Marvel Studios Werewolf By Night debuted to praise from fans and critics alike, being hailed as a unique project for the studio in terms of both content and tone. The first of what’s expected to be many more Special Presentations for the studio, Michael Giacchino’s horror homage introduced a world of monsters and those that hunt them and was a little more violent than typical Marvel Studios’ fare. But being the first Special presentation and opening up a whole new world of characters and stories wasn’t all for the project as it also became the first Marvel Studios’ project on Disney Plus NOT to include some sort of post-credit tag.
Dating back to WandaVision, Marvel Studios has included at least one post-credit or mid-credit scene in every one of their Disney Plus streaming series, both live-action and animated. An argument can be made that the post-credit scenes have become a distraction, often taking away from the discourse around the body of the project and focusing on “what’s next.” And so despite rumors that actor Jaycob Maya would appear as lycanthrope Jake Gomez in a Werewolf By Night tag, he was nowhere to be found.
Giacchino recently stated that he had no intention of his project serving as a pilot for future horror installments, so it’s not entirely surprising that he put a bow on the story without teasing anything more. Sure, fans can wonder what Elsa, Jack and Ted might get up to next and exactly what the nature of the Bloodstone might be, but there were no promises made via a post-credit scene and that’s ok. Not even a “Jack will return” text appeared on screen. Too often, those promises aren’t kept or generate speculation that ultimately leads to disappointment. So while it might not mark the END of the tradition, it’s nice to see that the creators don’t feel beholden to it, allowing for them to use them as they see fit.
Many were excited when Marvel Studios unveiled its new approach for its first-ever holiday special, Werewolf by Night. They had a great touch by calling git a Marvel Studios Special Presentation, which also opened up the possibility to further explore the concept with other projects. It’ll very likely make a return with the upcoming The Guardians of the Galaxy Holiday Special and maybe even more explorations of Marvel Cinematic Universe’s monster world.
Yet, many wondered if Werewolf by Night may act as a setup for something given the introduction to some iconic members of the comics, Jack Russell, Elsa Bloodstone, and Ted. With Marvel Studios’ expansion on Disney+, many wondered if this might lead to a new series, especially with Midnight Sons theories making the rounds since Moon Knight’s entry into the franchise.
Well, director Michael Giacchino has swiftly pointed out that this project was never meant to act as a backdoor pilot for anything. It’s a standalone project but doesn’t discount the possibility that “anything can happen. We’ll see.” Man-Thing’s arrival in the Multiverse Saga seems perfectly timed given his connection to the Nexus of All Reality. So, we’ll definitely see these characters again, and hopefully, Giacchino will also return to the director’s chair sooner rather than later. Perhaps a recent seat vacancy could begin his road to his first theatrical directorial debut (if you don’t count film festivals).
One of the nicest touches for Werewolf by Night was going for a black-and-white scheme. It not only made it stand out from the other entries in the Marvel Cinematic Universe, but it also made perfect use as a tribute to the 1930s and 1940s Hammer/Universal monster movies. It wouldn’t be the same project without the style and it still does add color in a clever manner later on. As it turns out, it wasn’t an easy path to convince Marvel Studios’ execs to go with this version as revealed by director Michael Giacchino.
The composer-turned-director highlighted that “in my mind, from the very beginning, it needed to be in black-and-white” but there was some skepticism. He doesn’t confirm if this was purely on the side of Marvel Studios president Kevin Feige, who seemingly also shared some uncertainty about the decision, but generally highlighted the “upper echelons” of the studio. Yet, he was so confined with the direction, he stated that he “had a special monitor” that was there purely to highlight the black-and-white aesthetic.
It seems it did take a bit to get the convincing, as it wouldn’t be until “maybe the third cut” that Feige was the one to agree on the direction. Special Presentations are the perfect way to try out new cinematic visual styles to add some diversity to how they approach their projects. Plus, WandaVision already gave us a black-and-white entry in the franchise which makes the uncertainty curious but that might be mainly due to that show also having in-universe reasonings with Wanda’s reality warping powers. Still, Giacchino‘s belief in the visual style was certainly a great one given how the project stands out from the rest.
Marvel Studios Werewolf By Night might be the first time Man-Thing has been present in the action, but breadcrumbs, hints and Easter eggs of the existence of the creature have existed for the better part of a decade. With Man-Thing, who Jack so lovingly refers to as Ted, now in the spotlight, a brief look back at his history, both recorded and imagined, is in order.
Iron Man 3
No, you didn’t miss Man-Thing in Iron Man 3; however, clues to his origin story could be found. In the comics, Ted Sallis was a scientist working on Project Gladiator, one of a billion attempts to recreate the Super Solider Serum flowing in the veins of Steve Rogers. Sallis’ research partner and lover, Ellen Brandt, was turned by A.I.M. and eventually tried to steal the research. Ted said no, Ted drank the formula, she shot Ted and Ted fell into the swamp. When he emerged from the swamp, he had become Man-Thing, obviously. Ted and Ellen had a less than happy reunion that led to Ellen’s face becoming horribly disfigured by the touch of Man-Thing because, as we all know, whatever knows fear burns at the touch of the Man-Thing!
In an MCU that’s seen a few attempts at recreating the Super Soldier Serum, it wouldn’t be too surprising to find out that Project Gladiator went down at some point in time. More than that, however, A.I.M. agent Ellen Brandt had a gnarly facial scar and a missing arm that could easily be retconned to have been the result of an encounter with Man-Thing! Given that Iron Man 3 took place in 2013, we can deduce that Ted has been Man-Thing for at least a decade assuming Werewolf By Night takes place in the MCU’s present day of 2025.
Thor: Raganarok
Having (not really) established that Ted operated as Man-Thing as early 2013 really does little to explain away how his face ended up on the Grandmaster’s palace on Sakaar in Thor: Ragnarok. As the Grandmaster says, time works a little differently there, but what you can be sure of is that at some point before the events of Thor: Ragnarok, Man-Thing was one of the Grandmaster’s Champions. It’s not clear under what circumstances he found himself participating in the Contest of Champions, but from Jack’s dialogue in Werewolf By Night, it’s clear that Ted has a bit of a habit of getting himself captured. Perhaps he found himself unwillfully part of the Contest, became champion and won his freedom. Whatever the case may be, assuming Werewolf By Night takes place in the MCU’s present day, Manny eventually found his way back to Earth.
Werewolf by Night
Man-Thing finds himself the prisoner of the vile Verusa as the events of Werewolf By Night begin to unfold. And while he has his revenge on her by burning her up and tossing her body across the great room of Bloodstone Manor, what’s more important in giving us clues about Ted’s excellent adventure is his heart-warming relationship with Jack. Michael Giacchino did a fantastic job of retrofitting Jack, Ted, Elsa and other characters, both seen and unseen, into the MCU’s history. The timeline isnt’ clear, but Jack’s been around for a while and he’s known Ted long enough to not only become besties with him but also save his butt more than once.
What’s Next
The existing relationship between Jack and Ted makes one ponder what other monsters exist within the shared universe who have also been on the receiving end of Jack’s help. If saving monsters, like Ted, is what Jack does in the MCU, it seems like he, Man-Thing and their new friend Elsa, might be likely to team-up again at some point. Putting those 3 together is enough for the foundations of The Legion of Monsters.
It’s also possible that Marvel Studios chooses to explore Man-Thing’s identity as the guardian of the Nexus of All Realities, a gateway located at a point where all of the many realities of the multiverse interest and can be accessed. The Multiverse Saga has just begun and isn’t set to end for three more years, meaning further exploration of the concept is sure to happen. Perhaps Man-Thing could appear in a project such as Loki Season 2 in a little less-monstrous capacity.
Werewolf by Night has finally been released on Disney+ and many got to enjoy the horror-inspired story of the Marvel Cinematic Universe’s first werewolf. Not just that, but we also got to enjoy the captivating performance by Gael Garcia Bernal in the role of Jack Russel and his lycanthrope counterpart. In an interview with The Hollywood Reporter, Bernal reveals what it was like becoming the character and also the awkward beginnings to realize his performance.
Yes, that’s the idea. It starts from there. Before I started to work on this, I was like, “What am I going to do?” But once you get your feet dirty and put your hands in the clay and start to play around, you gain a little bit of the character. There’s a little bit of appropriation that happens, and once you put the mask on, the whole world is built. That’s when the howling becomes a natural part of what one is doing, and then the embarrassment goes away. At the same time, as actors, we’re used to that. It’s not that we don’t get embarrassed or shy about what we’re about to do, but you have to go through it. It’s like jumping into cold water. Once you’re in the cold water, it’s even colder outside of it, so it’s better to stay in.
Gael Garcia Bernal
He also got a chance to highlight the makeup process to bring the character to life. He highlights how it took around four hours early on but the process sped up as production went along.
Yeah, [Old] was nothing compared to this. The mask by itself was incredible. It took a while. The first time we did it, it took close to four hours, and then it started to take less and less. By the end, it was actually quite fast. Fortunately, there were many aspects of the costume that were practical. Everything was in camera. We didn’t have to put tracking dots on me [for performance capture]. The whole costume was weirdly scary and odd as well.
Gael Garcia Bernal
It’s definitely interesting how they approached the costume, especially with the more practical take on the character. A recently revealed BTS image from the production even showcased that Man-Thing had a practical suit on set as well. If Giacchino decides to return to direct more Marvel monster features, perhaps we’ll get even more fun and scary designs exploring this new corner of the MCU.
It’s no denying that Gael Garcia Bernal is a major get for the Marvel Cinematic Universe, and many wondered just how he ended up getting a role in a Universal/Hammer-inspired monster flick for Disney. As it turns out, he was actually offered the role directly by long-time Marvel composer and now director, Michael Giacchino. In an interview with The Hollywood Reporter, the Werewolf by Night actor reveals how he got the role for the series and what it was like joining the Marvel family.
It was a direct invitation from [director-composer] Michael Giacchino, and I immediately said yes. It was fantastic to have the opportunity to interpret this character. There are a lot of tangents and a lot of places that this character or this world can lead to. So as soon as Michael told me what he wanted to do and the way he wanted to approach it, I said, “Yeah, let’s do this!” So it’s been great, and I feel really lucky to be in this world of Marvel because of their know-how and infrastructure. We also got to try things out and experiment. So we were taken care of, and I can’t wait to do more with this great opportunity.
Gael Garcia Bernal
The actor also highlighted how having his friend, fellow Disney actor Diego Luna, join him on this journey. He highlighted how he was a great support during his time at D23 when they announced the Werewolf by Night Special Presentation.
When we were at the D23 conference, he was the one who explained to me what was happening because it was my first time. It was quite crazy. But it was fascinating to be around all these other projects and people, and doing a press conference and press junket, in a sense, with all these different films and TV series was incredible. I wish all premieres were like that where the films and series are combined. So it’s been great to have a good friend who’s also living something similar as well.
Diego Luna
Perhaps this might open the doors to Luna also crossing into a new franchise as he’s set to wrap his work on Andor‘s second and final season next year. With more monsters making the rounds within the MCU, perhaps he could join the horror side of the franchise and have these two actors reunite on screen. Of course, we don’t know yet what the future has in store for Bernal in the MCU and hopefully, it won’t be too long before we find out.
Werewolf by Night has finally found its way to Disney+. Marvel Studios has long kept mum on the project until D23 when they announced the project and the first teaser confirmed that a long-time Marvel character is finally making his Marvel Cinematic Universe debut. No, not the titular Werewolf but rather the quite popular Man-Thing. He also quickly became a fan favorite after the series’ release and a new behind-the-scenes image from the production has found its way online hinting that the character was practical.
In the BTS image shared by @halldehqs on Twitter, we get a look at the crew including director Michael Giacchino. What sticks out is the giant Man-Thing that is towering behind the crew with glowing red eyes. While there definitely was some CG use in the series, it looks like they had an actual practical suit on the set to bring the character to life. It definitely is a surprise given how Marvel makes use of CG for larger-than-life characters.
Giacchino did hint that they tried to take as many practical directions as they can. So, the fact that the character everyone assumed would be mostly CG had an actual suit is impressive. It’ll be interesting to see if perhaps the productions start integrating more practical elements moving forward, as Marvel Studios has always had the tendency to learn from each project they’ve worked on. We’ll have to see if we might see more of it in other Special Presentations moving forward as well.
Marvel Studios’ first Special Presentation, Werewolf by Night, introduced fans to an unknown world of monsters, and perhaps just as important, the secret cabal of hunters who’ve spent their lives tracking them down. As one might expect, this collection of killers is both terrifying and eccentric, quickly making their mark on the Marvel Cinematic Universe as a group not to be reckoned with. However, some of these menacing murderers are more masterly than others, begging the question of who might be the best of them all. As such, Murphy’s Multiverse – home of fandom’s spookiest minds – has taken the liberty of digging in and breaking down every Monster Hunter the special has to offer, ranking them by order of skill and appearance.
6. Barasso
Daniel J. Watts‘ quiet monster hunter is ranked dead last for a few reasons, but none of them have to do with performance. Watts is actually quite charming in the role when he has his brief moments of dialogue and interaction, but otherwise, he doesn’t get to do very much. Despite surviving longer than most of the other characters on this list, Barasso sort of just stands around for most of Werewolf by Night‘s runtime. When he finally does get to put his skills to use, he’s slaughtered by the titular monster pretty quickly. The fact he sort of just exists without doing anything especially memorable puts him behind the rest of the pack, but maybe one day he’ll get to make a return appearance in another project. After all, Marvel Studios is scheduled to do quite a bit of time-jumping over the next few years.
5. Azarel
Eugenie Bondurant‘s Azarel is in a similar boat to Barasso, but gets the slight edge for at least having a memorable character design. The David Bowie-esque monster hunter is striking, and has a looming presence through the entirety of Werewolf by Night. Although they don’t get to show off their fun scythe-like weapon until the special’s climax, and are promptly expired by Marvel’s wolf-man, they do seem to have a suspicious beat on Gael Garcia Bernal’s Jack Russell from the very start. That alone shows signs of Azarel being pretty sharp, a trait that any good hunter should possess if they hope to make an impact in their field. Unfortunately, Azarel doesn’t get to do much more than look great and die trying, so they fall toward the bottom of the list.
4. Jovan
Kirk Thatcher‘s bombastic Jovan boasts frequently about his fifty-seven confirmed monster kills. His big personality and entertaining role as Jack’s first on-screen foil earn him a higher spot on this list than his fellow fallen hunters, even if he wasn’t able to make it out of Bloodstone Manor’s intricate maze alive. The axe-wielding maniac certainly makes an impression by befriending Mr. Russell before immediately trying to chop him in half, and his delightful comments about wishing he had a signature look likely endeared him to fans right off the bat. Also, being the first person killed by Man-Thing in the MCU is a pretty nice thing to have on the ole’ monster-hunting resume – if he were still among the living for it to matter.
3. Verussa Bloodstone
The true big bad of Werewolf by Night. At first, Harriet Sansom Harris’ Verussa Bloodstone appears to only be a mouthpiece for her recently deceased husband. However, circumstance leads to the revelation that Verussa is quite capable of hunting monsters on her own, and might have even been the true mastermind behind the Bloodstone dynasty. She’s certainly the most bloodthirsty of the bunch and might have killed her own step-daughter if Man-Thing didn’t intervene. The Bloodstone matriarch ranks third on the list as a perfectly cheesy villain with some of the best shots throughout the special.
2. Liorn
Leonardo Nam’s Liorn got to the second spot on this list by way of being oddly interesting without too big of a role. Helping matters, he happens to have the best death in the entire special, and his cool factor is undeniable. Another mostly silent monster hunter, Liorn gets a full-blown fight sequence with Laura Donelly’s Elsa Bloodstone that’s equal parts grotesque and breathtaking. It ends with him losing a hand and taking his own arrow through his head, which is awesome. Of all the hunters in Werewolf by Night who aren’t being obviously set up for a future in the MCU, Liorn is the one who probably most deserved a little more screen time. Rest in pieces to a true legend.
1. Elsa Bloodstone
This was a no-brainer, but it’s still worth throwing out there. Laura Donnelly’s Elsa Bloodstone is the runaway Most Valuable Player of Werewolf by Night, which is saying something when one considers how good Bernal and Man-Thing are throughout. She has some of the best fight choreography the MCU has ever seen, and could probably rival either Black Widow in hand-to-hand combat. She’s also ridiculously charming in an Addams Family sort of way. Hopefully, there will be plenty of Elsa in Marvel’s future. The world deserves more of whatever her deal is.
Special Mention: Ulysses Bloodstone
Ulysses Bloodstone is dead by the time Werewolf by Night begins, but he deserves a special mention if only because he was supposedly the greatest monster hunter to ever live. Viewers never get to see him in action, but a manor full of mementos and a legacy that haunts the entire monster-hunting community is probably enough evidence to prove he was as good at killing monsters as he was at graveyard humor. The comic book version of Ulysses was just as prolific as his MCU counterpart, and while fans may never get to see him as more than a talking corpse in live-action, it’s worth giving him the nod here as a genuine player in Marvel’s mortuary scene.
Marvel and Keanu Reeves have long been looking for a chance to unite in an upcoming project. While there’s still no confirmation on how they’d find the right role for him, it seems he’s already gotten his eyes on one. During an interview on Jimmy Kimmel Live!, the actor shared what role he’d love to take on and it turns out he wants to play the Spirit of Vengeance, Ghost Rider.
Not only that, but he also went on to praise the work of Marvel Studios and how they’ve started to develop their films. It certainly sounds like the actor wants to become a part of the Marvel Cinematic Universe and while others have also been eyeing the role of Ghost Rider, there are enough versions he could choose from.
It’s really cool. I think the way that the Marvel films have developed and what they are is really spectacular and it would be great to be a part of that.
Keanu Reeves
We’ll see if Reeves makes his MCU debut at some point in the near future, but it’ll definitely make headlines once he’s finally confirmed to be a part of this franchise. John Wick was a new starting point for the actor and it’ll be interesting to see what his future looks like in the world of nostalgia.
One of Marvel Studios’ longest-kept “secrets” turns out to be perhaps one of the most triumphant projects of the Marvel Cinematic Universe’s Phase Four, if not the MCU as a whole. Formally announced only last month, Werewolf By Nightis Marvel Studios’ first foray into the “Special Presentation” format (in this case, a one-off feature less than an hour long) and without a doubt, this project is, indeed, enormously special. Werewolf By Night shines for several reasons, but its brilliance as a standalone story is the most obvious.
The first thing the viewer notices about Werewolf By Night is its aesthetic. Through its limited marketing, it is known that the feature was inspired by classic horror films of the 1930s and 40s. While the concept elicits immediate excitement from some, it of course risks overwhelming a story with a gimmick. Fortunately, the stylistic choices of this project were almost entirely in service of the story itself, and director Michael Giacchino achieves a near-perfect cocktail of stunning imagery, blocking, and overall texture. The use of black-and-white is an easy grab for an older or spookier look, but it was far more productive in Werewolf By Night than in most modern films that use the technique. The unique and rather all-consuming style certainly takes the viewer to a place easily associated with horror and monster stores, but it also removes one from the known Marvel universe. Consequently, the natural expectations the audience might place on the feature are almost reset, allowing a completely fresh experience.
The greatest achievement of Werewolf By Night is surely its excellence as its own story, disconnected from anything else. Whether in the comic book genre or elsewhere, there is something extremely refreshing about a short story that is able to be thoroughly enjoyed and leave a memorable impact on the viewer. Despite a limited runtime and plenty of moving parts, the feature does a phenomenal job telling a full story without invoking virtually any backstory. The triumph of Werewolf By Night is captured in the feeling of simplicity and ease it executes despite clearly arising from a relatively complex technical foundation. At the end of the day, the project is a wonderful standalone think piece that invokes plenty of metaphors and themes regarding what makes a monster.
However, given its inclusion in the MCU, there is little question that Werewolf By Night will ultimately be part of a larger narrative. Lucky for Marvel Studios, the feature doubles as an exciting introduction to a future Monsterverse considering it leaves the audiences with a litany of questions about the story’s and characters’ past and futures. If anything, Werewolf By Night could have benefitted from additional runtime purely due to the fact that there is enough action and intrigue to go around. An expanded rendition of the hunt itself would almost certainly be a riot, as a prolonged bottle-episode-type suspenseful action thriller would without a doubt rival the famous Daredevil hallway fight scene.
In fact, a certain sequence in Werewolf By Night already does. The amount of violence in the feature has been a key talking point ahead of its release. The project features, objectively, some of the most violent, brutal, and gory scenes in the MCU. Where those are utilized are done so in a way that serves the story—Werewolf By Night is not filled to the brim with blood and violence, but it stands out when on display in the best way. Similarly, the feature gives off plenty of notes of horror, but it is not an overwhelmingly “scary” or frightening piece. It is, however, extremely tense, suspenseful, and even uncomfortable at times like any good horror film.
Werewolf By Night further benefitted from its cast and character ensemble. Laura Donnelly as Elsa Bloodstone is, perhaps, the surprise standout of the feature. Not the title character and not given much fanfare, Donnelly’s portrayal comes off as effortless and she easily carries scenes in a way that cements Elsa as much more than she appears. Two rather different storylines crisscross throughout the special, and Elsa is the rock that holds them together. Gael García Bernal certainly hits the sweet spot as the mild-mannered and warm Jack Russell. The heart of the project resides in him, even if he were not (ultimately) the title character. Viewers should not worry about a “nice” Jack, as Bernal can flip the switch into the titular werewolf without a problem.
The rest of the cast is stellar, and the character designs are so spectacular as to stand out in a generally visually-stunning project. Harriet Sansom Harris supplies the particular brand of sinister that Werewolf By Night needs to achieve its delicious end result. The monster at the heart of it all will surely go on to be a new fan-favorite creature of the MCU, but the special does not forget that he is, indeed, a monster.
If Marvel Studios intended for Werewolf By Night to be a surprise, it is perhaps the best surprise a viewer could hope for. The special is incredibly unique on virtually all levels, and its short story format is one of the most fulfilling MCU experiences in years. Not all Marvel projects can benefit from, or achieve, the type of creative leap required to produce this feature. This special demonstrates that Marvel Studios should continue investing in “Special Presentations,” but Werewolf By Night is special enough on its own to be a one-and-done.
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