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  • RUMOR: ‘Guardians of the Galaxy Vol. 3’s to Feature the High Evolutionary as its Main Villain

    RUMOR: ‘Guardians of the Galaxy Vol. 3’s to Feature the High Evolutionary as its Main Villain

    After many delays, we’ve been anxiously awaiting the next entry in the Guardians of the Galaxy film. James Gunn’s final romp into the Marvel Cinematic Universe’s galaxy will feature our favorite ragtag team of space heroes. Even after all this time, it’s surprising how little we know about the actual project, but it turns out we might’ve gotten our first hint at the main antagonist.

    KC Walsh, who is famous for his work on GWW and dropped the World War Hulk news, recently appeared on the Change My Mind podcast and seemingly revealed that the upcoming threequel will feature the High Revolutionary as its main antagonist. He highlights that he is “essentially the idea in the movie is that he’s gonna be the one who created Rocket,” which has been hinted at something that the film would explore. His full quote states that:

    I did hear – this is a thing that’s been floating around – the villain of Guardians of the Galaxy vol. 3 is the High Evolutionary.

    KC Walsh

    Exploring Rocket’s origin sounds like a promising direction for the franchise, as he’s also been the emotional core of some of the stories. Of course, we don’t know how it continues the story out of Thor: Love and Thunder where they’ll be featured and if they continue their hunt for Gamora from a different timeline. We still have some time until it releases but it’ll be interesting to see what the future has in store for the Guardians.

    Source: YouTube via The Direct

  • Daredevil Will Reportedly Don Yellow Costume in ‘She-Hulk’

    Daredevil Will Reportedly Don Yellow Costume in ‘She-Hulk’

    A weight was lifted off of Charlie Cox‘s shoulders this week as the MCU overlord Kevin Feige himself made the announcement that Charlie was slated to return as Matt Murdock in future appearances. However, Charlie has still a lot of rumors and reports to fend off in future press interviews such as this latest one claiming that Daredevil will don his classic yellow outfit in a purported appearance in She-Hulk.

    According to insider KC Walsh in the Change My Mind podcast, he says the following:

    A lot of cameos, the biggest one, again, I don’t think this is spoiling anything if you’ve already been on the internet, but Daredevil is definitely showing up in costume, in the yellow digs, so that’ll be nice.

    Knowing Feige’s love for the roots of Marvel characters, it isn’t surprising to see him bat for something brand new for ‘Ol Hornhead. The Netflix shows relied too heavily on his now-iconic makeshift black costume, opting to use his tactical red costume less and less as the story went on. That Marvel Studios is keen on giving us a new look for Daredevil is very exciting and can only mean for things we haven’t seen yet with the character in live-action.

    Source: Youtube

  • REVIEW: ‘Wheel of Time’ Episode 1×6, “The Flame of Tar Valon”

    REVIEW: ‘Wheel of Time’ Episode 1×6, “The Flame of Tar Valon”

    The sixth episode of Wheel of Time takes its time to move the story forward, but ultimately takes viewers back a bit. It’s a slower episode when comparing it to the rest of the season. However, “The Flame of Tar Valon” does a great job at setting up the remaining two episodes of the season.

    The latest episode sees the Aes Sedai go before the Amyrlin Seat, Siuan Sanche (played by Sophie Okonedo). They – Moiraine Damodred, Liandrin Guirale, and Alanna Mosvani – have been called to answer for their disobedience regarding the False Dragon. The Aes Sedai were to bring him to the White Tower to receive a fair trial courtesy of the Amyrlin Seat. Unfortunately, though, following his powerful attack on the Aes Sedai, which resulted in the death of one of their fellow sisters, the women opted to gentle him, knowing they weren’t powerful enough to control him during the journey to the White Tower.

    While the blame for the decision falls upon Liandrin, who became their leader upon the death of Kerene, she isn’t willing to go down alone. As she stands before the Amyrlin Seat, Liandrin tells of Moiraine and her secretive missions, which the blue Aes Sedai try their best to defend. When questioned by the Amyrlin Seat, Moiraine refuses to divulge what she has been up to outside of the White Tower for the past few years, fearing what would happen if the others discovered she’d gone in search of the Dragon Reborn. So, she opts to receive punishment for not being forthright with the Amrylin Seat.

    It’s a terrifying moment that is quickly resolved as we soon learn Moiraine is keeping more secrets than merely the Dragon Reborn. Her lover also happens to be the Amyrlin Seat, Siuan Sanche, who knows of her mission to locate the Dragon Reborn. In the brief moments we see of just Rosamund Pike and Okonedo, it’s evident the two women work tremendously well playing off of each other. Pike has been delivering powerhouse performances all season and Okonedo nearly gives her a run for her money this time around. They’re both such commanding presences on screen, it’s part of what makes this episode so strong.

    This episode also (finally) brings back our crew from the Two Rivers. Moiraine first comes upon Rand and Mat, with the latter continuing to suffer due to the hold of the darkness. After discovering the dagger he stole from Shadar Logoth, she uses the One Power to free him of its hold and return the darkness to the dagger. However, she warns Rand should Mat touch the dagger again, she isn’t sure she’ll be able to save him as the darkness was feeding on what was already inside of him from the beginning. It’s a moment that gives viewers a new look at Mat’s character.

    Moiraine is later brought to Egwene and Perrin, who have finally made it to the White Tower. Egwene tells of the torture they endured at the hands of the White Cloaks – more specifically, Captain Eamon Valda, who has killed numerous Aes Sedai. She explains Perrin’s link to the wolves and how his eyes turned a golden color before they broke free of Valda, a surprise to Moiraine who still isn’t sure who the Dragon Reborn is of the group. Egwene then returns the rings of her sisters killed by Valda. She hides that she’s already seen Rand and Mat, trying to keep them separate for the time being, knowing she’s able to go back before the Amyrlin Seat for her punishment.

    Unsurprisingly, with Moiraine having asked Siuan to banish her, the Amyrlin Seat does just that. It’s a surprise to the fellow Aes Sedai, but a necessary step for Moiraine to get the others to the prison of the Dark One. The episode ultimately ends with the group coming together once again in front of a Ways gate, where Moiraine opens the gate to allow them to travel to the Eye of the World, where the Dark One is imprisoned. This is where they’ll finally find out who the Dragon Reborn is while, hopefully, not losing any lives in the process. While Mat opts to stay behind, the others follow Moiraine into the gate knowing there are no guarantees of what is to come upon crossing the gate.

    “The Flame of Tar Valon” is small in scale, with the story mostly taking place within the White Tower, but it’s a key part of what the final two episodes will unleash. There are no battle scenes here. This is an episode of truths, secrets, and hope. It’s a slow watch, but it’s hard not to become excited about what it promises.

    There are some issues, of course. The CGI, in particular, can be a bit off-putting at the start of the episode. While trying to show the grand scale of the White Tower, the camera pans up to highlight the massive height of the tower. Unfortunately, though, the image looks off, which takes away from some of the beauty. Thankfully, this is the only negative to the show’s visuals, because the set pieces and landscapes continue to be remarkable, as does the costuming. The amount of detail put into everything is absolutely stunning and helps to sell this epic fantasy tale.

    With two episodes left, though, Wheel of Time has a lot of story left to tell and it remains unclear just how well the series will successfully wrap up such a huge first season.

  • First ‘Thor: Love and Thunder’ Merch Offers First Look at Natalie Portman’s Mighty Thor

    First ‘Thor: Love and Thunder’ Merch Offers First Look at Natalie Portman’s Mighty Thor

    Here’s a curious surprise, as it seems that the first piece of merchandise for Thor: Love and Thunder have found its way into stores early. It’s similar to how we learned about the Guardians of the Multiverse in What If…?. This time around, we got what looks like a poster for the upcoming Thor sequel which includes our first look at a new suit design for the God of Thunder and, most notably, our first look at Natalie Portman‘s Mighty Thor costume. @GodEmperorBoss was the lucky one to find the first look:

    https://twitter.com/GodEmperorBoss/status/1469673883418521601?t=FmIKfXLTP2tuMs2l2Wp8pg&s=09

    It’s unclear if this is simply a poster meant for merchandise purposes, as it would seem odd that the first poster for the film that isn’t going to release until July 8th is already available in stores. Plus, it does seem like a lot of it is based on the artwork. Still, Portman‘s Mighty Thor looks great and a lot of it seems strongly inspired by her comic run combined with Thor’s earlier costumes.

    We also get a brand new design for the actual God of Thor, who’s wearing a nice combination of gold and blue armor. Korg is also given the spotlight with a new look and Valkyrie can be seen in the back riding a Pegasus wearing a similar armor design that thor normally uses. So, she’ll also get a new look that is fitting for the ruler of New Asgard. It’s exciting and crazy to think we see more of Love and Thunder than Doctor Strange in the Multiverse of Madness, which is set to release in May.

    Source: Twitter

  • Disney+ Spain Update Indicates ‘Moon Knight’ Will Be Marvel’s First Streaming Release of 2022

    Disney+ Spain Update Indicates ‘Moon Knight’ Will Be Marvel’s First Streaming Release of 2022

    Marvel Studios is closing out its first year of live-action streaming content. While the series had some uneven moments, it’s hard to argue that the studio’s first foray into the world of streaming series wasn’t successful. WandaVision, The Falcon and The Winter Solider and Loki all featured great character work, introduced new characters and opened the door to new corners of the MCU. The studio’s final effort in year one, Hawkeye, has been similarly well-received and will close out the year with a Kingpin-sized bang.

    Of course even as we’re still getting great content in 2021, fans are eagerly anticipating Marvel’s 2022 slate of streaming series. Ms. Marvel, Moon Knight and She-Hulk are all sure things for the service as well as a Werewolf By Night project that could be the studio’s first made-for-Disney+ movie and The Guardians of the Galaxy Holiday Special. Even with all that going on, it’s possible that Secret Invasion could find a spot on the streaming service near the end of 2022 as well.

    The studio has, however, been tight-lipped about WHEN we can expect which series, with Ms. Marvel being the only one to which they’ve assigned a time frame. While we wait on Disney’s 2022 press kit, an update by Disney+ Spain, shared on Twitter by Quid Vacuo, looks to give a little more insight on what to expect when.

    The update, emailed to press yesterday, lists the three Marvel Studios projects in the order indicated above, meaning it’s likely that that the Oscar Isaac-led series should stream first, likely shortly after The Book of Boba Fett completes its run. While it is an official communication, it’s important to remember that the 2021 press preview kit indicated that Ms. Marvel would not only stream in 2021, but also stream before Hawkeye. Things can and do change all the time, a lesson fans have had to learn time and time again over the past 2 years.

    Should this potential schedule hold, fans would have 3 streaming series, spanning 22 episodes (She-Hulk is said to have a 10-episode run) between February and September. Marvel Studios also has films slated for May (Doctor Strange in the Multiverse of Madness), July (Thor: Love and Thunder) and November (Black Panther: Wakanda Forever), the two holiday-themed events as stated above and a second season of What If…?, meaning fans have plenty of content to consume in 2022.

    Source: Disney Plus Spain, Quid Vacuo Twitter

  • RUMOR: Grogu to Appear in ‘The Book of Boba Fett’

    RUMOR: Grogu to Appear in ‘The Book of Boba Fett’

    Lucasfilm’s next Star Wars streaming series, The Book of Boba Fett, will kick off later this month and has already generated a considerable amount of buzz. The series will follow Fett attempt to take over the criminal empire once headed by Jabba the Hutt and looks like it’ll have room for plenty of appearances by other interesting characters, old and new. According to a new rumor, one such character might be a fan favorite who could owe Fett a favor.

    SWNN (via our good friend at Bespin Bulletin) claims that Jedi-in-training Grogu will make an appearance in The Book of Boba Fett. The origin of the claim stem from t-shirts made for a visual effects crew that worked on the series, seen below. SWNN reported they then checked with sources and were able to confirm Grogu’s appearance in the series.

    Grogu joins a long list of characters from The Mandalorian who are rumored to appear in the new series. Grogu’s caretaker, Din Djarrin, his friend Greef Karga, for Imp Miggs Mayfield and the man who once wore Fett’s armor, Cobb Vanth, have been said to be in the show at one time or another. There are also plenty of rumors about other bounty hunters and criminals from the Star Wars Universe popping up in the series, all of whom might look to do more than chew the fat with Fett.

    The Book of Boba Fett‘s 7-episode run kicks off December 29th on Disney Plus.

    Source: SWNN

  • What ‘Cowboy Bebop’s Cancelation Means for Netflix’s ‘One Piece’

    What ‘Cowboy Bebop’s Cancelation Means for Netflix’s ‘One Piece’

    As many might’ve noticed, we’ve covered Cowboy Bebop and Tomorrow Studios’ next project, One Piece, quite extensively. The studio is tackling some of the most popular IPs and bringing them to life in a new format. Netflix is no stranger to it with their attempts at Death Note and the upcoming Avatar: The Last Airbender series. The future seemed too bright with the release of Bebop‘s release, but barely a month after its release, the series was canceled by Netflix. Of course, it opens up the question, what does it mean for the future of Netflix’s adaptation wave and, especially, Tomorrow Studio’s next project.

    Cowboy Bebop' Live-Action Netflix Series: Everything We Know So Far -  Thrillist

    Short term, this won’t have any effect on any upcoming projects. It’ll certainly shake things up and there will be fears instilled that series with seasons mapped out will suffer a similar fate. One Piece‘s manga spans 1,000+ chapters with no true ending in sight as of yet. So, they’ll manage to map out seasons of content as they explore different parts of the Grand Line. Yet, the challenge is that the series has to get over the Red Line after the first season explores the East Blue.

    That’s where the uncertainty lies. Even Cowboy Bebop ended on a cliffhanger that’ll remain unresolved with the arrival of Ed. There were plans to build upon what the season has offered. So, it means that even if the creatives behind the series have big plans, it’s not a confirmation that it’ll continue with a full adaptation. Yet, it’s understandable as Netflix puts a lot of value into their productions and has very specific expectations going in. If a product is expensive, they’ll try to get the most viewership numbers out of it.

    Cowboy Bebop's Ed actor Eden Perkins talks the role in first interview -  Polygon

    No matter what your opinion is on the live-action Bebop series is, it’s very likely that the critical reception didn’t play directly into its cancelation. It simply didn’t get the audience that Netflix expected due to the popularity of the IP, the lack of word-of-mouth and positive buzz surrounding the series didn’t add any favors. It may partly be due to a very late marketing campaign with official trailers not releasing until long after its release date announcement. There is also the fact that the franchise may not have a broad of an appeal as one would think considering its standing in specific circles.

    As the adaptation moved further away from its roots, choosing a serialized drama format over the bounty-of-the-week structure, it struck a nerve with fans in a negative way. The fact it tries to balance “both” aspects may also have also lost its appeal for viewers going through the ten-episode run. That one point might be One Piece‘s biggest advantage. Unlike Cowboy Bebop, the series was already made with serialization in mind. While the East Blue didn’t include many references to later storylines, the team will likely dip their toes into foreshadowing more and they have quite a bit more to play with.

    Live-Action One Piece Season 1 Will Cover The East Blue Saga, But Here's  How Things Will Differ - LRM

    Luffy’s eventual reunion with Shanks and his brother, who are making waves out in the Grand Line. The possibility of different and creative Devil Fruit abilities that come in countless varieties. Then there’s the history that led to Arlong’s actions and how the Marines play into this world. The dangers of the Grand line are heavily hinted at through Don Krieg during Baratie.

    If they hide away enough details and hint at future storylines, may it be as small as Germa 66 posters in the background, there is quite a bit more build-up to the future of the franchise. Most of Cowboy Bebop‘s storyline focused on his time with the Syndicate that technically was mostly resolved outside of a left-field twist in the finale. We learn very little about the world outside of its underworld and our main casts’ backstories. One Piece, however, is all about world-building and letting its characters set out on a voyage to explore every corner of it.

    One Piece Season Four: Voyage One : FilmMonthly

    There are mysteries that still haven’t been answered and certainly something that’ll grab people’s attention. Many fans are still discussing the mysteries of the weapons and the Void Century. I would dare say it’s a mystery on the same level as John Snow’s heritage that’ll have newcomers guessing what it may potentially be about and even visit the manga or anime adaptations to find out more. Cowboy Bebop is more straightforward in its approach, as there isn’t much to theorize. Ed’s arrival at the end doesn’t foreshadow any plotline, but rather gives fans the character’s long-awaited arrival.

    Plus, there’s one last effect that may have also become a hurdle for new viewers to the anime adaptation. While the original 90s anime was a new benchmark within the industry, it was THE entry that defined future additions to the genre. Sadly, as time went by, we’ve seen plenty of entries that shared similar visual styles, storytelling concepts, and more. So, Cowboy Bebop also isn’t as new as it once was and the live-action adaptation may have suffered as a result.

    Netflix decides to cancel Cowboy Bebop after only one season | Marca

    One Piece, on the other hand, might seem like a pirate story similar to Disney’s Pirates of the Carribbean, there aren’t many “pirate” elements in the story. Once viewers meet the Straw Hat pirates and the wacky world they live in, the unique aspect of the show might draw in viewers that thought they were just going to see something in the vein of Black Sails or the Pirates franchise. One Piece is still even unique among other Shonen series and that may be to its advantage once it premieres on Netflix.

  • ‘Sonic the Hedgehog 2’ Director Already Has Ideas for a Potential Sequel

    ‘Sonic the Hedgehog 2’ Director Already Has Ideas for a Potential Sequel

    During the Game Awards, we finally got our first look at the upcoming sequel of 2019’s Sonic the Hedgehog. We learned some time ago that Idris Elba would return to voice the character of Knuckles, but knew very little about what to expect from the sequel. Right before the event, we got our first poster confirming the return of Jim Carrey‘s Robotnik and a hint at what the future has to offer.

    It wasn’t until the trailer dropped that we got a look at the Echidna and even the confirmation of the Master Emerald appearing. Of course, the greater mythology of the original series opening up does make you wonder if they mapped out with sequels in mind. Luckily, director Jeff Fowler offered some insight in a new interview with Collider. While a third entry has yet to be confirmed, it seems the director already has some ideas brewing.

    Of course. Even if somebody didn’t ask me to be thinking about ideas for future installments, it would be impossible not to. Even as we’re working through the visual effects and animation on this film, it’s impossible not to already get excited and to be starting to scheme about all the directions that the story could go, what new characters coming in, the impact that they could have. It’s the best part of the creative process when it’s just kind of a blank canvas and you can really just start to have blue sky ideas, even if, again, it’ not in an official capacity. If the request comes through to start laying the blueprints for another Sonic film, I will be armed and ready with all kinds of ideas. I would just love to get that opportunity.

    Jeff Fowler

    Of course, he won’t give away any details on what their potential approach is going to be, especially with the sequel taking on elements from multiple franchises. Technically, Knuckles’ introduction is from Sonic the Hedgehog 3 while there were also GUN sightings, which were introduced as part of the Sonic Adventure franchise. They might take elements from the game’s original lore and mix them up in creative ways. It does make you wonder though if Master Emerald is also going to lead into the eventual introduction of Chaos.

    Source: Collider

  • REVIEW: ‘Spider-Man 3’ is a Tale of Underperformance

    REVIEW: ‘Spider-Man 3’ is a Tale of Underperformance

    It is said that movies are actually made three times: when writing them, shooting them, and then finally in the editing bay. This process helps solidify what the movie is supposed to be about, striping the project of superfluous details, sequences, or even a couple of redundant plot threads. It works as a bullshit filter, making the final product more concise, streamlining the viewing experience. It’s basically everything a late-night, tequila-induced, fanboy fever dream of a movie pitch isn’t. In that situation, anything goes and there’s room for every single character we can think of, often creating an unbalanced Jenga tower of ideas piled up on top of each other with no real structure to them. All of it is coupled with a vampiresque type of humor, the sort that isn’t likely to survive daybreak. Sadly, that’s the sort of mess that Spider-Man 3 feels like.

    Sam Raimi Opens Up About Spider-Man 3 Backlash

    Whereas Spider-Man 2 is a great (and sadly rare) example of how to further explore a world beyond an already well-received first movieSpider-Man 3 feels like an over-filled balloon that blows up in the audiences’ face leaving them with a bad case of tinnitus. It brings so much to the table that you hardly get the time to value each of the separate elements, while also not being one of those cases where the whole is greater than the sum of its parts. Aristoteles would not be impressed

    Right at the start of the movie you get the natural progression of Peter and MJ’s relationship as well as Harry’s deep dive into his father’s secret room containing prototypes of Green Goblin’s gear. These threads alone would make for a pretty solid story, building from the relationships explored in the previous movie. The build-up was priming Harry to finally turn into the main villain we all knew he could become. There was no need to bring any more (relevant) characters into the fold unless the aim wasn’t so much making a good movie as it was selling a few more toys.

    Spider-Man 3 · Film 2007 · Trailer · Kritik

    And so, instead of looking inward, valuing what it already had, Spider-Man 3 looked outward and tried to bite off more than it could chew. In the first ten minutes alone, the movie tries to establish Flint Marko – our future Sandman – and brings the symbiote crashing down on Earth. Soon after we are also introduced to Eddie Brock and Gwen Stacy, characters that never went beyond being a parody of themselves, serving as glorified cameos that could have been easily kept for another occasion. Gwen’s inclusion is especially remarkable since, after all the relationship drama in the previous movies, the decision was to double-down on that by having not one but two love triangles for Peter to be a part of. All with him remaining completely oblivious of how his actions affected people around him, making him incredibly unlikable along the way.

    This movie ultimately became a tale of people not being able to do what they set themselves up for. The studio execs couldn’t keep out of the way (their meddling was pretty obvious and only hurt the final product) and the writers couldn’t come up with a consistent story, having to balance an unusually high amount of characters, and subplots. Also … Peter Parker can’t dance, Mary Jane can’t sing, Eddie Brock can’t use Photoshop and Harry Osborn can’t make a freaking omelet!

    Why Sandman Is Among the Best Spider-Man Villains

    Above all, Spider-Man 3 just isn’t a fun movie, albeit you can certainly have fun watching it. And that’s one of the only things a Spider-Man movie simply cannot afford to be: dull. But Spider-Man 3 does have one incredibly strong redeeming factor as Stan Lee‘s cameo is probably one of his best, if not the best. “You know, I guess one person can make a difference. ‘Nough said.” I’m extremely happy Kevin Feige got the hint.

  • ‘What If..?’s Captain Carter Getting Her Own Comic Series

    ‘What If..?’s Captain Carter Getting Her Own Comic Series

    What If…? introduced us to a variety of characters that we are technically familiar with, but were given a new twist. Among them was the headliner character of Peggy Carter. Not only did Hayley Atwell return to voice the character one more time, but she got to tackle an alternative timeline where she becomes the one who receives the super-soldier formula. Well, it seems she was such a popular character that she is getting her own comic series that’ll premiere next March.

    Jamie McKelvie, who worked on Captain Marvel and Young Avengers in the past, will tackle the new storyline about the popular character. Not just that, they also gave the character a fresh paint job with a whole new look that’ll be brought to life by Marika Cresta, who made a name for herself based on her work on Star Wars: Doctor Aphra. McKelvie offered

    I’m as big a fan of the Captain Carter we’ve seen onscreen as anybody, so I jumped at the chance to create our own version. I’m having a great time exploring what it would be like for Peggy to wake up nearly 80 years after the end of the war. The world remembers the myth of Captain Carter, but to Peggy the reality was just yesterday. Now she finds herself in a nearly unrecognizable new world, how does she fit in? Can she be the Super Hero people want her to be?

    Jamie McKelvie

    The cover has been revealed for the five-issue limited series that’ll introduce Carter’s adventures in the modern day:

    CAPTAIN CARTER #1 Cover by Jamie McKelvie

    It’s great to see the comics take inspiration from the ever-expanding Marvel Cinematic Universe, which in turn learns from those that came before. So, who knows what new ideas and concepts we might see get used by both companies as they learn from each other.

    Source: Marvel