by Sarah Finn. While I’ve been on board the Shia LeBeouf for Spector hype train (I may have built it, if we’re being honest) and Oliver Jackson-Cohen is a popular fan cast, it seems the studio is at least considering some more “off-beat” actors rather than the “edgy” types we’ve all had in mind. The potential interest in the two also offers a little clarity on an age range for Spector and, like the two actors, it’s a little different than what I was thinking. I was surprised to see that Diggs is 38 (would be 39 by the time production ramped up) and Kroll is 42, so while we’re certainly going to see an origin story, we’re also definitely getting a Moon Knight who has served his time as both a Marine and a merc and who has been through the ringer a bit. With all that in mind, I’m even more excited than ever to find out who Marvel Studios has chosen for the role as my mind has suddenly been opened up to a whole lot more options that I was previously considering!

    Marvel Studios Moon Knight is headed to Disney Plus (eventually).

     

  • EXCLUSIVE: ‘HAWKEYE’ to Film at Tyler Perry Studios

    EXCLUSIVE: ‘HAWKEYE’ to Film at Tyler Perry Studios

    Productions on the first two Marvel Studios streaming series, WandaVision and The Falcon and The Winter Soldier, are coming to a close and production on Loki has resumed in Atlanta following the COVID-related hiatus. Up next for the studio are Ms. Marvel and Hawkeye and with Spidey 3 also taking up studio space in Atlanta, Disney found themselves looking for some additional space and have found it! Marvel Studios Hawkeye will be using Tyler Perry’s Atlanta studios when it begins filming later this year.

    Hawkeye Concept Art Reveals First Look at Marvel Disney Plus Show | Collider

    Pre-production on the series has been ongoing for the past month and the studio is currently taking aim at a post-Thanksgiving start of filming and hoping that the series has the same good fortune as the others that recently resumed filming without any further delays. Expected to explore the fallout of the Avenging Archer’s time as Ronin, Hawkeye will introduce Kate Bishop, Maya Lopez and, most importantly, Lucky the Pizza Dog to the MCU and is also rumored to bring in classic Marvel villain Madame Masque. The series is said to be heavily influenced by the award-winning 2012-2015 run on the book by Matt Fraction. Should filming avoid any significant delays, the series could debut in the second half of 2021.

     

  • HELSTROM REVIEW: Marvel TV’s Swansong Is a Dud

    HELSTROM REVIEW: Marvel TV’s Swansong Is a Dud

    All things considered, Marvel TV lasting this long is pretty impressive. In their decade-long stint, the division has produced a slew of content, that ranged from spy shows like Agents of S.H.I.E.L.D. and Agent Carter, a surrealist fever dream like Legion, and gritty crime dramas like Daredevil and Jessica Jones. With a wide spectrum of subject matter, one can also expect a wide spectrum of results. Some of these shows ended up being duds while some became critical darlings. But when all was said and done, Marvel TV, for the most part, had something special going on for them. 

    Sometime last year, it was announced that Disney was dissolving the Marvel Television division as we knew it in favor of producing and streamlining new serialized content under the division’s more successful cousin, Marvel Studios aka the group that makes the movies. This sudden end for the was nothing short of bittersweet as there were a few projects still in development. This year saw the end of the series that started it all, Agents of S.H.I.E.L.D., with its seventh season and will also mark the final goodbye of Marvel Television with Helstrom, a show based on one of Marvel Comics’ premiere horror characters. 

    Alas, Marvel TV’s swansong is sadly, a dud, not a complete one but its flaws are more evident than its strengths.

    There are great horror properties that aren’t necessarily scary but are well-written just as there are really scary ones that are contrived and awfully written. Helstrom falls in the middle of that category. It’s neither scary nor well-written. It’s a show that brands itself as a horror outing, showcasing possessions, exorcisms, and demons in its marketing material but in actuality, Helstrom itself seems scared of its own supernatural trappings as it refrains from actually giving us the scares. The trailer makes it out to be this action-packed screamfest but those moments are actually few and far in between. In an era where horror is having a resurgence on TV (Netflix’s Haunting of Hill House and Hulu’s new show Monsterland actually give some nice scares), it’s disheartening to see this show miss that mark when the comic and world it’s based is chock full of neat stuff. 

     

    Alain Uy (Chris Yen) and Sydney Lemmon (Ana Helstrom) Credit: Bettina Strauss/Hulu

    I’m a firm believer that comic books can be reinterpreted for the better in their live-action depictions just so as long as it retains the spirit of the source material and in all fairness, Helstrom stays somewhat faithful to the beats of the character’s origins. However, it’s missing one key component of the comic. In the comics, Hellstrom stories were always fun romps against the supernatural. Yes, they dabble into some dark occult stuff but it never loses its flair for making things exciting. The show is far removed from that. Its tone is dreary and takes its own world way too seriously. Visually, it’s lifeless as its colors are muted all throughout. Most importantly, the show is devoid of any excitement and fun. 

    The problem is that Helstrom doesn’t really get to be what it needs to be and it might be because of Marvel TV itself. Anytime a comic they’re adapting has some semblance of the supernatural and unearthly, it gets diluted to gritty realism. The first season of Iron Fist and the Defenders suffered greatly from the company’s inability to give these elements so intrinsic to the source material any justice and Helstrom suffers as well. Their depictions of the supernatural feel cheap and lackluster. A supposedly scary entity gets undercut by poor design choices. The titular character Daimon Helstrom is such a bombastic character in the comics with all kinds of powers but in the show, it gets relegated to him slightly manipulating fire. I can’t imagine what that Ghost Rider show would’ve looked like if they went through with it. 

     

    Tom Austen (Daimon Helstrom) Credit: Bettina Strauss/Hulu

     

    Just like the Netflix shows, there’s also a good amount of wheel-spinning in this show. I don’t know what it is with Marvel TV shows in general but somehow, they’ve proven time and time again their inability to tell well-paced stories.  For example, early in the season, the Helstroms come up with a plan to chase down a possessed man carrying an ancient evil relic. It’s when the show finally kicks in; where the urgency of the matter is of the utmost priority. But what happens in the actual episode? The Helstroms get bottled in a room the entire time, rendering the momentum of the subplot inert. Even more baffling is the next episode when they talk about the chase happening off-screen instead of actually showing it.

    And there’s a lot of telling and not showing in Helstrom. In the comics, Daimon Hellstrom’s father is a demon and is a huge part of that entire world. Likewise in the show, they make it seem like the dad is a huge deal. They talk about him a lot, allude to the horrible stuff he’s done, set him up as this major force in the plot but it ends up being weightless for the entire half of the season because we don’t get to see what he’s capable of doing. By the end of my viewing, I was surprised at how little had progressed with the plot and how few the payoffs were in a span of several hours. 

    Thematically, the show has some interesting stuff to say. Just like Daredevil before it, the show tackles themes of abuse, family, religion, and faith. The Helstrom family is a really screwed up one and the show does a neat job of having the three family members deal with trauma and abuse distinctly from one another. In addition to those themes, Helstrom brings up some interesting questions about morality and necessary evils, in ways that the other Marvel TV shows haven’t explored much. The show features The Blood, a clandestine organization that puts possessed people in comas as a way to end the futile cycle of exorcisms which I thought was a nice layer of depth. 

     

    Elizabeth Marvel (Victoria Helstrom) Credit: Katie Yu/Hulu

     

    For whatever reason, the Marvel brand has been mostly wiped clean from the show that even the iconic page flip intro is nowhere to be found which made fans question just how invested the company is in this show. So it is a bit ironic that the number one saving grace on the show is the star that happens to have Marvel as her last name, Elizabeth Marvel. Anytime Elizabeth Marvel shows up on the screen, the show gets exponentially better. Marvel brings so much weight and darkness to the character of Victoria Helstrom, a woman perpetually at war with literal demons in her head. Marvel straddles the line between sinister and tender so brilliantly; when she’s possessed, it’s genuinely unsettling; when you see her be a mom to Ana and Daimon, it’s heartwarming. 

    The rest of the ensemble does a bang-up job keeping an otherwise bland show watchable. Tom Austen brings a nice delicate swagger to the titular role of Daimon Helstrom though I wish the writers gave this version of the character some of the idiosyncrasies and quirks of Hellstrom in the comics just so Austen has more to do. He clearly has the chops to give a more intense and pronounced performance but the writing, unfortunately, doesn’t give room for it. Sydney Lemmon plays a fantastic foil to Austen as Daimon’s sister, Ana. Between the two siblings, Ana has the more interesting character arc and Lemmon’s icy yet tortured performance helps elevate it. Robert Wisdom, who I absolutely adored in The Wire, is Caretaker, who in the comics is like the Nick Fury of this supernatural pocket of the Marvel Universe. Wisdom plays the character with a gravitas and dignity that commands every scene he’s in.

    Even with a talented ensemble cast, Helstrom is bogged down by the same things that plagued several of their shows. It’s a mishmash of neat ideas here and there but ultimately doesn’t come together in a compelling way. It isn’t outright bad like Inhumans nor is it must-watch television like Daredevil. You won’t be missing out on much if you skip this one.

  • EXCLUSIVE: Scene Details from ‘THE FALCON AND THE WINTER SOLDIER’

    EXCLUSIVE: Scene Details from ‘THE FALCON AND THE WINTER SOLDIER’

    Last week provided exciting images of The Falcon and The Winter Soldier as they resumed filming in Atlanta, and this week it was revealed that Georges St-Pierre will return to the Marvel universe as Batroc the Leaper in the Disney Plus series.  

    This week we have an exclusive account from Reddit user and Marvel fan SplendaDaddy12 who watched as St-Pierre filmed a scene with Desmond Chiam and Erin Kellyman in an Atlanta Park on Tuesday, September 14, 100% confirming Kellyman’s role in the series.

    According to this witness, Georges was filming in a park standing with Desmond by a bench, while Erin sat between them on the back of the bench with her feet on the seat. He could not hear any dialogue but said that Erin’s character used some kind of power, unclear how, to impress the two. The power involved extras near them in a field stopping, simultaneously looking at the phones, looking up, and all walking towards them in a group and as if in a trance. 

    It was unclear how exactly Erin’s character used this power, she didn’t seem to have a phone out in the scene, and a whistle of some kind is what signaled the extras to react this way. It was remarked that Desmond and Georges seemed surprised by this, whereas Erin seemed to play it cool. Georges and Desmond were dressed as they were seen in the pictures posted by Just Jared that day, Erin had on neutral colors, probably similar to how Desmond was dressed.

    While we still have not completely confirmed who either Chiam or Kellyman are playing in the series, it is clear they are meant to be up to no good and causing trouble for our heroes Sam Wilson and Bucky Barnes. Interestingly, the mind control aspects of Erin’s character’s “powers”, seems to support the idea that she is in fact playing Melissa Gold, aka Screaming Mimi of the Grapplers, aka Songbird of the Thunderbolts, something Charles Murphy has written about a few times before (see links below).

    Only time will tell who Erin and Desmond are really playing, and what exactly they’re up to. Have fun debating this new bit of information in the meantime!

    For some more of our coverage of The Falcon and the Winter Soldier series, see also:

    Connecting Imaginary Dots: Falcon and The Winter Soldier will introduce Songbird

    Connecting Imaginary Dots: Erin Kellyman may appear in Falcon and The Winter Soldier

    Exclusive: Falcon and the Winter Soldier set videos hint at a new team joining the series

    New video emerges as Falcon and the Winter Soldier resumes production

    First Look at Batroc the Leaper in Falcon and The Winter Soldier