Category: News

  • Closer Look at New ‘Hawkeye’ Costumes Offered in Magazine Cover

    Closer Look at New ‘Hawkeye’ Costumes Offered in Magazine Cover

    We’re only a few weeks away from the release of Hawkeye‘s on Disney+. The series takes place before Christmas, as Jeremy Renner‘s Clint Barton finds himself mentoring Hailee Steinfeld‘s Kate Bishop after she paraded through New York City as Ronin. Some time ago, we got the tease of a comic-accurate costume for Clint. It was a set photo that didn’t offer a clearer picture, but an official magazine cover for Lowdown Magazine offered a closer look at it alongside Bishop, who is sporting the same costume she had in the latest poster.

    Clint’s costume was also included in the poster, but as he was shooting an arrow from the side we didn’t get a good look at it. So, this cover confirms that he is wearing the one we saw leaked through a set photo all that time ago, which is heavily inspired by Matt FractionsMy Life as a Weapon run. Her costume seems to integrate different designs, but the detail of her having the arrow in a different shade of purple is a nice touch.

    Of course, you can’t include both Hawkeyes without Lucky having a prominent role. He’ll likely be the star of the show, but we don’t know if he might even get an entire episode from his perspective. The series seems strongly inspired by Die Hard, which is a perfect match for the most grounded member of the Avengers. It’ll be interesting if it keeps that inspiration throughout, or even adds some unique flourishes.

    Source: Lowdown Magazine

  • The CW Passes on ‘The 100’ Prequel Series

    The CW Passes on ‘The 100’ Prequel Series

    The untitled prequel to The 100 is not moving forward at the CW.

    After two years in development, the project now appears to be dead. The project was to hail from The 100 showrunner Jason Rothenberg and was initially given the green light back in 2019. The 100, of course, was one of the network’s biggest titles prior to its ending last September.

    The untitled prequel received a backdoor pilot during The 100‘s seventh, and final, season. While the CW did not order it to series last May, the project was being kept alive to be reworked. The plan was for the series to run concurrently on the CW and HBO Max, per Deadline.

    Earlier this year, CW president Mark Pedowitz remained hopeful the series would see the light of day. “Discussions are still happening,” he said during the network’s upfronts. Unfortunately, it appears the project did not unfold as hoped.

    The prequel was to be set 97 years before the events of The 100. It would have started with the end of the world following a nuclear apocalypse that wipes out most of Earth’s human population. The prequel would have focused on a band of survivors on the ground who must learn to cope in a new world where they’ll have to fight to create a new and better society from the ashes of what came before.

    It’s of note that while Iola Evans, Adain Bradley and Leo Howard appeared in the backdoor pilot, their options expired over a year ago.

    The 100 ended its seven season run on the CW in Sept. 2020.

    Source: Deadline

  • ‘Eternals’ Makes $30M on Friday at the Domestic Box Office

    ‘Eternals’ Makes $30M on Friday at the Domestic Box Office

    It’s been a busy day for Marvel Studios fans, as Eternals finally released in theaters. Not only are all the spoilers hitting the internet, but also the public reaction has shown there’ quite the divide between critics and audience’s views on the film. So, we’ve been curious what it might mean for its box office performance, as it earned $9.5M in its Thursday Previews. It made the film the third-highest of the pandemic. Well, it looks like the film is currently heading towards a $75M after opening this Friday with around $30M (including the money it made from previews). It’s currently in line with Shang-Chi‘s $29M opening from September.

    Friday usually makes up 40% of the box office, as pointed out by Deadline which means it might be lower than the previously stated $80M prediction. Of course, there’s always a chance this new audience reception, which is only available as of today, might boost its numbers after all. The CinemaScore might be our first indication. Eternals only drawback is the film’s length. It’s one of the longest entries in the franchise. While Avengers: Endgame had the selling point of ending the franchise’s first major arc, Eternals is a rather unknown property that introduces a group of new heroes.

    Dune is currently in second place and might take a bite out of Eternals box office. As of now, the film might not pass the $80M mark after all even as earlier predictions were a bit more optimistic in that regard. Internationally, the film is currently outpacing Shang-Chi and Black Widow, which continues to point to a strong global opening for the production. Deadline also points out that Disney has $100M in brand marketing partners, which helps reduce the burden on covering costs for the company.

    Source: Deadline, The Numbers, Deadline, Box Office Mojo

  • ‘Eternals’ Audience and Critic Reception Divided on Rotten Tomatoes

    ‘Eternals’ Audience and Critic Reception Divided on Rotten Tomatoes

    There’s been a lot of debate surrounding the latest release of Marvel Studios. Eternals seemed to have garnered quite a bit of negative attention by critics, as its rating continued to go down becoming the first MCU project with a rotten rating. With 265 critic reviews, it currently stands at 49% with 265 reviews. Yet, now that the film has opened to the public, it has currently shown a much stronger approval rating by fans with 1,000+ verified ratings giving it a 86%.

    It’s quite clear that critics and audiences are not agreeing on Eternals reception. Change is always something that may receive different kinds of reactions, especially with Marvel Studios taking a different approach with their latest film. Director Chloé Zhao left her stamp on the MCU that jelled with audiences in a way that left them with something fresh but still familiar.

    It’s not uncommon for films to simply not get the same reception from critics as they did from audiences. One could argue that expectations might play a key role in what a film is or isn’t for the respective viewer. We all go in with our biases and hopes which leaves a different imprint. Sometimes a project that is critically panned is beloved by viewers because it just offers what they are interested in.

    Source: Rotten Tomatoes

  • Latest ‘Marvel’s Avengers’ Dev Stream Offers First Glimpse at Spider-Man

    Latest ‘Marvel’s Avengers’ Dev Stream Offers First Glimpse at Spider-Man

    Just recently, we found out that Spider-Man will finally find his way to Marvel’s Avengers on November 30th. We haven’t gotten any real information or a look at the character, but while discussing the brand new gear system, which sounds very promising, they just secretly dropped our first look at Spider-Man. Keep in mind, there are Xbox-based buttons from a developer kit, and he remains a PlayStation-exclusive release.

    It’s just a tiny glimpse, but the developers have promised us that we’ll get a closer look at the character and his skins in next week’s developer stream. So, that’s going to be a definite date to keep an eye out for a better look at the character. They didn’t mention if we’ll find out who voices him in the meeting.

    This dev stream had a very specific mission. It was aired to introduce us to the new gear and perk rework. From that perspective, it was quite the success as we’ll enter a much better-defined endgame to grind out gear pieces. If you are interested, they released a blog with all the details which you can check up on here. It sounds quite promising and also the opportunity that rerolls push grinding the OLT and new Raid adds a lot of replayability.

    Source: Twitch, Play Avengers

  • Emilio Estevez Won’t Return for ‘The Mighty Ducks: Game Changers’ Season 2 After All

    Emilio Estevez Won’t Return for ‘The Mighty Ducks: Game Changers’ Season 2 After All

    Here’s a rather surprising bit of news. It seems that Gordon Bombay actor Emilio Estevez is exiting the second season of The Mighty Ducks: Game Changers. After the series brought back an unlikely team of kids to play hockey, he was one of the key cast members returning from the original 1992 film. Yet, it seems he won’t be returning to the upcoming season due to disputes over COVID vaccination requirements. The series has adopted mandatory policies for its cast and crew. It seems he declined to assure he would comply just as the scripts were being written until the studio decided not to exercise his option. As such, they are going to rewrite the scripts without him. Yet, there are also hints that creative differences also played a key factor.

    Zone A vaccination mandate isn’t new to the industry, and we might see many more people refuse to join productions if this continues. Netflix has it mandatory on all their productions while Disney TV Studios is only rolling it out on new and some existing projects. So, we’ll see if this starts affecting other productions moving forward and what it might mean for the industry, as the world still continues to recover from COVID.

    Source: Deadline

  • BREAKING: Production on ‘Black Panther: Wakanda Forever’ Delayed Indefinitely

    BREAKING: Production on ‘Black Panther: Wakanda Forever’ Delayed Indefinitely

    As star Letitia Wright continues to recover from an injury suffered during filming earlier this year, production on Black Panther: Wakanda Forever has come to a halt. According to a trade report, the production has worked around the injury as Wright heals but, at this time, have filmed everything they can without the actress who is rumored to be among the favorites to assume the mantle of Black Panther in the film.

    The studio has its eye on resuming filming at some point early next year and with the film recently has seen its release date shifted from July to November, the film should easily make its scheduled date if things go according to plan. It’s uncertain if perhaps these events were also playing into the delay to ensure it wouldn’t have to cut it close.

    It’s good that they aren’t forcing production if Wright isn’t healed enough to play her role. Interestingly, they filmed all the scenes that don’t involve her, which may hint that they are going to wrap up production soon, or also hints at her strong presence in the sequel. As of now, it seems very likely the film won’t face any delays if they can resume production in early 2022. They might use this time to finish up other work

  • ‘Superman & Lois’ Will Serve as a Lead-In for ‘Naomi’ on the CW

    ‘Superman & Lois’ Will Serve as a Lead-In for ‘Naomi’ on the CW

    The CW is making Tuesdays a DC night for fans. The network unveiled its upcoming midseason schedule. Superman & Lois will serve as a lead-in to Naomi to help launch its newest DC Comics adaption.

    The second season of Superman & Lois kicks off on Jan. 11 at 8pm. During its premiere, Superman & Lois pulled in an impressive 3.25 million viewers. However, the viewership declined, as with most shows. By season’s end, the show was pulling in under 1 million views, with a less-than-stellar 0.2 in the all-important 18-49 demographic and 891,000 viewers. Still, for a CW show, those numbers are rather normal. The decision to have Naomi follow the series when it returns, however, could prove beneficial to both series.

    Naomi, of course, is based on the DC Comic of the same name. It is a drama that focuses on a high schooler (Kaci Walfall) who discovers her hidden destiny after a supernatural event affects her hometown. The series was developed by Ava DuVernay, who serves as an executive producer alongside Jill Blankenship (Arrow).

    Source: THR

  • ‘Eternals’ Writers Reveals How Marvel Studios’ Visual Department Brought their Drafts to Life

    ‘Eternals’ Writers Reveals How Marvel Studios’ Visual Department Brought their Drafts to Life

    Eternals’ release is finally here. The trailers for the film suggest it will reveal some secrets of human history. Similarly, people who worked on the film are now allowed to reveal some parts of the process of how the film came together. In this instance Eternals writers, Kaz and Ryan Firpo have spoken about how the Marvel Studios Visual Development team helped them in their writing process for the film. 

    Speaking to Deadline’s Hero Nation Podcast, Kaz Firpo, described one of Marvel Studios’ writing rooms. The description giving plays on the many memes of the studio’s secrecy, as only certain members of the crew had access to and didn’t even include windows to make sure nothing leaks.

    Eternals was written in the Black Widow conference room. It has no windows there’s a door with a lock and only six people have access like Kevin Feige, Nate Moore, Chloe and then like the writers, you know, like we’re the ones that go into that room. It’s a private secret, hermetically sealed chamber.

    Kaz Firpo

    Beyond this, he describes a writing-artistic collaborative process with Ryan Meinerding, VP and Creative Director of Visual Development at Marvel Studios, and how it influenced their work by bringing their pitches and ideas to life.

    You walk into your room and the walls are covered. It’s incredible, Ryan Meinerding, I do have to shout him out the Head of Visual Development at Marvel. He’s reading pages [of the drafts] and going ‘ooh, this is cool’ and then literally drawing the ideas that we’re having on a weekly basis. So you’ll come in and they’ll just be like a new artwork on the wall from something we’re just talking about a few days ago, so that’s it that really just inspires you to keep going and digging even deeper, they’re iterating.

    Kaz Firpo

    Having potential moments from a draft drawn up into key art soon after it’s been discussed sounds like a fantastic way to further inspire writers. The collaboration is indicative of the innovative processes they have set up at Marvel Studios across their different departments and collaborators. It’s exciting to think as the studio keeps pushing forward the narratives of the cinematic universe, that they’re also continuing to experiment with working processes to better help their creative teams. 

    Sources: Deadline

  • First Look at Laurie Holden as Crimson Countess in ‘The Boys’ Season 3

    First Look at Laurie Holden as Crimson Countess in ‘The Boys’ Season 3

    Amazon struck gold with its adaption of Garth Ennis’ The Boys, a world where the superheroes aren’t kept in check and act as they please. The series has already scored a spinoff with its rising popularity as the third season approaches, with filming having wrapped on the season awhile back. Things are set to get even crazier than before with the arrival of Jensen Ackle’s Soldier Boy, and superhero team Payback.

    Payback is a spoof on the Marvel Comics team, the Avengers, with Solider Boy acting as their Captain America. But he won’t be the only member of the team making their way to Vought this season, as Laurie Holden is already set to debut as Crimson Countess, their play on Scarlet Witch. We got our very first look at Holden as the supe today.

    Like quite a few characters used on the series, the character of Crimson Countess didn’t play a huge role in the comics and is only a minor antagonist. The character possesses flight and heat generation abilities that allows her to shoot fireballs. The title of Crimson Countess originally belonged to another World War 2 veteran supe who fought against the Nazis with a group known as the Avenging Squad, all of whom quickly died.

    Season 3 of The Boys currently has no set release date but with release exclusively on Amazon Prime. The season with see the return of the main cast alongside newcomers like Katia Winter, Sean Patrick Flanery, Nick Wechsler, and Frances Turner.

    SOURCE: TVLINE