Tag: MCU

The fourth episode of the nine-part series of She-Hulk: Attorney at Law doubles down on its intent to embrace an episodic half-hour comedy, and it is consistent with the success of Episode 3 with this premise. Episode 4 keeps She-Hulk as funny as ever. It is perhaps the first MCU project that will get fans excited for each week, not because they want to find out what happens, but simply because it is so enjoyable.

With certain characters and concepts (like Wong) carrying across multiple episodes, the series is avoiding a super strict “weekly” episodic structure that might forget all previous episode narratives. Still, the B story seems to act as an anchor for the structure—while certain stories span multiple episodes, the magic of Donny Blaze keeps it nicely choppy. It is a solid balance that embraces its MCU-unique style without limiting the stories and story arcs to miniature blips that exist purely within one short episode. She-Hulk is making it clear that it can do both. 

Episode 4 continues many of the themes and tones the series has previously set out. The Donny Blaze story is small, but Wong’s inclusion gives it more weight and intrigue. The fact that Wong can be reframed in this series in such a funny way without necessarily affecting the character in the greater MCU is brilliant. She-Hulk feels like comics or comic runs where characters take on very different facets of themselves at different times, but the MCU has previously avoided treading into this territory. In fact, some fans tend to lend harsh criticism to the studio if their favorite character comes across differently than how they have in the past.

But She-Hulk’s embrace of this strategy undoubtedly will go on to benefit how the MCU is able to tell different stories. It is especially clear at the tail end of Phase 4, a very experimental and sometimes messy phase, that the MCU wants to expand its offerings in a variety of directions. This series is a prime example of how the studio can do this successfully. Perhaps some stern fans simply need to embrace stories as they come, rather than investing themselves fully in one idea of what the MCU is. “Wongers” will certainly prove to be practice for some to take things less seriously, but Daredevil’s eventual appearance in She-Hulk will surely be a real test.

In any event, after two episodes that fully embrace the format and structure, it seems obvious from this episode that the back half of the series is going to be even better than what we have already seen. Supporting cast, cameos, and one-off performances are all hitting at the same level, meaning the episodic and mini-story experience can thrive. If anything, She-Hulk has only had a couple of episodes to fully take advantage of that structure, and those couple of episodes were some of the MCU’s best television. With five more episodes to go, things are only looking up for the unique series.

She-Hulk: Attorney at Law finally gets into its full groove in its third episode, and the result is the series’ best episode by far. By being able to embrace the half-hour story format, the show capitalizes on its concept and various parts to create some memorable and enjoyable television. But at the end of the day, Episode 3 is simple: it is wholeheartedly hilarious and full of constant literal laugh-out-loud moments.

With Wong’s introduction, the show once again proves it has strong connections to the MCU that it uses to enhance She-Hulk. The legal case-by-case structure essentially gives the show—apart from Jen’s overarching personal journey—the substance and story it needs on a weekly basis without the weight or pressure of actually needing a heavy overarching premise. There are clear breadcrumbs to a larger plot on the horizon, notably with the Asgardian construction worker-inspired Wrecking Crew that tried to take a sample of She-Hulk’s blood for “the boss.” But that tease is quite frankly the least interesting part of the episode by far.

The focus on smaller-scale stories also gives She-Hulk the space it needs to be genuinely funny and a pure comedy. Without the mandate of a slowly unraveling “main story”, each episode can just simply be enjoyed for what it is. The series can take elements, like Wong, from the greater universe and frame them in its own comedic lens without having to take on any responsibility for the true development of those characters or elements outside of this specific series. The cast, particularly the supporting cast, proves itself to be a formidable comedic vehicle when the narrative gives them the screen time. Josh Segarra’s Pug and Drew Matthews’ Dennis Bukowski handle the B-story without a problem and put in some of the best performances of the episode.

The pure absurdity contained in some of She-Hulk’s source material and comics generally is often not explored in live-action projects because it is—exactly—absurd. Phase 4 in general has been letting itself delve into that weirdness, but this series probably embraces the weird more than any other project. The simple joy of watching the “everyday life” of a Hulk and the Sorcerer Supreme along with the trivial and silly adventures they get into is virtually never part of the usual MCU experience. By not taking everything so seriously, She-Hulk gets to exist and breathe on its own, unique scale. But its resources make the small-scale stories feel much more exciting than if the revolving door of characters and clients was entirely new or bland. The show, through its connections to cameos and references, has an anchor in the MCU that keeps it from drifting into forgettable waters.

She-Hulk: Attorney at Law’s third episode sees the series transform into what it is intended to be. Where the first two episodes jogged, Episode 3 sprints. The show is fully self-aware, and even directly calls out misogynistic patterns that surround female superheroes and woman-led projects, particularly on social media. She-Hulk has nothing to prove to those who cannot handle the concept of a “She”-Hulk getting attention. For the rest of the world, this episode proves that the series is a hell of a good time.