Guardians of the Galaxy Vol. 3, James Gunn‘s farewell to the franchise that put him on the superhero map, has had a successful run in theaters and now, as it approaches the end of its run, Disney has revealed when the film will be made available for home theaters.
Still reeling from the loss of Gamora, Peter Quill must rally his team to defend the universe and protect one of their own. If the mission is not completely successful, it could possibly lead to the end of the Guardians as we know them.
Official Synopsis for Guardians of the Galaxy Vol. 3.
Guardians of the Galaxy Vol. 3, which debuted in theaters on May 5th, will be available for purchase on digital platforms beginning on July 7th. Just about one month later, on August 1st, 4K Ultra HD, Blu-ray and DVD copies of the film will hit store shelves. Disney has yet to reveal when the film will release on Disney Plus.
As of the time of publication, Guardians of the Galaxy Vol. 3 has grossed over $823M worldwide during its six-week run with $347M of that coming from the domestic box office.
Many questioned what exactly Sony was thinking about when they wanted to adapt the minor Spider-Man character of El Muerto into a film. While it seemed like it was mostly a project driven by its main lead, Bad Bunny, the project was seemingly scrapped. In a new report by The Hollywood Reporter, it seems the film was shelved due to it needing work and that isn’t happening with the ongoing Writer’s Strike, as many writers are fighting for livable wages.
The big reveal is also that they were seemingly already eyeing someone to play an iconic Spider-Man villain in the film. El Muerto was seemingly going to explore the antihero’s story and introduce Tombstone, a famous mafia boss from the Spider-Man comics. They were eyeing Marvin Jones III for the role, who also voiced the character in the animated film Spider-Man: Into the Spider-Verse.
He’s not the only one, as they were also going to add Mercedes Varnado, better known as Sasha Banks in an unnamed role. It’s unclear if they might be open to retreading the project at some point later on, but that all depends if the Writer’s Strike finally coming to an end and receiving what they deserve given the work they put in to give us some amazing projects.
After blowing the doors off Hall H last year, Marvel Studios has decided to skip San Diego Comic-Con this July. Though the move is sure to upset fans, it’s hardly surprising given the current climate in Hollywood. The ongoing WGA strike has caused Marvel Studios to put productions on several projects on hold and the looming SAG strike would mean the Hall H stage would be pretty empty as actors would sit it out.
SDCC ’22 was a huge hit for Kevin Feige and company with the announcements of Avengers: The Kang Dynasty, Avengers: Secret Wars and Daredevil: Born Again leading the way. Feige also revealed that Phases 4-6 would make up the Multiverse Saga and dropped trailers for a few projects. Given Feige’s insistence that the studio won’t show up in San Diego unless it can over-deliver, sitting out 2023 makes sense. With talent likely to sit out the event, once the studio updated its theatrical slate via an official release, there’s not much left to deliver.
In addition to a staggering amount of moves to its upcoming theatrical slate, Marvel Studios has removed two films from its 2025 slate.
Per an official release from Disney, a pair of untitled Marvel Studios films, originally dated July 25th, 2025 and November 7th, 2025, are no longer Marvel Studios films.
UNTITLED DISNEY is the updated title of UNTITLED MARVEL dated on 7/25/25
UNTITLED DISNEY is the updated title of UNTITLED MARVEL dated on 11/7/25
It is likely that these changes come as a result of the ongoing WGA strike. With writers not working during the strike, development on any potential 2025 scripts will have halted completely.
As it stands, the official updated slate only shows two Marvel Studios films will hit theaters in 2025. Blade, which has faced ongoing challenges in its development, has been tentatively rescheduled for February 14th, 2025 and Fantastic Four has, for now, been moved to May 2nd, 2025.
At this time, the 2026 slate still features four films:
Untitled Marvel on February 13th Avengers: Kang Dynasty on May 1st Untitled Marvel on July 24th Untitled Marvel on November 6th
As part of a multitude of moves made by Disney, Marvel Studios upcoming film slate has been changed significantly.
Resultant to the production delays caused by the ongoing WGA strike, Marvel has made a series of changes beginning in 2024. Deadpool 3 will now kick off their theatrical offerings, opening on May 3, 2024, a date that was originally supposed to see the debut of Captain America: Brave New World. Sam Wilson’ first feature film as Captain America will now instead open on July 26, 2024–where Thunderbolts was slated. In turn, Thunderbolts, which has not yet begun production, will be released on December 20th, 2024 which was originally set aside for Avatar 3.
Blade, which like Thunderbolts has not begun production because of the WGA strike, will now move to February 14th, 2025. The domino effect continues, moving Fantastic Four to May 2nd, 2025 where Avengers: The Kang Dynasty was originally intended to debut. That film is now slated for May 1, 2026 which was the original date of Avengers: Secret Wars and so, as you’ve probably guessed by now, Secret Wars will now release a full year later on May 7, 2027.
Before
May 3, 2024-Captain America: Brave New World
July 26, 2024-Thunderbolts
September 6, 2024-Blade
November 8, 2024-Deadpool 3
December 20, 2024-Avatar 3
After
May 3, 2024-Deadpool 3
July 26, 2024-Captain America: Brave New World
September 6, 2024-Untitled Disney
November 8, 2024-The Amateur
December 20, 2024-Thunderbolts
The net result, of course, is one less Marvel Studios film in 2024.
Following the critical and financial success of Thor: Ragnarok, a film that saw Taika Waititi deconstruct Chris Hemsworth‘s Thor only to build him back up into something bombastic and new, the green light was quickly given to a fourth installment in the Thor series. That film, Thor: Love and Thunder, seemed to indicate that Waititi learned all the wrong lessons from his time on Ragnarok and while it did just fine at the box office, critics and fans alike found it far less pleasing than its predecessor.
Though the film leaves plenty of room for Hemsworth to return for another classic Thor adventure and the actor has said he’d be up for it if the script is right, savvy audience members who have read between the lines of Hemsworth’s interviews have oft noted something is rotten in the state of Asgard. Simply put, it doesn’t seem likely that Hemsworth and Waititi will be teaming up for Thor 5 unless the director comes up with a major course correction.
In a lengthy interview with GQ, Hemsworth shed some on his past as the God of Thunder and what it would take for him to have a future in the role. “I love the experience,” said Hemsworth of playing Thor. “I love the fact that I’ve been able to do something fairly different throughout the process. Thor 1 and 2 were their own thing, Thor 3 and 4 were a very different feel… and then even Avengers, the Lebowski Thor, the Infinity War Thor, due to different directors and I think mostly my own need to do something different.”
That “different” seems to be central to Hemsworth’s willingness to return to the character. “You know, I got sick of the character pretty quick every couple of years,” joked Hemsworth. “If I was going to do something again it would have to be tonally different. And we’d have to do something very drastic to keep people on their toes. Otherwise, it’s just the fatigue of those characters and those films, where people are like, ‘I’ve seen it.’“
Part of Hemsworth’s concern comes from a more mature perspective. After being constantly busy for over a decade, he’s begun to slow down to spend more time with his family and, in that time, become a bit more contemplative about how he’d like his career to be shaped in the future and what legacy he’ll leave behind. “I’ve had my next job booked two or three years ahead of me for the last 12 years,” he says, noting that he doesn’t quite know what he’ll do next. Whatever it is “has to be more than a career move,” explained Hemsworth, an a project “worthy of my time.” As he ponders whether or not there’s more Thor in his future, there’s noteworthy irony in that statement.
“Everything has more importance now,” he explains in continuing to discuss how he’ll choose future projects. “Because of the realisation that this isn’t going to last forever. I don’t want to leave a pile of rubbish behind,” Hemsworth says. “And I’m aware that there’s a few misses there.” Was one of those misses Thor: Love and Thunder?
“‘We thought this one had too much humour, the action was cool but the VFX weren’t as good,’” Hemsworth say, recalling “a bunch of eight-year-olds critiquing” Love and Thunder. As for his own thoughts on the film, it’s safe to say it doesn’t stand among his favorites. “I cringe and laugh equally at it. I think we just had too much fun. It just became too silly,” Hemsworth explained. “It’s always hard being in the centre of it and having any real perspective… I love the process, it’s always a ride. But you just don’t know how people are going to respond.”
Fortunately for Hemsworth, should he desire to return to the role of Thor, Marvel Comics offer plenty of inspiration for new routes to take with the character. Over more than six decades after first appearing in Journey to Mystery #83, Thor has remained one of the publisher’s most consistently popular characters and his status as a nigh-immortal Asgardian could allow for MCU stories to be told in any era. Perhaps an Old Man Thor story might do the trick as Hemsworth looks to the future of the character.
For some time now, rumors have swirled that the fourth installment of the Captain America franchise would not release under the title Captain America: New World Order. Now, a new subtitle for the film has been revealed via Anthony Mackie‘s Instagram.
As seen on the chairs of Mackie and co-star Harrison Ford, the film will now be released as Captain America: Brave New World. The previous subtitle certainly carried with it some problematic sociopolitical connotations that are absent in the new, if not somewhat underwhelming and unexciting, subtitle. Of course, if the film is good, nobody will really care what the subtitle was. For example, recall all the hype and buildup around what the fourth Avengers film would be subtitled and the online hysteria when it was revealed to be Endgame. 4 years hence, nobody seems to care much that Endgame was the subtitle.
Brave New World is rumored to center around the governments of the world–and some non-governmental entities–working to win the race to harvest Adamantium from the corpse of Tiamut the Celestial. The film will also feature the debut of the Serpent Society and see the return of a pair of characters who haven’t been seen in the MCU since 2008’s The Incredible Hulk: Tim Blake Nelson‘s Samuel Sterns andLiv Tyler‘s Betty Ross.
Directed by Julius Onah, Captain America: Brave New World is still scheduled to land in theaters on May 3, 2024.
You read that correctly, Spider-Man: Across the Spider-Verse has opened to $51.7M on opening day, which makes it the biggest of 2023. Yes, it outgrossed Super Mario Bros.’ $31.7M Wednesday and Guardians of the Galaxy Vol. 3‘s $48.1M. It’s not yet clear if this is a bit of a frontloading due to the animated film’s growing popularity since the release of Into the Spider-Verse, but it makes the third-best opening day for any Spider-Man movie. Only Sam Raimi’sSpider-Man 3 at $59.8M and Spider-Man: No Way Home’s $121.9M are ahead of it.
That’s not all, as it is also the third highest animated opening ever only beaten by the Pixar film Incredibles 2 at $71.2M and Finding Dory’s $54.7M. Either way, it is Sony Pictures Animation’s biggest opening day ever and about to become its biggest opening weekend. If the film does end up being a frontloaded film it might land at $113.5M but has a chance that strong word-of-mouth might push it towards $125M.
As of now, 93% are positive with 82% recommending the film according to PostTrak, which is already a good sign. It also nabbed an A CinemaScore, which isn’t quite No Way Home’s A+ but still the score that gives superhero films strong legs moving forward. Even if the film ends up frontloaded, it’s still quite an accomplishment in just how big of a jump it is from the first film which highlights that films that don’t make the biggest mark on the box office have the potential to grow exponentially.
The only other major release here is The Boogyman, which pulled around $11.5M, which is slightly behind its initial tracking. The counterprogram was a smart placement even with a PG-13 rating, but it seems all eyes are on Across the Spider-Verse for the weekend. The curious case will be how the films perform internationally, as The Little Mermaid wasn’t quite the performer some may hope outside of the States.
For the better part of a year, leakers and scoopers in every corner of the internet have promised the imminent release of news concerning the status of the fourth movie in Marvel Studios and Sony’s ongoing collaborative Spider-Man franchise. Lo and behold it seems they were correct as news has finally arrived!
At the red carpet premiere for Sony’s highly-anticipated animated sequel, Spider-Man: Across the Spider-Verse, Amy Pascal confirmed that while there will still be a Spider-Man 4, the development of the film has been paused during the ongoing strike by the Writers Guild of America. “Are we going to make another movie? Of course, we are,” said Pascal of the next Tom Holland-led adventure. “We’re in the process, but the writers strike, nobody is working during the strike. We’re all being supporters and whenever they get themselves together, we’ll get started.”
What that means for the untitled fourth MCU-set Spidey flick remains to be seen but it probably won’t be making that oft-rumored Summer 2024 release date and even a projected 2025 release would be uncertain until some potential endpoint to the strike can be ascertained. At the very least, it’ll give Daredevil: Born Again stars Charlie Cox and Vincent D’Onofrio a nice respite following their year-long production on that ambitious streaming series before they step back into their roles in Spidey 4.
Marvel Studios Fantastic Four relaunch has struggled to get off the ground since it was announced by Kevin Feige at SDCC ’19. Original director Jon Watts left the project to take on his Star Wars streaming project, Skeleton Crew, and even though he was fairly quickly replaced by WandaVision’sMatt Shakman, the film’s 2024 release date was scrapped in favor of a tentative 2025 slot. However, it remains one of the most buzzworthy projects in development at Marvel and as the casting process starts to draw to a close, a new rumor suggests the First Family has been found.
Twitter scoopster MyTimeToShineHello recently indicated that Marvel Studios has put together an incredibly talented cast for Fantastic Four, composed of some of the most consistently rumored talent. Should the rumor turn out to be true–and to be fair in coverage, one well-known sensationalist YouTuber has said no deals have been reached–it is quite a cast.
The rumored casting would see Adam Driver as Reed Richards, Margot Robbie as Sue Storm, Paul Mescal as Johnny Storm and Tony and Grammy Award winner Daveed Diggs as the Ever-Lovin’ Blue-Eyed Thing. If that is the cast Marvel Studio has assembled as the Fantastic Four, it would certainly stack up as one of their most talented ensembles to date. With a potential SDCC ’23 deadline looming, we’ll continue to monitor the rumor mill.
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