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  • How ‘WandaVision’ Lays the Groundwork for a Hexagonal ‘Secret Wars’ Battleworld

    How ‘WandaVision’ Lays the Groundwork for a Hexagonal ‘Secret Wars’ Battleworld

    It’s a hexagonal multiverse, and we are living in it. The latest episode of WandaVision has started to expand. Interestingly enough, even as it grew, it kept its original shape. As such, the hexagon represents something more than just a wordplay on Wanda’s hex abilities. We are still waiting for an official confirmation why such a focus is given to this shape. We know that this Disney+ series will act as a set-up for future multiversal storylines of Doctor Strange in the Multiverse of Madness and Spider-Man 3. If we are about to enter other parts of the multiverse, we may see this structure return in the future. We have seen something similar to how Marvel has approached a connected multiverse in the comics. It made me wonder if we might get Secret Wars‘ famous Battleworld consisting of multiple hexagonal shapes.

    Originally, Secret Wars was a storyline that ran from 1984 until 1985. A strange entity, who goes by the Beyonder, decided it would be fun to throw various heroes and villains into a world known as Battleworld. There they have a selection of alien weapons and technology. It was Marvel’s first attempt at a Battle Royale storyline that got two sequels. However, the latest incarnation of 2015 introduces us to a concept where multiple dimensions started to converge. As the map below showcases, different sections originally belonged to a part of the multiverse. It included the HYDRA Empire from the Secret Empire run, Old Man Logan‘s Wastelands, and so many more.

     

     

    In the comics, the third version of Battleworld, the one shown above, was created after Doctor Doom and Doctor Strange defeated the Beyonder. Their universe got threatened by incursions of others colliding with each other. After Doom took the Beyonder’s powers as his own, he put together Battleworld from the remnants. If WandaVision is setting up the multiverse, it may be setting the ground rules for how the Marvel Cinematic Universe’s version of Battleworld may be structured. Instead of going the route of multiverses colliding, they introduce us to the concept of pocket dimensions jumping into existence. They take the shape of a hexagon when introduced or created within a new world. It also isn’t the first time we’ve seen this shape in the MCU. What also supports this theory is the way space travel works in the MCU. In Guardian of the Galaxy Vol. 2, we learn that Hyperdrive travels through different dimensions. The gateway between them is in a hexagonal portal. The Kree even built their entire architecture around that shape.

     

     

    As such, it could be the structure for a future Battleworld or the entirety of the multiverse. The different universes that Doctor Strange will visit in the upcoming Multiverse of Madness may get connected through this shape. He uses the sling ring in a round shape to travel from one location to another in the mainline dimension. So, once he tries to travels in the multiverse, it may change into the hexagon we first witnessed in Guardians of the Galaxy Vol. 2. Marvel Studios has always been very good at creating rules to keep everything together, which we saw with their time travel antics in Avengers: Endgame. They may be slowly setting the foundation that will connect all future multiversal stories in the coming years. Once the building blocks are set, it wouldn’t be too surprising to see a Secret Wars storyline in a few years as the next major crossover event that could replicate Endgame‘s success. I think we are just at the beginning of a major storyline that is about to unfold.

  • Limited Edition ‘WandaVision’ Billy and Tommy Funko Pop! Revealed

    Limited Edition ‘WandaVision’ Billy and Tommy Funko Pop! Revealed

    Earlier today, we got the first reveal of WandaVision‘s new “Pietro Maximoff” Funko Pop. It was great to finally see the real deal after many fake leaks made us wonder if Quicksilver would show up in the Disney+ show. At first, it was strange that we didn’t see any Funkos for the twins, who have a prominent role in the show. Well, it looks like the reveal was going to follow shortly after, as our first look at their figurines has been revealed. Just like Evan Peter‘s Funko, we get them both in their Halloween costumes from the latest episode.

    It looks like it will be a limited edition so you’ll only have to be fast to get your hands on them. Billy has a Halloween-inspired version of his original costume while his brother has a copy of Pietro’s. It doesn’t look like we get Tommy’s running ability showcased like with his uncle, but Billy does have the blue glow in his hand that was only briefly teased in the latest episode. It’ll be interesting if they will age up again as the show continues with the next three episodes. If so, we might get some more Funkos from them, which could explain why these are limited edition. If anyone wants to get the Maximoff-Vision family together, these will certainly be a must purchase for fans of the show.

    Source: Twitter

  • EXCLUSIVE: ‘Succession’ Actor Arian Moayed Cast in ‘Spider-Man 3’

    EXCLUSIVE: ‘Succession’ Actor Arian Moayed Cast in ‘Spider-Man 3’

    Murphy’s Multiverse has learned that Iranian born American actor/writer/director Arian Moayed was cast in Spider-Man 3. Moayed is probably most known for his role in 2 seasons of the harrowing HBO family business drama Succession. In the series, he gives a compelling performance as Kendall Roy’s old friend Stewy Hosseini. 

     

    Arian Moayed as Stewy in Succession on HBO

    Details on his role in Spider-Man 3 are slim at this time though I was able to learn he is portraying a detective and has already filmed some scenes. 

    Moayed was previously nominated for a Tony award for his role in Bengal Tiger at the Baghdad Zoo. Other appearances on television and film include Madame Secretary, Rock the Kasbah, Elementary, The Blacklist, and Law and Order.

    Mr. Moayed recently wrote and directed the thriller The Accidental Wolf for streaming service Topic and will appear on the upcoming Netflix limited series Inventing Anna, which is expected in 2021.

    Source: Playbill, Topic, IMDB

  • ‘WandaVision’: An Error in Reality

    ‘WandaVision’: An Error in Reality

    As WandaVision has proven time and time again, sometimes, things are not always as they seem. Even outside of Westview. Over the course of Marvel Studios’ hit show, we’ve seen a number of things that seem to be out of place here and there. An American sitcom through the ages starring two Avengers. Two characters that somehow have been revived, one of them bring in the wrong face from possibly another universe. People with suppressed personalities and Wanda inside everyone’s head. As Vision would say, it seems that something is clearly very wrong inside of Westview. But that doesn’t exclude the outside world as well. Recently a small mistake was pointed out to our fellow contributor Lizzie Hill by Twitter user @Cameron16549707.

    The image and tweet refer to Episode 5 of WandaVision; “On A Very Special Episode…”. The detail mentioned by this fan truly is interesting. When we go to analyze the scene, as we can observe below, for just a split second, we can see Dottie’s name on the S.W.O.R.D. document in the Alias section.

     

     

    In the next shot, when Monica pulls back out, we can see the information written on it and we can notice very blurrily Dottie’s name and the checkmark for the Sex on “Female”, which corroborates that the sheet does indeed belong to Dottie (or at least, it’s what was intended). What makes this all the odder is that the image of the person on Dottie’s sheet is Dennis the Mailman, not Dottie per see.

     

    Why this is important

     

    The devil is always in the details and that certainly includes Marvel Studios. Now, let me just shoot down those Dennis is secretly Dottie theories because I don’t think that’s what’s happening here. This certainly seems to be a case of Marvel Studios making a small mistake, hoping fans might not notice, and it’s almost certainly what was going to happen. It’s been nearly a week since Episode 5 aired on Disney+ and no one seemed to notice until very recently but it makes it all the more interesting.

    If anything, it convinces me even more that Dottie may have a much larger role to play in this show than we previously thought. If we analyze Dottie’s sheet for a second, she doesn’t have a legal name, similar to how Agnes doesn’t have one either, and the fact that Marvel Studios went out of their way to CGI Dennis’ image and ID onto the sheet so fans wouldn’t notice makes Dottie’s role in WandaVision all the more mysterious and intriguing. I had previously hypothesized that Dottie may have actually been the sorceress known as Arcanna Jones, given that her husband in the show was known as Phil Jones, a character that already has some history in the comics. But given that Phil Jones was just his alias and that he’s actually Harold Proctor, that theory may have been washed away. Nonetheless, I still believe that Dottie may still serve this series as a sort of antagonist to Wanda who has yet to reveal herself. Who she might be whoever, remains to be seen.

  • Murphy’s Law: Episode 81

    Murphy’s Law: Episode 81

    Charles and Charles talk the Spider-Verse scoop, the new Snyder Cut trailer, the Super Bowl trailer for The Falcon and The Winter Soldier, Zawe Ashton, Mayans in Black Panther 2 and much more!

  • ‘Raya and the Last Dragon’ To Premiere With First New Original Disney Animation Short Since 2016

    ‘Raya and the Last Dragon’ To Premiere With First New Original Disney Animation Short Since 2016

    We are only a few weeks away from Disney’s first big film premiere of 2021. Raya and the Last Dragon will release simultaneously on Disney+’s Premier Access and in theaters. It will be their major test if this hybrid model will determine their future release plans. They went all out advertising it during the Super Bowl with a brand new trailer. Now, it looks like they have one more little incentive for people to check it out in theaters. Disney has just revealed a brand new theatrical short titled Us Again. It is the first one in over five years by the famous studio. It will premiere alongside Raya and the Last Dragon in theaters worldwide as of March 3th. It will premiere on Disney+ in June. Check out the first official image of the upcoming short here:

     

     

    The upcoming short is about an elderly couple. One magical night, they rekindle their forgotten passion on a magical night. It will not feature any dialogue, as the couple’s love for dance will transport them back through time. Executive producer and Walt Disney Animation Studios chief creative officer Jennifer Lee shared her excitement for the new short and teased a future for more animated shorts:

    One of my priorities has been to bring back theatrical animated shorts and to give artists at our Studio an opportunity to explore new ideas.  ‘Us Again’ has so much spirit and energy, and pushes the boundaries of our short form storytelling

    The upcoming short was directed by Zach Parrish, who is the first to attempt one since 2016’s Inner Workings. Parrish is n stranger to Disney’s work, as he was the director of the Short Circuit film Puddles and served as the head of the animation on Big Hero 6. The short will combine dance, music, emotional storytelling, and animation with the help of Award-winning choreographers and dancers Keone and Mari, who worked with Justin Bieber and Billie Eilish. Their performance is given new life through the help of composer Pinar Toprak. Brad Simonsen, who has worked as associate producer on Big Hero 6, Zootopia, and Ralph Breaks the Internet, is set as a producer. The first visual already promises a heartfelt story of how dance and music connect us through the ages.

  • New “Pietro Maximoff” Funko Pop! Coming in March

    New “Pietro Maximoff” Funko Pop! Coming in March

    A convincing leak fooled some fans late last year but today Funko has unveiled the real deal: a brand new Funko Pop! of Evan Peters “Pietro” from Marvel Studios first Disney Plus streaming series, WandaVision. Peters, who portrayed Quicksilver in the Fox X-Men franchise, was introduced in Episode 5 as Wanda’s thought-to-be-dead brother and has stirred up quite the controversy.

    Fans are still buzzing over the somewhat confusing introduction of  Peters’ Pietro into the Marvel Cinematic Universe. Episode 6 saw Peters don the classic Quicksilver costume for Halloween as well as show off some of the character’s legendary super speed. Fans are certainly still divided on what to make of this Pietro, but wherever you stand on that, this Pop! is a glorious representation of the costume and the character. As indicated in the IG post, the Pop will be available exclusively on Funko.com sometime next month.

  • ‘JUSTICE LEAGUE’: Zack Snyder’s Unusual Shot Composition May End up Being the Right Choice

    ‘JUSTICE LEAGUE’: Zack Snyder’s Unusual Shot Composition May End up Being the Right Choice

    By now most of us are already familiar with what an IMAX movie screen provides to the cinematic experience. These screens are much bigger than usual ones, with an aspect ratio that brings them closer to the 4:3 ratio found in old CRT televisions, moving away from the wider ratios cinemas became accustomed to. Over the years with the advancing IMAX technology, IMAX cameras became both smaller and cheaper allowing directors to use them more often, up to the point where we got entire feature films where only such cameras were used.

    But the main thing with the format isn’t the aspect ratio, it’s the size of the frame/screen itself. The point was to allow for an image of such size that, aided by the steeper angle in which the seats are arranged, the audience would undergo a much more immersive experience as its field of view would be completely occupied by the image being projected. But this would also mean that, as audiences wouldn’t be able to properly keep up with the entirety of the screen, the edges (and especially the upper and lower ones) shouldn’t contain crucial information to the scene as it could end up being lost to the viewer. This way, when framing a shot, one should take all of this into consideration to allow for the best possible viewing experience, and not having to ask the audience to keep tracking a screen so big in its entirety in search of vital story details.

    Snyder explaining how he’s composed shots to go beyond the usual boundaries.

    But Zack Snyder, while using such a tall aspect ratio, had a different approach when composing Justice League shots. He decided to use every square inch of the frame to tell his story, including placing crucial information to the story both front and center as well as in the edges of the frame. If this was to be a regular theatrical release one might argue that this would be an ill-usage of the IMAX format, as having such an action-packed movie asking the viewers to keep up with so much information, on such a large screen, might prove too much. But the circumstances dictated that Snyder’s cut would end up being released through HBO Max, and audiences will now have to experience the feature film in their own homes, through their TVs. This means that the screen size has been considerably downgraded, and having information scattered throughout its entirety suddenly becomes a non-issue. In fact, it might even add to the experience since, by using both the upper and lower edges of the screen to their full potential, you are now reaching the home-theater audiences in a much more engaging way. If the shot composition was less on the unusual side, when adapting the material to the small screen you could always, as many do, cut the image without leaving out important material to the story, but that would mean that, in this case, people wouldn’t get to enjoy the shots to their fullest since there was no usual theatrical run to go with the home media release.

    This way, a creative choice that seemed to deviate from the norm (and not in the best way), might end up proving itself as the right decision as, a little over a month from now, audiences sit on their couches to enjoy Snyder’s definitive take on his Justice League project.

     

     

    Source: Justice Con / Youtube 

  • How WandaVision’s Halloween Episode Explains Anachronistic Imagery in Westview

    How WandaVision’s Halloween Episode Explains Anachronistic Imagery in Westview

    WandaVision has been pretty good about keeping the sitcom elements of each episode true to the era they take place in. As I noted in my first piece analyzing the changing eras of Westview, the only thing that’s truly bothered me about it so far is the 1950’s episode being modeled largely after The Dick Van Dyke Show, which didn’t premiere until 1961. I bring this up because I’ve seen a decent amount of criticism and confusion surrounding the era Westview is supposed to be set in during Episode 6, and the answer to all of this explains the timeline not only for this episode but the one I myself complained about a few weeks back.

    Explaining the Eras
    By starting in the 1950s, WandaVision had seven decades to cover to reach the “present-day” given that the late 2010s and early 2020s in the MCU are kind of fuzzy due to the Blip, and people like Wanda who were snapped away haven’t experienced anything beyond 2018. But with only six era-themed episodes, it wasn’t exactly clear how they’d handle that matter. There was a lot of speculation that the 2000s and 2010s would be covered together in the same episode, or that we’d only see the Westview characters in the present-day once the sitcom bubble burst.
    The answer to this little conundrum turned out to be neither of these scenarios, as we found out during this week’s “All-New Halloween Spooktacular!”. The episode had elements of both the late 1990s and early 2000s, and the final sitcom era (which will presumably be covered in next week’s episode) looks to be focused on the late 2000s and 2010s. This sectioning off of time periods explains the things that some viewers have pointed out as anachronistic, like the cinema showing 2004’s The Incredibles and what is most likely the 1998 remake of The Parent Trap starring Lindsay Lohan.

    Why A Little Bit of Anachronism Works
    Admittedly, this episode does lean more into the early 2000s than the late 1990s as evidenced by things like the Malcolm and the Middle theme song homage, characters – particularly kids – breaking the fourth wall, cheesy sound effects that accompany certain movements, and even the claymation-style “Yo Magic” commercial are all hallmarks of this time period much more than the ’90s. But some things could be seen as fitting with both “sides” of this era, like the Dance Dance Revolution-style game the twins played that first debuted in 1998 but became even more popular in the 2000s. And we did get one shot of what was most likely the actual 90’s in the form of the Halloween flashback of Wanda and Pietro as kids (assuming it was a real flashback).
    Ultimately, Westview seems to operate under similar rules to ABC sitcom The Goldbergs. That show is set in the 1980s but doesn’t make an effort to introduce technology and pop culture touchstones in the order they debuted in real life. Every episode is introduced as taking place in “1980-something” and anything that was around in the ’80s is fair game to show up at any time, and WandaVision is doing the same with each era it covers.

  • ‘Marvel’s Avengers’ Valentine’s Tweet Reveals Matt Fraction’s Inspirations and First Civilians

    ‘Marvel’s Avengers’ Valentine’s Tweet Reveals Matt Fraction’s Inspirations and First Civilians

    I hope everyone is enjoying their Valentine’s Day so far. As usual, many official Twitter accounts are sharing their excitement in a small tweet. Marvel’s Avengers is no exception to that rule. Not just that, they also used their latest tweet to celebrate the holiday and build up some hype for next week’s reveal of Hawkeye. So, they showcased a brand new emote of Clint Barton shooting an arrow with a heart symbol. It also gives us our first official look at the in-game design that got teased early on when he was confirmed as one of the first DLC characters. At first, it seems like a nice little gesture until you noticed something in the background.

    Yes, it looks like the game will finally get some civilians. It may sound strange, but it has been something that players have requested for some time. The current maps have no real NPCs besides the various AIM beekeepers and bots. So, it will add some more life to the game. Now that I take a closer look, this could also be a reference to the iconic apartment from Matt Fraction‘s run My Life as a Weapon.

    So far, the only thing we knew about the upcoming DLC is that it would focus on a brand new biome called The Wasteland. It looks like they are also going to add some new elements to the Eastern Seabord location. Hopefully, we’ll get some cameos from some famous inhabitants, such as Grills or an actual cameo by Lucky, the PIzza-Dog. We are only two days away from the Deep Dive that will tease the future expansion of this game, so we’ll get more insight by then.

    Source: Twitter