The Last of Us is almost upon us and luckily, it means we’ll finally get to see Pedro Pascal‘s take on the iconic character of Joel. Though, as often is the case, you never know who else might’ve almost had the role to define their take on a popular character. As it turns out, TheBoys and Supernatural alum Jensen Ackles was campaigning quite a bit to take on the role of Joel Miller but seemingly never truly got into the running.
I was really pushing hard, but I don’t think I was really in the mix or even had a shot at Pedro Pascal’s role in the Last Of Us. but that was high up on my radar.
Jensen Ackles
Ackles is a big name but he got a second boost when he finished his work with The Boys‘ latest season. Plus, who knows if he was what they were looking for at the time, as Joel is more an older character that represents the hardship of when time passes by them and they somewhere gave up. Ackles has a lot of energy and likely might’ve not fallen into what they were looking for.
The first trailers were quite promising with the adaptation of the classic Naughty Dog gaming franchise. It would be hard to imagine Ackles in the role, but it’s a shame he didn’t get a chance to tackle a different role in the series. Perhaps they are mapping out multiple seasons and are interested in adding him after all.
Welcome to another edition of Murphy’s Multverse’s Sunday Paper. With endless news and content coming to you throughout the week, the Sunday Paper is here for anyone who wants an overview of what happened in the past week. Whether you missed it all, or just want to catch up, this is the article for you. Remember to follow us on Twitter, subscribe to our YouTube channel, and check out our website to stay up to date. Check out last week’s Sunday Paper here.
Perhaps some of the week’s biggest news comes from two upcoming Marvel Studios Disney+ series. Despite having no release date, Wonder Man has made headlines due to some major casting announcements. For starters, Yahya Abdul-Mateen II is in talks to star in the titular role. He is well-known for his roles DC’s Black Manta in the Aquaman films has also starred in HBO’s Watchmen, The Trial of the Chicago 7, Nia DaCosta‘s Candyman, and The Matrix Resurrections where he played Morpheus. Not only that, but Better Call Saul’sBob Odenkirkis also reportedly being eyed for a role in the series, and we have a theory as to who he could play.
In a shocking decision, HBO has decided not to renew Westworld for another season.
The series, which ran for four seasons on HBO, was thought to be one of the network’s biggest titles. During its run, the acclaimed series managed to earn an impressive 54 Emmy award nominations, which included a supporting actress win for Thandiwe Newton. Despite the show’s initial success, the series continued to lose viewers – and critics – following its third season and leading into Season 4.
News of the show’s cancellation comes about a month after co-creator Jonathan Nolan discussed his hopes for a fifth season. At the time, Nolan told the folks at Deadline that the plan was always for five seasons. “We always planned for a fifth and final season. We are still in conversations with the network. We very much hope to make them.”
HBO released a statement regarding the cancellation, noting the work the cast and crew have put in throughout the years. “Over the past four seasons, Lisa and Jonah have taken viewers on a mind-bending odyssey, raising the bar at every step. We are tremendously grateful to them, along with their immensely talented cast, producers and crew, and all of our partners at Kilter Films, Bad Robot and Warner Bros. Television. It’s been a thrill to join them on this journey.”
After seeing how the Greens reacted upon learning of King Viserys’s death, acting on long-laid plans and instilling his son Aegon II as king, over Rhaenyra, Episode 10 took the story to Dragonstone.
The Black Council
The episode opened with Rhaenys serving as the bearer of bad news. Not only is Viserys dead, but Aegon had been named king in front of all of King’s Landing. Daemon point blank asked Rhaenys why she didn’t roast them alive when provided with the opportunity in the previous episode. Rhaenys said it wasn’t her war to start, which makes sense, but come on! They were right there!
The shocking news of her father’s death sent Rhaenyra into labor with her third child with Daemon. She wasn’t due for months, and sadly lost the baby. While this wasn’t the final straw for her to declare war on her childhood best friend and half-siblings, it was just another thing to blame on the Greens.
Rhaenyra was very restrained in the war council, asking if it’s her duty to hold the realm together, or to tear apart the country to get to her throne. This moved Rhaenys, and in turn garnered both her and Corlys’s support and fleet, providing one of many lords and armies she’ll need to take the Iron Throne.
Daemon
Our warmongering rogue prince got up to his usual shenanigans. He’s eager to show Westeros who is the rightful heir to the throne, and he is willing to use dragons to do so. Damon addressed the many dragons that are still unclaimed and stated that the Blacks needed to find riders for them. Even with Vhagar’s sheer size, the Blacks having 13 dragons vs the Greens having 4 would make this war short-lived. But we see later in this episode what a dragon can do to another dragon. Is it worth the cost?
A much-talked-about scene from the episode saw Daemon grab Rhaenyra by the throat and choke her. What forced this? We haven’t seen violence like this between Daemon and Rhaenyra, but he does have a history of murdering his wives. Well, turns out that even though Daemon was the heir before Rhaenyra was confirmed, he didn’t get all of the privileges that a Targaryen heir gets. He had no idea about Aegon the Conqueror’s vision, which is The Song of Ice and Fire (what the entire series is based on) when Rhaenyra brought it up. There’s a very good quote from Emma D’arcy, the actor that plays Rhaenyra, that might help explain the scene. “On the one hand, he can say that he doesn’t believe in prophecies. But he was never trusted to anyway.”
This revelation that he was never really considered as the heir sent him off to try and bring out some of the unclaimed dragons, and we see him singing to Vermithor, the dragon to King Jaehaerys, who ruled before Viserys. Expect to see a lot more of these unclaimed dragons in Season 2.
Storm’s End
Having read Fire and Blood, I knew that this scene was coming, and I knew that the show had to nail this sequence. Aegon being crowned isn’t the catalyst that drove the realm into war. A woman being named heir over a male isn’t the catalyst. It is simply a young man with a vendetta and a nuclear weapon at his disposal that he can’t control.
To set the scene, Rhaenyra was seeking to confirm who her allies are. By sending Jace north to the Vale, White Harbor, and Winterfell, as well as Luke being sent to Storm’s End, it sent a stronger message than just sending a raven. But when Luke gets to Storm’s End to treat with Borros Baratheon (who was chosen to lead, not to read), he finds Vhagar causing a ruckus outside, and Aemond the anime warrior with the sapphire eye already there. Luke was spurned by Baratheon and turned to leave to go back to Dragonstone. Aemond demanded justice, however, telling Luke to cut out his own eye and he’d let bygones be bygones. Borros stopped things and let Luke go. But he also let Aemond go.
If you’re reading this, you saw the dragon fight, if you want to call it that. Vhagar is at least 5 times the size of Arrax, and it was not much of a battle so much a light snack for the oldest dragon in Westeros. But it also proved to be a major deviation from the book, and it might have some effects on the main series, Game of Thrones. Both Arrax and Vhagar disobeyed their riders, with Arrax shooting flame at Vhagar, and Vhagar going after him and killing both Luke and Arrax. With both Aemond and Luke repeatedly screaming for their dragons to stop and obey, it recalls a warning given by Viserys throughout this season that dragons are something that the Targaryens trust in too much, being that they are still uncontrollable wild animals at their heart. That came to life here. Aemond meant to just intimidate his nephew, and instead he started a civil war that will tear apart the Seven Kingdoms.
Things to Come
With the dragons acting on their own will in the ending sequence, I hinted that this may have further effects on Game of Thrones, in particular, when Dany burns King’s Landing to the ground. Could House of the Dragon possibly be trying to retcon this action, by placing the blame on Drogon instead of Daenerys? Something to think about.
In Season 2, we’ll be seeing the Vale again, as well as Winterfell, where Jace will be traveling. We’ll also finally see Daeron, the third son of Viserys and Alicent, who has been in Oldtown for all of this season, along with his dragon Tessarion. He’ll have a large part to play in the coming war. Exciting things to come, and it was a great start to the show.
With House of the Dragon having aired its season finale, speculation has begun about how the Dance of the Dragons will be adapted onto the screen in the second season and beyond. After spending a season chock full of time jumps to build to this moment, it was the murder of Lucerys “Luke” Valeryon at the hands of Aemond Targaryan that officially launched the war that will tear Westeros in half. This is something that has been confirmed by showrunner Ryan Condal to always be the climactic event of the first season’s finale, though the nature of the events which occurred changed significantly in relation to the original book by George R.R. Martin, specifically the culpability of Aemond in Luke’s death. The series adaptation showcased more regret and anguish over Aemond’s rash decision. While discussing the finale with Variety, this is what Condal had to say about the change.
Historians have told us that Aemond intended to kill Luke, but I don’t think any of them could purport to know what was going on in Aemond’s head at the time. And I would also dispute the word “accident” a bit. I mean, Aemond got on his giant dragon and chased his nephew on his much smaller dragon through the clouds screaming and yelling at him, incensing his dragon and starting a fight. He didn’t know how Arrax or Luke were going to respond, and it ended in tragedy. I don’t think that was what Aemond intended when he threw his leg over the saddle, but he did a horrible, dangerous thing. That is the point: This is a war of many cuts that lead to a really, really bloody wound. It adds complexity and nuance to the character that’s potentially interesting. There’s lots of runway to go on with Aemond as a character and the story of the Dance. This is his first act as a dragon rider and a warrior and it’s gone very wrong. Now what happens as a result, and how does he respond? Those are the questions I’m interested in as a dramatist.
Ryan Condal
The change comes after the first season of House of the Dragon has taken some mild creative liberties from the original source material (with varied responses to them). A major component for the future of the series is the potential to travel to more realms of Westeros. After remaining relatively isolated into a select few locations, the showcase of the map in the finale certainly has illuminated interesting possibilities for fans to ponder. Ryan Condal had the following to say about what to expect from the show moving forward in terms of new locations.
The show definitely has to expand its scope in the second season. Just as the original “Game of Thrones” grew in scope and expanse as it went, so, too, will ours. We’ve lived a good bit in three different worlds through this show: King’s Landing, Dragonstone and Driftmark. I think those will continue to be the home bases for the show. But a war is coming that requires allegiances from different kingdoms and armies all over the map of Westeros. I don’t think we’re going to get quite as vast as the original “Game of Thrones” did in its final analysis. But there are definitely many more new worlds to come, and new worlds that you haven’t necessarily seen in the original show, either. Rest assured, plenty of scope to come.
Ryan Condal
The finale of the first season of House of the Dragon is available to watch on HBO and HBO Max. Production for the second season is said to begin at the start of 2023, though no official word has been said as to when it will air.
These words, uttered by Matt Smith‘s Prince/Prince Consort Daemon Targaryen in a moment of raging spousal abuse, really set the tone for an unexpectedly intense season finale. House of the Dragon returned for another hour on HBO last night, it’s last of the year, and somehow managed to up the dramatic ante on a show that’s been pretty consistently melodramatic for ten-straight episodes. Titled The Black Queen, in reference to Emma D’Arcy‘s Princess/Queen Rhaenyra Targaryen, the finale stands as the series’ official boiling-over point in the conflict between members of the Targaryen family.
With Tom Glynn-Carney‘s Aegon II Targaryen crowned King of the Seven Kingdoms against the proper line of succession, Rhaenyra and her supporters – known as the “Blacks” – must devise a game plan to win back the Realm. Unfortunately, as is often the case in Westeros, nothing really plays out all that smoothly. While Rhaenyra hopes to find a peaceful transition between rulers, Daemon goes rogue and begins plotting a full-scale war. Elliot Grihault‘s Prince Lucerys Targaryen and his brother Jacaerys (played by Harry Collett) head north in search of allies among the Starks and Baratheons, but a surprise confrontation with Ewan Mitchell‘s Prince Aemond Targaryen puts a major damper on Rhaenyra’s rallying cry.
In the only bit of good news, Steve Toussaint‘s Lord Corlys Valaryon is revealed to have survived his wounds. He and his much-smarter wife, Eve Best‘s Princess Rhaenys Targaryen, pledge their dragons and their navy to the Black Queen, setting up an action-packed second season with tensions high and hearts broken. As per usual, it’s a lot to break down. Luckily for the folks at home, Murphy’s Multiverse has already determined the best and worst moments that occur in The Black Queen.
BEST – Deaths in the Family
House of the Dragon‘s first season finale begins and ends with the deaths of Rhaenyra’s children. Both moments are fairly impactful in terms of viewing experience, but it’s Emma D’Arcy‘s performance in reaction that solidifies The Black Queen as one of the series’ best installments yet. At the top of the hour, Rhaenyra is informed rather abruptly by Rhaenys that her father has finally passed and that Aegon has been chosen to succeed him – in what could be considered a coup on the part of Olivia Cooke’s Queen Alicent Hightower. This shocks the pregnant, would-be Queen into a premature stillbirth, which she delivers on her own – standing up – before walking away to initiate her rightful rule of the Seven Kingdoms. It’s exactly as impressive as it sounds, and an incredibly powerful sequence that likely made it hard for fans to keep their jaws from dropping. The grace and capability with which Rhaenyra handles the situation is eye-opening and sufficiently proves she has the temperament to lead that Aegon does not.
As if that wasn’t enough trauma for poor Rhaenyra, the hour concludes with the loss of a beloved son. Prince Lucerys travels to Storm’s End in an effort to sway Roger Evans’ Lord Borros Baratheon to his mother’s side, but when he arrives, he finds an uncooperative, and surprisingly rude, Borros has already aligned with Aegon at the behest of the latter’s brother, Aemond. The kindly Lucerys tries to leave peacefully on his dragon, Arax, but is pursued by his violently vengeful uncle in a gorgeous – *ahem* – dance of the dragons in the dark skies over Storm’s End. As beautiful and awe-inducing as the moment is, it also results in Aemond losing control over his dragon, Vhagar, with the beast killing both Lucerys and Arax in a shocking clamp of its teeth.
Stylistically, the ending is one of the best to come out of the entire Game of Thrones franchise. Storm’s End and the lightning-filled clouds above it appear to be out of a 1980’s-style Jim Henson film, a la The Dark Crystal, and the visual effects on the dragons and their duel are stunning. There’s a lot to love. However, it’s the minutes following Lucerys’ death that resonate the most. Aemond, for the first time, seems to show some sort of compassion, and the look on Rhaenyra’s face when she learns of what happened can only mean one thing – The Black Queen now has a pretty good reason to be a little less reasonable. Perfect set-up for a second season.
WORST – Otto Hightower Being Himself
Truthfully, there wasn’t much to hate in The Black Queen. The episode sped along at an insane pace and was chock-full of buzz-worthy scenes. However, there was one moment that felt truly infuriating as a viewer, and that was the only one involving a Hightower. Rhys Ifans‘, as good as he is, continues to be one of the most obnoxiously vile characters on the show, with his Otto – Hand of the King – arriving in Dragonstone in an attempt to make Rhaenyra and Daemon swear fealty to their new King. Obviously, they do not, and Otto is forced to make several snide remarks before leaving ominously with the promise of death floating in the air. The best part of his brief appearance in the finale was when Rhaenyra removed his symbol of the Hand and tossed it off a bridge. Hopefully, he never gets it back.
All 10 episodes of House of the Dragon are now streaming on HBO Max. A second season is unlikely to stream until 2024 or later.
The penultimate episode of House of the Dragon did its best to match Game of Thrones‘ Episode 9s, let’s check into how they are preparing for the season finale.
The Green Council
After the initial discovery of Viserys’s death, the Hightowers quickly corraled anyone who would know about it, in order to keep things quiet while they did their scheming. Alicent told the council about her interpretation of Viserys’s last words, which she believed to mean that he wished that his son Aegon to succeed him as king. Stop naming your kids Aegon, please. Get creative.
This was all the justification that the rest of the council needed, as it became clear that Otto and company have been planning to usurp the throne without Alicent’s knowledge. This knowledge seemed to paint her in an innocent light and not the mastermind of these plans. The only two to oppose the seizing of the throne were the Master of Coin, Lord Beesbury, and the Lord Commander of the Kingsguard, Harrold Westerling. Beesbury got his head caved in by our favorite guy, Criston Cole, for speaking out, but Westerling was let go after he tossed his white cloak off.
The Search for King Aegon II
Now, you can’t exactly place a new king on the throne without the king, so where was Aegon? Two search parties were sent out. One by Otto, led by the twins Erryk and Arryk Cargyll of the Kingsguard, and one by Alicent, led by Cole and Aemond. The race for Aegon was a little cloudy, but the root cause is that Otto will try to convince Aegon that Rhaenyra and her family must die in order for him to keep the throne while Alicent would try to offer mercy.
After a romp through the bowels of Flea Bottom where Aegon spends a lot of time, we got a look at one of his bastards, as well as the child fighting pits that Aegon reportedly frequents. All this to prove that Aegon is a scumbag whereas Aemond studied the blade. Aegon was fiinally found being held captive by Mysaria, who was flexing her status as the true power of King’s Landing. She gave up Aegon’s location to Otto after negotiating the end of child fighting pits in Flea Bottom: a true hero to the smallfolk.
Mysaria was ratted out by Larys the clubfoot, who shockingly has a fetish for normal-looking feet. In exchange for getting a look at Alicent’s piggies, he promised that Mysaria will die, and the information being fed to Otto through her will also end.
After being freed from captivity, Aegon felt that he wasn’t truly worthy of the crown, being spurned by his father for Rhaenyra, as well as being a general screw-up in his family’s eyes. Only when he learned from Alicent that Viserys “wanted” him to ascend did we get the full Joffrey look in his eyes when he was toying with Aegon the Conqueror’s dagger. Alicent’s pleas to give Rhaenyra mercy fell on deaf ears as well. The smallfolk cheering for Aegon II had him puffing his chest out, until Helaena’s dragon dream from the last episode came to fruition.
The Beast Beneath the Boards
It turns out that Rhaenys and her dragon, Meleys, were the beast beneath the boards. Moments after Aegon was crowned, Meleys burst out of the floor of the dragon pit, killing and injuring a couple hundred/thousand smallfolk before giving the Greens a death stare. This fell really flat for me. Rhaenys knew that this act would lead to war, because she knew that Rhaenyra would not sit idly by while her half-brother steals her birthright. Her act of mercy to the royal family was pure plot armor, and had vibes of the later seasons of Game of Thrones. She had no problem with demolishing the smallfolk to get in a stare-down with Alicent, and then chose to fly away without royal bloodshed, to avoid being a kinslayer. Killing a couple hundred commoners, no problem, but if you choose to kill a distant third cousin, you’re DAMNED to eternity.
I’m still convinced there is another beast between the boards, but that is likely being pushed to season 2. The rats will have a part to play, I guarantee it.
Things to Come
The Black council was omitted from this episode, but they’ll be taking over for most of the season finale. Rhaenys and Erryk Cargyll will be delivering the bad news, and we’ll get to see the reactions. Surely Rhaenyra and Daemon will handle things in a mature matter, right?
This coming episode will not only see the Black Council’s planning but also the gathering of allies and dragons as well. We’ll finally see Storm’s End, where the Baratheons will have to decide which side to join, whether it be the Greens or the Blacks. No spoilers, but this meeting on Storm’s End will set the tone for the entire war in the seasons to come.
Colin Farrell has been quite busy lately and will soon return to The Batman franchise with his very own spinoff. After a long bout of silence, the project has quickly picked up the pace with Agent of S.H.I.E.L.D.’s Lauren LeFranc set as its showrunner and slowly adding directors. In an interview with Variety, Farrell surprisingly lets a few topics loose and reveals that the series takes place right after The Batman‘s ending.
It starts about a week after ‘The Batman’ ends. So, Gotham is still, somewhat, underwater. I read the first script of the first episode and it opens up on my feet splashing through the water in Falcone’s office. Even that alone, when I read it, I was like, ‘Oh, Jesus!’
Colin Farrell
We still haven’t heard much about what we can expect in the sequel from Matt Reeves, but it’s interesting that the spinoff series might be the one to focus on a flooded Gotham. Perhaps the return of Robert Pattinson‘s Batman might take place at the same time, but we won’t know until they start working on the project. Still, Farrell is quite excited bout the project and praises showrunner LeFranc‘s work.
It’s lovely. It’s so well-written. Lauren LeFranc has done such an extraordinary job, and she’s writing the whole thing and show-running. She is formidable. It’s just an exciting prospect. I love that character. I was greedy with it. I felt like I didn’t have enough. I wanted to do it more and more and more.
Colin Farrell
We’re definitely excited to see what the project might explore, but a power vacuum left in the wake of Falcone’s death and a flooded Gotham is definitely the perfect direction for this project. Here’s hoping we get to see some other iconic mobsters from this universe. Perhaps we’ll get a few set-ups of future confrontations with Black Mask, White Shark, The Hammer, Cosa Nostra, and many more.
With the conclusion of the eighth episode of House of the Dragon came the conclusion of a season-long journey toward death for one of the series’ main characters. After a long and gradual decline in health over the first season, King Viserys I Targaryen died in his sleep in the final moments of Sunday’s latest episode. In an interview, actor Paddy Considine gave some insight into the cause of the suffering and death for the now-deceased King of Westeros.
He’s actually suffering from a form of leprosy. His body is deteriorating, his bones are deteriorating. He is not actually old. He’s still a young man in there. He’s just, unfortunately, got this thing that’s taken over his body. It becomes a metaphor for being king, and the stress and strain that it puts on you, and what it does to you physically, what it does to you mentally.
Paddy Considine
This shouldn’t really come as a surprise to viewers based on the telltale signs of Viserys’ body gradually falling apart as the season progressed. It was certainly noticeable in this past episode in which the king had to wear a golden mask to hide the fact he had lost an eye due to the disease. Considine’s physical performance in struggling with leprosy and his overall portrayal of the character should place the actor high in award consideration in 2023.
Ultimately, the death of Viserys is the gateway for the civil war brewing amongst the Targaryen family. The conflict between Rhaenyra Targaryan and Alicent Hightower has been the main storyline of House of the Dragon to this point and while this episode left the two characters at potentially the closest they’ve been since the premiere, the feelings of resentment have been passed down to their children which makes the upcoming boiling point all the more inevitable. With two episodes remaining, it certainly will be interesting where the status quo stands heading into the future of the series with the Dance of the Dragons.
As it turns out, a family naming all of their kids the same thing can be quite confusing. Not only is this true for viewers of HBO’s House of the Dragon, but it is apparently also problematic for the characters who inhabit its fictional space. This week’s episode, called The Lord of the Tides, is once again all about succession. Set six years after the end of the previous installment, Steve Toussaint‘s Lord Corlys Velaryon has supposedly suffered a grievous incident that has left his life hanging in the balance. Now, the future of his house and his title are in question, with Harry Collett‘s Prince Jacaerys Velaryon – the designated heir – deemed unfit to rule by many members of the royal family.
The Lord of the Tides begins and ends with death. Wil Johnson‘s Ser Vaemond Velaryon loses half his head after claiming Emma D’Arcy‘s Princess Rhaenyra Targaryen mothered bastards, and Paddy Considine‘s King Viserys Targaryen takes his final breaths after a very odd family dinner. Suffice it to say, there’s a lot going on in this episode. Luckily for the folks at home, Murphy’s Multiverse was able to dig through the pile and come up with the best and worst moments The Lord of the Tides had to offer.
BEST – King Viserys and the Family Dinner
Surprising nobody, House of the Dragon was at its very best when the whole Targaryen clan gathered together to cause utter chaos as a familial unit. That closing dinner sequence, in which King Viserys makes it known one last time where he stands on the matter of his succession and the future of his kingdom, is the drama of Westeros at its peak. In only a few minutes of screen time, viewers are treated to a newfound truce between Rhaenyra and Olivia Cooke‘s Queen Consort Alicent Hightower, an absolutely grotesque look at Viserys’ tepid dying body, plenty of uncomfortable silence, and Ewan Mitchell‘s Prince Aemond Targaryen starting a brawl with his cousins and nephews. The way the scene is able to keep its audience on the edge of their seats without doing anything too gimmicky is impressive, and a testament to the way this show has sewn together its plotlines to create believable tension.
Paddy Considine, in what will likely be his last appearance as the good King Viserys, should also be mentioned for an incredible performance as the husk of his former self. He was absolutely the standout of this episode, potentially leaving a greater mark on the Game of Thrones franchise in this hour than the rest combined. It’s deliciously ironic, too, that a character who has always been so clear in his desires should accidentally ruin the future of his name by speaking vaguely, in a fugue state, just seconds before expiring. All that insistence on Rhaenyra’s right to the Iron Throne, every moment of begging his family to get along, was thrown down the drain in a case of mistaken identity. Painful, and excellent.
WORST – Lord Corlys’ Off-Screen Injury
As great as House of the Dragon has been, there are some things that it could do much better. For example, in this episode, fans learn that Lord Corlys – a major character they’ve spent a lot of time with – is likely going to die, and the events surrounding his impending doom all happened off-screen. This isn’t the first time the show has convinced its audience to care about a character, only to do away with them quickly and unceremoniously for the sake of time jumps and speeding through the plot. The series has a lot of ground to cover, which is understandable, but it becomes frustrating when it takes moments that should feel big and makes them weirdly small. It was almost jarring when the episode opened with a line of dialogue that Corlys was kaput, and then little else was said in regard to his impact on the franchise at large. Even if he survives his wounds and returns to prominence, it would have been nice to see what happened so viewers could better relate and sympathize with whatever moves he makes next.
Follow along on Twitter as we break down each new episode every Sunday.
SUNDAYS ARE FOR THE DRAGON
Another week, another round of Targaryen drama for @hradesi14 to break down. Join him as he gives his thoughts on this week’s episode and reply below with some thoughts of your own!@HouseofDragon@HBO
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