Tag: Marvel TV

EXCLUSIVE: ‘Falcon and Winter Soldier’ Malcolm Spellman Talks How Madripoor and Fontaine Were Added to the Series

We got a chance to talk with Falcon and Winter Soldier‘s head writer Malcolm Spellman, where our very own Charles Murphy discussed the introduction of a Marvel Comics icon, Contessa Valentina Allegra de Fontaine. She was played by the talented Seinfeld and VEEP actress Julia Louis-Dreyfus. Her character was originally going to premiere in Black Widow, but due to the pandemic, she ended up in the Disney+ series first. In the interview, Spellman revealed that Val’s character evolved in the writing room:

The way it happens was: Everything that Marvel wants you to create first and they want you to do it without worrying about it. Like, if there is obvious threads to the greater MCU, by you all put them in, they don’t oppose them on you. So, that character existed as a shady-ass CIA operative person as we were mapping out the story. Gradually, she became the Contessa, she became Val. We’ve already created the character first.

The way she is introduced, it seemed like they were setting up a team-up project shortly, especially with the potential of a Dark Avengers story being considered at one point. Well, it seems that Val’s introduction was only added later. It is great to know that they didn’t force any story elements into this series but rather added them organically into the already mapped-out story. He also confirmed the same happened with Madripoor.

That’s the same thing with Madripoor. Madripoor was described, it was named after a real-life city initially imagined as a real-life city where the restaurants on the streets serve endangered species and there are open gun bazars. Once we created that city, they smiled because they know, a nerd moment: “What if it is Madripoor?” and everyone freaked out.

It makes you wish you were in these meeting rooms when their faces light up the moment they realized they could introduce Madripoor. Of course, this does mean that if we want to see the character or the fictional city return in the future, it will depend on the story that is being told. It’ll be interesting to see what other projects end up carrying on the torch set by The Falcon and the Winter Soldier.

April 28, 2021
EXCLUSIVE: Malcolm Spellman Talks Carl Lumbly and A Potential Isaiah Bradley Series

Following the finale of The Falcon and The Winter Soldier, I was able to sit down for a short chat with showrunner and Captain America 4 co-writer Malcolm Spellman.

Charles Murphy: “Carl Lumbly was fantastic; stole every scene he was in. What kind of discussions did you have with him in his prep for the role.”

Malcolm Spellman: “Kari prepped the actors and they called me off the first rehearsal. I was getting phone calls like “Oh my God, he just gave us chills. In all honestly, when I saw the audition, that day, he had it. I kinda got choked up watching him just in the audition. That dude was dialed in. He owned that. He’s of a certain age and he owned that in a way that no one could have imagined.”

CM: “If Marvel gave you the call and asked ‘Do you want to work with us on an Isaiah Bradley series?’, you’d be there?”

MS: “Instantly! Instantly!”

There’s no doubt that Lumbly’s emotional performance caused fans across the world to react similarly to Spellman and the Marvel Studios crew. Should Marvel Studios decide to tell more of his story, a series where Bradley tells his story to his grandson, Eli, could feature flashbacks that would make his story feel even more complete.

April 28, 2021
EXCLUSIVE: ‘Falcon and Winter Soldier’s Malcolm Spellman Reveals How Little We Know about Marvel Studios’ Future Line-Up

Our very own Charles Murphy got a chance to sit down and talk with Falcon and Winter Soldier head writer Malcolm Spellman. In a brief moment, they discussed the future of the Marvel Cinematic Universe and the many threads that were left open at the end of the series. Spellman discussed briefly how fans agreeing with Daniel Brühl’s Helmut Zemo make him a popular candidate for more future appearances. Of course, there was also the discussion surrounding He also briefly discussed Sharon’s turn as the Power Broker and how it gives her more time in the spotlight.

So far, we only know that the fourth entry of Captain America is in development. There are some hints that Sharon’s story might potentially connect to Armor Wars, which you can read our theory in the following link. There was one interesting hint by the head writer that we really have no idea how big the Marvel Cinematic Universe is about to become, as he states:

I was surprised about how few of the upcoming Marvel movies have been announced. […] Fans will start to become more and more clear as these projects get announced.

It looks like the many films announced for Phase 4 are just the beginning. We are aware of eleven projects with Black Widow kicking off the cinematic side of the franchise in July. If these are only a “few” of the upcoming films we might have content for many years to come. Kevin Feige. is famous for mapping out his projects far in advance, as he revealed in 2018 that he already planned films up until 2025. It’ll be interesting to see if we get some more announcements this year for what may await us beyond 2023.

Source: ComicBook.com (Films to 2025)

April 28, 2021
‘Shang-Chi’ Continues Marvel’s Exploration of Father Issues

Finally, the trailer for Shang-Chi and the Legend of the Ten Rings dropped. We got our first look at Simu Liu in the titular role, as he tries to live his own life out of the shadow cast by his father Tony Leung‘s Wenwu. After a ten-year rest, his father calls upon him to take over the leadership of the Ten Rings. His return into the world he tried to leave behind will re-awaken some dormant issues between him and his estranged parent. Now, producer Jonathan Schwartz highlighted the focus

The core of Shang-Chi’s arc in the comics is really a family drama. That was something that Destin keyed into really early on in our conversations, the idea of taking this broken family and this really dark, even abusive family background and seeing what that does to a child over time.

This story isn’t the first time that Marvel Studios has explored a dark and abusive relationship like this. Avengers: Infinity War put quite a bit of focus on how Thanos turned his adoptive daughter into the perfect killing machine. Of course, it pushed her away from him, as his warped view of the world left a deep rift between them. Let’s not even get started on his abusive behavior towards Nebula and how that even destroyed any chance for his daughters to bond.

Now, Thanos wasn’t the only father leaving a long-lasting scar on his child. Tony Stark’s journey was haunted by the sins of his father early on. The second entry in his trilogy highlighted that very legacy weighing down on Stark, who translated that into some rather destructive behaviors. Learning to overcome his issues allowed him to embrace his mentor role for Peter Parker. Now, unlike Gamora, he was able to make amends with his father in Avengers: Endgame even if Howard Stark had no idea he was talking to his son from the future. Still, it offered a more positive ending for Tony to take away and push him towards his final decision.

Marvel Studios wasn’t the only live-action adaptation in the Marvel family exploring family ties as a core anchor for their storytelling. Marvel TV gave us the ever-expanding family in Agents of SHIELD. The relationship between Phil Coulson and Daisy Johnson, especially during the second season while being hunted by her biological father. We witnessed her even sacrifice a potential relationship with him to ensure he doesn’t have to live with the nightmares of his own actions driven by desperation to find her. Daisy carried that weight with her with Coulson taking on that role she was missing.

Now, an episode that hit home with me was in Daredevil. The close relationship between the Murdocks before tragedy would eventually separate them was laid out in just a few episodes. We see a father struggling to meet ends meet by doing the only thing he believes he can do. The weight of trying to take care of his son and ensure he doesn’t repeat his mistakes will tear at anyone’s heartstrings. In a way, the story of parentage and how it defines the next generation will continue carrying an important role in the MCU, as younger heroes take over legacy titles. It looks like Shang-Chi is kicking off a new generation of heroes with father issues.

Source: Entertainment Weekly

April 19, 2021
EXCLUSIVE: Amy Aquino Talks John Walker’s Challenge in ‘Falcon and the Winter Soldier’

Amy Aquino has quite the filmography. She started her TV career with 1991’s Roseanne before becoming a mainstay on Brooklyn Bridge. Aquino started in film years before, as she appeared in 1987’s Moonstruck. She has recently appeared in series like Bosch, as well as Grace and Frankie. Now, she got the chance to tackle a new character in Disney+’s The Falcon and the Winter Soldier. She plays Dr. Christina Raynor, who helps Bucky overcome his inner demons. In an exclusive interview, she revealed there is one more character she thinks needs to be interviewed by Raynor.

Well, at this point, number one on my list has got to be John Walker because he is in such a weird position. And, he is someone that I’ve known. I knew them, I fought with them. So, I get him. I think he could really use a little help taking this on. He’s a soldier. Now, he is doing this thing and they are doing all this hoopla around it. So, he can’t just focus to be a soldier but also this giant public figure. It’s a lot. I could start with him.

John Walker is still a bit of a mystery box so far. We get a shade of his darker side, but they haven’t offered a full-glimpse at what may be lurking behind the pressure of being the new Captain America. There is also that brief mention of him not being able to “punch his way out,” which might be a good indicator that someone is not going to have a good time in a future episode. Hopefully, Aquino’s Dr. Raynor will return in the later episodes to give her a diagnosis on the insanity that will occur throughout the upcoming episodes. After the question, she also makes a reference to Dr. Banner, who would be a perfect patient for her. The heroes have to fight enough throughout their journeys in the MCU. So, there could be a future for Amy Aquino to reappear in other series or films.

Source: IMDb

March 29, 2021
EXCLUSIVE: Amy Aquino Talks Bucky’s Inner Turmoil in ‘Falcon and the Winter Soldier’

Falcon and the Winter Soldier continues Marvel Studios’ expansion into long-form storytelling and exploring the smaller side of their universe. Its action is certainly what we expect from the franchise, but they have started to explore a new aspect that wouldn’t get enough focus in a limited timeframe. We get to see the humanity of these characters. WandaVision focused on Wanda battling her grief and the losses she faced.

The latest Marvel Studios project is the same. We get small moments that leave an essential impact on these characters lives. Ever since the show started, we got a lot of insight into Bucky’s mind through his court-mandated therapist, Dr. Christina Raynor, who is played by the amazing Amy Aquino. Luckily, we got a chance to interview Aquino and she offered some interesting insight into Raynor’s motivations to help Bucky through his sessions.

I think she takes it, she doesn’t, she takes it on a micro-level. Instead of saying: ‘Oh, this guy was a pawn for HYDRA and had all these super, you know, magical things happen to him. She is looking at him, Bucky, as a soldier, as a human being who had to do these things that horrify him. He is suffering from the same kind of post-traumatic stress that I went through myself and others went through, I want to save his life. I know if he doesn’t do this, he is going to die. He will kill himself.’

Her approach to bringing Dr. Raynor to life really highlights the complexity of these characters. We’ve already seen Bucky fight the urge to hurt those that wronged him early on. The trailers have already teased that he’ll confront Zemo at gunpoint in a later episode. So, we might see the points she made reach their limits as the show continues. It also opens up the door to what the future holds for the former Winter Soldier. The title of the series would imply he might end up embracing it. He could turn that title into something positive. It wouldn’t be too out of place in a series about identity and living through someone else’s legacy. Sam is struggling to accept Steve Roger’s while Bucky does the same with his.

March 29, 2021
REVIEW: ‘The Falcon and The Winter Soldier’ Is a Return to Form For Marvel Studios

Heavy is the hand that bears the shield.

The Falcon and The Winter Soldier wastes no time in centralizing the idea of legacy and the burden it brings; that Steve Rogers and his shield are impossible to live up to. Within the show’s first minute, we already know the burden Sam Wilson feels by simply holding the physical symbol of Cap’s legacy. Even for Bucky Barnes, it’s an issue of legacy. Compared to Steve’s, Bucky’s legacy on the world is as harrowing as it comes. His sins as the Winter Soldier continually creep up on Bucky in his nightmares and it’s up to him on how he makes up for his legacy.

The world hasn’t moved on from the Blip. In fact, the Blip has complicated things in unexpected ways. Instead of fixing the world back to what it was before the Snap, the Blip has only upended the status-quo of the last 5 years of the MCU. Perspectives have changed; an organization called the Flag Smashers wants a pre-Blip status quo for the world. One without borders or governments. Down to the minutiae, laws have changed: Sam Wilson can’t get a loan for his sister because everything went under for 5 years. Fans who’ve been yearning to see the true effects of the snap will be happy to watch this show.

This episode has yet to introduce the full ensemble. Zemo and Sharon Carter are nowhere to be found in this episode so it’s mostly relegated to just the titular duo. However, we do get to meet a new sidekick in the form of Joaquin Torres, played by Danny Ramirez. Comic fans will recognize Torres as Sam Wilson’s successor to the Falcon mantle in the comics . Torres, an intelligence officer in the MCU, is Falcon’s man-in-the-chair. Ramirez plays him with a Hardy Boys-charm that a lot of fans will like.

The episode’s strengths are in these character-heavy moments and it’s up to Anthony Mackie and Sebastian Stan to bring life into these moments that could be otherwise dull if mishandled poorly but man, do these two bring it. The beauty of these long-form stories is that they allow so much room for depth for each character. In this first episode alone, we see sides of Sam and Bucky that we’ve never seen before. Whether it’s Sam going to Louisiana to reconnect with family or Bucky having lunch with a friend, it’s all character gold. Just like how Wandavision humanized Vision by having him go on social calls with the neighborhood watch, The Falcon and The Winter Soldier brilliantly gives us lovable human moments with these titular characters. Who knew superheroes in their downtime could be so great to watch?

I’ve always felt that Stan always had the short end of the string when it came to sharing the screen with Chris Evans and Anthony Mackie at the same time and understandably so. Evans’ presence alone lights up a scene with his stoic gravitas while Mackie oozes charisma and charm. It’s almost inevitable to get upstaged by those two. Stan, for the most part, never got to do much in the shadow of the larger stories of the MCU and the intrinsic likability of his scene partners.

So as far as first episode performances go, I think Sebastian Stan gives a more noteworthy performance here. He brings a freshened sense of excitement to the role, despite inhabiting it for a decade now. Stan finally gets to have fun with the character and gives him range. There are inevitable moments of darkness for Bucky but also surprising moments of happiness and Stan deftly shifts between the two.

And of course, you have the action. Raving about Marvel Studios’ action feels trite so I’ll keep it to a minimum. Right from the get-go, they serve up an action sequence that’s on par with the helicarrier third act of Captain America: The Winter Soldier. There’s an awe-inspiring cinematic precision as to how they’ve managed to pull this off on television.

Henry Jackman’s score here really stood out for me and can only expect to be blown away in upcoming episodes. As a huge fan of what Jackman did for Captain America: The Winter Soldier and Captain America: Civil War, hearing him revisit some of his motifs from those two films but in a new context is chilling. If he brings back more themes from the last two Cap films, I’ll be beyond happy.

Without going much into spoilers, there are parts of this episode that feel clunky. There are premises and beats that don’t feel as polished as the rest of the episode’s high-quality aspects. Some moments have a bit of tonal whiplash wherein the subtext is meant to be serious and somber but the execution makes it seem unintentionally comedic. I have a lot of questions about Bucky’s road to redemption, which in concept is super intriguing, but in execution feels safe at the moment. Granted, there are 5 episodes left that could change these nitpicks of mine but as it currently stands, the episode flaws made it feel like a mixed bag as soon as I finished watching.

Overall, this show is gonna be one hell of a ride and the first episode is clearly just a taste of it. In retrospect, WandaVision being the first out of the gate feels very beneficial for The Falcon and The Winter Soldier. After all the discussion WandaVision‘s mystery box generated, the outrage it garnered from its twists and turns, and heartwarming emotions that it elicited from fans, The Falcon and The Winter Soldier feels like the ideal follow-up. It’s a safe return to form in many ways but it’s also one that fans might need after all the Mephisto craziness. This is Marvel returning to what it does best: fist-pumping entertainment with a dose of depth.

March 18, 2021
EXCLUSIVE: Director Kari Skogland on How the Pandemic Impacted ‘The Falcon and The Winter Soldier’

Production on Marvel Studios next Disney Plus streaming series, The Falcon and The Winter Soldier, was about halfway complete when things abruptly came to a halt due to the COVID-19 pandemic. When production resumed on the project under the ironically named Pandemic Productions company, the cast and crew had to adjust on the fly to an entirely new set of circumstances. I asked director Kari Skogland how the pandemic impacted the project and to find a silver lining in what was a scary and surprising time.
Charles Murphy: “You guys had quite a bit of work done when the pandemic shut things down. What’s something good that came out of that downtime on this project?”
Kari Skogland: “For us, it was actually quite positive because we were able to, first of all, we had an amazing team. Everybody was very willing to pivot as necessary. So there was no panic as a result we just got on with it. Once the sort of surprise of it all, perhaps we all sniffed it coming? I guess I don’t know. But nonetheless, it was still a surprise. Once we sort of got over that, it was very much…we just sort of picked up and kept going because there is always work to be done-cause we were midway. So the positive side to it was when we were able to gear back up we were really targeted. We knew exactly what we were shooting. We knew where the series was and where it needed to go. I think we were able to use the time very wisely to make all kinds of decisions that we wouldn’t have had time to make otherwise. The best and most positive thing was that the team responded incredibly well, actors, everybody included, we all just got on with it.”

More than once during the shutdown, I heard how Marvel Studios was using the time they wouldn’t otherwise have well and wisely. Having more time to think, discuss and evaluate their projects provided a rare opportunity to strengthen what were some already great projects. As Skogland said, the shutdown gave them time to really reflect on things and make decisions without being up against deadlines. As you’ll see when The Falcon and The Winter Soldier debuts next week, the downtime was time well spent.

March 13, 2021
EXCLUSIVE: Director Kari Skogland on the Most Important Questions ‘The Falcon and The Winter Soldier’ Will Answer

In an exclusive interview with Murphy’s Multiverse, The Falcon and The Winter Soldier director Kari Skogland discusses what drew her to the project, the key questions this series will address and how developing how the nature of the project allowed the characters to live and breathe without the usual time constraints.

Charles Murphy: “The episode has big action but it also has some beautiful and chilling character moments. The leads are hurting for different reasons and we finally have time to explore them more deeply. Did the opportunity to help define these characters make the project more attractive?”

Kari Skogland: “I don’t know about more attractive. No matter what I was excited. The central idea of it where Sam was handed the shield and what was that going to be and what is that what’s that the exploration of will he or won’t he take on what’s this is going to be for a Black man to carry the shield? What is Captain America’s relevance? Is there a Captain America that makes any sense anymore? All of those questions I thought were very topically important to not just discuss but to go on a real exploration in a deep dive sort of way.”

Needless to say the legacy of Steve Rogers and the weight of carrying his shield and taking up the mantle are major themes in The Falcon and The Winter Soldier. When he was handed the shield in Avengers: Endgame, Sam told Steve it felt like it belonged to someone else. The fact that we’re getting a series titled The Falcon and The Winter Soldier tells us he hasn’t resolved those feeling just yet.

Skogland continued on to explain how the structure of the show allowed for her to find the moments in which the characters could live and breathe and struggle, which they do beautifully in the first episode.

KS: “There was that on the one level and on the other level was the nature and the depth of these characters that we were able to in a 6-hour space compared to…I call it the meal vs. the snack. 6 hours is the meal and the feature is now the snack. And there’s plenty of room for snacks but I love the meals because you don’t feel like you’ve got these time constraints where you’re trying to jam too much into too short a space and the characters can live and breathe. And you’re also not sweating the “I better wind this up” too quickly. You’re able to let it gestate and let us worry for the character or be with the character. I really looked for performance opportunities and found from the get go it was going to be a challenge for the actors to find those moments and the table was set for them to do their great work and they did.”

And the actors really did great work delivering on the promise of this extended opportunity to develop their characters, something you’ll all have a chance to see when the first episode streams one week from today!

March 12, 2021
‘WandaVision’ Was Originally 10-Episodes Long

A huge point of contention among fans prior to the release of WandaVision was the show’s episode count. Kevin Feige continually described Marvel Studios’ streaming output to be strictly in the 4-6 hour count so the possibility of having more just enticed the fans into speculation. Conflicting reports surfaced left and right, as behind-the-scenes evidence pointed towards having more than 6 episodes, with some of our insider sources corroborating it. All the speculation was put to rest when the 9-episode count was confirmed by a Disney+ press release two months ago, or so we all thought. Some fans persisted with the idea that there were more episodes, going so far as to think that Disney+ was putting out a secret unannounced episode for the finale. That didn’t happen as evidenced by this week’s finale but in a new interview with series director Matt Shakman, he confirmed that the show was originally supposed to be 10-episodes long.

Well, yeah, things were constantly changing and getting rebroken. The story was changing, especially a lot of the real-world stuff and the finale. There was a lot of experimentation going on and sort of trying different things out. We also at one point had 10 episodes planned and we ended up collapsing a couple, you know just to make the rhythm feel a little bit better. But yeah, they constantly changed and then of course, once we wrapped in Atlanta the pandemic hit and we ended up having months off so then further changes during that we were doing post-production and then ideas would come up and little changes would happen as a result.

There’s been a lot of debate on whether the show managed to efficiently wrap up all the crazy plot threads of the season. Some felt very satisfied with the ending as it delivered a very emotional send-off for all the characters while some felt it was lacking, as some loose ends weren’t properly tied up and that the season would have benefited with a bit more time. Clearly, the filmmakers had more time at one point but then the pandemic hit and changed it for everyone. Judging from the other stuff Shakman has said about the development process, they had to get rid of a lot of stuff they simply didn’t have time to work on. Maybe somewhere in the multiverse, we get a Shakman cut of WandaVision.

Source: Youtube

March 8, 2021