Author: Hunter Radesi

  • Justin Lin Left ‘Fast X’ Due to “Difficult” Vin Diesel

    Justin Lin Left ‘Fast X’ Due to “Difficult” Vin Diesel

    The world of Hollywood was met with a shock recently when director Justin Lin suddenly dropped out of working on the highly anticipated Fast X. At the time of his departure, just days after filming had begun, it was unknown exactly why he would leave production on the tenth film in The Fast and the Furious franchise. It was especially surprising considering Lin had directed multiple entries in the series previously. Now, the reason for his exit has reportedly been revealed.

    Richard Johnson of NY Daily News is claiming that Lin stepped away from Fast X due to the difficult on-set behavior of series lead Vin Diesel. According to a veteran industry producer, who is not working on Fast X, the star has been arriving to film his scenes late without even knowing his lines. He has reportedly also shown up out of shape, and this development will cost Lin “$10 or $20 million” leaving the project. This revelation comes shortly after the filmmaker appeared to be uncomfortable in a video posted by Diesel as a promotion for the film. In the footage, Diesel asks Lin if he thought Fast X was going to be the best Fast & Furious yet, to which the director replied:

    It feels like the beginning of, uh, of an epic ending…. In my heart, yes.

    Justin Lin

    Universal is currently looking for someone to take over for Lin, with names like F. Gary Gray and David Leitch attached. With production already underway, the search is supposedly costing the studio upwards of $1 million every day.

    Source: NY Daily News via ComicBook.com

  • REVIEW: ‘Kaiju Wars’ is Monstrous Fun For Everyone

    REVIEW: ‘Kaiju Wars’ is Monstrous Fun For Everyone

    The year is 1976. Jimmy Carter is running for President, the orbiter Viking 2 has landed on Mars, and you’ve just gone to your local theater to see Paul Leder’s A*P*E. In the film, you watched as a ginormous gorilla terrorized South Korea. Buildings fell, villages were destroyed, and it took the military entirely too long to bring the beast down. You think to yourself, “I really enjoyed that ridiculously campy movie, but honestly, I feel like maybe I could have done a better job handling the situation than any of those incompetent characters.” Then, after some contemplation, you may think, “I also wish the visuals were a little less ‘guy-in-suit’ and a little more ‘chaotic pop art.” Well, flash forward about forty-six years and both of your dreams have come true in the form of Foolish Mortals’ monstrously fun new strategy game Kaiju Wars.

    In Kaiju Wars, you are the Mayor of a fictional city under siege by rampaging Kaiju giants. You have a military advisor, prone to aggressive actions and filled with tactical knowledge, and a scientific advisor, whose level head and peaceful tendencies help you minimize damage and keep citizens alive. The ultimate goal of each level is to use both your military weaponry and the power of science to stop the Kaiju before it tears down a laboratory with the scientist in it. You can defeat the monster outright, gunning up or bombing down enough to scare the beast away, or you can play defense, using obstacles and emergency evacuations to fend the monster off until a scientific breakthrough can win the day. The player accomplishes this by strategically placing airfields, army bases, and new labs around the given map, choosing what to deploy from a variety of different aircrafts, motor vehicles, and experimental projects. These can then be moved and fired in a turn-based format opposing the Kaiju, whose repetitive patterns make it mostly pretty easy to ascertain their next move. Clicking on the boxes of either advisor gives you helpful tips, each in their own special way.

    This is the base concept, but the game does a great job of switching it up occasionally to keep things interesting. For example, some levels leave you with only a single advisor, while others leave you without any of your typical equipment. This forces the player to change tactics and adapt, using prior knowledge and skills to beat stages in creative new ways. This may sound like it could get stressful or monotonous, but it’s actually pretty engaging. The game is easy enough that it doesn’t cross the line into Dark Souls territory, while still giving enough of a challenge that you may have to give some levels more than one try. It’s the perfect mix to keep you entertained and coming back for more. Also, it makes the game playable for a wider audience. The habitual strategy gamer can always up the difficulty if they’d like, and the casual time-killer can still have a blast without overstressing.

    When people consider playing strategy-based games, it’s often accompanied by the fear of boredom. Where mainstream beat-’em-ups and platformers have a reputation for colorful levels and action-packed adventures, the term “strategy” makes the majority of potential players think solitaire or Risk. Too much thought, not enough release. Yet with Kaiju Wars, this couldn’t be further from the truth. The game is just as frantic and full of life as any good action-based monster story should be, and even better, it manages to pull this energy off without compromising the required mind-aerobics of the strategic category. To liven things up even more, an additional boost of adrenaline comes from the sub-genre space the gameplay occupies. Although marketed as turn-based strategy, it truthfully plays as more of a tower defense. This gives each mission an added sense of urgency and heightens the pace with which you play. The simple mechanics also ensure no turn takes too long, as there are only so may moves one can make per round.

    Above all else, however, is the aesthetic with which the developers have chosen to display their work. As soon as the player gets to the home screen, they’ll know they’re in for a good time. Presented as something of a war room, the interactive main menu allows you to select objects that either lead you to something useful or are just sort of fun to mess around with. The campaign is shown through the turning pages of a comic book, the exit sign by the door is actually how you leave the game, little toy soldiers fire on a plastic turtle, and the aforementioned movie A*P*E is actually playing on screens in the background! Small details, like the fact each movie clip comes with a link to the full movie on other sites, radiate the passion that was so obviously held for the project by all it’s behind-the-scenes team. Another place to visit in the room would be the map, which activates another game mode and allows you to design custom stages to challenge yourself and other gamers.

    The bright pop-art used through every aspect of Kaiju Wars injects the game with an energetic, vibrant feeling. Even when you lose a turn and are forced to watch the Kaiju swipe at buildings or emerge from the ground, part of you will be excited just to see the neat little animation that you know will play before it. Foolish Mortals has a great sense of humor as well, giving players the ability to name everything in the game, including Kaiju and their own honorific, however they please. They even incorporate exciting surprises into the gameplay, with a particular standout being the fighter jet that transforms into a robot. Basically, Kaiju Wars is everything you could ask for from a modern tower defense. Engrossing, hilarious, and non-stop fun for everyone.

  • REVIEW: ‘Undone’ Season 2 is Trippy, Engaging Family Drama

    REVIEW: ‘Undone’ Season 2 is Trippy, Engaging Family Drama

    There’s nothing more relatable than family drama. Everybody has scars they don’t want others to see, and even the tightest of broods can fall apart at the seams when those wounds are exposed. While this is rarely a good experience for those personally affected, it’s almost always a source of interest for those who aren’t, and frankly, it makes for some great television. Perhaps this is why there are countless shows on the air about dysfunctional families, all doing more or less the same series of tropes with varying degrees of success. From This Is Us to A Million Little Things, it’s simply large groups of people in small towns who consistently refuse to give each other their whole truths. This is why Undone‘s unprecedented second season, coming soon to Amazon Prime, is so wildly refreshing.

    It’s been a long while since the show’s first season dropped in 2019. The world was a vastly different place, and it’s easy to forget about anything “normal” that happened just before a global pandemic permanently changed society’s way of life. However, it would be a shame if nobody came back for another round of Undone, which is the best “family drama” program produced by a studio in the last several years. Developed by BoJack Horseman creators Raphael Bob-Waksberg and Kate Purdy, the series revolves around a young woman played by Alita‘s Rosa Salazar, whose near-death experience reveals she has a unique connection with time. Her character, Alma, can travel through memories (both her own and others) to interact with time in a non-linear fashion, and as she discovers at the end of the first season, even hop between different timelines and dimensions. The initial set of episodes featured Alma attempting to access a world where her father, played by the always delightful Bob Odenkirk, never died, leading to a surprising series of revelations about her family history.

    The second season continues this plotline with a twist. After leaping from her own universe to a better one, in which pops avoided making some critical errors and Alma is not considered the family screw-up, she quickly learns her dad wasn’t the only parent with a dark past. It turns out her mother has secrets too, and Alma can’t stop herself from using her abilities to figure out what they are. The problem is, Alma’s abilities are on the fritz due to some to-be-determined inner turmoil, and now she must recruit her more responsible sister to help in the investigation. That’s the set-up, and from there, chaos ensues in the only way the creative team of Bob-Waksberg and Purdy know how to construct. It’s a string of glorious, trippy, emotional, well-written lineal squabbles that might make you laugh and cry at the same time. Or at least do both in the same episode.

    Despite the surreal imagery and off-kilter framing device, the real magic of the series is how genuine it manages to feel through all the increasing absurdity. As far down the chronological drain as they go, Alma and Becca, played by Angelique Cabral, never become detached from the task at hand. Where some shows may lean too heavily into the time travel device, Undone is able to use it as a complimentary utensil in its storytelling. The series maintains its focus and uses its distinctive traits to heighten the drama instead of bogging it down. Most importantly, all of the characters involved remain incredibly human. Very rarely is the entire main cast of a series fleshed out so wholly, and even more rare that’s executed with such cleverness. Constance Marie especially, stepping up to a central role in this season, shines with an emotional realism against a dreamlike world.

    Speaking of which, the series continues to make good work of its novel appearance. In case anyone is in the dark on this, Undone is animated using a stylistic rotoscoping technique. Live-action performances are drawn over, giving them a cell-shaded outward form, and then placed on top of oil paintings used as backgrounds. The result is something familiar, if not just a little bit off. It’s the perfect imagery for a show whose purpose is to explain that nobody is normal, or completely sane, and that embracing what’s hurt us and what makes us different is the only true path to fully healing. In the eyes of Undone, the world is a beautiful place and everyone in it is just a tad bit obscured from perfection.

    It doesn’t seem like a shoo-in for the show to get a third season, but it would be alright if another volume never came. The latest batch of episodes are a perfect conclusion to a two-season arc, wrapping up everything with a purposefully messy bow. If Bob-Waksberg and Purdy are able to think up any more installments to the Undone saga they’d better be every bit as refreshing and satisfying as their previous outings, because what they have right now is a perfectly lovely hidden gem. It’s strange, but I almost hope this is it for the series. Happily ever after, or at least as close as a person can get.

  • ‘Love, Victor’ Heading to Disney+ After All

    ‘Love, Victor’ Heading to Disney+ After All

    Disney+ is backtracking on Love, Victor, and will now stream the series starting with its upcoming third season. The service was originally set as the home of the LGBTQ romantic comedy when it was debuting in 2020 but found itself pushed to Hulu after Disney executives decided its exploration of teen sexuality and alcohol use weren’t the right fit for their brand.

    Now, shortly after the company has begun to make a stand against Florida’s “Don’t Say Gay” law, they will be bringing the queer love story back to their domain. The change will happen concurrently with the release of the show’s third and final season on June 15. Hulu President Joe Earley had the following to say regarding the announcement:

    We are proud of ‘Love, Victor’ and are excited to bring it to the widest possible audience on June 15 by making the full series available on both Disney+ and Hulu to celebrate the final season and LGBTQIA+ Pride Month. In addition to highlighting this groundbreaking series, this will give subscribers a chance to sample more content that is available across our streaming services as we have done with titles like the Academy Award-winning ‘Summer of Soul (…Or, When the Revolution Could Not Be Televised),’ ‘Man in the Arena: Tom Brady’ and ‘black-ish.’

    Joe Early

    The series is based on the hit film Love, Simon. It focuses on Victor, played by Michael Cimino, a new student at Creekwood High School juggling home life and questions about his sexual orientation. Nick Robinson, who played the titular character in the original movie, serves as a producer and the show’s narrator. Thus far, Love, Victor has been acclaimed by fans and critics alike, earning multiple GLAAD Media Awards and becoming the most-watched drama on Hulu during the week of its premiere. Hopefully, audiences are also able to enjoy the final season, on whichever streaming service they like.

    Source: Variety

  • Netflix Cancels ‘Raising Dion’ After 2 Seasons

    Netflix Cancels ‘Raising Dion’ After 2 Seasons

    Netflix’s family superhero drama Raising Dion has been canceled after only two seasons. It’s a move that continues the often-talked about recent trend of the streaming service swiftly canceling shows early on in their run. The unfortunate news was shared on Instagram by series cast member Sammi Haney, who played the titular character’s friend Esperanza Jimenez for the duration of the show’s short run.

    Raising Dion debuted in 2019 to mostly positive reviews, quickly developing a cult following that led to the creation of a second season which dropped earlier this year. The series followed the life of young Dion Warren, who is born with superhuman abilities, and his friends and family, who must help him navigate the mystery of growing up differently.

    Dion was portrayed by Ja’Siah Young, and other cast members included Alisha Wainwright, Jazmyn Simon, Jason Ritter, Griffin Robert Faulkner, and the aforementioned Haney. Fan-favorite actor Michael B. Jordan also had a recurring role in the series as Dion’s deceased father. The series was created by Carol Barbee and was based on a comic book of the same name written by Dennis Liu and illustrated by Jason Piperberg.

    The show’s cancellation should come as a surprise to many, as the recently released second season was a trending hit for Netflix. Season two had been watched for over 108.75 million hours in its first 26 days, according to the service’s data, and maintained a position in Netflix’s Top 10 for several days following its premiere.

    Source: Instagram, What’s On Netflix

  • ‘Hawkeye’ Director to Helm Live-Action Adaptation of ‘Robotech’ For Sony

    ‘Hawkeye’ Director to Helm Live-Action Adaptation of ‘Robotech’ For Sony

    Fresh off the immense success of Marvel Studios’ Hawkeye, director Rhys Thomas has found his next project. The filmmaker has officially boarded the movie Robotech, set to be produced by Sony Pictures, as his first major feature film. Thomas is set to direct a script from longtime Sony collaborators Art Marcum and Matt Holloway, with recent rewrites by Brian Gatewood and Alessandro Tanaka.

    The first duo is best known for their work on nerdy projects like Iron Man and Punisher: War Zone, while the latter pair are better known for their arthouse work on films like the upcoming Sharper. Hollywood producers Mark Canton and Gianni Nunnari will guide the production with the help of the company Harmony Gold.

    Robotech will be based on the 1980s anime series of the same name. The story is set in a time when Earth has developed giant robots from the technology of an alien spacecraft that crashed in the South Pacific and is now utilizing their advancements to fend off an attack from a hostile alien race. Carl Macek created the original American series, which was itself an adaptation of three separate Japanese shows made in three parts.

    It ran from 1982 to 1984 with minor success and has since gained something of a cult following. The movie will be Thomas‘ first big-budget feature, after over a decade of mostly television work. His prior films consist of Staten Island Summer and The Comeback Kid, the first of which released directly to digital download.

    Source: Deadline

  • Deborah Chow Teases Surprises in Disney+’s ‘Obi-Wan Kenobi’

    Deborah Chow Teases Surprises in Disney+’s ‘Obi-Wan Kenobi’

    The release of Obi-Wan Kenobi is just around the corner, and director Deborah Chow is just as excited as anyone else. After helming a pair of well-received episodes of The Mandalorian, the creative was promoted to full-time director of Ewan McGregor‘s big return to the Star Wars universe. She recently sat down with Total Film to discuss the upcoming project, and was naturally asked a variety of questions pertaining to possible spoilers.

    One of these inquiries was about Liam Neeson‘s Qui-Gon Jinn, the Jedi Master who died protecting Obi-Wan and Anakin Skywalker at the end of Episode I – The Phantom Menace. the final moments of the prequel trilogy revealed to audiences that Jinn had actually become the first Jedi to perfect communication from beyond the grave, with Yoda hinting to Kenobi that he could continue to learn from his former teacher. Neeson came back to voice the character for cameos in the animated Star Wars: The Clone Wars and Chow was asked if that would also be the case for Kenobi. Her response was indirect but intriguing, to say the least:

    Obi-Wan’s going on a journey. There’s going to be different people that come into his life. One of the things I was trying to do with this series was to have the legacy, and who is important in Obi-Wan’s life, and to also have some new characters. So it’s going to be a mixture of the two. But I do think there are some surprises to come. I hope.

    Deborah Chow

    The answer doesn’t confirm anything specific, but it does leave the door open for some major anticipation about what’s to come. Many iconic Star Wars characters are returning for the Disney+ series, including Darth Vader and the Grand Inquisitor, so it’s not entirely impossible that Jinn could join them on the small screen.

    Source: Total Film

  • Hayden Christensen Teases Darth Vader’s Future Beyond ‘Obi-Wan Kenobi’

    Hayden Christensen Teases Darth Vader’s Future Beyond ‘Obi-Wan Kenobi’

    Hayden Christensen is making his grand return to a galaxy far, far away in Obi-Wan Kenobi, and it appears he may be back for the long haul. The actor portrayed Anakin Skywalker in the latter two of George Lucas’ three prequel films, Attack of the Clones and Revenge of the Sith. When he appears in Kenobi, it’ll be as the iconic villain Darth Vader, who Christensen only previously had a chance to play in a handful of scenes. In a recent interview with Total Film, the one-time leading man spoke about his on-screen transition from Jedi Knight to Sith Lord:

    When George [Lucas] had brought me onto the prequels, it was to play Anakin. He gets knighted as Darth Vader towards the end, and for a couple of scenes I get to put the suit on. But my journey with the character was with Anakin Skywalker. But the character? He’s such a complex character. And now, getting to explore the mindset and the emotional state of Darth Vader, has been a lot of fun.

    Hayden Christensen

    More importantly, Christensen continued talking to give a tease for his future with the franchise. There have been rumors that he’ll return to the Vader role for an appearance in the upcoming Ashoka series on Disney+, and while the actor wouldn’t reveal if this is true, he did hint that he may not be done playing Darth Vader:

    The extent of this journey, I think, remains to be seen. But what a privilege to get to come back and do this, and to be a part of this project.

    Hayden Christensen

    It certainly sounds like we might get a lot more of Vader moving forward, even if he may be mostly in the form of flashbacks. Yet, they are starting to expand the timeline with different projects. Who knows if they have plants o set some stories up through Obi-Wan Kenobi that would also see his return in a future project.

    Source: Total Film

  • THEORY TIME: Russell Crowe May Be Playing the Villain Grim Hunter in ‘Kraven the Hunter’

    THEORY TIME: Russell Crowe May Be Playing the Villain Grim Hunter in ‘Kraven the Hunter’

    Sony is now three movies into is shared universe of Marvel Characters, and for the most part, they’ve all been pretty much the same thing. In Venom, the title character learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. In Venom: Let There Be Carnage, the title character once again learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. Finally, in Morbius, the title character learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. After spending several full minutes studying this pattern and dissecting what may come to be known as “The Sony Formula,” only a single conclusion could be truly reached. In Kraven the Hunter, the title character will likely learn to control his abilities and accept his destiny while doing battle with a more sinister version of himself.

    The real question surrounding the next big Marvel-Sony project is who that “more sinister version” of the anti-hero Kraven will be to fight the titular character. Aside from the Venom sequel’s inevitable use of Carnage, the SonyVerse has had to make a couple deep pulls to materialize antagonists for its solo Spider-Villain movies. The symbiote-heavy stories at least have a handful of “Venom but worse” baddies to choose from, but Morbius literally had to create it’s own original character in order to satisfy the “Sony Formula” developed in the studio’s screenplay labs. As if further proof is needed of the plot recipe’s existence, Matt Smith was originally announced as playing the very minor comic malefactor Hunger before his role was morphed into something that more closely resembled Jared Leto‘s protagonist. So, if one were to try a guess at who the currently-unrevealed villain of Kraven is, they would probably be best off looking for an obscure Spider-Man criminal with a power that reflects the lead’s own skill set. Enter: Grim Hunter.

    In the comics, Sergei Kravinoff is somewhat of a family man. He spawned four children with his lover Sasha, all of whom grew up to be problems for either Spider-Man or Kraven himself. The oldest son and firstborn child, Vladimir, aspired to be as good of a hunter as his renowned father, and eventually dabbled with an experimental elixir enough to make it almost all the way there. Once at full power, he named himself the “Grim Hunter” after a legendary warrior he was told stories about as a boy, and went after Spider-Man. He would ultimately be killed in battle by Peter Parker’s clone Kaine, revived decades later by his mother in the form of a humanoid lion-like creature, and then be killed again by his father for not living up to the family name. It’s a lot to take in, but it’s probably just enough for Sony to use as the basis for a solo Kraven film.

    The problem is that story doesn’t make Sony’s “bad guy who’s also sort of good” come off in the best light, and Aaron Taylor-Johnson seems a little young to be a guy with a fully grown son. This is where Russell Crowe comes in. Back in February, the famed actor was cast in a mystery role for Kraven the Hunter that The Illuminerdi claimed would be Nikolai Kravinoff. Though whether or not this is true remains to be seen, having Crowe as the father of the eponymous Hunter would help to fill in a few blanks where the movie’s antagonist is concerned. While he was never a major player in any specific comic book stories, Nikolai was instrumental in shaping who Sergei would become. He was an abusive dad, who tormented Sergei and his half-brother Dmitri (a.k.a. Chameleon, set to be played by Fred Hechinger in the movie) before dying and leaving the boys orphaned. This life aspect seems like an easy inclusion for the writers trying to make their hero sympathetic, and the recent casting of Levi Miller, who looks an awful lot like a young Taylor-Johnson, suggests that fans might be treated to some flashbacks over the course of the film.

    Of course, Sony wouldn’t get someone as talented as Crowe for a few simple flashbacks, which indicates Nikolai could potentially have a bigger role in the plot than comic book history implies. In fact, it seems likely that Sony could take the comic relationship between Sergei and Vladimir and flip it on its head, casting Nikolai as the legendary “Grim Hunter” and Sergei as the firstborn son trying to live up to his father’s legacy. Doing this would give Taylor-Johnson‘s Kraven a reasonable motive to become the world’s greatest hunter, and the unavoidable climax in which Kraven defeats his crazed poppa and vows to be a Hunter with more honor than him would do wonders in portraying the titular character as more anti-hero than a straight villain.

    The one broken cog in this theory is Christopher Abbott‘s The Foreigner. Recently announced as a villain in the film, the character fits the bill of “wildly obscure Spider-Man villain with abilities similar to the protagonist.” He’s a master assassin in peak physical condition and an expert martial artist. And unless that character is also dramatically altered, there isn’t much there in the way of emotional conflict between him and Sergei. Perhaps they are both after the same target, but even that seems like a weak central conflict. Imagine instead that Crowe‘s Nikolai is pulling the strings in the background, using Foreigner as a test of his son’s might before using the elixir Vladimir used in the comics and taking the stage himself for a grand final duel. Maybe Foreigner is even reimagined as another child of Nikolai, alongside Sergei and Dmitri, dramatically revealed to the audience just before the Grim Hunter coldly kills him for failing to outdo Sergei.

    Obviously, absolutely none of this is confirmed and is almost entirely fun conjecture. It’s a theory that’s been stewing in my brain for a while that I thought would be fun to get out there. It’s very possible none of this comes to fruition, but it would be very entertaining if even an ounce of it turns out to be true. In the spirit of this article, I’ll leave off on one more little theory nugget, throwing out what seems like an entirely plausible post-credits scene based on what we’ve seen Sony do in the past. Chameleon is already confirmed for the movie, and in the comics, is the one who tells Sergei about Spider-Man’s existence in the first place. It feels like this would be something Sony might want to capitalize on. Probably.

    Sources: Marvel, Comic Book, Variety, CBR

  • Saudi Arabia Bans ‘Doctor Strange in the Multiverse of Madness’ 

    Saudi Arabia Bans ‘Doctor Strange in the Multiverse of Madness’ 

    Once again, Saudi Arabia is refusing to show a major Marvel blockbuster. The Hollywood Reporter has officially confirmed the rumors that Doctor Strange in the Multiverse of Madness has been banned from playing in the Middle Eastern country, reportedly due to the inclusion of an openly LGBTQ character. This is the third time in recent memory that something like this has happened, with Marvel’s Eternals and Steven Spielberg’s West Side Story also receiving bans for endorsing the LGBTQ community. With Eternals, it was said that Marvel had been told the film could play in Saudi Arabian theaters if the studio cut a certain amount of unapproved footage, but Marvel and Disney declined and pulled the project from release instead.

    The LGBTQ character in Doctor Strange will be Xochitl Gomez‘s dimension-hopping America Chavez. Making her Marvel Cinematic Universe debut with this movie, Chavez originally appeared in the pages of Vengeance #1, created by Joe Casey and Nick Dragottain 2011. The character is known to be gay in the comics and is expected to be portrayed as such in the film, too.

    While tickets are no longer available for purchase for cinemas in Saudi Atabia, Kuwait and Qatar, they are still available in the United Arab Emirates, suggesting that an edited version of the film could be shown there as was the case with Eternals.

    Doctor Strange in the Multiverse of Madness will hit theaters on May 6th.

    Source: THR.