Tag: Movies

  • New Report Reveals How Much Shazaming to Expect from ‘Shazam! Fury of the Gods’

    New Report Reveals How Much Shazaming to Expect from ‘Shazam! Fury of the Gods’

    Shazam! Fury of the Gods will be DC’s first 2023 theatrical release, heading into theaters on March 17th, 2023. Director David F. Sandberg, who returned to the franchise following the success of 2019’s Shazam! recently indicated that he’d completed post-production on the film, which filmed from May through August of 2021, and now a new report gives information on just how long the final cut of the film is expected to be.

    According to One Take News, Shazam! Fury of the Gods will clock in at 2 hours, 10 minutes and 4 seconds. For reasons unbeknownst to 99% of the population of the known universe, fans have recently developed an unhealthy obsession with runtimes, using them to predetermine the quality of a film. Though it’s unclear where 130 minutes falls on the graph of quality of film vs. minutes of screentime, it is clear that it’s somewhat higher up than if the film were 2 hours and 9 minutes long, but also lower than the 2019 film, which ran for 2 hours and 12 minutes.

    Shazam! Fury of the Gods will see Asher Angel return as Billy Batson and Zachary Levi return as Batson’s super-powered avatar. The sequel will see Batson and the Shazam Family take on the Daughters of Atlas played by Rachel Zegler, Lucy Liu and Helen Mirren.

    Source: One Take News

  • How ‘Spider-Man 4’ Might Impact Marvel Studios 2024 Theatrical Slate

    How ‘Spider-Man 4’ Might Impact Marvel Studios 2024 Theatrical Slate

    A new rumor has Sony looking to start production on a fourth Spider-Man solo film in the Summer of 2023 for a Summer 2024 release. If everything goes according to plan, that fourth film would be part of Marvel Studios’ ongoing Multiverse Saga and 2024 is already shaping up to be a busy year in that regard with 4 films headed to theaters. How might a potential fourth Spider-Man film shake up that slate? Let’s take a look.

    Current Slate

    May 3, 2024: Captain America: New World Order
    July 26, 2024: Thunderbolts
    September 6, 2024: Blade
    November 8, 2024: Untitled Deadpool and Wolverine Movie

    By all current accounts, Sony is keen on getting Spider-Man 4 into theaters in July. The studio already has an Untitled Marvel Sony Film slated for that date and if they get production underway in Summer of 2023, as the new rumor states, a July 2024 release date sounds about right. However, Marvel Studios has Thunderbolts slated set for release just 2 weeks after that which is far too close to the potential Spidey 4 date. It seems nearly impossible to believe both films will release in July. One or the other must move and there are plenty of options available.

    Option #1

    An easy solution is for Thunderbolts to move into August. By sliding ahead to August 2nd, 2024, Spider-Man 4 gets room to breathe and Thunderbolts can take advantage of following that film into theaters. 3 weeks is the same grace period Disney gives its own films (Captain America: New World Order will run for 3 weeks before Kingdom of the Planet of the Apes; Inside Out 2 will run for 3 weeks before Mufasa: The Lion King), Marvel Studios has released a successful film in August before in 2014’s Guardians of the Galaxy, and Disney does not currently have a theatrical release slated for August 2024. Of the two “Summer films” for Marvel Studios, Thunderbolts would have to be the one to move because from everything I’ve come to understand, it must follow Captain America: New World Order.

    Option #2

    Another frequently discussed scenario is having Spider-Man 4 open in December. SpiderMan: No Way Home opened on December 17th, 2021 and raked in almost $2B; however, there is one major consideration to this option: Avatar 3 is currently slated to open on December 20th, 2024. Sony could opt to release Spider-Man 4 on November 29th, which would place the release 3 weeks after Deadpool and Wolverine and 3 weeks before Avatar 3. Part of the strategy in a December opening is to take advantage of the holiday break, however, and a November 29th release combined with Avatar 3’s presence would all but ensure that theaters playing Spider-Man 4 around Christmas time would be sparsely populated.

    Option #3

    A third possibility could arise out of the continued delays to Marvel Studios Blade. After several delays, the film recently took on a new director and another new writer who is reportedly starting the script from scratch. Marvel Studios is still expecting to get the film into production next year and hit the targeted September 6, 2024 release date but should it encounter any more delays, Sony could put Spider-Man 4 in September or Marvel Studios could push Thunderbolts to September, allowing Sony to have Spider-Man 4 in July. Moving Blade would complicate things for Marvel Studios as it would likely cause a cascade of subsequent moves into 2025 and beyond, but that’s hardly something Sony would concern themselves with.

    Other options exist, of course, but these 3 seem the most viable for a number of reasons. All things considered, the hardcore Marvel Studios’ fans dream probably looks something like this:

    May 3, 2024: Captain America: New World Order
    July 12, 2024: Spider-Man 4
    August 2, 2024: Thunderbolts
    September 6, 2024: Blade
    November 8, 2024: Untitled Deadpool and Wolverine Movie

    It may be a while before we get any official news, but shuffling the theatrical slate is now more normal than keeping it the same so don’t start etching your 2024 movie plans in stone just yet.

  • Spidey 2024! A New Rumor has Tom Holland’s Return to the MCU Just Around the Corner

    Spidey 2024! A New Rumor has Tom Holland’s Return to the MCU Just Around the Corner

    Rumors of star Tom Holland closing in on a deal to return as Peter Parker have had fans patiently awaiting official word for a month. While nearly everyone believes that Disney and Sony want to and will reach a deal with Holland, whose Spider-Man last appeared nearly a year ago in Spider-Man: No Way Home, the lack of an announcement by Sony has fans on edge. Even though Marvel Studios One-Above-All Kevin Feige assured fans that a new project was in development and that the character would, alongside Daredevil, lead the street-level heroes of the MCU in the Multiverse Saga, nobody is counting chickens just yet. However, a new rumor has emerged and may give fans of Holland’s version of the character a bit of hope.

    According to Twitter Cape Time Podcast host Tom Smith, a fourth Sony-Marvel Studios Spider-Man collaboration has been fast-tracked and could be in theaters by 2024.

    The rumor, aligning with a previous rumor, has Spider-Man 4 going into production in the Summer of 2023 with Sony looking at releasing the film in the Summer of 2024. With Marvel Studios already having 2 films (Captain America: New World Order and Thunderbolts) on the slate for that Summer, some maneuvering of the slate might be necessary; however, both Sony and Marvel Studios are well aware of how important the character is to the overall health of both their wallets, so it would seem likely that the two studios would work something out. While 2024 is a busy year for Marvel Studios (the untitled Deadpool and Wolverine film and Blade are both set for 2024 releases), June, August and October are wide-open months and the reality is that whether it’s Spider-Man 4 or a Marvel Studios film that shifts dates, audiences will fill theaters regardless of when it releases.

    Though a 2024 release date is anything but official at this point, Sony’s desire to get another Spider-Man film into theaters quickly is anything but surprising. Spider-Man: No Way Home was a major box office win for Sony, ultimately grossing nearly $2B for the company and showing major staying power over its theatrical run. For Marvel Studios, Holland’s new deal would get Spidey back in action for what would likely be a trio of MCU-set solo films and appearances in the upcoming Avengers films.

  • James McAvoy Shares His One Criticism of Fox’s ‘X-Men’

    James McAvoy Shares His One Criticism of Fox’s ‘X-Men’

    20th Century Fox’s era with the X-Men license has been quite unique, as the franchise kicked off the modern superhero craze and also went through its own soft-reboot phase when X-Men: First Class took over. Technically, the project was a prequel to the original, it still added unique elements that were not referenced in the original trilogy. It was a way to get a new group of actors to take on some iconic roles.

    James McAvoy famously took on the role of Charles Xavier with Michael Fassbender offering his talent to the role of Magneto. In a recent interview with GQ, McAvoy opened up on the one aspect that he would criticized of the original run as the films moved away further and further from the main dynamic introduced in First Class.

    My biggest criticism of what we did throughout the four movies was that after the first movie, we didn’t take advantage of the relationship between [Xavier and Michael Fassbender’s Magneto], which really formed the backbone of the first film. So it was like, why did we just eject that massive weapon.

    James McAvoy

    When Bryan Singer returned with X-Men: Days of Future Past, the franchise built a stronger focus back to Wolverine that acted as a connective tissue between the past and future. Apocalypse did continue the storyline surrounding Magneto but kept him and Xavier far apart from each other for most of the film before we returned to another attempt at the Dark Phoenix storyline. Perhaps a new generation could further explore this dynamic.

    Source: GQ

  • Legendary Finds New Partner in Sony, ‘Dune’ and MonsterVerse Remain with Warner Bros.

    Legendary Finds New Partner in Sony, ‘Dune’ and MonsterVerse Remain with Warner Bros.

    Hollywood is going through a massive change once again, as another surprise development has shown its hands. Long-time Warner bros. collaborator, Legendary Entertainment has seemingly moved on and has a new partner in Sony Pictures. As such, the production company will distribute and market their films globally with Legendary East still handling China. It also means all home entertainment and TV distributions will be handled by their new partner.

    This deal also marks an interesting development for their streaming ventures. Sony, unlike Warner Bros. and Disney, has no internal streaming service and simply works with those that exist in the market. As such, Legendary will continue to partner with streaming services for various productions, such as Enola Holmes that has found its home on Netflix. Sony Pictures Motion Picture Group’s Josh Greenstein and Sanford Panitch had the following to say on the deal:

    ’s a rare opportunity to partner in this mutually beneficial way with true pros, who are completely aligned in our theatrical commitment and vision for this business. The creative brilliance and power of Legendary is huge and we look forward to bringing their work to theaters across the world.

    If you’re wondering what this means for the upcoming releases of Dune and the Monsterverse franchise, they are still with Warner Bros. Dune: Part Two is still set to release in November next year with WBD. Though, it’s unclear what this might mean for future entries moving forward, especially when former WarnerMedia head Jason Kilar released their films on HBO Max alongside its theatrical release. While Dune and Godzilla vs. Kong still were some of Warner Bros. most successful releases since the pandemic started, it left a bitter taste. Either way, Warner Bros. Discovery’s current development also may have led to this decision and Legendary is moving on.

    Source: The Hollywood Reporter

  • ‘Darby and the Dead’ Actress Teases “Refreshing” Take on Modern High School

    ‘Darby and the Dead’ Actress Teases “Refreshing” Take on Modern High School

    While high school settings have been popular in films for as long as anyone can remember, it has always been interesting in comparing how things have changed over the years. Darby and the Dead is the latest addition to the genre and while the main focus will be on the story focusing on a girl that can talk with a deceased popular girl, it’s also about exploring what it’s like to be in modern high school.

    In the official press conference, actress Nicole Maines shared how they tried to explore this “high school environment” of today while still “breathing new life” into how the usual popular kids are seen.

    I feel like what brings this movie into the realm of being the Clueless or the Mean Girls or the next Heathers is it very, like Genneya said, accurately depicts what the high school environment is today. And I think that is breathing new life into what we think of as the popular girls or the popular kids.

    Nicole Maines

    She also goes on to talk about how this film focuses on having the top dogs of this high school come from “marginalized communities” which further reflects modern high schools and adds something refreshing.

    And I think that what this film does spectacularly, and what is groundbreaking about it is that it showcases diverse and marginalized communities, particularly women, thriving and existing at the top of the food chain, which we never get to do. And now we’re seeing them as top dogs, and it’s really refreshing to see. And it was really refreshing and exciting to get to be a part of that. And to get to be the top dog for a second. It was a little fun.

    Nicole Maines

    There’s always the challenge of making something familiar feel fresh and new, especially as the world around us continues to change and diversify. So, it does seem like it was a core focus in this project especially while still exploring that anyone can be on any part of the food chain of high school.

  • The Sunday Paper—November 27, 2022

    The Sunday Paper—November 27, 2022

    kang the conqueror

    Ant-Man and the Wasp: Quantumania is now the next Marvel Studios film up to continue the franchise. Accordingly, we are seeing plenty of news bits here and there about the upcoming film which will feature potential Multiverse Saga Big Bad Kang the Conquerer.

    Actor Jonathan Majors previously played He Who Remains on Loki and teased he was just one of “many iterations” of Kang that he’d be playing during his tenure in the MCU and now Ant-Man franchise director Peyton Reed has chimed in on which version audiences will see in Quantumania. “Kang The Conqueror in our movie is a very different character,” from Majors’ He Who Remains, teased Reed in an interview. “He’s someone who has dominion over time, and he’s a warrior and a strategist,” added Reed, whose description is in lockstep with how Majors has previously described this version of the character. Reed finished the thought by describing this version as, “an all-timer antagonist“, giving fans of the comics a pretty good idea of what to expect.

    A Funk Pop that made its way to stores earlier than expected offered fans the first look at M.O.D.O.K. A new theater standee shared on Twitter has indicated that in addition to the main cast of Paul RuddEvangeline LillyMichelle Pfeiffer, and Michael Douglas returning for the film, one other actor is set to return for his third MCU film—David Dastmalchian. The actor has played Kurt Goreshter in the previous two Ant-Man films and along with Michael Pena’s Luis and T.I.’s Dave was a frequent source of comedic relief.

    There’s been a lot of hype around Tenoch Huerta‘s incredible performance as Namor, the leader of Talocan and antagonist in Black Panther: Wakanda Forever. Many have hoped that this performance would kick off interest from Marvel Studios to get this character his own solo project, but sadly it seems that rights are still an issue for some of the Marvel characters. Black Panther: Wakanda Forever producer Nate Moore has confirmed that the character can definitely return in a future project, but Disney is not able to produce a standalone project based around the character. It seems the rights are still with Universal, who also holds the rights to Hulk and was the reason that character never got a sequel since the Edward Norton film back in 2008.

    As shared on Instagram, there’s already a The Marvels‘ shirt available that gives us a good look at the main trio of Monica Rambeau, Carol Danvers, and Kamala Khan. The biggest reveal from this merchandise is the costume that Monica will seemingly wear during her outing as a hero in the Marvel Cinematic Universe.

    Kingpin actor Vincent D’Onforio made a comment about Daredevil: Born Again that had everyone speculating this week. Though he’s often been clear that he’d love to see Kingpin take on Spider-Man in the MCU, he’s also made it known that a Punisher vs. Kingpin battle is on his list of goals. With the rumors of Jon Bernthal’s return to the role continuing to swirl, perhaps D’Onofrio’s comments could give fans of the character a little more reason to hope he’ll be included.

    In the world of DC, James Gunn took to Twitter to shoot down reports about Henry Cavill’s alleged contract(s) with DC Studios to play Superman down the road after his return in Black Adam. Gunn made it clear that only he and co-head of DC Studios Peter Safran know anything about the subject, and any report out there is likely false.

    Any time a legendary filmmaker comments on superhero films, the internet discourse goes instance, and Quentin Tarantino’s recent comments ignited the discussion again. Tarantino is not a big fan of modern superhero films. The acclaimed director recently said he’s never helmed one because he’s “not a hired hand” and while “the writing’s not quite on the wall yet”, he believes the fascination with superhero films will eventually fade.” However, when asked about what type of comic book film he would be interested in making, Tarantino revealed it would be the 1963 Stan Lee and Jack Kirby series Sgt. Fury and His Howling Commandoes, which actually inspired Inglorious Basterds.

    Despite Tarantino’s lack of interest in the superhero genre, we wrote about his long history with comic book movies, which you can check out here. While you’re at it, you can check out our feature on comics Avengers who are a bit “too wack” for the MCU.

  • [SPOILER] Was Always Part of ‘Black Panther: Wakanda Forever’s Script

    [SPOILER] Was Always Part of ‘Black Panther: Wakanda Forever’s Script

    In case you haven’t had a chance to see Black Panther: Wakanda Forever yet, here’s a spoiler warning for one of the biggest moments in the film.

    Watching Black Panther: Wakanda Forever has been quite an emotional experience, as you can feel that this film acts as a way for the cast and crew to digest the tragic passing of Chadwick Boseman. At the end of the film, not only does Shuri finally find a way to digest her grief but also uses it as a way to move on as Wakanda’s new Black Panther. Yet, that wasn’t the only big moment when the credit rolled and we were introduced to Nakia and T’Challa’s son, Prince T’Challa.

    This moment felt like something that pays tribute to their late friend while also building up the feeling that T’Challa lives on in the Marvel Cinematic Universe; perhaps just not in the direct recasting way that some usually expect. Still, it was a powerful moment that definitely will stick with many after the final credits have rolled. Surprisingly, it does seem like this wasn’t something added after Boseman‘s passing but has been part of the script but the way he was revealed has changed according to film’s co-writer, Joe Robert Cole.

    T’Challa had a child in a previous iteration of the script prior to Chad’s passing. Him having a child was always in the DNA of what we wanted to do. We just weren’t sure, after he passed, about the best way to incorporate him. So there were various iterations of his son being in our new story. And we finally landed on the reveal at the end. There was a point where I think when Ramonda [Angela Bassett] goes to Haiti, we had talked about potentially having him be revealed there. So we knew we wanted him to be a part of the movie in some way, and landed, I think, on the best possible version.

    Joe Robert Cole

    It’s really interesting to find out that he’s always been part of the film’s script but there never was a clear point when they wanted to introduce him. The fact that they kept him for th ened was the most fitting, especially with how emotional it makes the reveal once we see for the first time. It was especially fitting that he carries on his father’s name which may be something they added later on potentially. Still, T’Challa lives on in more ways than one.

    Source: Rolling Stone

  • Shuri Wasn’t Always the Next Black Panther in ‘Wakanda Forever’

    Shuri Wasn’t Always the Next Black Panther in ‘Wakanda Forever’

    Black Panther: Wakanda Forever made a big deal out of who would take over the mantle moving forward, as director Ryan Coogler and co-writer Joe Robert Cole decided to honor their friend Chadwick Boseman by having his character T’Challa face a similar fate. The film has become a way for many to cope with the events that happened and the film became a beautiful tribute to grief and having memories of loved ones live on in our minds.

    Of course, there’s the challenge of finding who would carry on the mantle, and the film would eventually settle on Letitia Wright‘s Shuri. It makes sense given that she’s the next one in line for the throne, and is the only one that can recreate the herb that gives the mantle its powers. Still, it seems that according to Cole, they have played around with some others taking on the mantle, such s Winston Duke‘s M’Baku.

    We would kick around the ideas, and try to extrapolate where the story goes and what’s the most impactful choice — what’s the best journey? And where do you go after the film in terms of those characters. M’Baku certainly was someone that got kicked around a little bit. I think you’re correct because in the comics, Shuri is Black Panther and there’s a natural organicness, I guess is the best way to say it, to her becoming Panther. But you kick the tires on all sorts of ideas. And you just want to make the best decision and do what’s best for the story.

    Joe Robert Cole

    He does highlight that they also have considered passing the mantle to Lupita Nyongo‘s character Nakia but settled on the more fitting decision to have the Black Panther remain in the family. They went through quite a few ideas early on, but the film also keeps the door open for someone else that can take it on in the future. And who knows what the future has in store, as we’re still in the Multiverse Saga that might feature some others wearing the mantle.

    Source: Rolling Stone

  • ‘Mean Girls’, ‘Bring it On’ and More Inspired ‘Darby and the Dead’s Characters

    ‘Mean Girls’, ‘Bring it On’ and More Inspired ‘Darby and the Dead’s Characters

    Darby and the Dead is a new high school comedy that adds a new spin. As the name implies, it’s not just about a young teenager surviving high school, but her former bully suddenly dies and she’s stuck trying to help her pass on to the next life. It’s a creative premise and looks to be a promising new take on the classic film type.

    During the official press conference for the Hulu Original, actresses Kylie Lyia Page, Nicole Maines, and Auli’i Cravalho got a chance to tease the inspirations of how they brought their characters to life in the Hulu Original. Page highlighted the rather obvious Mean Girls, but also Bring It IOn as inspirations on trying to bring their “popular girl” personas to life in the film.

    I think Mean Girls is definitely one. I mean, just that’s easy, you know, we’re a group of four girls. You know, we’re at the top of the food chain. We’re cheerleaders, so a little bit of Bring It On in there. And Clueless for sure.

    Kylie Lyia Page

    Maines also went on to highlight that it wasn’t only the way they approached the dynamic in their friend’s group, but also that it heavily inspired their wardrobe. So, they had quite a few references to keep an eye out for in what the characters wear throughout the film’s runtime.

    Even our wardrobe tried to give nods to different films that we loved, and yeah, ‘cause we wanted to just make a, like, a fresh take on the classics that we grew up with.

    Nicole Maines

    There are many iconic films that explored this familiar setting too many, and they do hint that while it’s inspired by classics, the film is mainly a more modern take to represent how high school looks for students living it currently. Here’s just hoping that no poor soul can see the dead while trying to live through the