Rumors have swirled for quite some time, but now it’s official. Charlie Cox and Vincent D’Onofrio are returning to reprise their roles as Matt Murdock and Wilson Fisk, respectively, in Marvel Studios Echo.
When Marvel Studios confirmed the cast for Echo back in May, many fans were quick to note the absence of both Cox and D’Onofrio. However, as is often the case, the initial casting announcement only included a handful of cast members: Alaqua Cox as Echo, Devery Jacobs (ReservationDogs) and Graham Greene. Joining them will be Chaske Spencer (The Twilight Saga), Tantoo Cardinal (Wind River), Cody Lightning (Four Sheets to the Wind), and Zahn McClarnon (Reservation Dogs), reprising his role as Maya’s dad, Willie Lopez. It is currently unknown how many episodes the actors will appear in, however, they are also rumored to be joined by former Defender, Krysten Ritter, who has long been rumored to reprise her role as Jessica Jones. Interestingly, while THR does address the Ritter rumors, the outlet does not confirm or deny her potential appearance in the series.
As for how Cox’s Matt Murdock/Daredevil will be incorporated into the series, THR reports that Echo is set to feature a plotline in which Daredevil is on the search for a former ally. Cox starred in all three seasons of Daredevil and also starred in the team-up series, The Defenders, while D’Onofrio played Wilson Fisk on Daredevil for all three seasons.
Cox most recently appeared as Matt Murdock in Spider-Man: No Way Home, while D’Onofrio recently appeared alongside Alaqua Cox in Hawkeye. Production on Echo has been underway in Atlanta since May. As of now, Echo has no release date.
There have been quite a few rumors surrounding the upcoming Echo series. Not only would it continue the storyline of the character introduced in Hawkeye, but also potentially add even more screentime for Charlie Cox’s return as Daredevil. Now, a new rumor has hit the web from the folks over at Weekly Planet. During the Hot Scoop or a Shot of Poop segment, James Clement hinted at what he heard about the upcoming appearance of the Man Without Fear.
While the series is still set to focus on Alaqua Cox‘s character, it does seem like Daredevil will be featured in around three episodes. Vincent D’Onofrio is also set to return and will be around for four of the total six episodes. He may be wearing an eye patch from his last meeting with his adoptive daughter. The big reveal, however, is that Charlie Cox‘s Daredevil is actively seeking his fellow Defender, Jessica Jones.
Yep, Daredevil is in it for three episodes, as in Charlie Cox. Kingpin, Vinnie D’Onofrio is in four. The Kingpin storyline is building up to him running for mayor of New York City. Apparently, he’s going to be wearing an eye patch because he was shot in the head in Hawkeye… Daredevil is also going to be rocking a red and black suit and is looking for Jessica Jones.
James Clement
There have been rumors that Krysten Ritter was potentially going to make a return in one of the upcoming Disney+ series. Her arrival in the Echo project would be quite the surprise and could hint at a cameo. The question is also why he’s actively looking for her. Perhaps she has some dirt to take down Fisk once again, or a Defenders reunion is in our future?
Disney+ did recently change the title of the Netflix series to A.K.A. Jessica Jones, which further hints at some kind of major plan for the character with a potential new series. We might have to wait a little longer until we truly find out but if this rumor turns out to be true, Echo could be climbing people’s must-watch lists.
With a Daredevil project looming on the horizon, fans have wondered what kind of show to expect. Marvel’s run on Disney+ so far has resulted in shows of various tones from the quirky Wandavision to the high-action octane of The Falcon and The Winter Soldier to the dark fantasy Moon Knight.
In our conversation with Ms. Marvel’s co-creator and executive producer Sana Amanat, the discussion briefly turned to the Man Without Fear. Amanat, an editor on Mark Waid’s groundbreaking Daredevil run, chimed in on whether a brighter, more upbeat Matt Murdock was adaptable in the Marvel Cinematic Universe.
I don’t see why not! Mark Waid’s run was pretty seminal. We’ve never seen that kind of story and I love the spin on that and it was such an unexpected take on the character. In the same way, I wouldn’t be surprised if they did something like that in the MCU. Why not? We like to take risks and this is the fun part of exploring multiple stories. So maybe.
Sana Amanat
Contrary to what the Netflix shows and Miller/Bendis comics have established, Daredevil was, at several points in his 50-year publication history, a bright swashbuckling hero. His most recent outing as the upbeat, swashbuckler was Waid’s 2013 run. Waid’s work along with artist Chris Samnee, won several prestigious awards for their unique, distinguished take on the character as they took Matt Murdock to places he’d never been in and fought foes he’d never crossed in a long time. And given the MCU’s knack for doing the unexpected, it wouldn’t be surprising to see them take a bolder direction for the Man Without Fear.
Long before Marvel Studios started creating series set in the MCU for Disney+, there was Marvel Television. Marvel Television is now under the Marvel Studios banner, and the effects of that have been pretty clear. The Disney+ series, such as WandaVision and Loki, have been wholeheartedly welcomed into the greater MCU family. It only emphasizes how the previous Marvel TV’s connection to the universe is definitely unclear.
Marvel Studios had consistently steered clear of establishing television series outside of Disney+ originals as canon, the recent news that a “new” but “continued” Daredevil series is in the works at the streaming service. The often bitter debate about which or whether Marvel TV shows are canon is likely only about to get more heated. The easy answer is to enjoy the shows you like (if you like any), consider them headcanon if you want (or ignore them completely), and move on with your life until Marvel Studios ever wants to make it more clear.
But since many will still wake up every day and choose violence on Twitter instead, here are the Marvel TV shows ranked from best to worst. Marvel Studios can make any of these canon at any time (yes, I can hear those of you already yelling that some are), but will they? This list does not include the few shows originally made as part of the old Fox X-Men universe, nor the animated M.O.D.O.K. or Hit Monkey series.
1. Daredevil
Marvel’s ‘Daredevil’ (2015)
It is no surprise that Netflix’s Daredevil tops this list. The #SaveDaredevil crowd is celebrating the announcement of a Disney+ series for Matt Murdock. It certainly seems like canon territory for the original series, but it really is yet to be seen how the upcoming show might actually adapt the previous one so as to be formally part of the MCU.
But the fact that Daredevil is the first “revival” of old Marvel TV on Disney+ is a testament to the quality of the series. While never entirely consistent across its three seasons, the show features exciting action, violence that generally surpasses that in the MCU, solid performances by Charlie Cox and Vincent D’Onofrio, and a gritty emotional layer that films struggle to achieve.
2. Jessica Jones
Jessica Jones was made with the type of quality that Daredevil brought to the table. Krysten Ritter’s Jones was one of the first leading women in Marvel TV (Agent Carter premiered months before) and would have been one of the first in the MCU as well by years. She was not forced, and her struggles and traumas related to David Tennant’s chilling antagonist hit a tone that many were afraid to explore—especially at the time. The series also had plenty of upbeat notes with Jones’ personality, and the street-level detective work was a fresh addition to the Netflix Defendersverse.
3. Luke Cage
Luke Cage may not go down in history for nailing all of its storytelling elements, but the action-packed and star-studded show is a solid watch. But the series truly excels at putting the spotlight on Black experience and culture through both its subject matter and in the way the show was made, especially with music. One thing that Marvel TV was able to accomplish before the greater MCU was pushing boundaries of representation and actually developing a character within that perspective.
4. Agent Carter
Marvel’s ‘Agent Carter’
Yes, Agent Carter was canceled after two seasons on ABC due to low viewership. And the show was not particularly phenomenal. But where it did succeed is that it made sense as a piece of the MCU puzzle. It has been by creators more recently that the show was made specifically to be canon to the MCU, while others like Agents of S.H.I.E.L.D. may not have necessarily had that same attention. But the series kept Captain America: The First Avenger’s 1940s story going. It was fine. It had its charm and it stayed consistent. It never tried to do too much, which is a major problem with some other series on this list.
5. Runaways
As noted above, Runaways definitely felt like it was trying to do too much at times. The Hulu show came at a time when MCU fans started to get a bit tired of keeping up with shows that were beginning to feel less and less relevant to the film universe. But Runaways also felt like it was exploring a corner of the comics that Marvel TV and the MCU had not touched, and the focus on younger heroes certainly gave it a fresh perspective. Like other shows on this list, it pushed representation boundaries—particularly with LGBTQ+. The whole series might not be the most enjoyable experience, but the first season or so isn’t too bad.
6. Defenders
Something about the story and writing in Defenders really felt like a flop, but plenty enjoy Marvel TV’s first crossover event. It definitely came across as the Avengers of television, but it was nowhere near as cool. In any event, now that Daredevil is eyeing Disney+, that just begs the inevitable question of whether the Defendersverse as a whole is headed there with it.
7. The Punisher
I’m sure many would argue that The Punisher should be higher on the list. Marvel TV got arguably its darkest and most violent here, and it brought a very popular character to the screen. Plenty were not fully satisfied with the portrayal of Frank Castle, but some really appreciated the character development the show afforded him. But the show overall felt like a drudge through a relatively one-note anger fest with lots of guns. While maybe the point of the show, it could still be much better.
8. Cloak & Dagger
Cloak & Dagger has some meaningful moments filled with heart amongst a pretty forgettable series overall. Where it shined, it did well, but at the end of the day, it felt like another victim of ABC mediocrity, albeit on Freeform.
9. Agents of S.H.I.E.L.D.
Marvel’s ‘Agents of S.H.I.E.L.D.’
I will start by saying that Agents of S.H.I.E.L.D. has a dedicated fanbase that loves the show. I am very happy for them, enjoying stuff is fun. But listen, as someone who has watched the show due to the fact that it was the first Marvel TV show that half-promised it was in the MCU, it is so bad.
Of course, some moments across the bloated 7 seasons are naturally better than others. But watching this show was work. It fell prey to the ABC network television level of “meh” before the writing and story made it so nonsensical and ridiculous to the point where it is extremely difficult to understand how someone would like it. Considering where the series took itself, the likelihood of the show itself being canon to the MCU is so incredibly low. But if it is, I like the MCU less.
But there is no strong reason to think that none of the AoS characters or actors will make actual MCU debuts. The fanbase is odd but strong, so the MCU would naturally get some boost of morale if someone like Chloe Bennet’s Quake got a firm reboot somewhere.
10. Iron Fist
Iron Fist basically failed before it even tried to fail. But at no point did the series feel like it was trying to succeed. Jessica Henwick’s Colleen Wing managed to feel like a positive at the end of the day, but overall this show is known as one of the worst across the board. Still, it exists within Netflix’s Defendersverse, so it has some staying power.
11. Inhumans
Marvel’s ‘Inhumans’
Inhumans is Marvel’s most infamous failure. From premiering the first bad episodes in IMAX theaters to releasing the rest of the horrible episodes on television was just absolutely unredeemable. But Anson Mount’s Black Bolt made a multiversal cameo in Doctor Strange in the Multiverse of Madness, so the series is getting some renewed attention it does not need.
12. Helstrom
Honestly, does anyone know about this show? Apparently, the Hulu show suffered from a severe lack of marketing as well as not being good. It definitely debuted in that awkward space of late 2020 when Marvel Studios was gearing up to premiere its Disney+ slate. Marvel Studios took over Marvel Television while Helstrom was filming, meaning it was the last cry of Marvel TV that was too late to stop.
Only time will tell how Marvel Studios intends to use (or not) these shows, and Daredevil‘s “continued” series will be quite the eye opener as to how these properties could be formally integrated into the MCU.
Over the past week, Marvel has released their monthly solicitations for their August 2022 comics. Here’s a brief look at what books have me most excited and are sure to end up on my pull list, if they’re not already there:
A.X.E.: DEATH TO THE MUTANTS #2 (OF 3) KIERON GILLEN (W) • GUIU VILANOVA (A) • Cover by Esad Ribić
Kieron Gillen has been absolutely knocking it out of the park at Marvel, with his runs on Uncanny X-Men, Young Avengers, and more recently, Eternals. I’m a bit late to the Kieron Gillen hype-train, but ever since reading his inventive run on the Eternals, Gillen has become a favorite. If Gillen writes it, it’s a must read. Aside from Gillen’s involvement, and Guiu Vilanova’s stunning artwork, what intrigues me the most about A.X.E.: Death to the Mutants #2 is the pairing up of Cyclops and Kro: a team-up you never knew you needed until now.
IMMORTAL X-MEN #6 KIERON GILLEN (W) • MICHELE BANDINI (A) Cover by MARK BROOKS
I couldn’t choose just one Gillen written solicit, now could I! Beginning back in March, Gillen’s Immortal X-Men run has since become my favorite mutant-related book currently running, and my main source of hype for Marvel’s upcoming “Judgement Day” event. Gillen has crafted a plethora of characters that are both complicated AND relatable; what more could you want from a mutant series! Marvel, here’s a little word of advice: just give Kieron control over everything pertaining to mutants.
DAMAGE CONTROL #1 (OF 5) ADAM F. GOLDBERG, HANS RODIONOFF & CHARLOTTE FULLERTON (W) WILL ROBSON & JAY FOSGITT (A) • COVER BY CARLOS PACHECO
Variant Cover by WILL ROBSON FROM THE CREATOR OF TV’S THE GOLDBERGS! Marvel’s Unsung Heroes finally get sung! After the mega-powered battles and Hulk-level catastrophes, Damage Control is always there to clean up the mess and get things back to normal. But Damage Control is much more than just a glorified cleanup crew, and this new series will pull back the curtain and reveal the secret inner workings that were previously only available to people with Clearance Level Eight. And we’ll witness it all through the eyes of Gus: a fresh-faced, eager newcomer to the company who has no idea how chaotic his life is about to become. ADAM F. GOLDBERG (TV’s The Goldbergs) and HANS RODIONOFF team up with WILL ROBSON to take you into the secret labyrinth of Damage Control, where it’s totally common to run into familiar faces like Moon Knight! Nightcrawler! She-Hulk! And more! Plus: A second story by DAMAGE CONTROL creator Dwayne McDuffie’s McSpouse, Charlotte Fullerton, as the Damage Control crew must clean up after the Infinity Gauntlet! 40 PGS./Rated T+ …$4.99
A group of individuals that have to deal with the aftermath of superhero-related disasters will always be an idea with unlimited potential in the Marvel Universe. This new Damage Control series seems like an interesting way to explore dynamics between different characters that wouldn’t necessarily interact under normal circumstances. The possibilities are endless. Knowing that Marvel loves its corporate synergy, and with the return of Damage Control in the MCU with Spider-Man: No Way Home, and seemingly Ms. Marvel, could a Damage Control show á la “The Office” possibly be in our future? Well, with an obvious choice like Adam F. Goldberg to helm the project, it seems like a no-brainer – but only time will tell.
DAREDEVIL #3 CHIP ZDARSKY (W) • RAFAEL DE LATORRE (A) • Cover by MARCO CHECCHETTO
Variant Cover by ALEX MALEEV • PROMO VARIANT COVER BY PAULO SIQUEIRA DAREDEVIL SAVES THE WORLD! With more ambitious and aggressive goals than ever before, DAREDEVIL has started putting together a team — but not everyone wants to be a part of Matt Murdock and Elektra Natchios’ vision of the future. As Matt and Elektra grow increasingly distant from the super hero community and closer to one another, DAREDEVIL will once again be at odds with heroes and villains alike… 32 PGS./Rated T+ …$3.99
After concluding his acclaimed Daredevil run with the Devil’s Reign event, Chip Zdarsky’s new run on the Man Without Fear looks to explore the ramifications of this event of the Marvel Universe. With the world believing him to be dead, Matt Murdock is able to focus completely on being Daredevil, and, along with Elektra Natchios, is assembling a team to defeat the Hand for good. What’s exciting about the 3rd issue of Zdarsky’s new series is the prospect of bringing some of Marvel’s most underused street level heroes into the spotlight as members of Daredevil’s new team. And with the Punisher now leading the Hand, Daredevil and Elektra will certainly need all the help they can get.
EDGE OF THE SPIDER-VERSE #3 (OF 5) DAN SLOTT AND MORE! (W) • MARK BAGLEY AND MORE! (A) Cover by JOSEMARIA CASANOVAS • Variant Cover by KRIS ANKA
Design Variant Cover by KRIS ANKA IN THIS ISSUE! SPIDER-MAN: INDIA! AND NIGHT-SPIDER! Wait, WHO IS NIGHT-SPIDER?! 48 PGS./Rated T+ …$4.99
Dan Slott’s greatest contribution to Marvel Comics is the Spider-Verse, of which Spider-Gwen was the breakout character. Spider-Verse and Dan Slott fans everywhere can now rejoice, because Slott is returning to the Spider-Verse with a new Edge Of The Spider-Verse series (which is where Gwen Stacy original appeared as Spider-Woman). Edge of the Spider-Verse #1 or #2 – which tease the return of Spider-Gwen, Peni Parker, Araña, and Spider-Man Noir, as well as a new female Spider-Man UK (Spider-Woman UK, if you will) – could easily be on this list in place of Edge of the Spider-Verse #3. However, #3 stands out as it teases a potential breakout star: Night Spider, a.k.a. Felicia freakin’ Hardy.
AMAZING FANTASY #1000 NEIL GAIMAN, ARMANDO IANNUCCI, JONATHAN HICKMAN, DAN SLOTT, HO CHE ANDERSON, KURT BUSIEK, ANTHONY FALCONE, RAINBOW ROWELL AND MORE! (W) JIM CHEUNG, OLIVIER COIPEL, MICHAEL CHO, GORAN PARLOV AND MORE! (A) Cover by JOHN ROMITA JR.
WRAPAROUND VARIANT COVER BY JOE QUESADA VARIANT COVER BY J. SCOTT CAMPBELL VIRGIN VARIANT COVER BY J. SCOTT CAMPBELL RETRO VARIANT COVER BY J. SCOTT CAMPBELL VARIANT COVER BY STEVE MCNIVEN VARIANT COVER BY TAURIN CLARKE VARIANT COVER BY PEACH MOMOKO The comic that brought you SPIDER-MAN hits issue #1000! We’re going big to celebrate in this, our thousandth issue of AMAZING FANTASY! An ALL-STAR roster of creators are coming together to celebrate Peter Parker and Spider-Man’s birthdays! 72 PGS./ONE-SHOT/Rated T …$7.99
New Spider-Man stories by Neil Gaiman, Armando Iannucci, Jonathan Hickman, Dan Slott, Ho Che Anderson, Kurt Busiek, Anothony Falcone, Rainbow Rowell, etc (WHO ISN’T A PART OF THIS?!?)!?! Just inject this into my veins right now!!!
This is just a glimpse of what’s available out there and just scratches the surface of what I’ll be ordering for the month of August.
Daredevil lives. After years of wishful thinking on the part of both fans and star Charlie Cox, the Marvel Cinematic Universe will bring Daredevil back to life with a brand new season of television on Disney+. The news was just made official by the outlet Variety, which also revealed writers Matt Corman and Chris Ord have been tapped by Marvel Studios to tackle the story. Almost immediately after, The Hollywood Reporter let slip that the show would be a “new but continued series” from the critically acclaimed three-season run the character previously enjoyed on Netflix. While this is pretty vague phrasing, it likely means that Kevin Feige is hoping to produce a show that can work as a soft “fourth season” of Daredevil while also standing alone as a fresh take on the character.
You can almost imagine Corman and Ord huddled in a dark room somewhere, furiously attempting to craft the next big solo adventure for lawyer and vigilante Matt Murdock. After all, the duo have a gargantuan task ahead of them. It’s not easy to follow in the footsteps of something so immensely popular, especially while balancing the expectations of fans who want more of the same with a studio that wants something new. Luckily, the pair have two major things going for them – Daredevil is a wildly multifaceted character with decades of tonally varied storytelling to pull from, and the last season of Netflix’s Daredevil ended in a place that allows them to go in almost any direction they please.
The first three seasons of Daredevil draw heavily from the work of Frank Miller. Each one is darker and more brutal than the last, adapting elements from famously depressing arcs like The Man Without Fear, Born Again, and Gang War to bring the protector of Hell’s Kitchen to life one beatdown at a time. Murdock’s violent origin, Wilson Fisk’s steel-fisted rule as Kingpin, and the tragic demise of Elektra Natchios. Even when it strayed from the path of Miller, it still found ways to be generally hard-hearted. The second season used imagery directly from Garth Ennis‘ stress-inducing Punisher comic The Choice, while the third season only broke away from Born Again long enough to copy a famous death from Kevin Smith‘s Guardian Devil.
The series finale, however, concluded the show with a scene that was seemingly pointing toward a disparate future. Cox‘s Murdock and Elden Henson‘s Foggy Nelson welcome Deborah Ann Woll‘s Karen Page as the latest partner in their ramshackle firm, with all three, perhaps for the first time, looking at a brighter tomorrow with a shared smile. Though many people associate pain and suffering synonymously with Daredevil, this has never been the case in the comics. Miller‘s elongated era of writing the character has, for some reason, become the default representation of how all Daredevil stories should be. Of course, this has led many to forget that his earliest escapades involved villains like The Matador and Leap-Frog, or that more recent comics involved him casually wearing a sweater that read “I’m not Daredevil.”
This occasional goofiness is something Marvel Studios would be smart to exploit going forward. Erik Oleson and the previous Netflix team couldn’t have teed them up any better. Both in metaphor and in the title, Matt Murdock was born again in Daredevil‘s third season. He comes out the other end of his conflict with Fisk a more optimistic person. In 2013, Mark Waid began a run on the character that aimed to explore the potential of this exact concept in full. Murdock attempts to cope with his traumatic past by forming a renewed sense of adventure, returning to his swashbuckling roots in a classic example of overcorrection. The arc added a new dynamic to Daredevil’s long history, but it never fully ignored the brutality of his past. Adapting this element from Waid‘s run would be an ideal way to give Daredevil a new coat of paint without having to dismiss its former seasons.
So, Marvel Studios’ Daredevil could begin with a reinvigorated Matt Murdock joyfully taking on crime in Hell’s Kitchen while his best friends keep their struggling law firm afloat. Naturally, there would have to be a conflict that uproots this, and the perfect inspiration can be found in the work of acclaimed creative Brian Michael Bendis. The writer had a run almost on par with Miller in the early 2000s, and some aspects of his comics found their way into Netflix’s live-action show. A key plot point in Bendis‘ Daredevil legacy comes in the form of Out, which saw Matt Murdock’s secret identity discovered by the FBI and eventually leaked to the press. The third season of Daredevil also had a member of the FBI learn about Murdock’s double life, and while he never leaked it to the press, it’s not too much of a stretch to say a fellow agent could find proof of Daredevil’s identity while sorting through Ray Nadeem’s old files and decide to make some extra cash.
The ensuing chaos would understandably cause some problems in each of Murdock’s two lives. Forced to face the same kind of scrutiny he had just helped Tom Holland‘s Peter Parker escape, Murdock’s fresh outlook on life would be tested. It would also put somewhat of a target on his back for any criminal who might be wanting revenge for a prior defeat, especially one who always hits his mark. Last we saw Wilson Bethel‘s Benjamin Poindexter, he was crazier than ever and in the middle of receiving a fancy new Cogmium spine. All these years later, it’s entirely possible he would be up and operating as the criminal underworld’s most effective assassin. No longer Poindexter, now simply Bullseye (hopefully in an MCU-worthy, comic-accurate costume). Should he need more resources to get even, he would have no problem finding a wealthy benefactor whose thirst for vengeance could equal his own.
Hawkeye shocked fans by revealing Vincent D’Onofrio‘s Kingpin was still active in New York City. It seems likely he would make an appearance in the next season of Daredevil, but perhaps it wouldn’t be him pulling all the strings this time. The last Fisk was seen prior to Hawkeye, he was being arrested alongside his wife, Ayelet Zurer‘s Vanessa. The last season of Daredevil proved Vanessa wasn’t as innocent as she once appeared, and is potentially more ruthless than Wilson himself. If his most recent arrest is the reason Fisk now operates out of a garage, and Matt’s final threat of ruining Vanessa if Wilson came for Foggy or Karen is the reason all three heroes are still alive, then perhaps a spiteful Mrs. Fisk could be the one hiring Bullseye and calling the shots as the public face of the Fisk fortune. Waid‘s run also had Murdock’s identity being revealed, that time purposefully announced by Matt to avoid being blackmailed. Maybe Vanessa attempts to use the information about Murdock’s identity against him, only for Matt to surprise her by unmasking himself in the court room.
These hypothetical plot points may not always line up perfectly with the Netflix Daredevil series, but there’s a really good chance the new show might not always follow the previously established canon. At least, not exactly. Bullseye may have a Vibranium spine, the aforementioned arrests may not have gone down quite the same way, and Kingpin might be a little more durable than Netflix remembered to show. Aside from the mention of Ray Nadeem or the FBI, all of these elements could be explained away with a line or two of vague dialogue. Either way, they’d be a fantastic way to give Charlie Cox‘s take on Daredevil a proper continuation whilst also giving Disney+ a fresh tone to work with. I mean, if Matt reveals his identity and ends up disbarred in New York, he’s always got that comic book move to San Francisco waiting in the wings.
We just got the news that Daredevil is finally getting a Disney+ series, which is the first new entry since the Netflix series’ third season premiered in 2018. The only thing revealed was that Matt Corman and Chris Ord were working on the revival series, but luckily The Hollywood Reporter has added that it’ll act as “a new and continued series” from the original hinting at it being a continuation of the Netflix series.
We know that Charlie Cox is returning to the franchise, as he returned in Spider-Man: No Way Home as the character for a brief appearance. While we got a good tease of what to expect, there have also been some hints that he may have a recurring role in other projects moving forward before he gets his solo series.
It seems like the hint is that this series will act as a continuation of the original three seasons, but likely with a twist. We don’t know how Vincent D’Onofrio‘s Kingpin ended up leading the Tracksuit Mafia and we don’t know if this series will explore what happened to them during the Blip. There are a lot of questions we’re still left with and with their return, also opens up the possibility of what it means for the rest of the Defenders. We’ll see if the rest might pop up somewhere else in the near future.
After being rumored for quite some time, the confirmation has finally arrived that a new Daredevil series is in development and heading to Disney+. Variety has just broken the news as Matt Corman and Chris Ord are attached to write as well as executive produce the series. The rumors have been making the rounds for some time, especially after Charlie Cox and Vincent D’Onofrio made their grand return in Spider-Man: No Way Home and Hawkeye. The series is picking up steam.
There’s no word on which direction the story is heading and how it may pick up the story from the original Netflix series. Its third season saw Matt take down Bullseye, who pretended to be Daredevil. The return of Kingpin in Hawkeye did hint that he was rebuilding his Empire and with rumors making the rounds that the Man Without Fear might appear in She-Hulk, he’ll be out of town for a bit. So, there are many ways they could tackle this series.
Corman and Ord have made a name for themselves with their work on the USA network series Covert Affairs, which ran for five seasons. They have also acted as showrunners on series like The Enemy Within, The Brave, and CW’s Containment. There’s been a bit of hope for the series to revive and while it’s a shame that they didn’t bring on Season 3’s talented Erik Oleson, there’s always the chance he might make a return with a future season entry.
While he has yet to be officially announced, there is one place that will surely bring She-Hulk and Daredevil together in She-Hulk: the courtroom. The 9-episode comedy series is set to spend a lot of time focused on Jen Walters’ legal practice, as the subtitle, “Attorney at Law,” makes clear. The teaser trailer introduced Walters’ firm, Goodman, Lieber, Kurtzberg & Holliway, where she is the face of the firm’s superhuman law division. Matt Murdock, of course, is also a lawyer, but he doesn’t specifically focus on super-powered individuals as Jen does. Throughout the character’s history, he has practiced many kinds of law. But for the most part, Matt works as a criminal defense lawyer and sometimes takes on civil rights cases.
There seems to be little doubt that the two could meet as two attorneys, but what kind of case would bring them together? Sure, the optimist might argue that the two will work as a team to bring about justice. But the legal battlefield is much trickier than that, and what constitutes “justice” often just depends on the side that you are on. And given their shared history in the comics, all bets are on She-Hulk and Daredevil on opposing sides. In Charles Soule’s 2014 She-Hulk run, the two actually took a wrongful death suit against Captain America to court, with Matt representing the victim and Jen representing old Steve Rogers.
‘She-Hulk’ (2014)
We know whatever case it is will be a civil case—not a criminal one—considering that neither of our heroes works for the government. Obviously, superheroes or superhumans will be involved in any case that Jen is working on, though that does not necessarily mean that non-superhero parties can’t have a significant role in the case. Assuming Matt takes on his traditional role as a defense attorney, Jen will be representing someone who is suing Matt’s client. An easy list of possible cases looks pretty simple. It could be that (a) a superhero sues a supervillain or vice versa, or (b) a civilian sues a superhero/villain or vice versa. But we can probably narrow it down further.
Matt Murdock does have a history in the comics of taking on superhero clients, but there is a strong chance that will not be the case in She-Hulk. Matt is known for looking out for the “little guy” or those who have the justice system stacked against them. So, it seems likely that Matt could be defending an ordinary civilian against a lawsuit by a more powerful superhuman represented by Jen and her firm. But what would a superhero need to sue someone over? The answer to that is pretty much endless, but since we know that She-Hulk is a comedy, it probably will not be anything too serious. In other words, the Sokovia Accords, the only KNOWN laws that apply to superheroes in the MCU, are probably off the table. The possibilities include emotional distress, defamation, unconstitutional imprisonment (that prison in the teaser trailer looks pretty intense), negligence, or fraud. While not likely to happen in a Disney+ series, Spider-Man has successfully sued J. Jonah Jameson and the Daily Bugle for Libel in She-Hulk comics. If it’s comedic and light-hearted, it doesn’t even need to be complicated. It could be as simple as a superhero suing the guy who makes their suit over the quality of said suit.
So, who could be Jen’s superclient? As mentioned, She-Hulk could have a crazy amount of cameos, so it is hard to say. There are rumors of Wong trying to sue another wizard, but presumably, the series will showcase several superpeople looking for legal advice or going to court. The teaser trailer also indicated that Jen will work with Emil Blonsky/Abomination to some extent as well. The sheer amount of possibilities makes this a difficult guess, but it would probably have the most impact if the superhuman involved is someone we know in the MCU.
Lastly, of course, which lawyer will win? In the comics case over Captain America that the two took to court, She-Hulk was the ultimate winner, though Cap pretty much set up that outcome. Still, considering it is She-Hulk’s series, that is another strong reason why we should predict her to triumph over Matt Murdock in court.
She-Hulk: Attorney at Law starts streaming exclusively on Disney+ on August 17, 2022.
While being surprised that the Marvel Netflix series wasn’t seeing an international release, they are slowly starting to roll them out in other countries. While there’s no official reveal on the official Twitter account, a Twitter user by the name of @almanaquedisney has shared a familiar visual to those that were hyped when the Marvel Netflix series were making their way to Disney+ stateside.
According to them, Daredevil, Jessica Jones, Iron Fist, and the rest of the Defenders will make their way to Disney+ Brazil on June 29th. They will also come with the same parental controls as the United States got with their initial release. There is currently still no word if it’ll also find its way to European countries around the same time, as there was a statement from the Netherlands that hinted at a June release. So, we might see a similar release date. The release has not yet been officially released on the official Twitter page and may have only been shared through a newsletter.
🚨🚨🚨🚨🚨🚨🚨
A Disney Brasil acaba de confirmar que as séries da Marvel Television que estavam na Netflix chegarão ao @DisneyPlusBR no dia 29 DE JUNHO.
Assim como nos Estados Unidos, nosso Disney Plus terá atualização no controle parental, permitindo conteúdos +16 e +18. pic.twitter.com/xhriKvrTXA
Here’s hoping an official statement drops soon, but the June release is motivating that the series will be made available for all Disney+ subscribers at some point. It’s still surprising that there has been a delay with an international release, especially as those countries with the Star branding already have a function age restriction service built-in. So, we’ll see if more countries get the announcement in the coming weeks.
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