Tag: Black Widow

  • ‘Black Widow’ Nearly Doubled Its U.S. Disney+ Viewing Households In Its Second Week

    ‘Black Widow’ Nearly Doubled Its U.S. Disney+ Viewing Households In Its Second Week

    There has been much debate surrounding Black Widow‘s release. Its second weekend saw a sharp drop at the Box Office, which was on par with other releases in the pandemic. What didn’t help was that Disney+ did not release the official numbers for the second week. So far, we only are aware that they made $60M from their Premier Access service. Once again, we have to rely on third-party analysts to figure out how exactly the film will perform on the streaming service. Luckily, Samba TV offered insight into how many US households watched Marvel Studios’ latest during its release. Keep in mind, these are estimates and not official numbers.

    It seems that they almost doubled the viewership, as it rose from 1.1M households to 2M over the last week. So, an estimated 900K purchased the film from July 12th up until the 18th. It’s quite an impressive number that could hint at a steady growth on the streamer. Their analysis is based on 3M SmartTV terrestrial households that consume a show or film for at least five minutes. It doesn’t include mobile viewers.

     

    Black Widow snags $215M in biggest opening since pandemic began - CNET

     

    Going by their analysis, the film managed a domestic total of $131.6M through Disney+ alone. Even with the 67% drop in its second weekend, the film still earned $263M so far. If you add in the Diseny+ Premier Access numbers, Black Widow might already be nearing $400M. It’s impressive growth, but piracy is still an issue with simultaneous releases. It’ll hurt the film’s Box Office legs which are already questionable due to the pandemic’s influence on the cinema market.

    There’s a strong likelihood that Jungle Cruise will be the last Disney film to use this model moving forward, even if they only have to share around 15% with platform providers rather than the 40% cinema share. Whatever happens, we’ll certainly be keeping a close eye on its development and what it could mean for Marvel Studios’ next release, Shang-Chi and the Legend of the Ten Rings.

    Source: Deadline, The Numbers

  • ‘Black Widow’ Drops 67% in its Second Weekend as ‘Space Jam: A New Legacy’ Takes Top Spot

    ‘Black Widow’ Drops 67% in its Second Weekend as ‘Space Jam: A New Legacy’ Takes Top Spot

    Black Widow was a very frontloaded release, which got boosted by their Disney+ Premier Access release. There was some uncertainty if it’ll have a strong second weekend or face a steep fall. Sadly, it seems the latter has come to pass as its new release Space Jam: A New Legacy took the top spot with $32M. While nowhere near the Marvel Studios’ release, it is still the year’s fourth-best release ahead of Godzilla Vs. Kong‘s 31M. The film is also the biggest family-focused film launch since Pixar’s Onward in March of 2020. Still, early predictions did believe the Scarlett Johnasson-run film would keep the top spot.

    The bigger shock is that the film’s international presence also took quite a hit. It barely scratched the $30M, which is on par with F9‘s current running after a two-month release. However, if you take a closer look at its international presence, Black Widow has yet to release in China. The latest Fast and Furious entry has been very dominant in that market throughout its run. The theatric-only release has been playing well into its hand and gave the film some considerable legs, especially as it rolls out into other markets.

    The second weekend was a 67% drop for the Marvel Studios film, which some expected. The Friday 79% drop was the worst the franchise has ever seen and is on par with Batman v Superman or Man of Steel. To offer a pandemic comparison, F9 dropped 67% and Wonder Woman 1984 around 67.1%. The last two Marvel films to see that kind of drop were quite leggy experiences and managed to hold over quite a bit over their total runtime. So, theories are that the film could still manage a $200M+ domestic launch. If you include their Disney+ numbers, they add another $60M on top, which also doesn’t have to get shared with theaters. Sadly and expectedly, Disney has not released the numbers for their second weekend.

    Without a China release, it’s unclear if Black Widow will manage to pass F9‘s total Box Office, which seems likely at around $700M. China’s Hi, Mom is currently the top grosser with $825M. Many factors have been influencing its growth, such as international markets fearing the rise in COVID’s delta variant and the return of harsher restrictions. The film has shown some commendable Monday to Thursday performances, which could be the film’s saving grace, as it topped $100M in record time domestically.

     

    Black Widow": Superheldin auf Schmerzmitteln und ein heimlicher Star | STERN.de

     

    Disney+’s Premier Access also hurts the film’s legs if you consider that a one-time payment includes multiple viewings at your leisure. Why should one risk going to the theaters again if I can watch it from the comfort of my home? Plus, piracy is a growing issue with this approach to film releases. If Disney simply accepted the risk, they might be looking at a much stronger second weekend. Still, the lack of transparency after boasting the numbers may leave a sour taste and it’ll be interesting to see if Jungle Cruise follows the same drop once it releases later this month to have a direct comparison.

    Source: Forbes (Space Jam), The Numbers (F9), Forbes (BW), Deadline, Hollywood Reporter, The Numbers (BW)

  • ‘Black Widow’ Beats ‘F9’s Pandemic Record to Pass $100M at the Domestic Box Office

    ‘Black Widow’ Beats ‘F9’s Pandemic Record to Pass $100M at the Domestic Box Office

    We’ve covered Black Widow‘s Box Office success throughout its opening weekend. There are many uncertainties with the pandemic still raging, but the film still managed to grab $215M in its opening weekend worldwide. These numbers include an impressive $60M from Disney+’s Premier Access function.

    So, technically speaking, the film made around $80.3M in the domestic Box Office. Luckily, the film didn’t lose any momentum as it has officially passed the $100M mark after only six days. It joined the club alongside F9A Quiet Place Part II and Godzilla vs. Kong and beat out the Fast and Furious sequel record of eight days during the pandemic.

    It currently holds the record opening during the pandemic and continued the momentum by getting the best Monday and Tuesday showings. The last time we saw these numbers was mid-March with around 7.16M and 7.6M. As such, the film has officially crossed the $200M mark globally. It has been available internationally for eight days and five days domestically.

    The film is keeping up the momentum as it faces new releases Space Jam: A New Legacy and Escape Room: Tournament of Champions in its second weekend. It also needs to be noted that Black Widow is only available in twelve international markets, and there aren’t any releases planned for others. China has been a big question mark as piracy is an issue due to its release on Disney+. Still, the film is performing great and showing the Box Office is slowly recovering.

    Source: Deadline, Forbes, Box Office Pro

  • EXCLUSIVE: Olga Kurylenko Talks Future Taskmaster Appearances

    EXCLUSIVE: Olga Kurylenko Talks Future Taskmaster Appearances

    Regardless of whether you liked the character or not, one thing that rings true with Taskmaster in Black Widow is that the character was underutilized. There’s a lot left to be desired with what they gave us but the character does make it out in the end which leaves the door open for any future appearances. We asked Antonia Dreykov herself, Olga Kurylenko what she thought of a possible Taskmaster come back down the road and she gave a surprisingly candid answer about it.

    Unfortunately, I don’t know if I’ll be returning. It’s not up to me. You can ask Marvel that [laughs]. If I was, obviously what would be great is to know more about the character because she was just kind of introduced here. There was no time and no story to develop. And the thing is there’s so much to explore about the character. There’s a lot to do with it .

    Taskmaster in the comics is a fan-favorite villain who not only brings a lot of killer action with him but also a lot of attitudes. Black Widow reinvented Taskmaster in a pretty big way, one that distances itself from the comics to serve what the writers envisioned for the film’s larger sinister Red Room plot. Kurylenko shared with us what discussions she had with director Cate Shortland on how to portray such a silent character.

    With Cate, we discussed the backstory and all the pain Antonia might have gone through. Things we know, things we don’t know yet. It was about the fact that behind that armor and killing machine, there is a human being. A human who was made to be bad. She wasn’t born bad. She’s manipulated, abused, gone through trauma – both physical and psychological. It was the conflict within one person. We talked about her soul because she does have one. When she’s in that armor, you don’t think there isn’t. That’s what was fascinating.

  • EXLCUSIVE: Olga Kurylenko Reveals How Much of Taskmaster In ‘Black Widow’ Was Her and How They Kept The Reveal a Secret

    EXLCUSIVE: Olga Kurylenko Reveals How Much of Taskmaster In ‘Black Widow’ Was Her and How They Kept The Reveal a Secret

    Black Widow threw fans a curveball when O-T Fagbenle‘s Mason, a character everyone believed to be Taskmaster for more than a year, wasn’t the person behind the mask. The film revealed that it was Antonia Dreykov, played by the wonderful Olga Kurylenko, who was behind the killing machine. With a secret that was constantly pried by many in the years leading up to the film’s release, it stands to reason that a curious fan myself would ask Kurylenko in lengths Marvel went through to keep the role a secret. So, I did when I had the opportunity to interview her.

    It started with me being on set where no one could see me [laughs]. I’ve never gone through that so it was quite interesting. I remember walking out… there was this umbrella created that had fabric hanging all the way to the ground and I had to be underneath. It was quite fun. It started with that and most of the time, I couldn’t really walk around and I had to sit in my tent and trailer. Obviously, I wasn’t allowed to talk about it understandably. That’s what I did. Even my mother didn’t know. She only found out a few days ago. The movie was supposed to come out last year so she saw the trailer and went, “Oh Olga, there’s this super cool movie coming out. I wanna see it! Can we go together?” I went, “What movie?” She goes, “Black Widow.”

    Because the character stays masked for the majority of the film, I also wondered just how much of the Taskmaster we see in the film is Kurylenko in the costume. Her answer wasn’t surprising as the role was more physical and stunt-oriented than it was character-driven. However, it was nice to know that she was in the suit for the film’s last stretch.

    The fighting and the scenes that came after my reveal, I got to do. Obviously, it’s such a complex character with so many abilities so I had to be doubled. There was more than one person involved because the character can so many different things from all specialties. It’s great because the character can do anything.

  • ‘Black Widow’: Exploring the Future of the MCU’s New Players

    ‘Black Widow’: Exploring the Future of the MCU’s New Players

    To many viewers’ surprise, nobody died in Black Widow. At least, no one good. With the events of the blockbuster film billed as an official goodbye to Natasha Romanoff, it seemed possible that the project may be written as a stand-alone feature. As such, many justly assumed the grand majority of Black Widow-centric characters would end up as one-hit wonders. Nevertheless, the film’s release last week revealed that, aside from the dastardly Dreykov and his Red Room, not a single other major player met their end before the credits rolled.

    With surprisingly enjoyable characters like David Harbour‘s Red Guardian still on the active roster, we are likely to see all of them again in some capacity. Especially with Marvel Studios’ recent penchant for bringing back characters we thought they forgot about. Of course, this begs the question of when and where Black Widow‘s supporting staff will make another appearance. We already know where we’ll see Florence Pugh‘s Yelena Belova next, but the answer isn’t as obvious for some of the others:

     

    Red Guardian

     

    One of the standout introductions, David Harbour‘s Alexei Shostokoff, is undeniably fun to watch. The Russian Super-Soldier known as Red Guardian spent most of Black Widow‘s story trying to prove his might and prove to his girls he that loves them dearly. While he never truly reformed his criminal tendencies, he did manage to survive the destruction of the Red Room with a little more heart than he helped build it with. So, where do we see him pop up next?

    The obvious answer may be Anthony Mackie‘s Captain America 4, where he could finally go toe-to-toe with his American counterpart. Alternatively, we could see the battle-hungry Shostokoff as a member of the Mandarin’s underground tournament in Shang-Chi. Although in my mind, there could be a more creative solution to this conundrum.

     

     

    Red Guardian: What We Know About David Harbour's Black Widow Character From The Comics - CINEMABLEND

     

    An emotional moment between Alexei and Yelena in the film included a cheeky Marvel reference, where Yelena accidentally refers to Alexei as another comic book villain, the Crimson Dynamo. He is a Russian version of Iron Man and already was adapted to the MCU in Iron Man 2 as an amalgamation with Whiplash. His inclusion there doesn’t mean he can’t play still play a role in the future.

    Armor Wars traditionally features Dynamo in some role or another. It seems the MCU’s best path to making this a reality is giving Alexei a set of armor in their upcoming adaptation. The glory hog could easily use some stolen Stark tech to enhance his abilities and perhaps even take the new name as a tribute to Nat and Yelena.

     

     

    Taskmaster

     

    Here’s your last spoiler warning if you want to avoid the biggest twist in the film. 

    Taskmaster’s top-secret identity turned out to be Antonia Dreykov, played by Olga Kurylenko, the brainwashed daughter of the Red Room’s founder. The involuntary antagonist has been the subject of much debate, mostly centering on her comic book inaccuracy. In the comics, Taskmaster is a man named Tony Masters, who acts as a willing mercenary and combat instructor. The dissimilarity between the two characters seems massive, but it may actually be easy for the MCU to bridge the gap.

    When we last see Antonia, she’s been freed from her father’s control and joins the rest of the Black Widows in escaping from federal custody. On the run, with a surname as dangerous as “Dreykov,” the mnemonic assassin would probably want to go by a different moniker. A shortening of Antonia leads to “Toni,” while a clever play on her codename could potentially lead to a fake surname like Masters.

    With a new identity and the chance to express herself, Toni could use her skills to survive as a mercenary. Or perhaps, in an attempt to repossess her past, she could revise the concept of the Red Room and open an academy that better suits her objectives. This twist would probably be a concept best explored in a Black Widow sequel, but I wouldn’t rule out the character returning in a project related to whatever the Contessa has planned up her mysterious sleeve.

     

    Melina Vostokoff & Rick Mason

     

    The future of Rachel Weisz‘s Melina Vostokoff is a little harder to pin down than the others. Her emotional attachment to Alexei means the pair are likely to appear as a unit. So, I would expect the character to appear in Armor Wars, receiving a comic-accurate “Iron Maiden” get-up. She could also be the potential candidate for the aforementioned Dark Avengers project down the line. As for professional finder Rick Mason, his history as a SHIELD agent makes him a suitable match for Secret Invasion, either as a newfound member of Monica Rambeau’s S.W.O.R.D. organization or an old ally of Nick Fury called in to help. Who knows, maybe he was a Skrull all along?

  • ‘Black Widow’ and the Potential Future of the Taskmaster Protocol

    ‘Black Widow’ and the Potential Future of the Taskmaster Protocol

    Marvel Studios made a grand return to cinemas, as Black Widow released after a year-long release. We got a final goodbye to Scarlett Johansson‘s character. We also were introduced to a unique spin on the iconic Marvel villain, Taskmaster. In this universe, it wasn’t Tony Masters that donned the skull-like helmet but rather the daughter of the Red Room’s big head, Dreykov. She isn’t a mercenary but a pawn of the Red Room and an emotional anchor for Natasha’s arc in the film. The question on everyone’s mind is this the end of Taskmaster? I’d argue it is just the beginning.

    The cheekily-named Antonia uses an implant in the back of her neck and her helmet’s visor to analyze people’s movement. It’s nowhere near the character’s comic roots, where it was an innate ability of the mercenary. He was born with a photographic memory and enhanced it through a failed Super-Soldier serum that came at the price of his memory each time he learned something new. It was his arrogance and desire for power that compelled him to seek the abilities over his life.

     

    Taskmaster's True Identity in Black Widow Explained - IGN

     

    The thing that stands out about Antonia’s story is that she isn’t Taskmaster but rather is part of the Taskmaster Protocol. While they went with a more tech-based direction, it doesn’t exclude the fact that someone can carry on the mantle. Her story is over as she finally got freed from her father’s manipulation. There is no emotional anchor for her to continue her life as the titular villain. Yet, a group of young Widows seeking guidance in a world that would reject them? They spent their life as rained killers, and as we learn in the post-credit sequence, there isn’t much else the world has to offer.

    So, they end up in the hands of Val and her associate, Tony Masters. A former SHIELD agent who has built up quite the reputation as a demanding trainer. He’ll take them under his wing but finds quite a curiosity in the Taskmaster protocol. He’s been known for his memory and sees it as a possibility to enhance his inherent ability. So, he promises to help free Antonia from her microchip for the price of getting access to it.

     

    Black Widow's Taskmaster Reveal Is the MCU's Most Tragic Villain Twist

     

    Once he implants it into the back of his neck, even using an enhanced version, his brain cannot sustain it. It was tailor-made with Antonia’s injuries in mind. He slowly starts forgetting things, even the thing that caused it. In his head, he always had these abilities and continues training the Widows. There are traces of memories in his mind, and he believes he was the original Taskmaster. As such, he takes on the mantle. He even adapts the suit to his liking and takes on mercenary or even training jobs on the side. The whole world has no idea who Antonia was, but they will know who Tony Masters is.

  • ‘Black Widow’: O-T Fagbenle Initially Auditioned for a Different Role

    ‘Black Widow’: O-T Fagbenle Initially Auditioned for a Different Role

    If you are still wary of spoilers, the following article will discuss the twist involving Taskmaster. Only continue reading at your own risk.

     

     

    There has been much debate online regarding the Taskmaster twist in Black Widow. For a long time, we’ve kind of expected it to be O-T Fagbenle to reveal he is behind the skull-inspired mask. Well, the film certainty surprised us when it turned out to be Olga Kurylenko‘s character of Antonia, the daughter of the film’s main antagonist. After being used as a human bomb in Natasha’s darker years, she ended up surviving and getting outfitted with a chip that lets her copy everyone’s abilities.

    It was certainly a surprise and a far removal of the original character known as Tony Masters in the comics. So, some wondered if the character may have changed throughout the filming process, as there were some rumors of a male antagonist getting cast. In an interview with Buzzfeed, Fangbenle revealed that he indeed originally was auditioning for a different role.

    You know what? The audition process was funny, because my character was very different. The character I auditioned for was very, very different. I had a different accent and everything. Then the character changed and Cate liked me, so I thought I’d have to audition again. But she was like, “Nah, just come” and I was like, Alright, sure, okay.” The funny thing is there was a time I didn’t think I’d be able to do it. At the time, I was writing and directing my own TV show called Maxxx on Hulu. It looked like there was going be a clash and I’d have to decide which one I’d be able to do. Luckily, they managed to make it happen, so I got to do both.

    It sounds like he originally got cast for the role of Taskmaster. We don’t know why any changes happened, but it seems like they shifted towards the current incarnation at some point in production. In the end, he did get a Marvel comics-inspired role as the character Rick Mason, who is better known as the Agent. Perhaps the original casting was a misdirect to avoid the twist finding its way online.

    He primarily has a support role throughout the film supplying Natasha with whatever she needs. It’s an oddly underused character that still adds some fun scenes to the film. Of course, he might be building up to a bigger role moving forward in the MCU. We also don’t know if Taskmaster will make a return. They may pass the torch to a brand new character.

    Source: Buzzfeed, That Hashtag Show

  • Disney Shares ‘Black Widow’s Disney+ Numbers As It Garners $215M Worldwide

    Disney Shares ‘Black Widow’s Disney+ Numbers As It Garners $215M Worldwide

    It looks like the $100M projections were a bit optimistic after all. Black Widow is now looking at an $80M domestic opening weekend. It is far from its high-end predictions but still ahead of F9‘s $70M. As such, it is the highest-grossing weekend since the pandemic started. As Forbe’s Scott Mendelson points out, it had a low-bar multiplier over the weekend that is below other Marvel Studios releases and may hint at a stunted long-tail growth. Still, Disney also proudly proclaimed it as their third-best origin story opening after Black Panther‘s 202M and Captain Marvel‘s $153.4M.

    In the best case, the film continues to garner numbers throughout the summer even with a lower opening than expected. Still, Disney has surprisingly shared its income from the Disney+ Premier Access, which adds another $60M to its overall opening weekend. So, it did pass the $100 domestic mark, but not in the traditional sense. In total, the film passed $215M worldwide, as it also garnered $78M in international markets (excluding China and India). No matter what, Disney sharing their Premier Access numbers is a motivating sign of more transparency for the future.

     

     

    Even with Disney+ income being 100% pocketed by Disney, it isn’t the usual Marvel Studios’ Box Office. They’ve performed better in the past, but there are many contributing factors at play. Mendelson believes that many have left the franchise after Avengers: Endgame as its “closing chapter,” but one could argue Spider-Man: Far From Home‘s numbers would negate that effect. The success of the Disney+ shows has also shown that the interest in Marvel Studios projects continues to remain strong, but perhaps its more grounded story had some rough competition against Loki exploring the multiverse.

    The pandemic certailny showed its effect with cinemas only slowly increasing their peak numbers with each new film. We also have the fact that Black Widow has been marketing its release for almost two years now. It’s hard to keep up that kind of momentum without spoiling many of the film’s plot beats through repeat trailer releases. Disney+ may have also pushed its overall weekend income but hurt the later release.

     

    Black Widow movie review & film summary (2021) | Roger Ebert

     

    Repeat viewings seem cheaper through the streaming service, which may also show its fangs next weekend. The general audience visits cinemas in the Saturday to Sunday time window but opted to remain at home. It’s why the film’s weekend got frontloaded on Friday with $40M. For now, Black Widow seems on track to make around $500M to $800M. Currently, the lower-end seems the more realistic option for now. It’s not a bad performance by a long shot and could still make what it would’ve done pre-pandemic.

    Technically, Disney is the big breadwinner here as they get to pocket the full $60M from Disney+. So, even if the film isn’t performing up to Marvel Studios’ usual standard, the film is still quite profitable. By the time September rolls around, there’s a chance Shang-Chi and the Legend of the Ten Rings might be a big hit at the Box Office. It’s certainly a good start, and we’ll keep a close eye on its development.

    Source: Forbes, Deadline, Twitter, Hollywood Reporter

  • ‘Black Widow’s Friday Domestic Box Office Soars to $40M, Currently Eyeing $89M+ Weekend

    ‘Black Widow’s Friday Domestic Box Office Soars to $40M, Currently Eyeing $89M+ Weekend

    We’ve all been keeping a close eye on Black Widow‘s Box Office performance. The industry has been slowly recovering but things weren’t always clear-cut moving forward. As future Marvel Studios’ entries aren’t announced with a Disney+ simultaneous release, its opening weekend could be the signifier if cinemas have recovered enough to focus on cinema-only releases for the rest of the year. Luckily, its Thursday screenings already had a record pandemic number with $13.1M. It broke F9‘s release even with the availability through Disney+’s Premiere Access that offers moviegoers to buy the film on their streaming service. It looks like it hasn’t lost any momentum, as it has now pulled in $39.5M on Friday.

     

    Black Widow": Rasanter Trailer zur Marvel-Verfilmung mit Scarlett Johansson

     

    At its current rate, a minimum of $89 seems like a definite over the three-day weekend. Yet, if it keeps up the momentum it could potentially pass the $100M mark. It is their first release since 2019’s Spider-Man: Far From Home. The first trailer for Black Widow was released around two years ago. So, it’s also being affected by how late Even at its lower prediction, the film will be the best domestic opener in the pandemic. Even better, this will be the first Box Office weekend to pass the $125M mark since the pandemic started.

    Overall, the film is on par with some of Marvel Studios’ pre-pandemic releases and the only worry is that current predictions see a drop in its Saturday earnings. Keep in mind that the Friday earnings also include Thursday’s 13.1M. So, the film earned 23.3M on Friday alone. Tomorrow will be the big test for its chances at passing the $100M mark, but its release on Disney+ also adds some uncertainty. There’s a chance that Disney has also made considerable earnings in addition, which goes directly into their own pocket.

     

    Black Widow Director Explains How the Movie Differs From the Rest of the MCU

     

    As of now, its momentum is on par with Ant-Man and the Wasp as well as Spider-Man: Homecoming. Forbes’ Scott Mendelson points out that this opening is pretty on par with pre-pandemic expectations due to some key factors. The big question is how the film’s legs will be post its release weekend. Even if it has a middle-tier Marvel Studios opening, it could have the same legs as the previously mentioned film sand eye a potential $245M domestic run. It might even manage around $305M. The only uncertainty remains if the film will even get a Chinese release, which could boost its overall performance. For now, only time will tell and the rest of the weekend will determine where it ends up.

    Source: Collider, Deadline, Forbes, Variety