Fans were enraptured by the lengthy fourth-wall-breaking sequence in this week’s She-Hulk finale where Jennifer Walters stormed the offices of Marvel Studios to confront the mastermind behind all the wackiness happening in the episode. Turns out, it was Kevin behind it all. Not the Kevin Feige, per se, but an AI robot named K.E.V.I.N., an obvious reference to the big boss himself.
In an interview with She-Hulk head writer Jessica Gao, the team lobbied hard for Feige to voice his MCU robotic counterpart and to sign off on the robot’s own hat.
We campaigned very hard for Kevin to do the voice and he refused. Yes, we did get in a fight over the hat because in the script it says that SHe-Hulk enters the inner sanctum. There is this big Akira-like Hal-9000 type machine. The pre-vis team, had already started mocking up all types of versions of Kevin. They all had a little black baseball cap on top. Real Kevin says, ‘You can’t have the… It doesn’t make any sense for a machine to wear this baseball hat.’ I was like, ‘Kevin, this is the problem you have with all of this?
The scene was a fun nod to the machinations of the MCU, poking fun at its own shortcomings through its tenure while acknowledging the franchise’s criticisms. Had Kevin Feige voiced K.E.V.I.N., the scene would come across way better. Nonetheless, it’s a bold sequence to end the season with.
We have come to an end of yet another Marvel Cinematic Universe series, but this finale stands on its own. Since WandaVision, MCU series have been rather well known for either botching or just not following through with outstanding finales. How anyone feels about the She-Hulk: Attorney at Law finale is less straightforward than usual. While the word “unique” has been thrown around a lot in Phase Four, there is no other way to start the discussion.
Even though it did not take up the entire runtime, the massive fourth wall break in the finale has to be an instantly iconic moment in the MCU. To not only take the audience out of “the show” but to spend time with the titular character in Marvel Studios’ headquarters is beyond bonkers. Of course, the jarring transition from the regular program to She-Hulk breaking out of the Disney+ screen is incredible, and it lives up to the comic book version of her doing the same decades ago. The core potential of the character is released in the finale, and there are very few moments in the MCU that can genuinely say the same.
The humor stemming from the fourth wall break is not only laugh-out-loud funny, but it is peak She-Hulk. Throughout the season, the show makes jabs at tropes and the incessant presence of the internet’s yelling in every single moment of the contemporary MCU. Anyone on Twitter is familiar with this, and anyone with a brain knew that She-Hulk would provoke perhaps the most attention in that regard. Instead of winking at the audience about it, the artificial intelligence replacement for Kevin Feige (a joke worthy of its own review maybe) addresses it head-on. The MCU has an internet relations struggle. She-Hulk is a strong, confident woman. The two combined were meant to be together, but the way the finale actually embraces it is almost too good to be true.
The fourth wall break, without a doubt, is the finale. It may even beShe-Hulk. Still, that does not mean the finale as a whole deserves top marks. It is somewhat hard to separate the fourth wall break from anything else, both because of the inherent difficulty of that and because they addressed very different things. The break speaks to the essence and the heart of She-Hulk, and what better place to do that than in the finale? But the rest of the story is quite limited because of it.
Yes, it brings home the point that this is She-Hulk’s show, but it also made it clear that She-Hulk’s story—at least in Season One—did not do much more than what we already saw before this episode. That is not inherently bad, especially considering the show really wants to call itself a legal comedy. Plus, fans should have learned their lesson after WandaVision to not expect series finales to become the crossover, universe-shattering moments of their dreams. To that, She-Hulk said: here is Skaar. But plenty of plotlines arguably deserved more time and attention, and a longer version of how Jen cleared her name would have been very welcome. That in particular is the biggest loss of the finale’s choice, but at the end of the day, the fourth wall break is always the preferred option.
She-Hulk made waves as an MCU series. As one of the few MCU projects to feature a woman in the title role, it went beyond just basic representational work on that front. Women’s real experiences were either mentioned or actually discussed, and the first project the MCU felt comfortable throwing sex in was a project where a woman led that concept on-screen. But the series will also go down as the funniest Marvel Studios project to date and in many ways one of the most grounded in reality (which is ironic in plenty of ways). Jen was an actual, believable human, and the series made that the basis of everything, even the crazier elements. She-Hulk, arguably, was what many internet fans wanted Doctor Strange in the Multiverse of Cameos to be, and yet this was just the first season of a solo series. At the end of the day, there is not much else to say except: She-Hulk smashed.
Much happened—or didn’t, depending on how you look at it—in the She-Hulk: Attorney at Law finale. The series ended on an upbeat note, and Jen seems to have taken back her life after the dark ending of Episode 8 and the sad beginning of the final episode. One thing is for sure, though, and that is that the bonkers fourth wall break is undoubtedly an iconic Marvel Cinematic Universe moment from here on out. In it, there are a couple of moments that mention a She-Hulk Season 2. And while Loki is still the only series to get an official confirmation by the time the credits start rolling, we have may have gotten the next best thing.
When She-Hulk arrives in the writers’ room, she interrupts their conversation about what the second season should be. Specifically, one writer pitches the god-awful idea that the entire second season would be a dream sequence. Later, when She-Hulk is talking to K.E.V.I.N., a second season is once again brought up in a very matter-of-fact way.
While the fourth wall break does not appear to be Marvel Studios’ way of officially announcing something, the fact that a She-Hulk Season 2 was mentioned more than once in a “yeah, this is going to happen” way seems like a fairly obvious way the show may be teasing it. After all, robot Kevin Feige had plenty to say but certainly did not correct the Season 2 assumption. While the writers could have included the references as cheeky jokes—after all, the internet will surely start debating what every word in the fourth wall break meant—it did not play off as obviously as some of the other jokes in that sequence.
Like everything, we will have to wait and see if or when Marvel Studios decides to announce something like She-Hulk Season 2, but the writing may be on the wall. She-Hulk is also, conveniently, an incredibly second-season-friendly show with its ability to be a half-hour legal comedy. Whether it truly accomplished that in this first season is perhaps debatable, but the potential from this show and the comics’ source material is truly astounding. The episodes with Donny Blaze, Madisynn, and group villain therapy could easily become the norm in a second season, and those were standout episodes. There is a lot more lawyering Jen can do, and there is certainly a lot more She-Hulk smashing she can do.
All episodes of She-Hulk: Attorney at Law are now streaming on Disney+.
The She-Hulk: Attorney at Law finale had so much going on, that the surprise introduction of a major character at the very end almost did not pack much of a punch, perhaps because it has been rumored for quite some time. Still, the brief introduction of a new character likely has major implications for the Marvel Cinematic Universe going forward.
At the end of the She-Hulk finale, Bruce does eventually show back up (granted, he was axed from the messy climax after Jen went to clear things up with Marvel Studios). At the Walters’ family picnic, however, Bruce arrives with someone else in tow: his son, Skaar. For those unfamiliar with Skaar from the comics, this could be a wild twist. In general, it is a major inclusion in the MCU that will surely carry a lot with it. So, first, who is Skaar? And second, what does his presence mean for the MCU now?
In the comics, Skaar comes from a relationship the Hulk has while on Sakaar. He conceived a son with Caiera the Oldstrong, but after a ship explosion that killed Caieria, the Hulk believed that Skaar had died in the womb. Obviously, Skaar did in fact survive and was raised by his mother’s Shadow People on what was left of Sakaar. Eventually, he was exiled to Earth. And when he arrived, all he wanted to do was kill Bruce.
In live-action, it is not hard to imagine that something similar happened and our MCU Hulk fathered a child on Sakaar. We have a lot less information on who Skaar’s mother might be, the state of Sakaar, or why Skaar has come to Earth, however. The way his arrival was set up in She-Hulk, it almost came across as though Bruce went to Sakaar knowing that he had some sort of responsibility—maybe Skaar. It is also very likely he was not aware of Skaar before his return to the planet. In any event, he definitely brought his son with him and they seem chummy enough.
The most obvious prediction for how Skaar will factor into Phases 5 or 6 is as part of the rumored ‘World War Hulks’ project. She-Hulk seemed to tease that it could be part of the setup for that project or overarching storyline, given the Hulk blood fascination. The series did not end up going that route, but the implication is very clear: the MCU is about to get more hulks. What happens when the MCU gets a bunch of hulks?—probably some type of World War Hulk iteration. Skaar plays a significant role in that story, but the theories on how Marvel Studios might adapt it so far are endless since we are seemingly at an early stage of that process. However, given the casting of Tim Blake Nelson as The Leader in Captain America: New World Order, that movie might be a solid place to start.
Even before She-Hulk: Attorney at Law premiered on Disney+ this past August, the internet has had no shortage of jabronis voicing their complaints about the show. There has been so much media made about how She-Hulk is the worst TV show ever. All this negativity toward She-Hulk has led to some giving up on the show. However, with the final episode premiering later this week, now is the perfect time to get back on board so you can see what you’ve been missing, because She-Hulk: Attorney at Law is the best Marvel Cinematic Universe Disney+ show.
She-Hulk is the First Marvel Disney+ Show That Knows How to be a Show
There’s something to be said for a piece of media effectively utilizing the medium in which it exists. A common complaint among the Marvel Disney+ shows is that they feel like movies cut up into 6 pieces and thrown on Disney+. In some cases, it’s a fair criticism. Frequently, the episodes don’t feel like their own concise story, so while the episodes can be separated by certain storytelling functions or a change in location, it still feels like The Falcon and the Winter Soldier, Hawkeye, or even Ms. Marvel could’ve been better served by cutting out a bunch of the fluff and editing the entire story into a 2-hour long movie. Only What If…?, WandaVision, and Loki had done this right previously, but She-Hulk might be the best at it specifically because unlike What If…?, WandaVision, or Loki, She-Hulk is very explicitly a sitcom.
Part of the charm of a sitcom is that while there are big, season-long arcs – like Diane warming up to Sam in Cheers or Mac getting fat in It’s Always Sunny in Philadelphia – the episodes themselves are largely disconnected and can be watched out of order. Once everything was set in motion, starting with episodes 3 and 4, the creatives on She-Hulk really managed to hit that balance. That balance can be pretty effectively highlighted by focusing on the legal aspect of the series. Every episode is another case. Every case presents a new challenge, introduces a few new characters, and after 22 minutes, everything is neatly wrapped up. Someone could watch episode 1 and then skip to episode 4, and they’d mostly get it.
Some people don’t like this disconnect at the heart of the show, but it’s a feature, not a bug, and whether one likes everything about She-Hulk or not, it’s hard to deny that it’s living up to the promise of a superhuman law sitcom. If you don’t like the idea of sitcoms, then this was never going to work for you, but it’s difficult not to appreciate how She-Hulk is the first MCU show that has embraced the sitcom format.
She-Hulk Expands on the MCU in Interesting Ways
She-Hulk has introduced so many characters and concepts with barely any legwork. This can be attributed to the fact that She-Hulk is the first MCU show that is explicitly about a character dealing with the superhuman side of the universe that audiences don’t really see. Moon Knight had Egyptian gods. Ms. Marvel had Clandestines. They did not have, for instance, a sorcerer just show up; it wouldn’t have made sense and that’s fine. Thematically, it is consistent with the scope of the story. But it’s pretty wild that even though Earth is full of aliens, Asgardians, and all sorts of gods and enhanced people, outside of the Shang-Chi cage fight, there has not been an earthbound project where characters just bump into something weird or acknowledge the weirdness in the rest of the world. She-Hulk is the first MCU show to properly acknowledge the Celestial in the middle of the ocean – that’s incredible because one problem with Phase 4 is that – apart from Wong – it’s felt sort of disconnected. There aren’t those little moments where Coulson mentions a thing he has to deal with that signals to the audience that Thor also exists in this world, or where Bruce Banner name-drops Wakanda. Moments like those are necessary to keep everything balanced outside of the big team-up movies and ground the world in some shared reality, even if it is a weird one.
Phase 4 has done a fair amount of world-building, but it was almost always providing context to past events from the last few phases, like Kamala telling the audience about the end of Avengers: Endgame or Hawkeye watching “Rogers: the Musical.” Fans have gotten plenty of context for things in the past, but what about the very recent past? There have been so many world-altering events that never get mentioned. Did anyone else experience the time Mr. Knight and Khonshu turned back time in the sky, or that kaiju fight from the end of the series? Those are examples just from Moon Knight. Nobody has brought up the Gargantos attack, any of the Statue of Liberty stuff, Hawkeye shooting goons in 30 Rock on Christmas, the Taskmaster chase, the attack on New Asgard, the Shang-Chi bus fight, and anything from Eternals…outside of acknowledging that Kingo exists. These things all happened in public, so the idea of a character who gets to react to them or a show that would not feel weird if it acknowledged them is a lot of fun.
It’s clear that Phase 4 was jumbled by the pandemic. Lots of movies changed spots, so plenty of the direct references wouldn’t play, but a show like She-Hulk wraps a lot of that up at the end. It’s the last D+ project of 2022, so She-Hulk gets to be sort of a greatest hits of the phase. But even beyond that, She-Hulk’s world-building is really impressive because of how much the creatives trusted the audience. A Light Elf shows up – audiences have never seen or heard of them before, but the writers know if they look and act a specific way, audiences will infer that this is a Thor-related thing. Mr. Immortal just popped in for an episode. In the comics, he has the power to live forever and was the leader of the Great Lake Avengers at one point. This version of the character was certainly a different take on the hero, but it fits into the universe well. It’s great that they can do characters like this without explanation; it just makes the world feel so much bigger.
Jennifer Walters is an Interesting and Likable Character
There has been a lot of discourse pertaining to whether Jennifer Walters is an interesting character or not. Many seem to believe that Jen is not an interesting character because she has no flaws – she never does anything wrong and dismisses Bruce, her kind, older cousin. However, this is a wild misreading of the entire series. Jen’s biggest flaw is that she’s sort of arrogant – just like Tony Stark, Thor, Peter Quill, or Stephen Strange before her. Jen believes she’s will be better at being a Hulk than she actually is and dismisses people offering her help…that is, until she doesn’t. Though it does remain to be seen if Jen will learn her lesson by the end of episode 9, perhaps the other lawyer superhero will have something to say about the whole work/life balance thing.
Another great element about Jen’s character is that she really feels like an adult. The idea of having to go on bad dates or attend a chaotic wedding is really relatable. That’s why the conversation that Jen has with Bruce in the beginning of Episode 1 feels apt. Jen talking about how Steve Rogers never got to have sex is both a fun conversation that all nerds have had at some point, but also an acknowledgment that the MCU’s second lead character never got to just slow down and date – at least, not so far as audiences have seen. She-Hulk exploring that is refreshing, especially since Tony Stark being a little playboy was one of the things that drew people to the MCU. Just like Tony, Jen has a sense of humor and feels human.
And similar to how they’ve explored relatable adult relationships with Tony Stark, Thor, Peter Quill, and Stephen Strange, Jen and all of her supporting characters are great. The group dynamic between Jen, Nikki, and Pug is a lot of fun, and so are the little Nikki and Pug side adventures. What they’ve done with Mallory Book – a character who plays an important role in the Dan Slott comic run from 2004 – is also commendable. Additional standouts are Jen’s family, Wong and Madisynn, and Lulu, played by Patti Harrison.
With She-Hulk coming to an end, give it a look with a pair of fresh eyes and appreciate it for what it is: a sitcom that’s grown the MCU in a creative way.
The 9th and final episode of She-Hulk: Attorney at Law releases on Disney+ Thursday, October 13th.
Episode 8 gave us the long-awaited Matt Murdock / Daredevil appearance, which bore some similarities with The Good Old Days story arc featured in the 2014/15 Charles Soule She-Hulk run. Soule, who like Walters and Murdock is an attorney himself, got both characters meeting on opposing sides of the court with a slightly different setup than what we got in She-Hulk: Attorney at Law.
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
In the show, Jen was oblivious as to who Murdock was, to the point of directing a “Who is this asshole?” to the camera. She later looked him up ahead of their meeting at the bar, but not only was she initially unaware of who Matt was, but she also had no idea Daredevil was even a thing. In the comic, they were already familiar with each other, so much so that even previously in the same run, Jen had gone to Matt looking for some legal advice when dealing with a case involving Doctor Doom and his son, Kristoff Vernard. She then sought to do the same when defending Captain America only to be turned down in a way that only made sense a few pages ahead when she enters the courtroom and finds Matt as the opposing counsel. Unlike in the show, the shock of him being there isn’t only on the reader/viewer but especially on her.
There is a lot more lawyering in the comic than in the show, with Jen’s client being a bit more high profile than Leapfrog. Captain America, who had recently seen the Super-Soldier Serum within his body being neutralized (in the Rick Remender run that would lead to Sam Wilson becoming the new Captain America), was being charged with wrongful death in a civil suit and had approached Jen to be the one to represent him. Murdock was then the attorney for the plaintiff, looking to get Steve Rogers convicted of the role he played in the death of his friend Samuel in the 1940s, a few years before Rogers was even Captain America.
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
Little did both Walters and Murdock know that Steve Rogers was (sort of) playing both sides. With his old age, he had enemies that would want to tarnish his legacy once he’d be gone, and that meant setting up the whole lawsuit situation. It wasn’t like he could just send in the Avengers to punch their way out of it since that would make it seem that he was indeed guilty of all charges. He had to find another way to not only avoid a conviction but to completely discredit the entire case. He then managed to get Murdock involved so that, in the public eye, everything was being done in order to convict him since Matt was regarded as being one of the best. As for Jennifer, as hard as he wanted Matt to go, he also needed someone equally as good on his side since, in his own words “I didn’t want to lose, you know.”
She-Hulk #9 (2014)She-Hulk #9 (2014)
Outside the courtroom, their late-night encounter also played a bit differently. In She-Hulk: Attorney at Law Jennifer left her apartment when trying to protect her client from being attacked, leading to her first confrontation with Daredevil and the eventual disclosure that Murdock was behind the mask.
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
In the comic, it was Matt that came to Jennifer in order to get her out of the house and into the Los Angeles night sky. But even if he felt that they both should unwind following an entire day stuck in a courtroom, dealing with a case that both were having a bit of trouble adjusting to, his true purpose was to try and free Jen of the feeling that Cap should be above the law, and that his conviction should be taken as a real possibility. It is here that Matt tells Jennifer that when he was asked to step into the role of prosecutor, Cap was the one who ok’d it, making Murdock promise not to pull any punches. This made it seem, for both Jen and Matt, that Cap might actually be guilty after all, and that it was all a weird way of him finally coming clean about past mistakes.
In the TV show, their late-night exploits lead them to Leapfrog’s secret-not-so-secret lair. After Matt explains that Patilio kidnapped Luke Jacobson the two work together to rescue the latter. They make quick work of the goons/henchmen defending the premises and get Jacobson to safety without breaking a sweat.
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
There’s a very similar occurrence in the comics that happens once the case was settled (go read the comics to know exactly how that transpired). We also got a Daredevil / She-Hulk team-up when Steve Rogers seemingly figures who might have been the mastermind behind the entire lawsuit situation. Dr. Faustus, an Austrian specialist in psychological manipulation seemingly had access to old Nazi information from the ’40s and was able to explore the events in order to hurt Cap’s image. When faced with this information, Jen and Matt do not hesitate and, with the case already closed, have no issue with breaking into Faustus’ compound and, much like in the show, getting it done in the blink of an eye.
She-Hulk #10 (2014)
In She-Hulk: Attorney at Law, following their day together—first in the courtroom, then at the bar, and finally rescuing Jacobson—Jen and Matt start making plans to meet up again after he goes back to New York since that would be his last night in LA. But, unlike in the comic run, that night out never happened since they skipped all of that and just…
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
Marvel Studios’ She-Hulk: Attorney at Law Episode 8
In the book, it was almost the reverse situation. They also found themselves on the west coast (San Francisco, not LA, where Matt was living at the time) but it was Jen that had to go back to her practice in New York. When realizing that that would be her last night in town, Matt also asks Jen out, and they do end up going out, just not in the usual sense.
She-Hulk #4 (2014)
The first eight She-Hulk: Attorney at Law episodes are now streaming only on Disney+.
The most obvious connection Moon Knight has to these characters is that his first appearance was as an adversary in Werewolf by Night #32 in 1975. Originally, Moon Knight was written as a mercenary hired to capture Russell, which explains his moon-themed persona and silver weapons. By the end of his original two-issue appearance, Moon Knight changes course and helps the titular werewolf instead. From here, the character went on to have his own solo and team-up careers unrelated to Werewolf by Night. Moon Knight’s connections to Man-Thing and Elsa Bloodstone are less obvious, though the three of them were all part of a relatively recent Midnight Sons lineup in the Damnation crossover event. Still, Man-Thing’s connection to the Nexus of All Realities makes his general presence in the MCU’s Multiverse Saga make sense, and Jack and Ted were set up as a pair in Werewolf by Night.
While Marc Spector has a colorful resume, he is not particularly well known for his connection to monsters. As such, there are not many clear storylines from the comics that a Moon Knight Season 2 could adapt from the comics. But without a doubt, Moon Knight is the first character aside from Doctor Strange to truly open up the paranormal and supernatural worlds of the MCU. That aspect of the universe is gaining more steam, but in terms of seeing Werewolf by Night or related characters sooner rather than later, there do not seem to be a lot of obvious options at this moment. Phase 6 is almost entirely unannounced, and so is a second season of Moon Knight. Still, an appearance in the series might be fundamental to the steady rise of the monsterverse and its related projects.
While Moon Knight is not generally found constantly battling or working with monsters, the vigilante is certainly not foreign to them. In the series alone, the character had to face some rather monsterous Ancient Egyptain-themed creatures, and the finale was aptly titled, “Gods and Monsters.” The supernatural angle of the character was definitively established in Moon Knight. In the comics, the actual existence of Khonshu is sometimes debated as the stories play around with Marc Spector’s unique mental state. But in the MCU, Khonshu’s presence and related supernatural truths are presented as fact. While, so far, the live-action of the character has been limited to the very specific Egyptian god-focused aspect of the supernatural, Moon Knight has ample reason to encounter more. After all, a key component of the vigilante in print is that, as the Fist of Khonshu, he is a protector of those who travel at night—and plenty of things go bump in the night.
While nighttime is clearly special for Moon Knight and monsters alike, the concept also highlights the stylistic compatibility of characters like Werewolf by Night and Moon Knight. Both rely on supernatural themes, but the series and Werewolf by Night are noticeably some of the MCU’s darkest projects both literally and figuratively. The potential seedy and gritty vigilante life of Marc Spector, Khonshu’s ghostly presence, and surreal psychological components could easily accommodate some additional bizarre components. Even more, Moon Knight’s character and Werwolf by Night have a reputation of (by MCU standards) particularly brutal or gruesome violence.
For these reasons, it would not be entirely surprising if Werewolf by Night, Man-Thing, or other related characters made some type of appearance in a second season of Moon Knight. They likely would not be a major part of the full season, but rather could be integrated in a similar way to Moon Knight’s comics introduction. If the MCU’s Marc Spector does take on the vigilante lifestyle as expected, perhaps he has run ins with various beings causing havoc, including an out-of-control Werewolf by Night. It is easy to picture Marc Spector being hostile to monster-type creatures before understanding that they are not necessarily villains, which could be a vital moment in the building of teams like the Midnight Sons or Legion of Monsters or crossover of related characters. Or, perhaps the hero gets caught up in the Bloodstone’s longer narrative in the MCU, as the likely alien relic ties together the MCU’s supernatural side before the big events of Avengers: The Kang Dyanasty and Avengers: Secret Wars.
Only time will tell if Marvel Studios announces a second season of Moon Knight. Either way, fans will get much more of all of these characters in the MCU’s future.
Ironheart‘s cast continues to grow as time goes by. Once again, our latest update to the upcoming Disney+ series from Marvel Studios includes a new cast addition. This time around the Brown Girls actress Sonia Denis has seemingly joined the cast, which will see Dominique Throne return to the role of Riri Williams after her Marvel Cinematic Universe debut in Black Panther: Wakanda Forever next month.
Story details on the sequel are still scarce, as it’ll explore Riri’s time building the most advanced suit of armor that the MCU has seen since Iron Man. Yet, we do get hints at her already doing so in the Black Panther sequel, which raised many questions if this might act as a prequel series. Of course, there’s also the chance that she might not have the energy source capable of keeping a new suit going, which leads to her experimenting.
Tony Stark was no stranger to building a massive amount of suits for different situations. So, why wouldn’t Riri Williams do the same? The only tease we got from the series was the confirmation that Anthony Ramos is taking on the role of The Hood, which may add a magic vs. technology angle to the series. It definitely would make it stand out from other projects and offer a new perspective on how to tell a story about high-tech suits.
Unlike nearly every other Marvel Studios project, Werewolf By Night took place entirely in its own corner of the MCU. No cameos. No callbacks. Just a self-contained special presentation that introduced a neatly retrofitted history of monsters and those who hunt them. As wonderful as it was, however, its ability to stand on its own (short of a 2-second reference to the Avengers) made it tough to determine just where it exists within the MCU’s ever-expanding timeline. Fortunately, Disney Plus has put it in its place.
Outside of a few dates on the graves of the Bloodstone family, there was really nothing given to place WHEN the events of Michael Giacchino’s project took place and the black and white presentation of it certainly makes it feel “longer ago” than when it actually was…which as it turns out, is right now in Marvel Studios’ present day. According to Disney Plus, the events of the night depicted in Werewolf By Night take place just around the same time as She-Hulk: Attorney at Law, Ms. Marvel and Thor: Love and Thunder. That means that not only does the MCU have a long history of monsters, it has a present which means it could have a future!
With Werewolf By Night’s timeline established, it leaves Black Widow as the only Phase 4 project set outside of the present day as its events took place prior to Avengers: Infinity War, making them part of the Infinity Saga. It’s of note that since Werewolf By Night does take place in the present day, the idea that the Bloodstone could play a role in the coming events in projects such as Avengers:The Kang Dynasty remains firmly on the table.
We’ve long wondered what the future might be for Moon Knight. There still hasn’t been an announcement for a second season even if the first one ended on a perfect note to continue the storyline of the newly introduced personality Jake Lockley. Still, we’re still anticipating some kind of update on the project.
Luckily, it seems that Moon Knight star Oscar Isaac was asked during a panel at New York Comic-Con if we can expect a second season. While he plays coy on anything definite, he uses the interesting wording of “system” in regard to the Marvel Cinematic Universe return of Moon Knight.
All I can say is that this isn’t thee last we’ve heard of the system that is Moon Knight.
We’ll have to see if they are building up to it and potentially what the future has in store for the character. There have been rumors that Moon Knight may appear in an upcoming film,b ut there’s not been a definite tease on that outside of some rumblings online. Still, it would be strange to bring in Isaac into the MCU for a single season on Disney+ and not further explore the character in the projects.
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Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.
