Tag: Movies

  • Murphy’s Team-Up Volume 28: Ranking Marvel Studios Phase 4 Films

    Murphy’s Team-Up Volume 28: Ranking Marvel Studios Phase 4 Films

    With the release of Black Panther: Wakanda Forever, Marvel Studios has completed its theatrical slate for Phase 4 which began when Black Widow was released in July 2021 after a long wait due to the COVID-19 pandemic. With Phase 4’s films all now available for consumption, Team MM thought there was no time like the present to rank them.

    Hunter Radesi

    1 Black Panther: Wakanda Forever
    2 Spider-Man: No Way Home
    3 Shang-Chi and the Legend of the Ten Rings
    4 Doctor Strange in the Multiverse of Madness
    5 Eternals
    6 Thor: Love and Thunder
    7 Black Widow

    Anthony Canton III

    1 Spider-Man No Way Home
    2 Black Panther: Wakanda Forever
    3 Doctor Strange in the Multiverse of Madness
    4 Shang-Chi and the Legend of the Ten Rings
    5 Thor: Love And Thunder
    6 Black Widow
    7 Eternals

    Charles Murphy

    1 Black Panther: Wakanda Forever
    2 Shang-Chi and The Legend of the Ten Rings
    3 Doctor Strange in the Multiverse of Madness
    4 Spider-Man: No Way Home
    5 Eternals
    6 Black Widow
    7 Thor: Love and Thunder

    João Pinto

    1 Shang-Chi and The Legend of the Ten Rings
    2 Black Panther: Wakanda Forever
    3 Doctor Strange in the Multiverse of Madness
    4 Spider-Man: No Way Home
    5 Black Widow
    6 Eternals
    7 Thor: Love and Thunder

    Michael T. Ford III

    1 Black Panther: Wakanda Forever
    2 Spider-Man: No Way Home
    3 Black Widow
    4 Shang-Chi and the Legend of the Ten Rings
    5 Eternals
    6 Doctor Strange in the Multiverse of Madness
    7 Thor: Love and Thunder

    Jared Kirschenbaum

    1 Spider-Man: No Way Home
    2 Shang-Chi and The Legend of the Ten Rings
    3 Black Panther: Wakanda Forever
    4 Black Widow
    5 Doctor Strange in the Multiverse of Madness
    6 Thor: Love and Thunder
    7 Eternals

    Dalbin Osorio

    1 Black Panther: Wakanda Forever
    2 Spider-Man: No Way Home
    3 Doctor Strange in the Multiverse of Madness
    4 Shang-Chi and The Legend of the Ten Rings
    5 Eternals
    6 Black Widow
    7 Thor: Love and Thunder

    Torbjorn Frazier

    1 Spider-Man: No Way Home
    2 Shang-Chi and The Legend of the Ten Rings
    3 Black Panther: Wakanda Forever
    4 Doctor Strange in the Multiverse of Madness
    5 Thor: Love and Thunder
    6 Eternals
    7 Black Widow

    Spider-Man: No Way Home: It was the worst-kept secret in Hollywood about what this film was going to be, and yet No Way Home still provides the best live-action cinematic experience of Spider-Man. It has a truly epic scope, successfully pays off (and improves) films outside of the studio that made it, and even still is a strong personal story for Tom Holland’s Peter Parker. No Way Home is the largest success of Phase Four.

    Shang-Chi and the Legend of the Ten Rings: While other films on this list are built upon the legacies of the past, Shang-Chi is the strongest film in Phase Four based on its own individual merits. The core four of the cast all bring their best, Destin Daniel Cretton established himself as a marquee director of the future, and the film has left audiences with a great future to look forward to.

    Black Panther: Wakanda Forever: Trying to rank a film like Wakanda Forever feels futile and plays into the argument of why rankings can be arbitrary and reductive. Even still, Ryan Coogler adeptly manages the insurmountable task of having to manage the grief of Chadwick Boseman’s death and turn it into this beautiful exploration of grief and loss. It continues the strong desire for Wakanda to play a major role in the MCU.

    Doctor Strange in the Multiverse of MadnessSam Raimi’s return to superheroics was a strong success in my eyes. It is much closer to the imaginative experience that Doctor Strange should bring to the big screen with his magic and dimension-hopping. As well, it’s a film where I found the fast pacing to be more of a benefit here as opposed to Love and Thunder. And to boot, I appreciated all the narrative themes and allowing Benedict Cumberbatch’s to be more quiet and nuanced than most MCU protagonists.

    Thor: Love and Thunder: This film is a perfectly fine adventure into the world of New Asgard and the power dynamics of the Thors. Natalie Portman is fantastic in her return to the role of Jane Foster aka Mighty Thor. For me, the biggest issue is the film being too fast-paced and really needing another 10-15 minutes to slow down.

    Eternals: While I completely understand the issues some have with this film, I am someone who absolutely adored Eternals. The time spent marinating on the human experience and the concept of family resonated in an unexpectedly fantastic way. Though the film’s pedestrian attempts at the superheroic tropes do hold it back in these rankings.

    Black Widow: It was a refreshing experience watching this film as the first MCU film released post-pandemic and a perfectly passable romp of a spy film. However, it still feels like it would’ve been much better served in Phase Three and doesn’t move the needle for the future beyond Florence Pugh’s iconic Yelena Belova.

    Average Ranking

    Black Panther: Wakanda Forever
    Spider-Man: No Way Home
    Shang-Chi and the Legend of the Ten Rings
    Doctor Strange in the Multiverse of Madness
    Black Widow
    Eternals
    Thor: Love and Thunder

    1.8
    2.1
    2.8
    3.9
    5.5
    5.8
    6.2

    Power Ranking

    Murphy’s Multiverse Power Rankings are calculated by assigning point values for rankings. In this instance, a film received 7 points for being ranked #1, 6 points for being ranked #2 and so on down to 1 point for being ranked #7.

    Black Panther: Wakanda Forever
    Spider-Man: No Way Home
    Shang-Chi and the Legend of the Ten Rings
    Doctor Strange in the Multiverse of Madness
    Black Widow
    Eternals
    Thor: Love and Thunder

    6.3
    5.9
    5.3
    4.1
    2.5
    2.3
    1.8


  • ‘The Handmaid’s Tale’ Director Christina Choe Set to Helm Margot Robbie’s ‘Pizza Girl’ (Exclusvie)

    ‘The Handmaid’s Tale’ Director Christina Choe Set to Helm Margot Robbie’s ‘Pizza Girl’ (Exclusvie)

    Christina Choe, who directed two episodes of The Handmaid’s Tale and two episodes the The Twilight Zone, is set to helm the feature film Pizza Girl, which is being produced by Margot Robbie. Though it was unclear at the time of publication, it is also believed that Robbie will hold down one of the film’s leads. Casting for the film is underway now ahead of a January start of production.

    Pizza Girl will tell the story of a young, expectant mother struggling to come to terms with a multitude of major changes in her life all happening in rapid succession. As her tenuous grip on reality continues to slip, Pizza Girl finds herself obsessed with an older woman who may be played by Robbie. Robbie recently revealed that her planned Pirates of the Caribbean film was no longer in development at Disney.

    Jean Kyoung Frazier, who has just one writing credit for Law & Order: Organized Crime, penned the script for Pizza Girl. Robbie’s husband, Tom Ackerly, will serve as a producer on the project alongside Amy Lo and Steven Rales, who also produced Wes Anderson’s Asteroid City, an upcoming film starring Robbie.

  • Dave Bautista’s ‘My Spy 2’ Ready to Roll at Amazon Studios (Exclusive)

    Dave Bautista’s ‘My Spy 2’ Ready to Roll at Amazon Studios (Exclusive)

    Dave Bautista will reunite with co-star Chloe Coleman and writer/director Pete Segal for My Spy 2, a sequel to the surprise 2020 film. The film will be produced by Amazon Studios, which purchased the rights to My Spy in 2020 when the COVID-19 pandemic shut down theaters across the globe. After a couple of years in development, production is set to begin in February 2023 with shoots planned on location in South Africa and Italy.

    My Spy followed Bautista’s CIA operative JJ’s mission to track uncle of Coleman’s Sophie. Though the nine-year-old Sophie was much more than JJ bargained for, the pair formed a bond and an unlikely alliance. The film ended with JJ living with Sophie and her mother, Kate, played by Parisa Fitz-Henley. Jon and Erich Hoeber, who co-wrote the original film, penned the script for the sequel as well, which looks set to be released on Amazon Prime in late 2023 or early 2024.

  • ‘Black Panther: Wakanda Forever’ May Not Release on Disney+ Within the Usual Release Window

    ‘Black Panther: Wakanda Forever’ May Not Release on Disney+ Within the Usual Release Window

    Black Panther: Wakanda Forever has made quite the splash at the international box office and is a strong contender to potentially pass a billion with some powerful word-of-mouth pushing the project forward. There’s, however, one part that could end up dragging its growth down in the form of the current Disney plan setting each new release to be available on Disney+ within 45 days. Yet, it seems that Wakanda Forever may move away from that current trend.

    While reporting the current box office trends, Deadline shares some details on what we can expect from its theatrical run. They point out that the film isn’t set to release ahead of the holidays, which has been a common move for Disney to get some more momentum for its subscriber growth ahead of the holiday season. Encanto dropped quite quickly on the platform and it seems they have the same plan with Stranger World, which is set to release on November 23rd. Even Eternals found its way shortly after the year started in January.

    Yet, they are opting to potentially not do the same with Wakanda Forever. As such, they may be starting to move away from the 45-day release window that has been set and adapt from film to film. Top Gun: Maverick proved that a longer release window can truly carry a film passed the billion and with some strong word-of-mouth, it would be a shame if Disney got in the way of its own success. As such, it wouldn’t be surprising if they generally start moving away from that and give these films more time to breathe in theaters.

    Source: Deadline

  • ‘Agents of SHIELD’ Star Reignites MCU Return Rumors With New Instagram Post

    ‘Agents of SHIELD’ Star Reignites MCU Return Rumors With New Instagram Post

    There’s been a lot of rumors surrounding Marvel Studios’ future projects. Especially the upcoming adaptation of Secret Invasion has been the focus given its topic of exploring a world infiltrated by the Skrull. A story exploring agents trying to figure out if the person next to them can be trusted opens up many possibilities, especially with a project focused on the spy aspects of the Marvel Cinematic Universe.

    Of course, when spies are involved it becomes a hot topic if it also means many more SHIELD agents from the comics could make an appearance. Not just that but also the possibility of seeing actors return from the ABC series Agents of S.H.I.E.L.D., especially Chloe Bennet who played the Marvel character of Daisy Johnson or better known as Quake. Rumors went wild on her potential return to the franchise and a new post may have reignited just that.

    Bennet has taken to her Instagram account and shared a rather simple group of photos. Yet, she seemingly put some daisies in her shoe, which has led to many in the comments believing that she may be subtlety hinting at her potential return to the franchise.

    Of course, it’s not really a confirmation of any kind but it’s definitely a fun little tease by the actress even if it’s simply to pay tribute to the role she played during the Marvel TV era. Whatever may come from it, it definitely may spark some fun in once again revisiting the series and theorizing on how she might arrive in the MCU, which could be similar to how they handled Charlie Cox‘s return as Daredevil.

    Source: Instagram

  • Former X-Men Kelsey Grammer Wants to Return as Beast in the MCU

    Former X-Men Kelsey Grammer Wants to Return as Beast in the MCU

    The moment Marvel Studios unveiled plans for Avengers: Secret Wars, it felt like anything suddenly became possible. The Multiverse Saga was upon us and while we only got a glimpse in Doctor Strange in the Multiverse of Madness, something that seems entirely on purpose in retrospect to build up what is yet to come, it does seem like the perfect way to slowly bring back some iconic stars from Marvel’s cinematic and TV history.

    One of the most hopeful returns has been some of the 20th Century Fox actors, especially from the X-Men franchise. Luckily, it seems that one actor is definitely on board as Kelsey Grammer, who once played Beast in X-Men: The Last Stand and X-Men: Days of Future Past, and gave us quite an iconic incarnation ith very little time on screen. Not only does he want to return but he also makes an ultimatum in an interview with MovieWeb.

    If they don’t ask me to return to the role of Beast, I’ll never go to Disneyland again. I’d love for them to do that. I want to do that.

    Kelsey Grammer

    There’s the possibility that we see this actor return to the role even before Secret Wars; if Marvel Studios even ends up approaching him. Hugh Jackman is already confirmed to take on the role of Wolverine once more in the upcoming Deadpool threequel and they could also reintroduce some familiar faces from the original X-Men franchise. So, we’ll see if he might end up having a role after all.

    Source: MovieWeb

  • Disney Eyeing a ‘The Princess Diaries’ Revival

    Disney Eyeing a ‘The Princess Diaries’ Revival

    Who knew Disney had a thing for princess stories? Jokes aside, it looks like Disney is hoping to revive the popular The Princess Diaries franchise as they have attached Supergirl and Reacher‘s Aadrita Mukerji to write a script that would act as a continuation of the 2004 film Princess Diaries 2: Royal Engagement. It should be noted that Anne Hathaway is not attached yet but she has been open to potentially returning one day in the past. If Disney approves of a script and finds a director, we might see her return to the role.

    The original was first released in 2001 and explored the story of an unassuming teenager from the States that ends up being the heir of a fictional European kingdom known as Genovia. The film was based on a novel by Meg Cabot and was quite a box-office hit at the time. Its sequel didn’t bring in as much as the first but remained just as much a pop culture favorite for years. Debra Martin Chase is back to produce the film, as she did with the first two entries with Godmothered and The Other Woman screenwriter Melissa Stack set to executive produce.

    The original two films were directed by the late Garry Mashall, who sadly passed away in 2016. He famously went on to direct the unofficial holiday trilogy, Valentine’s Day, New Year’s Eve, and Mother’s Day. It’s still too early to say if a third film will be made but Disney isn’t a stranger to reviving classic franchises, as they did recently with Hocus Pocus 2 and even going on to revive some of their newly acquired 20th Century projects. So, we’ll see how long it takes for them to move forward with the project.

    Source: The Hollywood Reporter

  • From DC to Horror: Walter Hamada Makes Deal with Paramount

    From DC to Horror: Walter Hamada Makes Deal with Paramount

    Walter Hamada is a name many might recall as a big part of the post-Justice League era of DC Films. While the studio has been renamed DC Studios with new leadership under Peter Safran and long-time superhero director James Gunn, the producer fought his way uphill on trying to set a plan for DC’s future. Under new leadership with Warner Bros. Discovery, he left the studio and many wondered where he’d show up again. As it turns out, he went on to return to his horror roots.

    In a new report by The Hollywood reporter, he has signed on as of January 1st, 2023 to oversee Paramount’s horror line-up. After their recent success with Smile, it’s no wonder that they want to bank on the current rise of horror projects and Hamada is no stranger to the task. His mandate is to set a bunch of mid-budget horror films not only for theatrical release but also eyeing a streaming release every year. Not a small undertaking to boost their horror output.

    I am thrilled to collaborate with Paramount Pictures with the singular goal of creating exceptional movies in the horror genre. Over the course of my career, nothing has been more gratifying than discovering emerging, first-time filmmakers and writers and unleashing their brilliance in a studio setting. Thank you to Brian and the entire team at Paramount Pictures for this tremendous opportunity, I can’t wait to get started.

    Walter Hamada

    Paramount Pictures CEO Brain Robbins also highlighted the “tremendous appetite for original, high-concept storytelling in the global market” and is quite excited to build this new horror corner of its studio.

    Source: The Hollywood Reporter

  • ‘Blade’ Reportedly Adds ‘The Walking Dead’ Actor in Unknown Role

    ‘Blade’ Reportedly Adds ‘The Walking Dead’ Actor in Unknown Role

    As pre-production on Blade continues even without official word on a new director for the project, actor Joshua Mikel has reportedly joined the cast of the film according to insider Daniel RPK. Mikel, who played an obnoxious Savior named Jared in 11 episodes over 2 seasons of The Walking Dead, would be joining star Mahershala Ali, Delroy Lindo and Aaron Pierre on the project. The report did not indicate what role Mikel would be playing.

    First announced at SDCC ’19, Blade has been beset by several delays including having both the original writer, Stacy Osei-Kuffour, and original director, Bassam Tariq, leave the project. Beau DeMayo has assumed writing duties for the film while Marvel Studios continues the search for a new director.

    Originally slated for a Fall 2023 release, Blade is now tentatively slated for a September 6th, 2024 theatrical debut.

    Source: Daniel RPK

  • REVIEW: ‘The English’ Tells a Bleak Story on a Beautiful Canvas

    REVIEW: ‘The English’ Tells a Bleak Story on a Beautiful Canvas

    There’s always something about the Wild West that has been turned into a more “heroic” showcase of the good Sherrif taking down the bad. Even when people are being shown at their worst, there’s generally a very specific view that is offered with these kinds of stories to not lose the audience in the depravity reflected of a time we barely can imagine the way it was lived. The English doesn’t hold back in that regard to offer the bleak view you’d expect from that time. At its center, it keeps two hopeful souls to center the story’s most bleak moments.

    There is something honest about the portrayal of that time and the people that lived through it. In this story, there’s no true right or wrong but people simply trying to find a way to survive. At its center, we have the simple story of Emily Blunt‘s Cornelia Locke and Chaske Spencer‘s Sgt. Eli Whipp. Two strangers meet at a crossroads of fate which ends up intertwining in unlikely ways throughout their journey. There’s a tough balance this story has to handle to not fall into rather questionable territory, but it manages to keep that sturdy line throughout.

    The series is on the slower side of pacing, which is surprising given the six episodes given to explore a rather simple story. At many points in time, a story is being spun beyond our leading two which works at times but also leaves you wanting more from the dynamic that was set up. A lot of time is spent in this time period with an unflinching eye that does evoke a “who do you trust” mentality in the viewer throughout. It’s the series’ most effective weapon to establish a believable world these characters live in and the challenges set given their own unique backgrounds.

    Spencer‘s performance is strong throughout, as Whipp is put into positions that ostracize him from either side of the conflict in this world. Once the safety belt is off early on, the series doesn’t waste time to showcase just how brutal this world is and it adds to the bleak outlook of this time period. He’s put to the test often, and there’s a subtlety in how he handles the character; fitting for the world he’s living through. We see how these challenges try to push him in one direction, while he tries to stay true to his own path.

    On the other side, Emily Blunt gives us the look at a person changing as a result of events unfolding around her. She starts off innocent in a world ready to devour her. It almost does if it weren’t for surprising help that would push her further down a path of change. It’s refreshing to see a character that starts off on the meeker side and see her adapt to this dangerous place. She still shows her softer side throughout and it’s not that consequences don’t affect her; she simply has to live with it for as long as possible.

    There are some moments where the story tends to take its time before suddenly rushing. Given its mostly slow pace, it feels like a suprrising rush through plotlines that seemingly are relevant before completely left behind. It also seems to set up a mystery with additional characters that sometimes get sidelined and creates this uncertainty about how exactly it’ll tie together. At times the story feels like it could’ve been told with fewer episodes, but in others, it feels just right.

    It should be highlighted that this bleak story is punctuated by the irony of its beautiful shots. Some of the beautiful shots act as a contrast to the dark world they live in. The cinematography is worth highlighting at times even if it does seem to rely mainly on dialogue. It doesn’t reinvent the wheel, but there’s no necessity to do so. Director Hugo Blick makes great use of shot composition to build up tension, which is highlighted by a great score by Federico Jusid.

    The English is a recommendation for those that enjoy something with a slower pace and more personal storytelling. It’s not quite your typical Western but doesn’t shy away from elements that are familiar to fans of the genre. What makes it stand out is how it tells a bleak story on a beautiful canvas, not shying away from the darker sides of a world long forgotten while still trying to keep that glimmer of hope alive. We all face our personal demons, but sometimes the question is if the world around us makes us confront them.