Category: Features

  • In ‘LOKI’, Disney Plus Fulfills Its Own Glorious Purpose

    In ‘LOKI’, Disney Plus Fulfills Its Own Glorious Purpose

    Glorious purpose. Glorious purpose! We’ve heard Loki’s line delivered many times and in many ways. We’ve heard it said with arrogance, we’ve heard it said derisively and we’ve heard it said as a character acknowledges his fate. Today, Loki’s line took on new meaning as the finale of Marvel Studios third Disney Plus streaming series stuck the landing in a way neither of the series before it managed to do. This finale succeeded by undoing the tenuous existence of the bond between Sylvie and Loki that began on Lamentis-1 and ending/pausing their time together in a way that felt satisfying if not painful. It handled the small, personal part of the series incredibly well. However, this finale also succeeded by undoing the tenuous existence of the Sacred Timeline and undoing all the progress the TVA agents had made in coming to know who they really were (those last moments with Mobius and Loki were heart wrenching). It handled the huge, MCU altering part of the series incredibly well. The finale of Loki handled it so well that we don’t even have an MCU anymore, we have an MCM. Just like that, a streaming series changed everything fans know about their favorite shared universe.

     

     

    Make no mistake, this was a bold, bold move. Using a streaming series to completely alter the very fabric upon which this narrative is woven is unheard of. It was also planned and executed masterfully but not without risk. The big shift on screen represents a big shift behind the scenes. A few years ago, it seemed the MCU was headed in a little bit of a different direction than where this new, multiversal trajectory is headed. The Doctor Strange sequel seems to me the poster child for the big changes behind the scenes. Scott Derrickson was back, he had a script and was ready to create the MCU’s first big horror film. Suddenly, the brakes were pumped, Derrickson moved on due to creative differences and Sam Raimi and Michael Waldron were brought on board to set recreate the film in a way that it fell in line with the big creatives at Marvel Studios’ decision to open up the multiverse. Deciding to go the route of the multiverse meant risks were going to be taken. Presumably the calculations were done and the losses were deemed acceptable because the expected rewards were going to be great. But the biggest risk of all was including moments that shift the very foundation of the stories being told in streaming series that would only be watched by the hardcore fan base. It meant that at some point down the road, a whole lot of fans would be walking into a theater not prepared for what they were about to see. In a 2019 interview with Bloomberg, Marvel Studios One-Above-All, Kevin Feige, told us all exactly what was coming.

    If you want to understand everything in future Marvel movies, you’ll probably need a Disney+ subscription, because events from the new shows will factor into forthcoming films such as Doctor Strange in the Multiverse of Madness. The Scarlet Witch will be a key character in that movie, and Feige points out that the Loki series will tie in, too.

    And to nobody’s surprise, a lot of fans, even the hardcore ones, didn’t take Feige at his word. “Nothing major will ever happen in these shows! Didn’t you learn anything from WandaVision?” But then the finale of Loki happened, the multiverse was born, Jonathan Majors, who is set to play a huge role over the next several years, made his debut as a kooky Variant Kang known as He Who Remains, and all of those “crazy” Spider-Man “rumors” suddenly seemed a lot more plausible. This series, particularly this episode, is landmark event for the Marvel Cinematic Multiverse. It’s a cliche thing in the comics to say that the big summer events will “alter the landscape” and “things will be changed forever.” Loki is Marvel Studios version of that summer event and through it, Disney Plus fulfilled the glorious purpose that Feige set for it: “to expand the MCU to even bigger and better heights.” It’s just the beginning.

  • The TVA: A Perfect Addition to the MCU

    The TVA: A Perfect Addition to the MCU

    After WandaVision and The Falcon and The Winter Soldier dealt with the post-Endgame reality of the MCU, Loki has been exploring the consequences of the path chosen to get there. Ever since 2019 that the discussion of what time travel rules within the MCU both validate and negate has never really gone away, but what was made exceedingly clear is that any changes made while in the past would create alternate realities. What this entailed, and the number of diverging timelines the Avengers created out of their time heist, has been another discussion in and of itself. It’s been hard to come up with a unifying theory that managed to explain all loose ends and define what constituted a major change to the timeline because, for all we know, a seemingly small detail as Clint Barton retrieving a baseball mint from this home in the past could trigger World War III in the future. But, two years on, Loki has seemingly managed to put all those doubts to rest by introducing us to the TVA.

    It could have gone one of three ways. If the choice were to be to simply introduce a type of randomness regarding timeline interference that allowed for anything to happen, at any time, for no reason at all, you would obviously open up a lot of narrative possibilities. But by doing so, the emotional impact would be lessened as dumb luck would be the reason for anything, everything, to happen. On the other hand, by clearly defining said rules as being something woven into the fabric of how the universe works, just as physics or chemistry are in ours, it would ground the timeline interference concept but, at the same time, it would leave little room for that extra pinch of intrigue. Reality would become predictable as the universe would not change its modus operandis, it would not pick sides according to the situation, it would not trick you in order to come out on top.

    So what Marvel Studios did was probably make the best decision they could have made when focusing on future drama within the MCU. With the TVA, an organization with apparently very strict rules in terms of what it does and does not allow to occur on each timeline, but still run by someone with its own agenda, Marvel Studios has managed to give itself the necessary leeway both moving forward and in explaining past narrative choices. They can easily delete or keep individual timelines when that helps with the story they want to tell, diminishing the number of loose ends that could have come and bite them in the ass later on. These decisions can either be pretty strict by following the will, code, and interests of whoever is in charge of the TVA and/or its tech, or, at the same time, can become pretty random and unexpected if that power is spread around through multiple factions down the line.

    As we approach Loki‘s season finale, The Man in the Castle is about to be revealed. With him, his agenda and his own endgame, the future of the MCU will probably enter a new phase in terms of what is and what is not allowed to continue existing.

  • ‘Black Widow’: Exploring the Future of the MCU’s New Players

    ‘Black Widow’: Exploring the Future of the MCU’s New Players

    To many viewers’ surprise, nobody died in Black Widow. At least, no one good. With the events of the blockbuster film billed as an official goodbye to Natasha Romanoff, it seemed possible that the project may be written as a stand-alone feature. As such, many justly assumed the grand majority of Black Widow-centric characters would end up as one-hit wonders. Nevertheless, the film’s release last week revealed that, aside from the dastardly Dreykov and his Red Room, not a single other major player met their end before the credits rolled.

    With surprisingly enjoyable characters like David Harbour‘s Red Guardian still on the active roster, we are likely to see all of them again in some capacity. Especially with Marvel Studios’ recent penchant for bringing back characters we thought they forgot about. Of course, this begs the question of when and where Black Widow‘s supporting staff will make another appearance. We already know where we’ll see Florence Pugh‘s Yelena Belova next, but the answer isn’t as obvious for some of the others:

     

    Red Guardian

     

    One of the standout introductions, David Harbour‘s Alexei Shostokoff, is undeniably fun to watch. The Russian Super-Soldier known as Red Guardian spent most of Black Widow‘s story trying to prove his might and prove to his girls he that loves them dearly. While he never truly reformed his criminal tendencies, he did manage to survive the destruction of the Red Room with a little more heart than he helped build it with. So, where do we see him pop up next?

    The obvious answer may be Anthony Mackie‘s Captain America 4, where he could finally go toe-to-toe with his American counterpart. Alternatively, we could see the battle-hungry Shostokoff as a member of the Mandarin’s underground tournament in Shang-Chi. Although in my mind, there could be a more creative solution to this conundrum.

     

     

    Red Guardian: What We Know About David Harbour's Black Widow Character From The Comics - CINEMABLEND

     

    An emotional moment between Alexei and Yelena in the film included a cheeky Marvel reference, where Yelena accidentally refers to Alexei as another comic book villain, the Crimson Dynamo. He is a Russian version of Iron Man and already was adapted to the MCU in Iron Man 2 as an amalgamation with Whiplash. His inclusion there doesn’t mean he can’t play still play a role in the future.

    Armor Wars traditionally features Dynamo in some role or another. It seems the MCU’s best path to making this a reality is giving Alexei a set of armor in their upcoming adaptation. The glory hog could easily use some stolen Stark tech to enhance his abilities and perhaps even take the new name as a tribute to Nat and Yelena.

     

     

    Taskmaster

     

    Here’s your last spoiler warning if you want to avoid the biggest twist in the film. 

    Taskmaster’s top-secret identity turned out to be Antonia Dreykov, played by Olga Kurylenko, the brainwashed daughter of the Red Room’s founder. The involuntary antagonist has been the subject of much debate, mostly centering on her comic book inaccuracy. In the comics, Taskmaster is a man named Tony Masters, who acts as a willing mercenary and combat instructor. The dissimilarity between the two characters seems massive, but it may actually be easy for the MCU to bridge the gap.

    When we last see Antonia, she’s been freed from her father’s control and joins the rest of the Black Widows in escaping from federal custody. On the run, with a surname as dangerous as “Dreykov,” the mnemonic assassin would probably want to go by a different moniker. A shortening of Antonia leads to “Toni,” while a clever play on her codename could potentially lead to a fake surname like Masters.

    With a new identity and the chance to express herself, Toni could use her skills to survive as a mercenary. Or perhaps, in an attempt to repossess her past, she could revise the concept of the Red Room and open an academy that better suits her objectives. This twist would probably be a concept best explored in a Black Widow sequel, but I wouldn’t rule out the character returning in a project related to whatever the Contessa has planned up her mysterious sleeve.

     

    Melina Vostokoff & Rick Mason

     

    The future of Rachel Weisz‘s Melina Vostokoff is a little harder to pin down than the others. Her emotional attachment to Alexei means the pair are likely to appear as a unit. So, I would expect the character to appear in Armor Wars, receiving a comic-accurate “Iron Maiden” get-up. She could also be the potential candidate for the aforementioned Dark Avengers project down the line. As for professional finder Rick Mason, his history as a SHIELD agent makes him a suitable match for Secret Invasion, either as a newfound member of Monica Rambeau’s S.W.O.R.D. organization or an old ally of Nick Fury called in to help. Who knows, maybe he was a Skrull all along?

  • EXCLUSIVE: ‘Loki’ Costume Designer Christine Wada Talks Variant Costumes and Richard E. Grant’s Reaction To the Classic Costume

    EXCLUSIVE: ‘Loki’ Costume Designer Christine Wada Talks Variant Costumes and Richard E. Grant’s Reaction To the Classic Costume

    Loki has sparked many a discussion among fans not only about the intricacies and implications of the multiverse but also about the amazing costumes the characters wear on an episodic basis. Expect Loki characters to be the most cosplayed bunch in the coming years because the show is a haven for great costume design. And it wouldn’t be possible without people like Christine Wada, who brought the costumes conceptualized by Marvel’s visual development team to life in the Disney+ series.

     

    Loki Review - A Meta-Meditation on What It Is to Be a Comic Book Villain

     

    The latest episode titled Journey Into Mystery offered audiences a trove of treasures in the form of Loki variants, who ended up pruned into the Void. Each one had its own unique look that told a distinct story. Wada revealed the discussions they had in conceptualizing each Loki’s look.

    The conversation was all about digging through history for the times a Loki might’ve been caught and making sure their outfits would indicate a specific moment in time when they are caught and then adding a scavenged element to it. It was fun to do as it opened the world up to much possibility.

    She also revealed that the iconic Mad Max franchise played a role in how they approached the designs.

    There’s definitely a hint of Mad Max with a little more humor. I don’t know if the audience really got to see it but Loki in the comics is commonly referred as a wolf and there was a wolf reference in one of the costumes too. Kate and I have a problem with fur and using a wolf head freaked us out so one of the Lokis is instead wearing one of those ironic wolf shirts from the 90s.

    Sophia Di Martino made the news this past week when she revealed a unique costume feature Wada designed specifically for the British star. She had just given birth at the time of their filming. So, her costume allowed her to pump breastmilk with ease for her infant. Naturally, the costume sparked a discussion regarding Hollywood’s common lack of on-set support for talent and crew members who have the same needs as Di Martino. Wada had this to say on the issue:

    I can’t speak for other productions because I don’t know how they do it. I do know that my take on it has always been that an actor’s comfort should always be part of the conversation. Your job as a costume designer is not only to create a great look but to give a performer tools to work on their highest level. To me, I see it as being part of the actors’ success. You want people to be successful in what they do. We should all be considering that. You want the costume to facilitate and not hinder. 

     

    Loki' Episode 4 Spoilers: Sophia Di Martino Gives Sylvie Preview | TVLine

     

    A big talking point among fans in the last episode was how incredible Richard E. Grant was as Classic Loki. Grant wowed audiences with that awe-inspiring fight against Alioth and how he pretty much rocked the goofy, Silver Age Loki costume. Being one of the thousands of fans who adored him in this show, I naturally had to ask Wada what it was like making that suit for the acclaimed actor.

    It was always, ‘How can we make him look like the 1960s Loki as much as possible?’ I hope he doesn’t get mad at me for this but [when he wore it for the first time] he definitely was sad he didn’t get to wear a muscle suit [laughs]. Those were all Richard E. Grant’s fantastic muscles. But really, who needs to add anything to Richard E. Grant? All you need is that face and incredible talent and you’re pretty much done. 

  • ‘LOKI’ Finale Primer

    ‘LOKI’ Finale Primer

    This last episode of Loki was my favorite so far! In the void, four Lokis (Classic Loki, Kid Loki, Boastful Loki, and Alligator Loki) rescue Loki from Alioth and give him an explanation of what the wasteland is all about. Back at the TVA Sylvie tried to get Ravonna to help her find out who is running the show, but Ravonna lied to her and stalled for time until the Minutemen showed up. Rather than be arrested again Sylvie decided to delete herself and go to the wasteland. There, Loki had hatched a plan to destroy Alioth but President Loki showed up with his “army”, slowing down the process and showing the downside of being a Loki: the constant betrayals. In the middle of the fight Loki, Kid Loki, Classic Loki, and Alligator Loki escaped in hopes to get to Alioth. As they made their way through the void they ran into Sylvie, who was saved from Alioth by Mobius. Sylvie had her own plan to enchant the guard dog and Loki agreed to do this plan. Classic Loki sacrificed himself so Sylvie and Loki could get to the citadel.

    The Ending Of Loki Episode 5 Explained

    During the period of time Loki was with the other Lokis, he was able to see the pros and cons of being a Loki. Classic Loki’s story hit the hardest as he explained how he came to understand while drifting in space after escaping Thanos, that pain followed him wherever he went, something Prime Loki wouldn’t be able to admit yet. Classic Loki also played a big part in helping Loki see how strong he actually is. When he created Asgard to distract Alioth, I remembered that Asgard was said to be the source of power for Hela and Thor in Ragnarok and after seeing Asgard again, Loki and Sylvie were able to enchant the guard dog. It was great to see Lokis working together, even though Classic Loki said they were just the God of Outcasts.

    Arlyn’s Assumptions

    When they get to the castle I think they will find that one version or another of Kang is behind the TVA. Sylvie’s whole plan is to kill the man behind the curtain, but is it Loki’s? I don’t want Loki to betray Sylvie, but knowing Loki, who betrayed his own family, it’s hard to believe he won’t. However, if the plan goes smoothly and the man in the castle dies at the hand of Sylvie, there will be no one to keep the Sacred Timeline safe, turning the MCU into a Multiverse of Madness.

    The finale of Season 1 of Loki streams tomorrow morning on Disney Plus!

  • ‘Black Widow’ and the Potential Future of the Taskmaster Protocol

    ‘Black Widow’ and the Potential Future of the Taskmaster Protocol

    Marvel Studios made a grand return to cinemas, as Black Widow released after a year-long release. We got a final goodbye to Scarlett Johansson‘s character. We also were introduced to a unique spin on the iconic Marvel villain, Taskmaster. In this universe, it wasn’t Tony Masters that donned the skull-like helmet but rather the daughter of the Red Room’s big head, Dreykov. She isn’t a mercenary but a pawn of the Red Room and an emotional anchor for Natasha’s arc in the film. The question on everyone’s mind is this the end of Taskmaster? I’d argue it is just the beginning.

    The cheekily-named Antonia uses an implant in the back of her neck and her helmet’s visor to analyze people’s movement. It’s nowhere near the character’s comic roots, where it was an innate ability of the mercenary. He was born with a photographic memory and enhanced it through a failed Super-Soldier serum that came at the price of his memory each time he learned something new. It was his arrogance and desire for power that compelled him to seek the abilities over his life.

     

    Taskmaster's True Identity in Black Widow Explained - IGN

     

    The thing that stands out about Antonia’s story is that she isn’t Taskmaster but rather is part of the Taskmaster Protocol. While they went with a more tech-based direction, it doesn’t exclude the fact that someone can carry on the mantle. Her story is over as she finally got freed from her father’s manipulation. There is no emotional anchor for her to continue her life as the titular villain. Yet, a group of young Widows seeking guidance in a world that would reject them? They spent their life as rained killers, and as we learn in the post-credit sequence, there isn’t much else the world has to offer.

    So, they end up in the hands of Val and her associate, Tony Masters. A former SHIELD agent who has built up quite the reputation as a demanding trainer. He’ll take them under his wing but finds quite a curiosity in the Taskmaster protocol. He’s been known for his memory and sees it as a possibility to enhance his inherent ability. So, he promises to help free Antonia from her microchip for the price of getting access to it.

     

    Black Widow's Taskmaster Reveal Is the MCU's Most Tragic Villain Twist

     

    Once he implants it into the back of his neck, even using an enhanced version, his brain cannot sustain it. It was tailor-made with Antonia’s injuries in mind. He slowly starts forgetting things, even the thing that caused it. In his head, he always had these abilities and continues training the Widows. There are traces of memories in his mind, and he believes he was the original Taskmaster. As such, he takes on the mantle. He even adapts the suit to his liking and takes on mercenary or even training jobs on the side. The whole world has no idea who Antonia was, but they will know who Tony Masters is.

  • Open Questions That Need Answering In the ‘Loki’ Finale

    Open Questions That Need Answering In the ‘Loki’ Finale

    Loki has been an incredible series of character development and introspection through the first five episodes. We are only one episode away from finally finding out who the man in the high castle is. There have been quite a few comic-based hints that it is, in fact, Kang the Conquerer. Our very own Charles Murphy even noticed that one of his alter-egos, Scarlet Centurion, was hinted at through the hourglass designs in the TVA offices. Besides the man behind the curtain, some other questions are still open:

    • It will be fascinating to learn more about the motivations of the TVA founder. Even knowing who it is, the real question remains: what exactly is their purpose? Audiences have been waiting for it all to make sense and find out why the organization exists n the first place?
    • There’s one more major player of the TVA who seems to know more than she lets on. Yet, the latest episode seems to imply that she doesn’t know the true face behind the Time-Keepers in her conversation with B-15. Is she just a willing participant, or is she trying to figure out who’s hanging out in that castle? One thing for sure, Judge Renslayer is a lot more cunning than we give her credit.

     

    Loki Episode 5 Synopsis: God of Mischief Variants Battle for Survival in the Void - Digichat

     

    • Mobius has a one-way ticket to letting everyone know the truth about the TVA and its dealings. There’s a world where we all want Mobius to ride off in the sunset on a jet ski, but this doesn’t seem like a show with happy endings or immediate ones. There needs to be one more conversation between Mobius and Ravonna if you consider their relationship. It opens the question of what the future holds for the TVA.
    • Kid Loki decided to stay in the void, unlike Classic Loki. His connections with the Young Avengers would give him reason to escape this place. If that is the case, how does he leave the void? Jack Veal certailny gives his character a strong presence and moxie. It would be a waste not to build upon that.

    Of course, the core of this story is about Loki and Sylvie. The connection between the two is undeniable. Loki’s story of introspection and character development has made this show a treat. Sophia Di Martino also made Sylvie compelling in so many ways. The next episode will give us the revelation we’ve been waiting for anxiously. No, not the man behind the curtain, but if their relationship will continue to flourish or find an abrupt end. Will they be conquerors or the conquered? It feels like one episode wouldn’t be enough to explain it all, but we most certainly shall see how it all turns out in the Loki finale.

  • Connecting Imaginary Dots: ‘HAWKEYE’ Could Be Aiming for a November Release

    Connecting Imaginary Dots: ‘HAWKEYE’ Could Be Aiming for a November Release

    CONNECTING IMAGINARY DOTS ARE PIECES WE WRITE HERE THAT ALLOW US TO BE WHAT WE ALL TRULY ARE: FANS. THESE SHOULD NOT BE TAKEN AS SCOOPS, EXCLUSIVES OR FACTS; JUST SPECULATION ABOUT THE THINGS FOR WHICH WE ALL SHARE A GREAT PASSION.

    Loki is winding down and we finally have a start date for Marvel Studios first animated series, What If…? but MCU fans are always keeping one eye on the future. On that note, the release dates of two other Marvel Studios streaming series due out this year, Ms. Marvel and Hawkeye, are a constant topic of conversation among fans on social media. Over the past week, sharp-eyed fans picked up a couple of hints that might not only give us a decent idea of when one will release, but also leave a perfect-sized space for another.

    Just a couple of days ago, an Instagram post by Lauren Ridloff, who posed alongside Hawkeye’s Alaqua Cox, indicated that Hawkeye was set for the “Fall.”

    Fall is a pretty cool season but it is defined as late-September to late-December astronomically, from September through November meteorologically and in Hollywood generally means “pre-Christmas”, so Fall doesn’t really do much. Thankfully, one of Cox’s Hawkeye co-stars, Fra Fee, who will bring Matt Fraction and David Aja’s Kazimierz Kazimierczak to life, may have given us a bit more information on when to expect the streamer.

    Fee recently posted a picture of a Captain America collar on his dog and was told he had the “wrong hero” (a pretty clear reference to the fact that he’s starring in Hawkeye). Fee’s response, while interesting, certainly shouldn’t be taken as gospel at this point but might give fans a place to draw their bullseye for when to expect the Avenging Archer and Kate Bishop to hit Disney Plus.

    Interestingly enough, November falls into Fall no matter which definition you choose and lines up with some previous information that was shared with Murphy’s Multiverse Patrons several months ago (my personal best GUESS is a November 17th debut). A November release for Hawkeye would also seem to indicate that the other series set for 2021, Ms. Marvel, would stream first, as indicated by Disney at their Investor Day presentation last December. So while nothing is confirmed until Disney announces it (and even then it can move, just like Loki), fans who are interested in the release dates of these projects can have a little more evidence to help them make their own guesses.

  • How ‘Spider-Man: No Way Home’ Can Fix the Iron Boy Jr. Perception

    How ‘Spider-Man: No Way Home’ Can Fix the Iron Boy Jr. Perception

    Spider-Man is a very polarizing character with countless interpretations across multiple forms of media. So, as the release of Spider-Man: No Way Home grows closer, fans have started to become more vocal regarding multiple aspects of this film. With the rumors of the upcoming sequel potentially bringing in the previous iterations of the character, fans have started to point out the differences between the three live-action versions. The debate has begun on how one counterpart is better than the other. What stands out is that the harshest of criticisms definitely focusing in on the MCU’s interpretation of Spider-Man. Many believe that Tom Holland’s version of the character lacks many qualities about what would normally characterize the web-slinging hero. All of these critiques however can be neatly wrapped up into one singular question: Who is Spider-Man in the MCU really?

     

    Identity Crisis

     

    For the MCU Version of Spider-Man, you could argue that he is often opaqued by his connection to Tony Stark. In a way, making his character an extension of the MCU founder. The reasoning behind this train of thought is because when compared to the rest of the characters in the MCU, whose history always was part of an extended universe, Spider-Man had no connection. He was the only one to protect NYC in his past films. In most forms of media, he’s been perceived as this individual that understands what it’s like to be someone on opposite sides of the spectrum.

    An individual who knows what it’s like to be powerless to do anything and someone who has superhuman powers, but also understands the responsibilities that must come along with them. In a way, it’s what makes Spider-Man relatable and appealing to many audiences. When it comes to the MCU version of the character, some vocal Spider-Man fans have argued that this iteration of Peter Parker has a sense of dependence and reliance on others, rather than assuming responsibility wholeheartedly.

     

    The Solution

     

    Ironically enough, in a film that is rumored to be so jampacked and filled with characters, references, and nostalgia, Spider-Man: No Way Home may very well be the perfect film to make up for that past perception. Given what we already know about the film, Peter Parker’s secret identity has been ousted to the world. As he stands trial for Mysterio’s murder, he’ll have to step up and defend himself. That is a lot of responsibility to carry for a kid of his age.

    And with the worst kept secret being that Tobey Maguire and Andrew Garfield are set to reprise their respective roles in this film, then we are putting the MCU Peter Parker where he’ll learn what it means to hold that mantle from his true counterparts, or at least a Variant of himself. He’ll have the opportunity to learn what exactly inspired or motivated each Peter Parker to gain that sense of responsibility. It would give him the chance to re-evaluate his own perception of the responsibility he mentioned in Captain America: Civil War. As his character moves forward, we might get a clearer picture of what makes Tom Holland’s Spider-Man truly Spider-Man.

  • Latest ‘What If’ Trailer May Confirm ‘Doctor Strange in the Multiverse of Madness’ Main Villain

    Latest ‘What If’ Trailer May Confirm ‘Doctor Strange in the Multiverse of Madness’ Main Villain

    We’ve been anxiously waiting for confirmation when Marvel Studios’ first foray into animation with the new What If series. After a long wait, they finally dropped an official trailer and the news that it’ll release on August 11th. The Disney+ series was originally thought of as a simple exploration of different scenarios across the Marvel Cinematic Universe, but it seems it’ll be even more than that.

    The trailer confirms that we’re about to head out into the multiverse and it could hint at a stronger connection between the Disney+ series and Doctor Strange in the Multiverse of Madness. If you take a closer look at the trailer, you might even get a glimpse at a heavily rumored villain that is planned to appear in the sequel. In a blink-or-you-miss-it moment, Sharon Carter is fighting a strange set of tentacles.

     

     

    Why is this relevant? Well, the rumored villain is the multidimensional tentacle monster known as Shuma-Gorath.  His design is quite iconic with green tentacles and a giant eye. The visuals hit that first box quite well and might even explain the brief sequence teasing a team-up of the various heroes from across the multiverse. He might even be the reason they unite. It makes us wonder if we might even get the What If characters, or rather Variants as we learned in Loki, might make a live-action return in the upcoming film. If Scott’s head in a jar is anything to go by, there’s going to be some crazy stories heading our way so Shuma-Gorath might be the most normal aspect of the series. Of course, it could also end up being a Flerken or another tentacle beast, but it does seem suspicious.

    If you haven’t had the chance yet, you can check out the new trailer right here:

     

    Source: YouTube