Category: Reviews

  • REVIEW: ‘The Bad Batch’ Becomes Essential Star Wars in Its Season 3 Premiere

    REVIEW: ‘The Bad Batch’ Becomes Essential Star Wars in Its Season 3 Premiere

    The third and final season of The Bad Batch came out of the gates fully armed and operational. The three-part season premiere serves as both a fulfilling follow-up to Season 2’s heavy two-part finale and a massive exposition dump in which the animated series transitions from seemingly superfluous to entirely essential Star Wars. By the time the credits roll on Episode 3, “Shadows of Tantiss”, The Bad Batch’s place in the larger narrative of the Star Wars universe becomes clear and it becomes the loom through which narrative threads from the Fall of the Jedi era stories will be woven together into the existing storytelling fabric of both The New Republic and Rise of the First Order eras.

    Written by head writer Jennifer Corbett (Episode 1, “Confined”, and Bad Batch aficionado Matt Michnovetz (Episode 2, “Paths Unknown”, and Episode 3, “Shadows of Tantiss”) the big Season 3 rollout sheds a significant amount of light on what’s happening inside Tantiss Base on Weyland. Following the destruction of Kamino, Mount Tantiss is now THE home of the Imperial cloning program where Dr. Royce Hemlock, Chief Scientist of the Advanced Science Division, carries out his work by any means necessary. And as expected/predicted, that work is revealed to be on one of the Empire’s most vital undertakings, Project Necromancer. Of course, Tantiss Base is also where two members of The Bad Batch, Omega and Crosshair, are being kept prisoner by the Empire, each for a different reason.

    Doctor Royce Hemlock in a scene from “STAR WARS: THE BAD BATCH”, season 3 exclusively on Disney+. © 2024 Lucasfilm Ltd. & ™. All Rights Reserved.

    First mentioned in Chapter 22 of The Mandalorian, “The Spies”, Project Necromancer fell under the purview of Commandant Brendol Hux as revealed by Captain Gilad Pellaeon during a meeting with the Imperial remnant Deep State known as the Shadow Council. While the full extent of Project Necromancer’s work is still kept secret, Sleepy Sheev Palpatine’s visit to Mount Tantiss and his exuberance for the work (the goal of which is to produce a specimen with an equal or greater M-Count than the original specimen) all but confirms it is the program that produces clones of the Emperor as seen in Star Wars: Episode IX-The Rise of Skywalker. As expected, the importance of Omega’s unaltered genetic code takes on renewed importance as it’s revealed that her blood is the only sample so far capable of supporting a full M-Count transfer. That “revelation” establishes ties between Omega and Grogu and also between The Mandalorian’s Doctor Pershing and The Bad Batch’s Advanced Science Division.

    Omega’s persistence in rehabilitating Crosshair during her unwanted visits ultimately pays off as the series’ new odd couple work together to escape Weyland. On the run and destined for a reunion with Hunter and Wrecker (who spent Episode 2 discovering more of the Empire’s terrible bio-weapons and their disregard for the lives of clones), Omega and Crosshair have enough knowledge of Hemlock’s plan to pose a major threat to Project Necromancer; however, the emergence of Omega as the key to extending Sleepy Sheev’s lifespan affords her a measure of protection that will make it that much harder to bring her in. Ultimately, the three-part premiere flips the script on Hemlock from the two-part Season 2 finale. It’s now Hemlock and the Empire who stand to lose everything while the remaining members of Clone Force 99 are about to come together to try to stop them. Season 3 is off to a fantastic start and even though its headed to a (mostly) known outcome, it’s doing so in style!

  • REVIEW: ‘The Bad Batch’ Season 3

    REVIEW: ‘The Bad Batch’ Season 3

    Throughout its first two seasons, The Bad Batch has wonderfully–and sometimes painfully–been thematically centered on identity. While some audiences still struggle to recognize animated series as something more than children’s cartoons, The Bad Batch has been a fascinating psychological study of individual change. Over the course of Season 2, each of the members of Clone Force 99 had more or less worked their way through Robert Dilts’ Pyramid of Logical Levels. For better and for worse, Tech, Wrecker, Hunter and, yes, Crosshair, each reengineered his identity and each rebuilt his personal ethos. As their values and beliefs were challenged, the mutant clones reprogrammed their minds and changed their behavior. Tech, Hunter, Wrecker and Omega settled in on Pabu and Crosshair found himself in what he believed to be a comfortable position with the Empire. And then the two-part season finale shook them all to the core of their new identities; however, rather than halt their journeys of personal growth, the cliffhanger put the Bad Batch exactly where they needed to be to complete them. After a lifetime of running missions for others, Season 3 allows the remaining members of Clone Force 99 to determine their own purpose and take on one last mission of their own choosing.

    Crosshair has always been severe and unyielding. It is his nature. You cannot change that. He cannot change that.

    Tech, The Bad Batch: Kamino Lost

    Thought up by George Lucas while he and Dave Filoni were developing Star Wars: The Clone Wars, Clone Force 99’s path to the Star Wars universe was bumpy and their place within it seemed unclear until about halfway through Season 2. Lucas originally conceived of the Bad Batch as a group of aberrant clones that would undergo further testing by the Empire in their pursuit of producing an elite squad of genetic Super Soldiers. While their connection to the Kaminoan cloners was well-explored in Season 1, the introduction of Doctor Royce Hemlock–and the unknown nature of his sister mission–in Season 2 smoothed that bumpy path for The Bad Batch and set the series up to do some of the heaviest science-fiction lifting yet. Throughout the first eight episodes of Season 3, The Bad Batch completes its evolution from a show you might want to watch if you have some time to a show that serves as an integral piece of Star Wars mythology with story-telling tendrils that touch the prequels, the New Republic era of stories and the sequels.

    Doctor Royce Hemlock in a scene from “STAR WARS: THE BAD BATCH”, season 3 exclusively on Disney+. © 2024 Lucasfilm Ltd. & ™. All Rights Reserved.

    Those storytelling tendrils are most active, both thematically and in shared plot points, during the first five episodes of Season 3. Star Wars fans will find connections to Andor, The Mandalorian, The Book of Boba Fett and, yes, Star Wars: Episode IX-The Rise of Skywalker. Omega’s abduction by the Empire in Season 2 is, of course, the inciting moment for the action of the first half of Season 3 and her time at Mount Tantiss over the first four episodes is both revelatory and catalytic, exposing a mystery that fans will immediately solve but that will set Clone Force 99 on their true final mission. The first five episodes are easily among the best the series has put forth so far with episodes 1-3, which premiere together, serving not only as the follow-up to the Season 2 cliffhanger but as a wonderful example of how The Bad Batch has carved out a hardcore sci-fi niche within the larger space opera of Star Wars. If you enjoyed the Alien-esque Season 2 episode “Metamorphosis”, the three-episode premiere will be your cup of tea.

    I am a soldier of the Empire.

    Crosshair, The Bad Batch: The Solitary Clone

    Not the only Batcher being held in the Empire’s Weyland facility, Omega’s interactions with Crosshair highlight the strength of head writer Jennifer Corbett in exploring the team’s interpersonal dynamics. Omega and Crosshair couldn’t be much more different from one another than they are but the two form a wonderful bond that ultimately saves them both. As Omega and Crosshair look to escape the facility, Wrecker and an emotionally devastated Hunter work with what they have left to find Omega and an invested audience will surely be anticipating the frosty reunion between Hunter and Crosshair. To that end, episode 5, “The Return”, might be one of the most cathartic episodes of Star Wars TV to date. While it may not hit as hard as Ahsoka’s “Shadow Warrior”, it’s spiritually similar and without it there’s neither a literal nor figurative path forward for what’s left of the team.

    Crosshair in a scene from “STAR WARS: THE BAD BATCH”, season 3 exclusively on Disney+. © 2024 Lucasfilm Ltd. & ™. All Rights Reserved.

    Season 3 isn’t all pedal to the metal, however, and is not–as was the case with previous seasons–without its lulls. Episodes 6 and 7 step away from the sci-fi and dip back into some familiar subplots from last season, notably the post-Order 66 politics and the place of discarded Clone Troopers in the Empire. Fans have taken–somewhat understandably and also regrettably–to referring to these episodes as “filler”; however, they’ve become a staple in the modern serial Star Wars narratives and while it’s fair to say they typically slow down the pace of the series (and they do so again here), they also provide the galaxy far, far away with an unparalleled level of verisimilitude by calling to mind the politics of the real world. Star Wars always has and always will delve into politics and the expansion into longer-form narratives simply opens up more space for them to be explored more thoroughly. If you haven’t enjoyed the subplot around Palpatine’s Defense Recruitment Bill or finding out how Rex got his groove back after Order 66, this two-episode arc (“Infiltration and “Extraction”) will not be your cup of tea. If that’s the case, though, you’ll be happy to find that Episode 8, “Bad Territory”, puts the series back on its breakneck pace.

    This is who I am.

    Crosshair, The Bad Batch: Return to Kamino

    With the final 5 episodes withheld from the early screening package, it is unfortunately impossible to make a fair judgment of the final season of The Bad Batch. What can be comfortably and confidently said, however, is that much like the members of Clone Force 99, the show has settled on its identity after wavering on determining just exactly what it was capable of becoming. For it to become truly transformative, though, it will have to become truly impactful by settling on what the ultimate purpose of the Batchers’ three-season journey is and provide true clarity on how the story of Omega and her band of mutant brothers fits into a larger narrative whose ending is already known. And so it’s reasonable to ask that the final five episodes of The Bad Batch deliver an answer to why the show existed in the first place. If they do, Clone Force 99’s last mission will likely establish the series’ place alongside its animated predecessors (Star Wars: The Clone Wars and Star Wars Rebels) as mandatory viewing for anyone whose mission is to connect to the creator’s true vision of Star Wars.

    About The Bad Batch Season 3

    In the epic final season of Star Wars: The Bad Batch, the Batch will have their limits tested in the fight to reunite with Omega as she faces challenges of her own inside a remote Imperial science lab. With the group fractured and facing threats from all directions, they will have to seek out unexpected allies, embark on dangerous missions, and muster everything they have learned to free themselves from the Empire.

    Star Wars: The Bad Batch showcases a talented voice cast, including Dee Bradley
    Baker
     (American Dad!), Michelle Ang (Fear the Walking Dead: Flight 462), Keisha Castle-Hughes (Whale Rider), Jimmi Simpson (Westworld), Noshir Dalal (It’s Pony) and Wanda Sykes (The Upshaws).

    Star Wars: The Bad Batch is executive produced by Dave Filoni (AhsokaThe
    Mandalorian), Athena Portillo (Star Wars: The Clone WarsStar Wars Rebels), Brad
    Rau (Star Wars RebelsStar Wars Resistance), Jennifer Corbett (Star
    Wars ResistanceNCIS) and Carrie Beck (AhsokaThe Mandalorian), with Josh
    Rimes (Star Wars ResistanceStar Wars: Visions) as co-executive producer and Alex
    Spotswood (Star Wars: The Clone WarsStar Wars Rebels) as senior producer. Rau
    is also serving as supervising director with Corbett as head writer.

  • REVIEW: Amazon’s Mr. & Mrs. Smith is Uneven, Yet Enjoyable

    REVIEW: Amazon’s Mr. & Mrs. Smith is Uneven, Yet Enjoyable

    When Amazon’s Mr. and Mrs. Smith was first announced, understandably hesitant. It simply didn’t seem as though the film needed to be reimagined, and yet, that was precisely what Amazon was looking to do. But with talent like Donald Glover and Francesca Sloane on board, it was hard not to be a bit excited to see what the series would ultimately look like. While the show isn’t a complete homerun, it’s enjoyable enough and offers up a nice action piece for both Glover and his leading lady, Maya Erskine.

    The pilot episode opens with a hell of a bang featuring Alexander Skarsgård and Eiza González. The duo might not have much screentime, but audiences are sure to still feel their presence by the end of the episode. It was a wonderfully choreographed action scene that is powerful, despite its limited dialogue. Unfortunately, with an opening like that, it’s easy to downhill rather quickly. The episode does, naturally, seem to lag as most pilot episodes do. While it, understandably, needs to introduce viewers to the latest iteration of Jane and John Smith, Erskine and Glover, respectively, the dialogue at times does drag the episode down. Thankfully, it does find its footing in the end and delivers an explosive ending to the first episode. Hopefully hooking viewers eager to see what is in store for the spy couple.

    The premise of Mr. and Mrs. Smith is simple enough. So, it was never a question of whether or not it could be developed properly as a series. Ultimately, many were curious to see Glover and Erskine, who came on later in the project to replace Phoebe Waller-Bridge, could become the combative partners we’ve come to know courtesy of the film. Those that are doubtful of the duo’s ability to shine in an action setting will be thrilled to see how easily they slip into these roles. The action shots are well done, with Glover and Erskine working wonderfully together, and the character development for both is well-done. If there was one big issue that stood out in the series, it wasn’t its leading couple, but rather the use of its incredible guest cast.

    With big names like Skarsgård, González, Ron Perlman, Sarah Paulson, Michaela Coel, and Paul Dano, one would expect big things from the supporting cast. Unfortunately, most of the guest stars often feel wasted. (Dano, Paulson and Coel being the exceptions.) Given the show tackle a new case each episode, at times, it felt like a game of “Who’s the Latest Guest Star?” That being said, there is some filler in the series. This is to be expected with eight near hour-long episodes. But the filler is, oddly enough, still enjoyable even if it slows things down.

    If viewers can give the show time to do its thing, they’ll find that Amazon’s Mr. and Mrs. Smith is a delightful action series that showcases its leads as action heroes in the making. The character work is well-handled, as are the action scenes, and it’s clear Glover had fun making this series. We can only hope he’s given the chance to do more projects like Mr. and Mrs. Smith down the road — same can be said for Erskine.

    Bring on season two!

  • REVIEW: ‘Echo’ Episodes 1-3

    REVIEW: ‘Echo’ Episodes 1-3

    With their latest streaming series Echo, Marvel Studios will check off an impressive list of “firsts.” The first Marvel project led by a Native American actress; the first Marvel project led by a deaf actress; the first Marvel project to receive a TV-MA rating under the studio’s new Marvel Spotlight banner. Spinning out of the 2021 Disney Plus streaming series Hawkeye, the series follows star Alaqua Cox‘s Maya Lopez as she returns to her hometown of Tamaha, Oklahoma following her attempt to kill Wilson Fisk, New York City’s Kingpin of Crime. From here, the series examines the concepts of heritage, lineage, family and trauma and introduces the sprawling and magnificent mythology of the Choctaw Nation. Soused with intense action, the final product (at least for the 3 episodes screened by the press) presents as a moody, somber and often haphazard journey. As demiurgic as the creative team’s flashbacks through the history of the Choctaw people feel, the plot of the first three episodes often feels a bit too insipid and threadbare leaving the series uncomfortably straddling a divide between what is and what could be.

    As the studio’s first TV-MA project, Echo steps out of the MCU as we know it and steps directly into the world of Daredevil, The Punisher and the rest of the Netflix Defenders-verse series that WERE Marvel TV in the mid-2010s. Clearly inspired by the type of action that became synonymous with those series (including an homage to the one-take fight scenes that fans will remember from Daredevil), Echo is the bloodiest, most brutal and most violent project rolled out by Marvel Studios. While the fight choreography doesn’t favorably compare with the best work done in the Netflix series, there’s plenty for fans to enjoy including a particularly savage scene in a bowling alley and some particularly inventive ways to incorporate Maya’s prosthetic leg into the fray, turning a potential weakness into a major advantage. Cox does quite a bit of her own work and her athleticism and intensity are on full display. The series makes it very clear that Maya is fueled by her raging responses to loss and Cox’s brooding kinesics emote every bit of that pain. As barbaric and sanguine as the action is, however, it ends up feeling like ass beatings simply for the sake of beating some asses. For some, violence for violence’s sake became an issue for the Netflix series and in just three less-than-hour-long episodes, Echo finds itself dangerously close to falling into the same trap.

    (Right): Alaqua Cox as Maya Lopez in Marvel Studios’ Echo, releasing on Hulu and Disney+. Photo by Chuck Zlotnick. ©Marvel Studios 2023. All Rights Reserved.

    While the show’s determination to remind everyone how “dark and gritty” the Netflix series were brings it dangerously close to being a perfect example of George Bernard Shaw‘s famous but almost always shortened quote (“Imitation is the sincerest form of flattery that mediocrity can pay to greatness.”), it finds its counterbalance–and inarguably its greatest strength–when it dares to break brand-new ground in the genre. From its genesis, Echo was built around and by indigenous people at every level. Whether it was in the writers’ room, in collaboration with members of the Choctaw Nation of Oklahoma, behind in the camera through director Sydney Freeland’s vision and, most apparent, though its almost entirely indigenous cast, Echo is unique among the ever-expanding number of projects in the MCU.

    It’s through the Choctaw Nation that Echo chooses to explore the themes of heritage and lineage and it’s absolutely where it does its best work. Thanks to a strong supporting cast led by Graham Greene, Tantoo Cardinal and rock-solid Chaske Spencer, who plays Maya’s uncle, Henry Black Crow Lopez, Echo examines how trauma and the human response to it can shatter even the tightest-knit family. As it turns out, Tamaha, Oklahoma holds more than just ties to Maya’s blood relatives and if she’s ever going to bury her dark past, it’s going to happen in the town that shattered her life.

    (L-R): Zahn McClarnon as William Lopez, Devery Jacobs as Bonnie, Graham Greene as Skully, and Tantoo Cardinal as Chula Battiest in Marvel Studios’ Echo, eleasing on Hulu and Disney+. Photo by Chuck Zlotnick. ©Marvel Studios 2023. All Rights Reserved.

    Most incredible, though, is Echo’s dedication not only to represent the modern-day culture of the Choctaw people but also their heritage and culture. Each episode includes an extended flashback–steeped in real-life mythology and history–stretching back to the creation of the first Choctaw and other heroes from the Nation’s past. As Maya struggles to escape the enormous shadow of Kingpin’s influence on her life, her place as a descendant of some of the most powerful women in Choctaw history begins to unfold giving Maya a chance to become something incredible all unto herself. However, through 3 episodes, it’s not clear just how that will unfold.

    While the first three episodes certainly each have bright spots, they do–like the Netflix series before them–tend to drudge on at times. There are, unfortunately, signs that indicate that the widespread rumors and reports of a difficult post-production process for Echo may have had some merit. The first episode seems hastily edited to tell only a portion of what may have originally been planned and, plainly put, it’s jarring. Episodes 2 and 3 seem to have been handled with a far more delicate touch and it’s at the end of the third episode that things really seem ready to take off. While it’s Maya’s show, Disney hasn’t held back on promoting the show as being just as much about the return of Vincent D’Onofrio’s Wilson Fisk. If the last two episodes–which will clearly feature Fisk–can crescendo and find a way to allow Maya’s heroic heritage to overcome her villainous upbringing, Echo may ultimately overcome its own shortcomings and stand out as a project worth having saved.

    About Echo

    Marvel Studios presents Echo, spotlighting Maya Lopez as she is pursued by Wilson Fisk’s criminal empire. When the journey brings her home, she must confront her own family and legacy. Echo stars Alaqua Cox (Hawkeye) as Maya Lopez, as well as Chaske Spencer (Wild IndianThe English), Tantoo Cardinal (Killers of the Flower MoonStumptown), Devery Jacobs (FX’s Reservation DogsAmerican Gods), Zahn McClarnon (Dark Winds, FX’s Reservation Dogs) and Cody Lightning (Hey, Viktor!Four Sheets to the Wind), with Graham Greene (1883Goliath) and Vincent D’Onofrio (HawkeyeDaredevilLaw & Order: Criminal Intent), who returns to the villainous role of Wilson Fisk aka Kingpin.

    Episodes of the series are directed by Sydney Freeland (Navajo) and Catriona McKenzie (Gunaikurnai). Executive producers are Kevin FeigeStephen BroussardLouis D’EspositoBrad WinderbaumVictoria AlonsoRichie PalmerJason Gavin (Blackfeet), Marion Dayre and Sydney Freeland. Co-executive producers are Jennifer L. Booth and Amy Rardin. Marvel Studios’ Echo is now streaming on Disney+ and Hulu.

  • Marvel Studios Falls Short of Neil Gaiman’s Magic in ‘What If…?’ Episode 8

    Marvel Studios Falls Short of Neil Gaiman’s Magic in ‘What If…?’ Episode 8

    In 2003, author Neil Gaiman’s eight-issue limited series, 1602, reimagined the existence of a couple dozen Marvel Comics heroes and villains in Elizabethan England. Make no mistake, while it was fun and won an award or two, the series was no critical darling. While it hit the mark with readers and ultimately spawned three sequels, critics were split on Gaiman’s first work for Marvel since he wrote Marvelman in the early 1990s. In fact, Comics Bulletin’s Cody Dolan described the series as a “glorified What If…? series” that was neither “revolutionary” nor “groundbreaking.” Unfortunately for Marvel Studios, their attempt to adapt that very same series into their own animated What If…? series is even less revolutionary.

    This is certainly not to say that there’s no fun to be had in Episode 8, “What If…The Avengers Assembled in 1602?”; in fact, it’s rather loaded with solid performances, fun one-liners and even the return of The Freak. However, despite all the magic at the disposal of Wanda Merlin, who is revealed to be responsible for bringing Haley Atwell’s Captain Carter to the 1602 universe, the episode fails to capture even the limited magic of Gaiman’s original and oft-derided series.

    1602 Wanda Merlin in Marvel Studios’ WHAT IF…?, Season 2 exclusively on Disney+. © 2023 MARVEL.

    Unfortunately, a collection of moments does not a good episode make. And so not Jon Favreau’s Sir Harold “The Happy” Hogan, nor Paul Rudd’s Scott Lang, nor even Tom Hiddelston’s Loki doing Hamlet can find the right additive recipe to make the episode nearly as engaging as Gaiman’s comics. In the end, it feels as though the 1602 episode was one that the creators of What If…? were determined to shoehorn into the series from its inception.

    Despite the lack of creative chutzpah apparent in it (to be fair, it’s likely that many of the characters that made the comic book series so entertaining were not available to the creators), the episode does come tantalizingly close to entangling the animated series in the larger ongoing issues that predominate the Multiverse Saga. Though it’s not explicitly stated, the presence of Steve Rogers “Hood”–once again the Man Out of Time–in 1602 is causing an Incursion. And, of course, there’s the much more axiomatic premise that no matter where or when these stories take place, Marvel’s core heroes remain Marvel’s core heroes. And as the Multiverse Saga approaches its swan song, “What If…The Avengers Assembled in 1602?” reminds us that Earth’s Mightiest Heroes can assemble anywhere and anywhen.

  • ‘What If…?’ Season 2 Find Success Through Alchemy in Episode 7

    ‘What If…?’ Season 2 Find Success Through Alchemy in Episode 7

    Derivation is the fundamental underlying concept of What If…?. In both the comic book series and the streaming series it inspired, stories are spawned by imagining an alternate history of a familiar character whose path diverged at some point. That point of divergence–or Nexus Point–begets an entirely new universe on an entirely new timeline. And it also begets an entirely new set of consequences. To that end, Season 2 of What If…? may not have a more intriguing installment than Episode 7, “What If…Hela Found the Ten Rings?”.

    Set within the once-hidden history of Asgard that was revealed in Thor: Ragnarok, “What If…Hela Found the Ten Rings?” creates a new scenario in which rather than banishing his sanguinary daughter to Hel, Odin casts her out down to Midgard. The scene unfolds parallel to the more familiar banishment of Thor (as seen in director Kenneth Branagh’s 2011 film) right down to the spell the Allfather places on Hela’s signature helm. Make no mistake, this decision sets the episode on the precipice of becoming a boringly derivative adventure where Hela simply follows in the footsteps of the Sacred Timeline’s Thor (watch Episode 5, “What If…Captain Carter Fought the Hydra Stomper?” if that’s your thing); however, writer Matt Chauncey‘s creative choices allow for a wonderfully bold new adventure to unfold on Earth…and beyond.

    By setting the episode roughly one thousand years before the events of Thor, Chauncey opened the door for Hela, one of Marvel’s most audacious villains, to cross paths with someone nearly as ruthless as her: Xu Wenwu. Awestruck by the now powerless Asgardian’s will, Wenwu proposes an alliance that would see Hela join him in protecting the people of Earth. Clearly uncomfortable with the idea, Hela flees Wenwu’s compound and-with the help of the dijiang Morris–finds her way to Ta Lo where one of its Protectors, Jiayi, helps her break free from Odin’s conditioning and break free to walk her own path and regain her crown. Once reunited with Wenwu the result is hardly what one would expect of the two characters from the Sacred Timeline. Rather than amplify each other’s destructive qualities, Hela and Wenwu choose to become champions of peace and, after defeating Odin, join with Asgard to help rid the universe of callous warlords and conquerors.

    What’s put forth on-screen during the episode is worthy enough; however, what’s possible within this new alternate universe created by the divergence is equally fascinating. As the original change to the familiar story ripples throughout time, a fascinating cascade of changes emerges. With Odin storming across the galaxy liberating those who are held down, is Thor ever born? And if he is, it’s highly unlikely his journey would have much in common with his Sacred Timeline counterpart. Given that the Asgardian-Ten Rings alliance is seen charging at Thanos and a young Gamora, it would seem unlikely that the Mad Titan’s quest for the Infinity Stones would ever happen. And since in the Sacred Timeline Gamora and Shang-Chi are the same age and given Wenwu’s partnership with Hela and his lack of interest in seizing the power of Ta Lo for himself, there’s probably no Shang-Chi waiting for his own adventure. Much as the episode allowed Hela to explore her true nature, it also fully embraces the true nature of the premise of What If…?. One change leads to a new one and each new action leads to another until familiar characters exist in an entirely unfamiliar universe. And now, as happened on occasion in the comics, the streaming series has created an alternate universe worthy of further exploration.

    What If….? Season 2 will stream new episodes daily through December 30th.

  • ‘What If…?’ Unleashes Its Full Potential in Episode 6

    ‘What If…?’ Unleashes Its Full Potential in Episode 6

    The House of Ideas. That moniker has been with Marvel Comics for much of its nearly 85 years in the publishing business. Beginning with Stan Lee and Jack Kirby, The House of Ideas created a multiverse full of some of the most beloved fictional characters in the industry. For 15 years now, those characters have been at the center of pop culture as the narrative of the Marvel Cinematic Universe continues to unfold across screens big and small. However, in that time, for all the liberties Marvel Studios took with characters and stories from the pages of Marvel Comics, they had never created an original superhero…until now.

    On display in Episode 6 of the second season of What If…?, “What If…Kahhori Reshaped the World?” was, for the first time, the type of unbridled creativity that gave Marvel Comics the House of Ideas nickname in the first place. Set in North America’s Haudenosaunee Confederacy at an undefined time in pre-colonial America, the episode introduced the MCU’s first original superhero, a Mohawk Wolf Clan woman named Kahhori, and then quickly followed that up by introducing a dozen or so more powered-up Kanien:ke people. Throughout the episode, the Mohawk people–whose way of life is being threatened by Spanish conquistadors–speak authentically in their native Kanien’kéha thanks to the studio’s collaboration with historian Doug George and Mohawk language expert Cecelia King. Never in the history of comic book projects has a Native American people been treated so reverently. But the creativity hardly stops with a wonderful new hero and some closed captions.

    From start to finish (well, almost–they did drop dickhead Strange in there), the episode blazes its own trail. Beginning with Surtur’s successful Ragnarok set at some undisclosed point in time before Odin placed the Tesseract in the care of the people of Tønsberg, “What If…Kahhori Reshaped the World?” features nary a single familiar beat from the MCU. Beginning with the fate of the Tesseract, creators Bryan Andrews and Ryan Little played very liberally with the premise of What If…? in this episode and the payoff was monumental. With the butterfly effect in full effect, the creatives were able to get schwifty with the possibilities of the Space Stone and its spacetime powers. The inventiveness led not only to a beautiful, new in-universe mythology that introduced the Mohawk Skyworld but also a wonderful powerset resulting from exposure to the Tesseract-powered waters of the Forbidden Lake.

    As teased in the closing moments of the episode, Kahhori’s story hasn’t come to a close. While she has a larger role to play in Season 2 of What If…?, it would feel like a missed opportunity if the studio didn’t include the character in one or both parts of the two-part finale to the Multiverse Saga. With some interpretation of one or another of Marvel Comics’ Battleworld stories sure to take place, the inclusion of Kahhori–now one of the most powerful heroes in the Multiverse–doesn’t seem like a bridge too far. Though she was voiced by Devery Jacobs in What If…?, Jacobs is already holding down a live-action role in the MCU. That opens the door for Amber Midthunder, who in 2022 made it clear she was ready to join the MCU and told us her hopes to continue to push for indigenous representation in Hollywood blockbusters, to possibly fill the role.

    While the MCU cannot and certainly should not look to create brand new heroes, mythologies and universes in every project, “What If…Kahhori Reshaped the World?” serves as a wonderful reminder of what creators can do when they find true inspiration. Here they have delivered undoubtedly the best episode of What If…? and opened the door for a fascinating new hero to join the best of the rest in the Multiverse should those calling the shots have the courage.

  • ‘What If…?’ Episode 5 Treads Too Closely to Familiar Ground

    ‘What If…?’ Episode 5 Treads Too Closely to Familiar Ground

    In an infinite multiverse, an infinite number of stories exist including those that might be incredibly similar to others…but that doesn’t mean they need to be told. Episode 5 of the second season of What If…? is, unfortunately, such a story. The episode, “What If…Captain Carter Fought the Hydra Stomper?”–much like its predecessor, “What If…Captain Carter Were the First Avenger?”–treads far too closely to the familiar ground of the Captain America franchise rather than allowing the character the opportunity to blaze her own trail.

    While it’s logical that early parts of Peggy Carter’s story might mirror that of Steve Rogers in Captain America: The First Avenger, in the vastness of the Multiverse it would seem that another Variant of Captain Carter would have gotten up to something more interesting than another 70 years of adventures that end up with her simply continuing to step into the footprints first put down by Rogers on the Sacred Timeline. After founding the Avengers and taking down Loki, Carter’s next chapter as seen in Episode 5 paralleled Rogers’ so closely that the working title for it was “The Winter Widow”, as revealed by writer A.C. Bradley.

    https://twitter.com/TheAshBradley/status/1739758400328868005?s=20

    Peggy ends up on the other end of the car joke from the Winter Solider, finds herself aboard a ship at sea and even ends up sharing a scene with Brock Rumlow. A brainwashed Steve takes the place of a brainwashed Bucky and the Red Room and Melina Vostokoff take the place of Hydra but right down to pairing her up with Nat, the episode just keeps giving Peggy things to do that Steve has already done. Carter is the lead of the series and this particular Variant seems destined to make a live-action appearance down the road (one Variant made a brief appearance in Doctor Strange in the Multiverse of Madness). The character deserves her own story.

    Fortunately, the creative team remedies the situation and sets the character on what’s hopefully a singular path by plucking Captain Carter out of her modern-day setting and dropping her in 1602 where she’ll have a major role in the two-part season finale. With a new head writer set to take over for Season 3, here’s to hoping they find something more original and exciting for Peggy to do than to star in the slightly altered Reader’s Digest version of Captain Carter: Civil War.

  • ‘What If…?” Episode 4 Finally Reveals the Origins of the Alt Universe Gamora

    ‘What If…?” Episode 4 Finally Reveals the Origins of the Alt Universe Gamora

    Season 1 of What If…? introduced a Variant of Gamora who served among other heroes as one of Uatu’s Guardians of the Multiverse. Debuting in the Season 1 finale, “What If…The Watcher Broke His Oath.”, this Gamora seemed to have quite an interesting backstory as its revealed that she killed Thanos; however, that was about the only information revealed about the character before she went about the business of defeating Infinity Ultron. Unlike the other heroes, there was no Season 1 episode dedicated to Gamora’s story but that’s not because one didn’t exist in some form.

    An episode about the hero which became known as the “Lost Gamora Episode” was written and was originally said to be included in Season 1. Writer AC Bradley confirmed the existence of the episode– which at some point must have been in the Season 1 lineup because a Lego set was created for it–and indicated that it would finally be released in Season 2…and now it has been. Episode 4, “What If…Iron Man Crashed into The Grandmaster?”, finally gives Gamora a proper introduction while following Tony Stark on an interesting adventure.

    Set in the semi-immediate aftermath of The Battle of New York (time works real different on Sakaar), the events of theepisode veer from the Sacred Timeline when the Armored Avenger’s mad dash with the nuke as seen in The Avengers ends with him not making it back through the portal. Stark finds himself on Sakaar, face-to-face with The Grandmaster and ,as you might expect, things get weird. Riffing on scenes from both Iron Man and Thor: Ragnarok, the episode puts Stark in real jeopardy when Gamora, still the daughter and Hand of Thanos, comes for revenge on the man who foiled the Mad Titan’s plan.

    Delayed in killing Stark by one of the Grandmaster’s obedience disks, Gamora ultimately sees the good in the hero and finds her way to redemption by helping him overthrow the wily Elder of the Universe. As the episode ends, Tony is seen helping Gamora put an end to Thanos using Topaz’s Melt Stick. Unfortunately, even with the full scope of Gamora’s heroic journey now having been laid bare, no further chapter in her story is told over the rest of Season 2. That definitely makes the decision to pull the episode from Season 1 a little stranger but the episode is fun enough on its own, especially with the wonderfully eccentric Jeff Goldblum back as the voice of The Grandmaster.

    The first four episodes of What If…? Season 2 are now streaming on Disney Plus. A new episode will debut each day through December 30th.

  • The Freak Comes Out at (Silent) Night in ‘What If…?’ Episode 3

    The Freak Comes Out at (Silent) Night in ‘What If…?’ Episode 3

    Though tradition dictates presents are to be opened on Christmas morning, plenty of families allow their children to open one on Christmas Eve. As Marvel Studios continues to release daily episodes of Season 2 of What If…?, they gave fans a doozy of a Christmas Eve gift with Episode 3: “What If…Happy Hogan Saved Christmas?”.

    An unabashed tribute to one of the greatest Christmas movies of all time, Episode 3 puts Jon Favreau‘s Happy Hogan in John McClane’s bare feet and gives the Forehead of Security a chance to be the hero. Up against Sam Rockwell‘s wonderfully petulant and pedantic Justin Hammer–who gets the full Hans Gruber treatment in the episode–Hogan blunders through defending Avengers Tower and ultimately and unwillingly becomes an all-new, all-different version of himself.

    Sometime post-Iron Man 3 and pre-Age of Ultron, Hammer and his pair of Russian goons have chosen the Yuletide season to break into Avengers Tower, which on this particular night, finds itself without its Avengers. It’s no random act of terror, however, as Hammer has one objective in mind: obtaining a vial of Bruce Banmer’s gamma-irradiated blood. While attempting to defend the precious serum, Hogan accidentally injects it into himself unleashing a very obscure comic book version of himself: The Freak.

    First appearing in “If This Guilt Be Mine…”, one of three stories in 1965’s Tales of Suspense #74, the Happy Hogan version of the Freak came to be when Tony Stark used a typically wacky of the time sci-fi device to try to heal injuries Hogan sustained at the hands of Titanium Man. As the Freak, Hogan exhibited superhuman powers including but not limited to strength and durability and a propensity for some pretty epic rage tantrums. Other characters have also gone by the moniker the Freak as well, including Stark employee Eddie March and, more recently, a vagrant junkie that appeared in Bob Gale and Phil Jimenez‘s Spider-Man run.

    Though it’s Hogan in the driver’s seat, the MCU’s version of the Freak seemed to take a little more aesthetic inspiration from Jimenez’s pencil. Favreau is fantastic as the powered up Hogan, clearly having fun letting his Freak flag fly and getting a chance to be the hero of the day. Director Bryan Andrews and writer AC Bradley did such a great job bringing the obscure character to the MCU that it would be a shame if we didn’t see him again sometime soon.