Tag: Andor

  • ‘Andor’ Showrunner Teases a Fan-Favorites Arrival in Season 2

    ‘Andor’ Showrunner Teases a Fan-Favorites Arrival in Season 2

    While many downplayed a prequel series to Rogue One‘s Cassian Andor, the Disney+ series has quickly become a fan-favorite. Unlike the previous series on the streaming platform, it feels the most detached from the weight of Star Wars legacy. We did see some familiar faces, but they don’t overstay their welcome in a series that doesn’t hide away from the darkest aspects of the Empire’s rule.

    Diego Luna’s return as Andor gave the series a familiar face while telling a very detached story from the original film, but the upcoming second season will start introducing some familiar elements. The biggest hope for Rogue One was the arrival of the fan-favorite droid K-2SO, voiced by Alan Tudyk, and in an interview with Collider, showrunner Tony Gilroy seemingly hints that the character will finally join.

    Well, I think that’s one of the responsibilities of Part 2. Obviously, if we’re going to walk into Rogue, we have to deal with that.

    Tony Gilroy

    It’s ironic that when the show was initially announced, it seemed like K-2SO would feature in the series before suddenly Tudyk confirmed he wasn’t involved with the production. Seeing how the show tackled the Empire from the eyes of Andor, it does make sense that wanting to give him a more personal story it might’ve been too early to introduce the character. Keeping him for the second season opens up more potential, especially in how it established Andor’s overall view of the Empire. So an Empire droid ending up on his side might take the reluctant Rebel on a wild ride.

    Source: Collider

  • ‘Andor’ Season Finale Settles a Nearly 30-Year-Old Debate

    ‘Andor’ Season Finale Settles a Nearly 30-Year-Old Debate

    The Season One finale of Andor cemented the series as one of Star Wars’ best projects to date and almost certainly the most complete of its offerings on Disney Plus. The episode also featured a post-credit scene that clarified a much-theorized plot point from earlier in the season as it showed to what end the parts being made in the prison on Narkina 5 were being used: to assemble the first Death Star. While that scene makes for yet another interesting connection to the events of Rogue One, namely why Cassian was willing to give his life to ensure the Death Star plans got to the Rebels after potentially learning he helped build the weapon, it also may end a long-standing debate first put forth nearly 30 years ago about the second Death Star.

    In Kevin Smith’s 1994 film Clerks, the film’s deuteragonists, Randal and Dante, enter into an ethical debate about the destruction of the second Death Star as seen in Return of the Jedi. Though DS-2 was, as the Emperor put it, “fully armed and operational”, it was still under construction when it was destroyed by Lando Calrissian. As Randal explained to Dante in Clerks, something about the attack “just never sat right” with him. As Dante questions him, Randal reveals that he believes a project of that magnitude would take more manpower than even the Empire could muster, meaning they must have brought in independent contractors to finish the job. Assuming they all died in the explosion, Randal believes they were innocent “casualties of a war they had nothing to do with” but Dante is not so sure. Though he doesn’t express it, Dante seems to believe that anyone willing to build a Death Star isn’t innocent. The debate is famously settled when a third party comes in and, while paying for his coffee, tells the pair that any real contractor thinks with his heart and “not his wallet.”

    The events of the post-credit scene of the season finale of Andor seem to render the debate moot. While Randal was likely correct in presuming that the Empire didn’t have enough manpower to build DS-2 so quickly, neither he nor Dante posited the possibility that the Empire simply employed droids. Given the fact that droids played an integral role in constructing DS-1, it stands to reason they’d play at least an equal role in the construction of DS-2 meaning that the number of innocent independent contractors who meet their doom at the hands of Lando. Maybe Smith can work the events of Andor into another film down the road.

  • REVIEW: ‘Andor’ Episode 12

    REVIEW: ‘Andor’ Episode 12

    Andor writer and executive producer Tony Gilroy has a knack for creating unnerving tension in his projects. Whether in the Bourne franchise, Armageddon or his directorial debut, Michael Clayton, Gilroy’s works often resolve under incredibly stressful circumstances that leave the audience reeling while they process. The season finale of the first season of Andor, “Rix Road”, and in fact the entire first season itself, certainly fits that pattern, slowly using every tool at the creative’s disposal to simultaneously build tension within the audience and the characters nearly right until its final moments.

    On the surface, the finale is all about the convergence of nearly all of the series’ key figures on Ferrix where they hope to find Cassian returning for Maarva’s funeral. But what makes the episode carry so much weight is that it also works as a convergence of nearly all of the series’ key themes. This thematic convergence is much more impressive both in the way it is reflected by the key parties involved and also that it was possible at all, much less done so well given the scope of Andor. Has been oft-discussed, the 12-episode season was shot as “pods” of 3 episodes and each “pod” seemed to neatly tie up the themes that pervaded each of them. To have them all thunderously return here required significant planning and craftmanship by Gilroy and his team.

    Most prominent among those thematic echoes is the recurring idea that everyone has their own rebellion. That sentiment, first spoken by Vel Sartha to Cassian in “The Axe Forgets”, and the weight it rightfully carries in a galaxy where the Empire has now made it clear that there are no limits to what they’ll do to maintain “order”, come rushing back to mind during Maarva’s funeral march down Rix Road. During the holographic speech recorded before her death, Maarva powerfully reminded the people of Ferrix that they’ve been comfortably and somewhat selfishly ignoring the truth of the Empire. Calling it both a “wound that won’t heal” and a “darkness reaching like rust into everything”, Maarva uses her final moments to tell the people of Ferrix to wake up. Indeed her “last words” before B2 stops broadcasting are “Fight the Empire!”, inciting and inspiring the Rix Road revolution. Maarva Andor goes down in history as an OG Rebel by stirring the people of Ferrix to fight.

    Maarva’s words resonate with the words of another dead character who longed to see the Rebellion move ahead. Though he had a short arc in Andor, Karis Nemik’s manifesto, which Cassian read through when he first returned to Ferrix earlier in the episode, ultimately served more as a book of prophecies. Nemik’s beliefs that “the smallest acts of insurrection” advance the cause of the Rebellion, that “the Imperial need for control is so desperate because it is so unnatural”, that “authority is brittle” and that “oppression is the mask of fear” are all fully realized during Maarva’s revolt. It’s ultimately the act of an Imperial officer to stop Maarva’s speech that becomes the tipping point of a largely unarmed group of mourners (there is, of course, the bomb) choosing to charge into battalions of troops. The Empire’s devastating response ends in mass casualties but with so many survivors, including those who escaped, word of what happened on Ferrix will spread and can almost certainly be counted on to become a key point on the timeline of the formation of the Rebellion.

    Though Cassian hasn’t been the primary protagonist of every episode, the finale goes a long way in bringing him to the end of a long character arc that started with him simply in search of his long-lost sister. Cassian’s transformation comes in part when he seemingly comes to the conclusion that the audience has had all along: despite believing his actions only ever impacted him, he’s right at the center of the series of events that have caused so many unintended consequences for those he loves and those he’s never met. Seemingly inspired by the memory of Clem Andor’s words that “people don’t look down to where they should…they don’t look past the rust”, which connect directly to his words to Luthen Rael during their first meeting, Cassian changes the course of his entire life. Though he has ample opportunity to escape, Cassian chooses to seek out Rael and fully commit himself to the Rebellion. Sure of his worth, Rael smirks as he takes Cassian back into the fold, but as awesome as that is for Cassian, it’s likely problematic for some of the others involved and a likely plot point for an early arc in Season 2.

    Ultimately, Episode 12 of Andor is a remarkable standalone episode depicting what will certainly come to be known as one of the inciting moments of the Rebellion and a remarkable season finale that embraces the massive totality of Season One. So often finales miss by only serving one of these purposes but Gilroy served both purposes masterfully by resisting previously established themes, stirring a sense of tension that had been building for 12 episodes while also putting at the center of the episode an event that built on that tension while providing a release that will carry over to Season 2 for the audience and the characters.

  • ‘Andor’ Finale Post-Credit Scene Explained

    ‘Andor’ Finale Post-Credit Scene Explained

    Season One of Andor concluded with a bang. A series of them actually, as the people of Ferrix stood against the Empire in what could only be described as a revolution. The revolt may go down in the books as the first open act of defiance against the Empire, but as audiences already know, the Empire isn’t going down quite yet. In fact, it’s still building to its peak level of terror. To that end, the episode came with the first post-credit tag of the series which served as a chilling reminder that the worst from the Empire is yet to come.

    Set deep in space, the tag shows a group of small droids shuffling around and installing some very familiar-looking components into a much larger assembly. As the camera pulls back, it’s revealed that the droids are putting together a layer of the Death Star’s Superlaser. Given Andor’s 5 BBY setting and the massive undertaking of assembling a station the size of the DS-1, its construction fits the timeline as well as many fan theories that have swirling about since Episode 8.

    The Superlaser’s power came from the combination of 8 separate laser beams which were converged into the one massive, planet-killing beam that made the Death Star the most terrifying weapon in the galaxy. Though no details were given, it seems as though the droids are using the components to assemble channels for the individual beams.

    Of course, the most chilling aspect of the post-credit scene is the realization that the components being installed were built by Cassian and his fellow inmates in the prison on Narkina 5. The tag adds context to so much of Andor, Rogue One and really any other projects that take place in the timeline prior to A New Hope. The prisoners at Narkina 5, a place that felt so incredibly oppressive, were working tirelessly and competitively to create the Empire’s most oppressive weapon.

    For Cassian, coming to learn that he’d build part of the Death Star could go a long way in explaining his commitment to its destruction in Rogue One, where he’s willing to give his life to ensure the plans get to the Rebels. Finally, with the Empire becoming aware of the growing threat of a Rebellion and the fact that the tag shows the importance of the parts the prisoners have been building, it provides a terrifying additional layer to the idea that the prisoners of Narkina 5 were never getting out and also that by escaping, they may have paused the project just long enough to let the Rebels catch the break they needed to ultimately destroy the Death Star!

  • REVIEW: ‘Andor’ Episode 11

    REVIEW: ‘Andor’ Episode 11

    Telling a story to which the audience already knows the ending certainly isn’t an easy task. It is, however, the task Tony Gilroy took on in Andor. Gilroy, who co-wrote the screenplay for Rogue One, which introduced Cassian Andor and followed him to his death on Scarif, found the secret formula for doing so and created a series that’s becoming increasingly integral to the history of the Star Wars universe. Episode 11, “Daughter of Ferrix”, is another stunning example of how while Andor keeps Cassian at the center of the plot, it’s not really his story at all.

    Episode 11 opens with Cassian and Melshi still working on their escape and ultimately sets Cassian on a course to return to Ferrix once he learns of Maarva’s death. Indeed the entire episode is, on the surface, about making sure anyone and everyone who has been involved in the key events of the series can come together on Ferrix in Episode 12. However, there’s no true tension surrounding Cassian’s actions. The audience knows he is meant to survive this series, though it’ll certainly be as a different man than the one that began it. The reason this episode, and the entire series, continue to grab the attention of the audience week after week is the investment by Gilroy and his writer’s room into other characters whose stories are less defined.

    While characters such as Bix and Mon Mothma have their share of tense moments in the episode, it’s Stellan Skarsgård’s Luthen Rael who, once again, finds himself at the center of the lion’s share of the best moments. Over the course of the series, Rael has gone from an unknown to unarguably one of the Rebellion’s most important figures and Episode 11 cements that status. While the Rebellion continues to exist in a less-than-perfect way, it’s clear that Rael has enough cache to put even the most radical of Rebels in his place. As such, the episode’s most intense scene involves Rael’s escape from the Empire on Segra Milo following his meeting with Saw Gerrera. It’s worth pointing out here that the escape from the tractor beam is almost certainly of the most “Star Wars” moments of the series and among one of the best-looking space sequences in recent live-action projects; it’s also worth pointing out that everything about the scene probably looks and feels the way it does because of how important of a character Rael has become not just to the series, but to the future of the galaxy.

    Ultimately, the strength of Andor (and of Rogue One) is the wealth of fascinating characters who inhabit the dark corners of the Rebellion. And so while the plot continues to revolve around Cassian and the final episode will certainly be about everyone going where he is going, Andor isn’t really Cassian’s story at all: it’s the story of the thousands of faceless, nameless people who may not have even known they were Rebels but whose otherwise insignificant lives and actions made the grand gestures of the Rebellion possible. It’s more of Rogue One in all the best ways.

  • ‘Andor’ to Air on Hulu, ABC, and More For Thanksgiving

    ‘Andor’ to Air on Hulu, ABC, and More For Thanksgiving

    Disney is giving Andor a nearly unprecedented cross-platform push. The critically acclaimed Star Wars series, which is now most of the way through its 12-episode first season, will reportedly be available to stream on Hulu over Thanksgiving weekend. The service will only carry the show’s first two episodes, which will also air on ABC, FX, and Freeform throughout the holiday week. The special broadcasts will occur on back-to-back-to-back nights, with each channel taking a turn in the spotlight. ABC will air the premiere episodes on Wednesday, FX on Thursday, and Freeform on Friday.

    While Andor, created by Rogue One: A Star Wars Story writer Tony Gilroy, has been the most critically well-received series from Lucasfilm since it began putting projects on Disney+, it’s struggled to find a sizable audience in the same way Obi-Wan Kenobi and The Mandalorian have before it. Starring Diego Luna in the title role, the series acts as a prequel to Rogue One, telling the story of Cassian Andor in the years before his fateful Rebel mission to steal the Death Star plans. It has thus far been praised for its character work and storytelling, with many fans labeling it as the best Star Wars has been in a long time. Hopefully, the decision to temporarily make the series available elsewhere, other than exclusively on Disney+, helps garner the project a larger audience before its second season arrives in the coming years.

    Source: Twitter

  • REVIEW: ‘Andor’ Episode 10

    REVIEW: ‘Andor’ Episode 10

    Sacrifice for the greater good has always been a central theme of Star Wars. From Obi-Wan becoming one with the Force in his duel with Vader in a New Hope, to Luke doing the same in The Last Jedi and Ben Solo giving his life for Rey in The Rise of Skywalker, sacrifice has been consistently present in the franchise. Episode 10 of Andor, “One Way Out”, continues that thematic resonance while illuminating just how circumstantial the nature of sacrifice can be. Andor isn’t about a fantastic moment where a Jedi becomes one with the Force for the good of the Rebellion; it is in large part, about much less spectacular characters losing bits of themselves by the day. And no episode of Andor hammers that point home more than “One Way Out.”

    Thought the prison break serves as the beautiful center of the episode, it’s the back alley conversation between Luthen Rael and his Imperial spy, Lonni, that stands out not only in the episode and the series, but also the franchise as arguably one of the most inspired and impassioned explanations of the true cost of the Rebellion. At this point, it’s hard not to think of Rael, a character new to fans just a couple of months ago, as one of the most integral figures in the Rebellion. Per his own words, however, his choices have damned him and he knows that he is fighting “to make sunrise” he knows he will never see. So when the galaxy celebrates its heroes at the end of A New Hope, nobody will to be grateful to Rael, nor to poor Lonni, nor to Anto Kreegyr, who Rael is so willing to sacrifice to keep things on track. While it’s ultimately heroes such as Luke, Leia, Han and Chewy who become the face of the Rebellion, Rael now must stand as its backbone. Stellan Skarsgård‘s work as Rael is among the most complex and brilliant in recent memory in a franchise that has all too often dipped into the well of bringing back familiar faces. In Rael, Tony Gilroy has created a new character that’s given more the the future of the galaxy than anyone will ever know.

    As Rael readily accepts that there’s no way off the path he’s chosen, Mon Mothma finds herself at a crossroads from where it seems there is no gentle path for her to take. Desperate for funding, the Senator finds herself in league with the gangster Davo who proves more than willing to provide her with the money she needs, but in exchange for a detestable cost: the apparent betrothal of her daughter to Davo’s son. Though Mon is quick to dismiss it, Davo doesn’t believe she’s quite as disgusted as she puts on. The series has gone to some lengths to show that Mon’s work has already come at the cost of familial relationships but Episode 10 leaves the audience to wonder just how far she’ll go to finance the Rebellion. Andor’s creatives have done fascinating work with Mon. Originally a minor character who seemed to stand out as a beacon of everything bright and shiny about the Rebellion, the series has fleshed her out and painted her in a much different light.

    Given the way the episode laid bare grim repercussions for Rael and Mothma, Cassian’s time in prison hardly seems like much of a sacrifice at all. In fact, it’s Andy Serkis‘ Kino Loy who had the most interesting journey in the prison arc. Initially a “company man”, it’s Loy who makes the episode’s most grandiose example of sacrifice, risking his life to lead the prison break with the knowledge that the “one way out” meant he would never be free. Unable to swim, Loy stands back while the other, including Cassian and Melshi, who turns up alongside his escape buddy in Rogue One, swim to freedom. The final shot of the episode, which shows Cassian and Melshi running across barren plains, is rich with symbolism. Cassian has no prospects ahead of him as he runs from his past. He has no safe haven to which he can return. The entire galaxy is after him. What comes next over the final two episodes will almost certainly remedy that and cement his place in the Rebellion, but given the job the series has done setting up the fractured nature of the fledgling alliance, it’ll be most interesting to see in which group he finds his way.

  • The Sunday Paper—November 6, 2022

    The Sunday Paper—November 6, 2022

    Welcome to another edition of Murphy’s Multverse’s Sunday Paper. With endless news and content coming to you throughout the week, the Sunday Paper is here for anyone who wants an overview of what happened in the past week. Whether you missed it all, or just want to catch up, this is the article for you. Remember to follow us on Twitter, subscribe to our YouTube channel, and check out our website to stay up to date. Check out last week’s Sunday Paper here.

    Perhaps some of the week’s biggest news comes from two upcoming Marvel Studios Disney+ series. Despite having no release date, Wonder Man has made headlines due to some major casting announcements. For starters, Yahya Abdul-Mateen II is in talks to star in the titular role. He is well-known for his roles DC’s Black Manta in the Aquaman films has also starred in HBO’s WatchmenThe Trial of the Chicago 7Nia DaCosta‘s Candyman, and The Matrix Resurrections where he played Morpheus. Not only that, but Better Call Saul’s Bob Odenkirk is also reportedly being eyed for a role in the series, and we have a theory as to who he could play.

    aubrey plaza mcu

    Agatha: Coven of Chaos continued to make news this week with casting announcements as well. Aubrey Plaza was confirmed to be joining the WandaVision spinoff, apparently as a villain. But who? Check out our look at five characters that could be perfect for Plaza. Heartstopper actor Joe Locke was announced to be part of the cast as well. While it is unknown who he is playing, it seems likely that it could be an aged-up Billy, aka Wiccan. It was also reported this week that Ali Ahn (Raising Dion) and Maria Dizzia (The Staircase) have joined the series. Lastly, the series reportedly will have a rare nine episodes on Disney+, and Jac Schaeffer and Gandja Monteiro may direct at least one episode each.

    Of course, in the final week before Black Panther: Wakanda Forever releases in theaters, there were plenty of news and interviews that dropped. Director Ryan Coogler discussed the original plot of the film before Chadwick Boseman passed away, and he opens up about the emotional journey on the new Wakanda Forever: The Official Black Panther Podcast. Interestingly, it seems as though Coogler long ago reserved the right to bring Namor into the Marvel Cinematic Universe, and Tenoch Huerta revealed that he could not swim before playing Namor in the film. Producer Nate Moore gave an update on the Wakanda spin-off project, and he suggested that it is not as far along as some fans might think. He also answered everyone’s favorite question: where is Wakanda Forever in the MCU’s timeline? Apparently, it is clear after Spider-Man: No Way Home and Eternals, and more or less concurrent with Thor: Love and Thunder and Ant-Man and the Wasp: Quantumania.

    Moore was also kind enough to specify that the upcoming Ironheart series takes place after Wakanda Forever, rather than as a prequel. In other Ironheart news, a set photo adds to speculation that a Doctor Strange comics character will appear in the series, and the series appears to have wrapped production.

    For final Marvel news, a new rumor suggests that Sony and Disney have apparently been at the negotiating table and are closing in on a new collaborative arrangement for Spider-Man films. The rumor states that once closed, the two studios could then begin working with Holland on sorting out the terms of his deal, which would likely consist of another Spider-trilogy of Sony films produced by Marvel Studios in addition to scheduling him for appearances in Marvel Studios films.

    Warner Bros. Discovery CEO David Zaslav had some things to say this week. While he teased the “united creative approach” of the two new co-CEOs of DC Studios, he also made an odd comment about how Warner Bros. Discovery will be focusing on franchises in the future by incorrectly stating how long it has been since a Superman or Harry Potter film. While that has yet to be seen, we do know that Stargirl has been canceled, The Sandman has been picked up for a second season on Netflix, Cristin Milioti has been cast as Sofia Falcone in The Penguin series, Dead Boy Detectives added Caitlin Reilly and Max Jenkins to its cast, and Joker: Folie á Deux is set to start production next month.

    This week a rumor circulated that Logan star Dafne Keen will join the cast of the upcoming The Acolyte. It was revealed that Ariel KleimanJanus Metz, and Alonso Ruizpalacios will direct episode blocks of Andor for the show’s second season. They’ll take over for Toby HaynesSusanna White and Benjamin Caron who directed episode blocks of the show’s first season. It also looks like Andor Season 2 will revisit the planet Yavin, a primary location for the climax of A New Hope. Disney+ Italy also accidentally leaked a future The Mandalorian short film focused on Grogu.

    Murphy’s Multiverse exclusively reported this week that Amazon Studios is developing Jeff Lemire’s The World of Black Hammer into a shared cinematic universe. Also this week, the Russo Brothers suggested that they will not work on another Marvel Studios project until the end of the decade, and they also made a disturbing comment that Disney’s upcoming live-action Hercules remake would be inspired by TikTok. HBO canceled Westworld after four seasons, The Last of Us is eyeing a January premiere, and Peacock is developing a Friday the 13th prequel series.

    Raya and the Last Dragon director Carlos López Estrada set to direct a Your Name live-aciton remake. Meanwhile EA and Marvel are collaborating and working on three new games, one of which is the already-announced Iron Man game. The live-action One Piece series added a key Arlong Park character, and One Piece Film Red more than tripled 2019 Stampede’s entire U.S. domestic box office on opening day.

  • ‘Andor’ Season 2 Revisit a Familiar Planet

    ‘Andor’ Season 2 Revisit a Familiar Planet

    As Andor continues to build momentum in its strongly performing first season on Disney+ eyes have begun to shift towards the future the new Star Wars streaming stalwart. As the writer’s room for the show developed new ideas for season two, new information has been revealed about what audiences should expect. While sitting down with Collider, series creator Tony Gilroy discussed the inclusion of new writer Tom Bissell to the writer’s room and a classic Star Wars location that will debut in the series down the road.

    Tom Bissell is a really cool and really, really interesting, versatile, really good writer. But also a very, very, very big Star Wars fan, which we really wanted to make sure we had another pro because we’re going into Rogue [One], and we’re going to Yavin, and then we’re going into places where we eventually need to really weave our way back to the source. So Tom came in, and he’s been great. So he’s got some episodes too.

    Tony Gilroy

    This bit of news should be interesting for Star Wars fans as it could potentially provide a new distinct angle for a key component to the original films. Yavin was a primary location for the climax of A New Hope, and getting time to further establish the locale can help enrich the classic films from George Lucas in a new light (much like Rogue One and Andor have done thus far). In addition, the interview confirmed that production for the second season is set to begin on November 21st of this year.

    Andor stars Diego Luna in the titular role of Cassian Andor alongside a deep ensemble cast of supporting characters. The tenth episode of Andor is set to arrive on the Disney+ streaming platform on Wednesday, November 9.

    Source: Collider

  • ‘Andor:’ Andy Serkis Unveils Character’s Backstory

    ‘Andor:’ Andy Serkis Unveils Character’s Backstory

    Andor, the latest Disney+ series from Lucasfilm, has been full of surprises. Perhaps the biggest, however, was the shocking appearance of an established Star Wars actor in a brand-new role. In the series’ eighth episode, fan favorite performer Andy Serkis was revealed as lovable tough-guy Kino Loy, the foreman at an Imperial factory facility for imprisoned workers on the planet Narkina 5. Diego Luna‘s titular Rebel finds himself captive in the facility after a skirmish lands him on the Empire’s radar, and he quickly learns that Serkis‘ Loy is not a man to be trifled with. Unfortunately, aside from the fact that Kino is the man-in-charge for prison Unit 5-2-D, not much else has been told about the character’s backstory within the Star Wars universe.

    Although not technically official, Serkis opened up about where he feels Loy came from in a recent interview with the folks at Collider. Speaking to Steve Weintraub, the former Planet of the Apes star explained his opinion that Loy was once a shop steward who fought for workers’ rights, an act that eventually led to problems with the Empire and a forced assignment to Narkina 5. Having learned his lesson, Serkis‘ foreman is now doing what he’s told and biding his time until his final 250 days in prison are complete. The actor elaborated:

    When he was incarcerated, he then almost sheds any desire to look out for other people apart from himself. Just do his time and get out. To try and get out and just survive the sentence, the torture, the desensitization. I think it was that desensitization that made me perhaps have that slightly lost but kind of hardened and toughened shell.

    Andy Serkis

    Serkis previously portrayed the mysterious Supreme Leader Snoke via motion capture in 2015’s Star Wars: The Force Awakens and 2017’s Star Wars: The Last Jedi. His antagonist’s origin was the subject of heavy debate before being killed off in The Last Jedi and was ultimately revealed as a failed clone of Ian McDiarmid‘s Emperor Palpatine in 2019’s Star Wars: The Rise of Skywalker. No such debate will be present here, in Serkis‘ first live-action appearance in the Star Wars galaxy.

    Source: Collider