Murphy's Multiverse

Tag: Marvel

  • ‘Werewolf by Night’ – Monster Hunters Ranked

    ‘Werewolf by Night’ – Monster Hunters Ranked

    Marvel Studios’ first Special Presentation, Werewolf by Night, introduced fans to an unknown world of monsters, and perhaps just as important, the secret cabal of hunters who’ve spent their lives tracking them down. As one might expect, this collection of killers is both terrifying and eccentric, quickly making their mark on the Marvel Cinematic Universe as a group not to be reckoned with. However, some of these menacing murderers are more masterly than others, begging the question of who might be the best of them all. As such, Murphy’s Multiverse – home of fandom’s spookiest minds – has taken the liberty of digging in and breaking down every Monster Hunter the special has to offer, ranking them by order of skill and appearance.

    6. Barasso

    Daniel J. Watts‘ quiet monster hunter is ranked dead last for a few reasons, but none of them have to do with performance. Watts is actually quite charming in the role when he has his brief moments of dialogue and interaction, but otherwise, he doesn’t get to do very much. Despite surviving longer than most of the other characters on this list, Barasso sort of just stands around for most of Werewolf by Night‘s runtime. When he finally does get to put his skills to use, he’s slaughtered by the titular monster pretty quickly. The fact he sort of just exists without doing anything especially memorable puts him behind the rest of the pack, but maybe one day he’ll get to make a return appearance in another project. After all, Marvel Studios is scheduled to do quite a bit of time-jumping over the next few years.

    5. Azarel

    Eugenie Bondurant‘s Azarel is in a similar boat to Barasso, but gets the slight edge for at least having a memorable character design. The David Bowie-esque monster hunter is striking, and has a looming presence through the entirety of Werewolf by Night. Although they don’t get to show off their fun scythe-like weapon until the special’s climax, and are promptly expired by Marvel’s wolf-man, they do seem to have a suspicious beat on Gael Garcia Bernal’s Jack Russell from the very start. That alone shows signs of Azarel being pretty sharp, a trait that any good hunter should possess if they hope to make an impact in their field. Unfortunately, Azarel doesn’t get to do much more than look great and die trying, so they fall toward the bottom of the list.

    4. Jovan

    Kirk Thatcher‘s bombastic Jovan boasts frequently about his fifty-seven confirmed monster kills. His big personality and entertaining role as Jack’s first on-screen foil earn him a higher spot on this list than his fellow fallen hunters, even if he wasn’t able to make it out of Bloodstone Manor’s intricate maze alive. The axe-wielding maniac certainly makes an impression by befriending Mr. Russell before immediately trying to chop him in half, and his delightful comments about wishing he had a signature look likely endeared him to fans right off the bat. Also, being the first person killed by Man-Thing in the MCU is a pretty nice thing to have on the ole’ monster-hunting resume – if he were still among the living for it to matter.

    3. Verussa Bloodstone

    The true big bad of Werewolf by Night. At first, Harriet Sansom Harris’ Verussa Bloodstone appears to only be a mouthpiece for her recently deceased husband. However, circumstance leads to the revelation that Verussa is quite capable of hunting monsters on her own, and might have even been the true mastermind behind the Bloodstone dynasty. She’s certainly the most bloodthirsty of the bunch and might have killed her own step-daughter if Man-Thing didn’t intervene. The Bloodstone matriarch ranks third on the list as a perfectly cheesy villain with some of the best shots throughout the special.

    2. Liorn

    Leonardo Nam’s Liorn got to the second spot on this list by way of being oddly interesting without too big of a role. Helping matters, he happens to have the best death in the entire special, and his cool factor is undeniable. Another mostly silent monster hunter, Liorn gets a full-blown fight sequence with Laura Donelly’s Elsa Bloodstone that’s equal parts grotesque and breathtaking. It ends with him losing a hand and taking his own arrow through his head, which is awesome. Of all the hunters in Werewolf by Night who aren’t being obviously set up for a future in the MCU, Liorn is the one who probably most deserved a little more screen time. Rest in pieces to a true legend.

    1. Elsa Bloodstone

    This was a no-brainer, but it’s still worth throwing out there. Laura Donnelly’s Elsa Bloodstone is the runaway Most Valuable Player of Werewolf by Night, which is saying something when one considers how good Bernal and Man-Thing are throughout. She has some of the best fight choreography the MCU has ever seen, and could probably rival either Black Widow in hand-to-hand combat. She’s also ridiculously charming in an Addams Family sort of way. Hopefully, there will be plenty of Elsa in Marvel’s future. The world deserves more of whatever her deal is.

    Special Mention: Ulysses Bloodstone

    Ulysses Bloodstone is dead by the time Werewolf by Night begins, but he deserves a special mention if only because he was supposedly the greatest monster hunter to ever live. Viewers never get to see him in action, but a manor full of mementos and a legacy that haunts the entire monster-hunting community is probably enough evidence to prove he was as good at killing monsters as he was at graveyard humor. The comic book version of Ulysses was just as prolific as his MCU counterpart, and while fans may never get to see him as more than a talking corpse in live-action, it’s worth giving him the nod here as a genuine player in Marvel’s mortuary scene.

  • REVIEW: ‘Werewolf By Night’

    REVIEW: ‘Werewolf By Night’

    One of Marvel Studios’ longest-kept “secrets” turns out to be perhaps one of the most triumphant projects of the Marvel Cinematic Universe’s Phase Four, if not the MCU as a whole. Formally announced only last month, Werewolf By Night is Marvel Studios’ first foray into the “Special Presentation” format (in this case, a one-off feature less than an hour long) and without a doubt, this project is, indeed, enormously special. Werewolf By Night shines for several reasons, but its brilliance as a standalone story is the most obvious.

    The first thing the viewer notices about Werewolf By Night is its aesthetic. Through its limited marketing, it is known that the feature was inspired by classic horror films of the 1930s and 40s. While the concept elicits immediate excitement from some, it of course risks overwhelming a story with a gimmick. Fortunately, the stylistic choices of this project were almost entirely in service of the story itself, and director Michael Giacchino achieves a near-perfect cocktail of stunning imagery, blocking, and overall texture. The use of black-and-white is an easy grab for an older or spookier look, but it was far more productive in Werewolf By Night than in most modern films that use the technique. The unique and rather all-consuming style certainly takes the viewer to a place easily associated with horror and monster stores, but it also removes one from the known Marvel universe. Consequently, the natural expectations the audience might place on the feature are almost reset, allowing a completely fresh experience.

    The greatest achievement of Werewolf By Night is surely its excellence as its own story, disconnected from anything else. Whether in the comic book genre or elsewhere, there is something extremely refreshing about a short story that is able to be thoroughly enjoyed and leave a memorable impact on the viewer. Despite a limited runtime and plenty of moving parts, the feature does a phenomenal job telling a full story without invoking virtually any backstory. The triumph of Werewolf By Night is captured in the feeling of simplicity and ease it executes despite clearly arising from a relatively complex technical foundation. At the end of the day, the project is a wonderful standalone think piece that invokes plenty of metaphors and themes regarding what makes a monster.

    However, given its inclusion in the MCU, there is little question that Werewolf By Night will ultimately be part of a larger narrative. Lucky for Marvel Studios, the feature doubles as an exciting introduction to a future Monsterverse considering it leaves the audiences with a litany of questions about the story’s and characters’ past and futures. If anything, Werewolf By Night could have benefitted from additional runtime purely due to the fact that there is enough action and intrigue to go around. An expanded rendition of the hunt itself would almost certainly be a riot, as a prolonged bottle-episode-type suspenseful action thriller would without a doubt rival the famous Daredevil hallway fight scene.

    In fact, a certain sequence in Werewolf By Night already does. The amount of violence in the feature has been a key talking point ahead of its release. The project features, objectively, some of the most violent, brutal, and gory scenes in the MCU. Where those are utilized are done so in a way that serves the story—Werewolf By Night is not filled to the brim with blood and violence, but it stands out when on display in the best way. Similarly, the feature gives off plenty of notes of horror, but it is not an overwhelmingly “scary” or frightening piece. It is, however, extremely tense, suspenseful, and even uncomfortable at times like any good horror film.

    Werewolf By Night further benefitted from its cast and character ensemble. Laura Donnelly as Elsa Bloodstone is, perhaps, the surprise standout of the feature. Not the title character and not given much fanfare, Donnelly’s portrayal comes off as effortless and she easily carries scenes in a way that cements Elsa as much more than she appears. Two rather different storylines crisscross throughout the special, and Elsa is the rock that holds them together. Gael García Bernal certainly hits the sweet spot as the mild-mannered and warm Jack Russell. The heart of the project resides in him, even if he were not (ultimately) the title character. Viewers should not worry about a “nice” Jack, as Bernal can flip the switch into the titular werewolf without a problem.

    The rest of the cast is stellar, and the character designs are so spectacular as to stand out in a generally visually-stunning project. Harriet Sansom Harris supplies the particular brand of sinister that Werewolf By Night needs to achieve its delicious end result. The monster at the heart of it all will surely go on to be a new fan-favorite creature of the MCU, but the special does not forget that he is, indeed, a monster.

    If Marvel Studios intended for Werewolf By Night to be a surprise, it is perhaps the best surprise a viewer could hope for. The special is incredibly unique on virtually all levels, and its short story format is one of the most fulfilling MCU experiences in years. Not all Marvel projects can benefit from, or achieve, the type of creative leap required to produce this feature. This special demonstrates that Marvel Studios should continue investing in “Special Presentations,” but Werewolf By Night is special enough on its own to be a one-and-done.

  • REVIEW: ‘She-Hulk: Attorney at Law’ Episode 8

    REVIEW: ‘She-Hulk: Attorney at Law’ Episode 8

    Given the fact that She-Hulk: Attorney at Law has received rather positive reviews each week, it feels somewhat monotonous to call “Ribbit and Rip It” the best episode of the series—but it cannot be avoided. Of course, the character ensemble in Episode 8 seems instantly iconic, but the episode hit every beat it could: lawyer, superhero, Daredevil, sexy hilarious, and dark. This episode can only be thoroughly enjoyed and yet it still ends on the heaviest and most cliff-hanging note of the series.

    All eyes are on Charlie Cox’s return as Daredevil in the character’s first MCU appearance. While this is She-Hulk’s show—as we are reminded—anyone who tries to suggest that he was not the highlight of the episode is lying. Predictably, Jennifer Walters and Matt Murdock meet in court on opposing sides before meeting as superheroes. Cox truly embodies the role, and his love for the character and the return is incredibly palpable. Quite honestly, he came across as substantially more charismatic than the character has previously been—and that is a high compliment. Daredevil is lighter than fans of only the Daredevil Netflix show may be used to, but being funny as hell does not take away from the rest of the character which was on full display. Those that will continue to scream into the void about She-Hulk ruining Daredevil are on another planet.

    While Murdock was the biggest player, Episode 8 highlights that She-Hulk works best when the titular character has a colorful cast to play around with. Leapfrog and Jacobson held their own in such a high-profile episode, and the ultimate result of all the moving pieces was sublimely paced, extremely funny, and it felt like a much bigger and more exciting show than it had been until now. Obviously, She-Hulk as a bona fide superhero is new and played a major role in that. The chemistry between Jen and Matt—presumably aided by the chemistry between Tatiana Maslany and Cox—created the best pairing of characters in a series riddled with great character interactions.

    Despite being an overwhelmingly fun episode, the penultimate episode landed on a dark note with haste to lead into the finale. She-Hulk has not been shy about weaving in themes and jokes surrounding misogyny, but it felt like the darker elements that existed within the show truly hit in full force all at once. It is not easy to compete with Daredevil in an episode, but the ending managed to put up an impressive fight in that regard. Not only did Jen have her entire private life broadcast to everyone during what was perhaps the greatest moment of her career, but it came in the form of sexual shame and revenge porn—activities that tend to almost exclusively attack and cause extreme harm to women. The word “slut” is not uncommon in reality, but even in the context of She-Hulk it landed with a thud. The dark brilliance of the sequence is that She-Hulk, who is ordinarily invincible, can be a vulnerable target to destroy because she is a woman and there are dedicated ways for someone to pursue that without any kind of confrontation. We see Jen lose control of her anger—finally calling back to the first episode—becoming an enemy and a monster regardless of how justified and ordinary that level of anger would be in that situation.

    At the end of the day, Episode 8 managed to do everything She-Hulk can seemingly tackle and pull off in just one episode. Daredevil’s introduction to the MCU was beautiful, and this episode does quite a lot for the character going forward. Even though the penultimate episode was almost certainly the most entertaining and witty episode of the entire series (and it is hard to see how the finale can top it), it also ended on the darkest and most emotional beat yet. Before the last few minutes, the fact that the finale was right around the corner felt rather empty. There is still a very minimal underlying HulkKing plot, but for the first time, it actually feels important to She-Hulk. It may very likely go on to set up other Hulk-related MCU projects in the future, but the damage inflicted to the main character from it is now the driving force of the remainder of the series. The finale is still a mysterious concept given the format of the show, but Episode 8 finally begins to truly define the hero She-Hulk will be in the MCU.

  • ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 7

    ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 7

    Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at Law. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains, in its fourth week, the show decided to focus on Jen’s love life and, the following week, on Jen’s nemesis, Titania. Episode 6, being a “self-contained wedding episode” was approached as its own thing while referencing a lackluster comic arc where Jen ended up being engaged herself.

    As for episode 7, and much the previous week’s, there were a few new takes on less known comic characters. This time we got Man-Bull, El Águila, and Porcupine introduced into the MCU, all of which were already the focus of individual features by our own John Sabato. Taking a deep dive into how these characters were adapted to the small screen makes little sense now, so we decided to focus on three other villains with whom She-Hulk has a history that might end up getting adapted themselves in the future. Especially considering both present and future events within the overall MCU.

    RED SHE-HULK

    Red She-Hulk #66 (2013)

    With the increased relevance to the MCU’s future that The Incredible Hulk has managed to gain in the past few months, with The Abomination coming back, and Tim Blake Nelson set to return as The Leader in Captain America: New World Order, it’s probably not that big of a stretch to think of a possible Red She-Hulk appearance down the line. Especially given how that particular movie will probably explore a potential explosion of Hulks in the MCU.

    Even if the MCU’s Red Hulk might not turn out to be Thaddeus “Thunderbolt” Ross, due to the passing of the great William Hurt, why not bring back another character from the first Hulk outing, thus allowing Betty Ross to become Red She-Hulk?

    Red She-Hulk #67 (2013)

    Red She-Hulk shares many of her father Red Hulk’s abilities, including superhuman strength, which enables her to take on both the Hulk and She-Hulk. She can pierce even the thickest and most resistant skin with her razor-sharp claws and talons. Unlike her father, she can produce energy blasts, which she might use to devastating effect. Though this was only for a brief period in the comics, she could fly and had theoretically limitless strength in her form as the Harpy. She also could come to own her “big ass sword” that was initially presented to the Red She-Hulk during the “Fear Itself” storyline and was crafted by Tony Stark using Stark Industries repulsor technology and enchanted uru metal (the same material Mjölnir is made of) from the Real Eternal, Asgard.

    ABSORBING MAN

    She-Hulk #23 (2007)

    With Titania becoming such a big focus point in She-Hulk: Attorney at Law, and with the apparent ease with which superpowered people now show up in the MCU, why not bring someone close to her that also happens to have a history with She-Hulk? Absorbing Man fits the bill.

    She-Hulk #23 (2007)

    Crusher Creel, who we’ve already seen on the small screen in Marvel’s Agents of S.H.I.E.L.D., played by Brian Patrick Wade) has the power to imitate the matter and strength of anybody or anything nearby thanks to a mysterious potion. Most frequently, he duplicates the qualities of anything he touches, including solids, liquids, gases, and even energy sources. Over time, he learned to choose which substances to absorb, and even how to absorb multiple substances at once and combine their properties. During one of his encounters with She-Hulk, she realized that he could only ignore certain materials’ qualities if it wasn’t abundant. But drowning him in something that would be detrimental to his physical condition could then turn his powers, which could allow him to be the most powerful villain in the entire Marvel Universe, into weaknesses.

    UNUM

    She-Hulk: Cosmic Collision #1 (2008)

    Another interesting foe that could come up against Jennifer Walters, is Unum. The cosmic entity Enmity (one of the Seven Friendless, a group of seven cosmic creatures) basically assembled the being Unum from the remains of many extraordinarily potent dead entities, including Dormammu. The Latin phrase “e Pluribus Unum” which means “out of many, one” is where the name of this enormous entity originates.

    What makes her especially interesting in the context of the MCU is that Unum was established with the sole intent of eliminating all heroes, but initially focusing on female heroes, something that could lead down a compelling path in terms of storyline and real-world analogies. Unum was essentially invincible, but She-Hulk managed to defeat it and as a result of the revelation that Enmity was only using her as a tool for amusement, the mighty Unum turned against her creator, destroying her physical form, and committing suicide. 

    She-Hulk: Cosmic Collision #1 (2008)

    It’s doubtful any of these characters might show up in the final two She-Hulk: Attorney at Law episodes, considering how Daredevil and perhaps even The Leader could be making appearances. But with Jen’s story continuing beyond the show, and with the series making it clear that no character of off limits, it shouldn’t take long for her rogues’ gallery to expand significantly in the not-so-far future. Either with these or other characters.

    The first seven She-Hulk: Attorney at Law episodes are now streaming on Disney+.

  • Anthony Mackie Comments on the Possibility of a Chris Evans Return in ‘Captain America 4’

    Anthony Mackie Comments on the Possibility of a Chris Evans Return in ‘Captain America 4’

    Upcoming Marvel Studios feature Captain America: New World Order will mark Anthony Mackie’s first time leading an MCU film as the Star-Spangled Avenger. Sam Wilson takes over the mantle from Chris Evans’ Steve Rogers in the wake of their last team-up effort in Avengers: Endgame and the events of The Falcon and the Winter Soldier. By all accounts, Evans, who also said goodbye to the MCU, has been unlikely to bring back his original Captain America character anytime soon.

    Following Marvel Studios’ recent D23 presentation, Mackie joked that Sebastian Stan gets Wyatt Russell’s U.S. Agent in the upcoming Thunderbolts and expressed his desire to see Evans return in some manner. However, in a recent interview, Mackie had a more sobering take on the potential return, expressing Evans’ own views on where his future with Captain America rests.

    Mackie discussed the possibility of Evans reprising his role as Steve Rogers in an interview with E! News, and he made a joke about how little Evans is focused on the MCU now:

    Chris is so far gone from Marvel. Like, Marvel is not even in his radius. He’s so far gone. He’s enjoying life. He’s like an old retired dude.

    Anthony Mackie

    While a return in New World Order seems unlikely, an eventual Evans return is still unknown, especially with major cross-over films like Avengers: Secret Wars in the works. But, for the time being, Sam Wilson will shine as Captain America in the post-Infinity Saga MCU.

    Captain America: New World Order will be released in theaters on May 3, 2024.

    Source: E! News

  • Early Projections Predict ‘Wakanda Forever’ to Outgross ‘Doctor Strange 2’ Domestically

    Early Projections Predict ‘Wakanda Forever’ to Outgross ‘Doctor Strange 2’ Domestically

    There’s still some time until Black Panther: Wakanda Forever releases in theaters later in November. Yet, that isn’t stopping form early projections from hitting the web. The sequel has some heavy weight upon its back, as it not only has to compensate for the loss of its main star Chadwick Boseman but also faced quite a few production troubles along the way. After a powerful first trailer though, it definitely seemed safe to say that Wakanda Forever will still leave its mark in theaters while paying tribute to the actor that made T’Challa a household name.

    According to Variety’s early projections based on Cinelytics, the film is likely to make around $423M domestically. Many will look at these numbers and point out that it’s a far cry from the first entry’s massive $700M domestic release. It’s still very early to say how it will truly perform as the marketing has yet to kick into high gear but there is some concern about the passing of Boseman negatively affecting the film’s main draw. Plus, the first entry was quite the cultural release that went way past expectations.

    While many like to callback to Tom Cruise‘s star power for the box office success of Top Gun: Maverick, it’s just as much lightning in the bottle scenario that it had the staying power it did. It became Cruise’s highest-grossing film ever by a wide margin. Sometimes elements just come together at the right time to give films a massive boost, which we saw in the past with Avatar, Spider-Man: No Way Home, and The Force Awakens. The question is rather if people’s curiosity about the sequel and how it pays tribute to the actor.

    It could just as well end up surprising many. Plus, Marvel Studios’ main goal is for it to cover the production costs and pull in a profit. If it manages to accomplish that, it’s still a success in their eyes even if it wouldn’t really break any massive records or come near the first release. For now, it still looks like it could likely become 2022’s highest-grossing Marvel Studios release and that might be enough to push the project forward. Who knows if we have another No Way Home scenario on our hands and we won’t know until November.

    Source: Variety, The Numbers

  • REVIEW: ‘She-Hulk: Attorney at Law’ Episode 7

    REVIEW: ‘She-Hulk: Attorney at Law’ Episode 7

    After finishing the seventh episode of She-Hulk: Attorney at Law, it is extremely natural to wonder—what is this show? For a series billed as a legal comedy, there certainly is no particular plethora of legal plotlines. In Episode 7, for example, there are none at all. For a “superhero show”, there can be a stunning lack of superheroics. So what is She-Hulk? That may not be an easy question to answer, but the series has a personality that connects everything at its core; that is not a given for most series. In any event, it is genuinely hard to care about picking apart every ounce of She-Hulk when Episode 7 was everything a reasonable person could want.

    Some of the biggest, deepest laughs of She-Hulk come from this episode without a doubt. The level of comedy the series attained in some of its earlier, more legal-heavy episodes returns in a very different form. In a universe and franchise so focused on action, adventure, and high-concept stories, any person that has the capacity to feel joy can appreciate some D-list supervillains in group therapy helping out the protagonist get over a guy who did not text her back. That premise is absurd, and it can only work in a very specific context. Luckily, She-Hulk provides that context.

    Nothing could be said about Episode 7 without emphasizing how amazing the supporting cast of characters is. Obviously, Tim Roth’s Emil Blonsky makes a welcome return after his last appearance in Episode 3 to continue the “Abomaste” gag. And while various legal cases brought out some interesting figures in the past, such as Donny Blaze, Mr. Immortal, or the shape-shifting light elf, Episode 7 absolutely knocks it out of the park. Man-Bull, El Águila, Porcupine, Saracen, Wrecker, and Blonksky all come through as colorful characters. The fact that such a group got to spend most of its time together and interacting with one another is simply a unique experience in the Marvel universe, which allows She-Hulk to bring out the inherent humor of corny comic book characters in a safe space both literally and figuratively.

    A major theme running through She-Hulk is that Jen is constantly losing. Sure, she is a functional Hulk and landed a snazzy job, but episode after episode has emphasized that Jen the human is not enough. Her dating life is perhaps the prime example of that, and the episode’s focus on Josh building her up and then letting her down just hammered that theme more. The “twist” that Josh is actually a villain was perhaps one of the most obvious reveals, so it was smart that her emotions stemming from the rejection were in the spotlight while the dramatic reveal was only given a few seconds in the end. It was refreshing to see Jen get a personal “win” this episode when she has her emotional breakthrough at the Blonksy retreat with the friendly help of some memorable characters with their own identity struggles. In fact, self-identity seemed to be the core issue tying all of those people together in one way or another.

    Since Jen now knows, apparently, that “Jen is great” alongside She-Hulk, perhaps that is the audience’s cue to prepare for less self-growth and more plot resolution going forward. Granted, there are only two episodes left in the season, so that may not be hard to guess. But it does potentially give away what kind of place Jen will be mentally when she has to eventually deal with the invisible HulkKing villain (to the extent She-Hulk itself will actually deal with a potential explosion of Hulks in the MCU), as well as when she inevitably comes across Charlie Cox’s Daredevil. Doubtless, many have suffered in agony for seven weeks with no Daredevil, but at least they can be grateful the show may combine them when Jen/She-Hulk is at her best.

  • Finn Jones Confirms Plot of ‘Iron Fist’ Season 3 Would Have Featured Orson Randall

    Finn Jones Confirms Plot of ‘Iron Fist’ Season 3 Would Have Featured Orson Randall

    Of all the Marvel shows produced by Netflix, Iron Fist stands out as the one least loved by fans. The series was noted for its many departures from the source material, with viewers and critics both agreeing the project was far too light on the magic that made the comics so much fun. After a few behind-the-scenes changes, Iron Fist’s second season improved the show by leaps and bounds, but the alterations came too late and weren’t enough to save the series from an early cancellation. This meant that several plotlines, including a massive cliffhanger hinting at a major comic book story for the show’s third season, were left unfinished and untold by showrunner Raven Metzner and his creative team.

    Speaking exclusively with Comic Book, series star Finn Jones discussed the potential surrounding Iron Fist Season 3 and the conscious efforts made to fix the show after its poorly received debut outing:

    The second season was really all about course correction. Y’know, it’s like, how do we just change the course and the conversation around the show and just bring it up to a place that we can feel proud of, and then we can take the show in the direction that we really want to take it.

    Finn Jones

    The direction they wanted to take Iron Fist, it seems, was toward writers Ed Brubaker and Matt Fraction’s acclaimed run from the late 2000s. That series featured Danny Rand learning more about the former owners of the Iron Fist mantle, and teaming up with his immediate predecessor, Orson Randall. Iron Fist Season 2 ended with Jones’ take on Rand traveling to Asia with his new pal Ward, channeling his chi into two pistols and bringing himself closer to Randall than ever. Meanwhile, in New York, Jessica Henwick’s Colleen Wing took over as the next official Iron Fist.

    When asked directly if this meant Metzner and Jones planned on adapting The Immortal Iron Fist and using Orson Randall in the third season, the British actor confirmed this was the case:

    Oh, yeah, we definitely were. I love Danny Rand. I love Danny Rand. I love that character, I love everything about him. I think he’s such a joy. And so did Raven, as well. And we really would just vibe out and geek out together about the prospects of what we could create with that character.

    Finn Jones

    He elaborated, breaking down the unmade season’s potential structure:

    Raven, especially, wanted to see Danny and Ward off in distant lands, like, fighting crime and having the guns and stuff. And Orson Randall, like taking on that kind of persona. And then Colleen would be in New York with the Iron Fist, kind of coming to terms with that responsibility. Then eventually, over the course of that season, they would find each other again and become whole. Yeah, there were a lot of interesting ways we could have moved forward with that show.

    Finn Jones

    While Metzner was never able to make this plot a reality, it’s not impossible that fans see it play out on screen in the future. Marvel Studios has been steadily returning its Netflix characters to the Marvel Cinematic Universe, and it may be only a matter of time before Danny Rand makes his second grand debut. Whether or not Jones is still in the role when that happens remains to be seen.

    Source: Comic Book

  • ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 6

    ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 6

    Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at Law. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains and in its fourth week, the show decided to focus on Jen’s love life and, the following week, on Jen’s nemesis, Titania.

    Episode 6 presented itself as a tricky one when it came to finding a strong enough connection to She-Hulk comics. Both Mr. Immortal and Intelligencia had a somewhat meaningful presence in it but were already the focus of a couple of features from the past week. It was then time for something different. And much like Jen herself stated, in the starting sequence, that episode 6 was a “self-contained wedding episode”, why not try and make this a self-contained P2S feature? If an engagement featured in a She-Hulk comic can also be referenced, then that’s enough to justify the option. Let’s go with that.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 6
    Marvel Studios’ She-Hulk: Attorney at Law Episode 6

    In 1989 Marvel published a two-part story entitled She-Hulk: Ceremony, that focused on Jen and Wyatt Wingfoot getting engaged. In the midst of it all both also had to help stop a madman attempting a mystical world conquest. Much as She-Hulk: Attorney at Law tries to focus on the comedic side of the character, this was a story that was initially intended to be a romantic comedy. But what began with the best of intentions turned out to be one of Marvel’s most clumsy attempts at giving feminism a much-needed spotlight. 

    She-Hulk: Ceremony #2 (1990)

    The basic plot goes a little something like this:

    While watching a TV soap opera, She-Hulk feels the need to become a mother. She decides to look for something to fill that “void she has discovered in her life” because she “feels empty.” In a baffling decision, she somehow sees her ex-boyfriend Wyatt Wingfoot (who she briefly dated when She-Hulk was a member of the Fantastic Four) as the only one who can help her. Wingfoot, a native American, is just beginning his legal education while still residing in the Baxter Building and is utterly shocked by being approached by Jen and being asked to father her children out of the blue.

    By trying to appease the usual rom-com structure and conflicts, the story also ended up following the same clichés the genre usually features. She-Hulk thus ended up being portrayed as extremely bashful and uneasy about sharing her thoughts, very much unlike her usual honest, straightforward, and forthright character when it comes to her emotions. Another characterization that seems incredibly outdated is how the comic shows Jen as being very ambivalent regarding the right to choose to have an abortion or not, something she clearly states following a bomb threat at a local abortion clinic. This sort of tactlessness when it came to her character perhaps only came second to the disrespect towards native American culture with it being depicted in the most stereotypical fashion, filled with mystical nonsense, reducing it to a caricature.

    She-Hulk: Ceremony #1 (1989)
    She-Hulk: Ceremony #1 (1989)
    She-Hulk: Ceremony #1 (1989)
    She-Hulk: Ceremony #2 (1990)

    In the end, and after finally defeating the big bad, Carlton Beatrice, Jen and Wyatt realize that they weren’t really in love with each other. They become aware that their engagement was (at least primarily) a result of a mystical basket (the story’s McGuffin) connecting them. They choose to separate with Jen making use of her legal expertise to assist in recovering Wyatt’s Keewazi Reservation which had been affected by the entire ordeal.

    What does this have to do with She-Hulk: Attorney at Law? Not much. There’s Jen, there’s She-Hulk, there’s the idea of a wedding, there are fights and lots of nonsense (both the good and the wrong kind). But what ultimately sticks when revisiting such a story is just how much She-Hulk eventually evolved into a proper Marvel feminist icon, and how the Marvel Studios’ show manages to address several of the same issues in a much more respectful and gracious manner. With the show having such a strong sense of self-awareness, explicitly criticizing the misogynistic trends that, particularly on social media, surround female superheroes and female-led initiatives, She-Hulk has indeed come a long way in what it can add, as a character, to not to what comics and TV are concerned, but more importantly to the general discourse.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 6
    Marvel Studios’ She-Hulk: Attorney at Law Episode 6

    The first six episodes of She-Hulk: Attorney at Law are now streaming on Disney+.

  • REVIEW: ‘She-Hulk: Attorney at Law’ Episode 6

    REVIEW: ‘She-Hulk: Attorney at Law’ Episode 6

    She-Hulk: Attorney at Law has now revealed two-thirds of its nine-episode season. While Episode 6 was a proclaimed “self-contained wedding episode,” it was actually one of the most significant episodes in the series’ second act in terms of moving the ball. Albeit through teases, the serious end game of She-Hulk is becoming somewhat more clear despite the insistence that each week is unique to itself. The sixth episode was strong in the same areas the show has been strong: humor, absurdity, and Tatiana Maslany. But its ending cannot help but signpost that the series’ third act may be drastically different from what we have seen.

    First, the wedding plot was enjoyable, and it managed to incorporate several different unrelated elements into one space. Of course, Jen’s delicate relationship to herself as She-Hulk is prominent, but her dating life, professional success, and feelings of not being recognized or valued enough all play a major role. On top of that, Titania manages to stay involved, fan-favorite cousin Ched gets more screentime, and Patti Harrison is just a general gift in pretty much any project.

    What was perhaps most interesting about the wedding stems from the fact that it remained noticeably vague and we have not seen it end. Of course, the mysterious guy Jen connects with seems to be a prime candidate for Thunderball, the member of the Wrecking Crew we met in Episode 3. The fact that he seems to know the wedding party raises interesting questions as to who else in Jen’s life is in on the ultimate scheme to get her blood. The actual groom of the wedding was never revealed or shown, so it seems like there is a strong chance that the reveal could be significant. Still, if it is a “self-contained” episode, that would imply the wedding plot does not have much more to it, but yet it absolutely seems as though several major villains are lurking (or, in Titania’s case, very openly present) in the event.

    Given that it seems obvious that getting Jen’s blood is the goal of the mysterious “super” villain behind the scenes of She-Hulk, Titania is shaping up to be quite the assistant for the more scientifically-associated (“Science Villain”) teased villain. Titania has her own personal grudge against Jen (and their battle was almost comics-worthy), but her presence at the suspicious wedding suggests that she may also be in on a larger plot. It is in Titania’s comic book nature to work with other villains, including the Wrecking Crew. In her comic book origin story, she was more or less created by Dr. Doom. Perhaps the Science Villain is who gave her her superstrength in the first place. And if, as the future of the Marvel Cinematic Universe seems to hint at, the Science Villain is all about hulks, what is to say Titania is not a result of related experiments?

    The speculation of who the Science Villain could be at this point is relatively mundane given the eventual return of Tim Blake Nelson as The Leader in Captain America: New World Order, but She-Hulk could always surprise. Of course, fans are still anxiously awaiting Daredevil’s arrival, and how he will fit in is still somewhat mysterious. Will he be mostly in a legal plot, or will he be a major force in helping Jen take on the final threat? It could be both, but one thing is certain—Charlie Cox is not in this episode. In any event, despite some posturing, it is hard to imagine that She-Hulk does not have significant ramifications on the wider universe after the end of the series. Even just the fact that Jen leaves a voicemail for space Bruce is making a point about other huge stories going on in this series’ orbit.

    Outside of the main agenda, the B-plot with Mr. Immortal was the type of charming that only She-Hulk can deliver. It gave Nikki and Mallory more time to shine in their own rights, and Nikki as a character seems to consistently deliver more each episode. The series is able to tap into strange, funny, and out-of-pocket concepts from the comics without having to make a major statement on the MCU. In another project, the introduction of Mr. Immortal might have had greater ramifications. Here, it was a way to send a teasing love note to the type of source material that mostly does not make it into live-action. Still, the amount of superhumans occupying Earth-616 is clearly vastly more than anyone would have guessed before She-Hulk, and that may still have at least indirect implications going into Phases 5 and 6.

    As She-Hulk finishes its second act, it is only clear that its own universe is expanding rapidly. While it still at times feels inconsistent or choppier than needed given the episodic structure, it delivers a unique charm and experience that no other MCU project has, and it does so through its overall tone but also its little details. Enjoying comicbook-y material, having multiple developed women characters, diving into humor a bit off-kilter than the MCU is used to, and taking an incredibly fun and bold swing at the series all pay off for She-Hulk. Those elements are as present in Episode 6 as ever. Still, it is a disservice to not call out the “self-contained wedding episode” as being one of the most plot-fluid episodes yet. The real villains are about to appear, and the superhero part of this MCU show is surely about to take off with it.