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  • ‘WandaVision’: Something’s Not Right With “Agnes”

    ‘WandaVision’: Something’s Not Right With “Agnes”

    I know it’s not Thursday, but I just had to jump on this theory right after the latest episode. We are now creating an emergency theory of WandaVision‘s latest episode that just came out a few hours ago as I am writing this article. If you haven’t seen the new episode “Breaking the Fourth Wall”, turn away now. So, this is your last warning before we jump into the theory.

     

    There will be some massive spoilers for the latest episode of WandaVision. Only continue at your own risk if you want to avoid any major reveals from the new episode.

     

     

    The big secret is out. Agnes, the nosy neighbor, has revealed her identity as the sorceress Agatha Harkness. It finally confirms what Charles Murphy reported nearly more than a year ago. After a short montage, it seems as if Agatha has been behind everything all along. Yet, it could also be a misdirect, and maybe someone wants you to believe that she is. At first, it seemed like a fantastic revelation about how Agatha is the insidious villain whose behind the Westview anomaly. Yet I will play devil’s advocate and say that she might be innocent.

     

     

    In the comics, Agatha’s never had an antagonistic role. On the contrary, she’s been helping heroes. In Wanda’s case, she taught her how to use her abilities. She even was the babysitter of Franklin Richards, the son of Mister Fantastic and Invisible Woman. So having Agatha be the villain doesn’t make sense from a comic book standpoint. Not only that, but there’s some compelling evidence that convinces me that Agatha isn’t behind it all, but rather, someone is making it seem like it is. During the “It Was Agatha All Along” sequence, there’s a line where she says: “And you haven’t even noticed, and the pity is.” That line woke my brain up to look for clues in this opening sequence, and I found something. Take a close look at Agatha’s hands in the following image:

     

     

    You have Agatha sitting outside on the patio, using her purple magic to conjure up whatever “Pietro” is. If you take a closer look, there’s something off with Agatha. It just seems like something is out of place. I’ll give you a hint: It’s red, and it’s a wiggly woo. You’ll notice that there are small red static lines around Agatha’s that are emanating from her hands. They show up again later on in the infamous Sparky scene as highlighted here:

     

    That small blink-and-you’ll-miss detail doesn’t seem to sit right with me, and it leads me to think that something may be controlling Agatha in this sequence. And at the moment, there are two prevalent theories:

    Theory #1: It’s Wanda

     

    My buddy and fellow contributor Joseph Aberl came up with this theory. It looks like Wanda is the prime suspect for everything going on in Westview. She even admitted to it in her “interview” that this world was fake. So, it would be easy to assume that Wanda is behind it all. Perhaps she is painting Agatha Harkness as the villain at the end of this episode so Wanda can make herself not look like one. She might even be doing it subconsciously without realizing it, which would feed into the theory that Wanda might truly be losing her mind. That isn’t our only theory though.

     

    Theory #2: This Strange Book

     

    There’s a somewhat similar red magic emanating from this strange book that’s in Agatha’s basement. The audio description of the episode confirms that it is red, which could draw its power the same way Wanda does. Now whatever this book is, it’s clearly malicious and could contain some very dark secrets for what’s going to happen later on in future episodes of WandaVision. Hopefully, we might get some kind of information or reveal the origin of this book.

  • Wyatt Russell’s Captain America in Distress in Latest ‘Falcon and The Winter Soldier’ Teaser

    Wyatt Russell’s Captain America in Distress in Latest ‘Falcon and The Winter Soldier’ Teaser

    It’s 30 days before the first episode of The Falcon and The Winter Soldier drops and so we’ve been treated to a new teaser. We’ve seen a lot of the material before, but there are a few new shots. In one new noteworthy image, Bucky and Sam appear to part ways after the shield throwing session that we’ve seen many times. Although I know this was filmed during the first few weeks of production in Savannah, Georgia, I have to wonder if it’s at the beginning of the series or maybe even at the end. They made peace with each other and found their places in this new world.

     

     

    Another image of note is what appears to be John Walker, who is played by Wyatt Russell, decked out as the new Captain America. Something seems wrong though, as he’s kneeling and grasping his head. The shield itself seems a bit battle-damaged and scorched at this point too. Could it be that Mr. Walker is feeling the pressure of his new position as the Star-Spangled man? Or is something much more sinister going on in his head?

     

     

    Further interesting evidence that not all is right came to me when I realized that the same location was revealed in other trailers and clips for the show. Bucky and Sam are seen leaving in a rush, without Walker. In a clip, Sam is holding the shield, while in another he is throwing it in what seems to be the same location. These scenes, to my knowledge, were filmed at the Pullman Rail Yard in Atlanta in late 2019/early 2020. You may also recall Sebastian Stan posting an image from the same location around that time.

     

    We are a month away from the series release, so we are going to get a lot more teases for the series. If you are interested, you can check out the latest teaser below:

    Source: Twitter

  • How Marvel Studios Can (Re)introduce The Defenders Into the MCU

    How Marvel Studios Can (Re)introduce The Defenders Into the MCU

    Marvel’s Netflix venture gave fans some of the most interesting programmings for Marvel TV. From the gritty, suspense, and dark themes of Daredevil, Jessica Jones, and The Punisher to the Superhero Street vibes in Luke Cage Iron Fist, Marvel’s Netflix had something for everyone. On top of it all, the casting in these shows was phenomenal. They embodied these characters, and it was the interactions that sold us on their chemistry. Charlie Cox‘s Daredevil with Jon Bernthal‘s Punisher gave life to a very memorable showdown in Daredevil‘s second season. Krysten Ritter‘s Jessica Jones and Mike Colter‘s Luke Cage shared some incredible chemistry during their time togetherIn their attempt to recreate the Marvel Cinematic Universe formula on a smaller scale, these Netflix shows created a tiny world set within a larger universe.

    Since their respective cancellations in 2018, people have been waiting for Marvel Studios to bring them back. So now, after years of waiting, all of Marvel’s Netflix rights have reverted to Disney and Marvel. Now, we have to wonder what will follow now that Marvel has all of these characters at their disposal. So, Kevin Feige has a slew of choices ahead of him. How do you introduce these characters into the MCU? Do you recast them or try a soft reboot? Can you continue their stories from their time on Netflix, or would they require new backstories? These are all essential questions moving forward. If only we had a precedent as to what we can expect. Luckily, we can.

     

    Daredevil

     

    Daredevil is a perfect candidate to stick with long-form storytelling. I do believe that he needs to have his first appearance in the MCU in another franchise. We know that Charlie Cox will reprise his role as Matt Murdock in the upcoming Spider-Man threequel, which will release at the end of this year. How exactly that will play out remains to be seen, but given how Spider-Man: Far From Home ended in 2019, chances are Peter Parker is going to need one hell of a lawyer. The dynamic duo of Nelson and Murdock are perfect candidates to tackle this case.

    If you ask me what I’d adapt for this series, I believe Daredevil: Gang War by Frank Miller and Tom DeFalco would be a fantastic story for a future show. You would already have Matt Murdock established in the MCU as Daredevil, and it would also be a brilliant way to reintroduce Wilson Fisk. In this particular run, he retired in Japan with his wife, Vanessa. She had grown sick of Fisk’s life of crime, but they are forced back due to his wife getting kidnapped by a former rival gang. It could explain Kingpin’s absence in the MCU, and I have an excuse to say that I want Vincent D’Onofrio back as Kingpin.

     

    Jessica Jones

     

    Following a similar introduction pattern of Daredevil, there are rumors that Jessica Jones could make her appearance in the upcoming She-Hulk series. Like before, we have no idea how she might play into the story. I am working on a theory of what role she might have in She-Hulk, but that still needs some time in the oven as a potential Theory Thursday piece.

    Story-wise, I liked Jessica Jones: Blind Spot by Kelly Thompson, and it is a story that would be the perfect choice for her MCU introduction. It is a murder mystery thriller, where Jessica Jones is the prime suspect in a murder. Her regret haunts her, as she failed to help her years ago. Not only would it showcase Jessica’s investigative abilities, but also uniquely retell her origin. The murderer could tease her alongside the audience with bits and pieces of her past. The viewers get immersed in the murder mystery and allow them to piece together Jessica’s origin.  

     

    Heroes for Hire (Luke Cage/Iron Fist)

    The fact that we never got the chance to see Mike Colter and Finn Jones truly embrace the dynamic Heroes for Hire duo is criminal. A buddy cop series similar to the styles of Bad Boys, Lethal Weapon, Rush Hour, and 21 Jump Street is how I could see these two pull appear in the MCU. And I would keep their origins the same way and have it play out like in the comics. Luke Cage was exonerated, so both of them meet at a party and get into a fistfight. Afterward, they both become great friends by the end of it. It also would allow viewers to truly explore Iron Fist’s vast history from the comics with Cage as the straight man trying to figure out all the craziness that starts to haunt them.

     

    The Punisher

    Say what you want about The Punisher, but Jon Bernthal‘s portrayal of the character was incredible in Daredevil and his spinoff show. In the comics, Frank Castle always appeared as a secondary character or even as an antagonist. He got into fights with the likes of Spider-Man and, of course, Daredevil before being given his comic run. Netflix replicated the formula by making him appear in the second season of Daredevil. He had a recurring role before being given a spinoff. My money’s on Marvel Studios doing the same thing. Castle will appear in another franchise before being given his show. And there are several places he could appear in if you consider Castle’s military background.

    He could be a former ally to Col. James Rhodes and have a brief cameo appearance in the upcoming Armor Wars series. There is also the chance that he could make his MCU debut in the Moon Knight series. Their interactions in the comics have been iconic. I am not sure what story to give Punisher’s new MCU series because I’m unfamiliar with his comic runs. What I do know is that the show should be similar to the Netflix counterpart. We will explore Castle’s motives before he becomes the Punisher. It shouldn’t shy away from the dark and gritty, which would still be possible to showcase on Disney+.

  • New ‘Cruella’ Poster Released by Disney

    New ‘Cruella’ Poster Released by Disney

    Disney has been making a lot of live-action adaptations based on their various animated films over the past decade. Most have been straight-up remakes, but a few have functioned more like sequels, such as 2010’s Alice in Wonderland continuing the story of the 1951 animated classic of the same name. Disney’s next film in their live-action pipeline is Cruella. This one is based in the world of One Hundred and One Dalmatians but isn’t a sequel but rather a prequel focused on the titular character. It is the second live-action adaptation of the franchise, as we got a remake of the original with a sequel starring Glenn Close.

    This one is a prequel telling the origin story of the villainous Cruella de Vil, who is played by Emma Stone, as she works in the world of fashion and develops a certain fascination with dogs’ skins. To announce the upcoming trailer, Disney just revealed our first trailer for the film:

    The movie got announced as a theatrical release, and it seems to be still aiming for its May 26th release. Nothing was said to indicate a delay or change in the release method. They are officially teasing tomorrow’s trailer for the film, which will likely provide an update on whether a theatrical run is still planned. There is a chance it will be heading straight to Disney+ as several other Disney movies have during the ongoing COVID-19 pandemic. The punk rock aesthetic is an interesting take for the iconic character and will offer a unique viewing experience for long-time Disney fans.

    Source: Twitter

  • EXCLUSIVE: ‘Succession’ Actor Arian Moayed Cast in ‘Spider-Man 3’

    EXCLUSIVE: ‘Succession’ Actor Arian Moayed Cast in ‘Spider-Man 3’

    Murphy’s Multiverse has learned that Iranian born American actor/writer/director Arian Moayed was cast in Spider-Man 3. Moayed is probably most known for his role in 2 seasons of the harrowing HBO family business drama Succession. In the series, he gives a compelling performance as Kendall Roy’s old friend Stewy Hosseini. 

     

    Arian Moayed as Stewy in Succession on HBO

    Details on his role in Spider-Man 3 are slim at this time though I was able to learn he is portraying a detective and has already filmed some scenes. 

    Moayed was previously nominated for a Tony award for his role in Bengal Tiger at the Baghdad Zoo. Other appearances on television and film include Madame Secretary, Rock the Kasbah, Elementary, The Blacklist, and Law and Order.

    Mr. Moayed recently wrote and directed the thriller The Accidental Wolf for streaming service Topic and will appear on the upcoming Netflix limited series Inventing Anna, which is expected in 2021.

    Source: Playbill, Topic, IMDB

  • ‘WandaVision’: An Error in Reality

    ‘WandaVision’: An Error in Reality

    As WandaVision has proven time and time again, sometimes, things are not always as they seem. Even outside of Westview. Over the course of Marvel Studios’ hit show, we’ve seen a number of things that seem to be out of place here and there. An American sitcom through the ages starring two Avengers. Two characters that somehow have been revived, one of them bring in the wrong face from possibly another universe. People with suppressed personalities and Wanda inside everyone’s head. As Vision would say, it seems that something is clearly very wrong inside of Westview. But that doesn’t exclude the outside world as well. Recently a small mistake was pointed out to our fellow contributor Lizzie Hill by Twitter user @Cameron16549707.

    The image and tweet refer to Episode 5 of WandaVision; “On A Very Special Episode…”. The detail mentioned by this fan truly is interesting. When we go to analyze the scene, as we can observe below, for just a split second, we can see Dottie’s name on the S.W.O.R.D. document in the Alias section.

     

     

    In the next shot, when Monica pulls back out, we can see the information written on it and we can notice very blurrily Dottie’s name and the checkmark for the Sex on “Female”, which corroborates that the sheet does indeed belong to Dottie (or at least, it’s what was intended). What makes this all the odder is that the image of the person on Dottie’s sheet is Dennis the Mailman, not Dottie per see.

     

    Why this is important

     

    The devil is always in the details and that certainly includes Marvel Studios. Now, let me just shoot down those Dennis is secretly Dottie theories because I don’t think that’s what’s happening here. This certainly seems to be a case of Marvel Studios making a small mistake, hoping fans might not notice, and it’s almost certainly what was going to happen. It’s been nearly a week since Episode 5 aired on Disney+ and no one seemed to notice until very recently but it makes it all the more interesting.

    If anything, it convinces me even more that Dottie may have a much larger role to play in this show than we previously thought. If we analyze Dottie’s sheet for a second, she doesn’t have a legal name, similar to how Agnes doesn’t have one either, and the fact that Marvel Studios went out of their way to CGI Dennis’ image and ID onto the sheet so fans wouldn’t notice makes Dottie’s role in WandaVision all the more mysterious and intriguing. I had previously hypothesized that Dottie may have actually been the sorceress known as Arcanna Jones, given that her husband in the show was known as Phil Jones, a character that already has some history in the comics. But given that Phil Jones was just his alias and that he’s actually Harold Proctor, that theory may have been washed away. Nonetheless, I still believe that Dottie may still serve this series as a sort of antagonist to Wanda who has yet to reveal herself. Who she might be whoever, remains to be seen.

  • How WandaVision’s Halloween Episode Explains Anachronistic Imagery in Westview

    How WandaVision’s Halloween Episode Explains Anachronistic Imagery in Westview

    WandaVision has been pretty good about keeping the sitcom elements of each episode true to the era they take place in. As I noted in my first piece analyzing the changing eras of Westview, the only thing that’s truly bothered me about it so far is the 1950’s episode being modeled largely after The Dick Van Dyke Show, which didn’t premiere until 1961. I bring this up because I’ve seen a decent amount of criticism and confusion surrounding the era Westview is supposed to be set in during Episode 6, and the answer to all of this explains the timeline not only for this episode but the one I myself complained about a few weeks back.

    Explaining the Eras
    By starting in the 1950s, WandaVision had seven decades to cover to reach the “present-day” given that the late 2010s and early 2020s in the MCU are kind of fuzzy due to the Blip, and people like Wanda who were snapped away haven’t experienced anything beyond 2018. But with only six era-themed episodes, it wasn’t exactly clear how they’d handle that matter. There was a lot of speculation that the 2000s and 2010s would be covered together in the same episode, or that we’d only see the Westview characters in the present-day once the sitcom bubble burst.
    The answer to this little conundrum turned out to be neither of these scenarios, as we found out during this week’s “All-New Halloween Spooktacular!”. The episode had elements of both the late 1990s and early 2000s, and the final sitcom era (which will presumably be covered in next week’s episode) looks to be focused on the late 2000s and 2010s. This sectioning off of time periods explains the things that some viewers have pointed out as anachronistic, like the cinema showing 2004’s The Incredibles and what is most likely the 1998 remake of The Parent Trap starring Lindsay Lohan.

    Why A Little Bit of Anachronism Works
    Admittedly, this episode does lean more into the early 2000s than the late 1990s as evidenced by things like the Malcolm and the Middle theme song homage, characters – particularly kids – breaking the fourth wall, cheesy sound effects that accompany certain movements, and even the claymation-style “Yo Magic” commercial are all hallmarks of this time period much more than the ’90s. But some things could be seen as fitting with both “sides” of this era, like the Dance Dance Revolution-style game the twins played that first debuted in 1998 but became even more popular in the 2000s. And we did get one shot of what was most likely the actual 90’s in the form of the Halloween flashback of Wanda and Pietro as kids (assuming it was a real flashback).
    Ultimately, Westview seems to operate under similar rules to ABC sitcom The Goldbergs. That show is set in the 1980s but doesn’t make an effort to introduce technology and pop culture touchstones in the order they debuted in real life. Every episode is introduced as taking place in “1980-something” and anything that was around in the ’80s is fair game to show up at any time, and WandaVision is doing the same with each era it covers.

  • Zawe Ashton Set to Play the Antagonist in ‘Captain Marvel 2’

    Zawe Ashton Set to Play the Antagonist in ‘Captain Marvel 2’

    Yesterday, The Illuminerdi broke the exclusive that there were 2 new roles headed for Captain Marvel 2. Marvel was reportedly looking to fill one of the roles with Zawe Ashton. Now, Deadline was able to confirm the Illuminerdi’s exclusive and provide additional details regarding her role. It seems that Ashton will be co-starring as the antagonist opposite to Brie Larson’s Carol Danvers. She will be joining the likes of Teyonah Parris, who plays Monica Rambeau in the MCU, and Iman Vellani, who will be taking up the role of Ms. Marvel. The film will be directed by Nia DaCosta.

     

    Now, who exactly Ashton will portray in this film remains to be seen. However, there certainly is a great interest to see what her character might be and how this film will connect and play out in the upcoming Phase 4 of the MCU. Given that this film is already set to have 3 powerful heroes, all of which have handled the “Marvel” mantle in the comics, I would not be surprised to see Ashton portray one of Captain Marvel’s greatest adversaries in the comics, Karla Sofen aka Moonstone. As I mentioned previously if your film is going to have 3 characters that have handled the “Marvel” mantle, why not introduce a villain who also posed with the Marvel mantle.

    Captain Marvel 2 is set to premiere in theaters November 11, 2022.

     

    Source: The Illuminerdi, Deadline

  • Theory Thursday: The Halloween Episode

    Theory Thursday: The Halloween Episode

    After last week’s bombshell ending of the episode of WandaVision, all eyes are on this week’s episode, which is perhaps the one fans have been looking forward to the most: The Halloween episode. Ever since fans got their first glimpse at Wanda and Vision wearing the classic comic costumes, fans have been pondering the possibilities of how that episode might play out, since it’s been an episode that’s been teased the most in trailers alongside the 1950’s episode. And now that we know that Wanda and Vision are going to be accompanied not only by their kids; Billy and Tommy, but also the recently revived Pietro Maximoff (portrayed by Evan Peters), one can only wonder what exactly might happen on this episode. And it is exciting. So let’s begin.

     

    The Theme Song

    Undoubtedly, the dynamic duo of Kristen Anderson-Lopez and Robert Lopez have not missed with the theme songs of each episode. They’ve nailed the scoring of each era to a tea. There was something very interesting to note about the “nature of the lyrics.” At first, the songs start out as very bright and joyful. But as the episodes progress, you notice that the songs start to take a more sinister tone. For example, in the most recent episode, you have lyrics like “Crossing our fingers, singing a song. We’re making it up as we go along.” At first, their nature seems to be about how Wanda and Vision are inexperienced in being parents, raising a family and they’re making it up as it goes along. That’s the face value of the lyrics. But if we think about it in a deeper sense, it’s possible that they’re trying to send us the message that from here on out, whoever is behind the WestView anomaly (the primary suspect being Wanda) is making up this reality as it goes along. So there is a chance that the next episode might follow suit with this style of lyric. Making a song that can have a double meaning but it’s definitely much more noticeable and blunt than its predecessor.

     

    The lyrics seem to follow the line of addressing what happened in the last episode. For example, Episode 3 is about “We’ve got something cooking”; referencing Wanda’s pregnancy at the end of Episode 2. Episode 5’s theme had to do with the kids and their birth and how they’re making it up as it goes along. So, if Vision has become aware of what Wanda is doing by the end of the last episode, then there is a possibility that the next theme may be about ignoring distractions like what might be outside of WestView’s barriers or anything that might cause Wanda’s reality to break.

     

    Let’s talk about the costumes

    We know based on the trailers that Wanda and Vision are going to obtain their classic costume for Halloween. The question still remains about how they actually obtained it. Like, where did the idea for it come from? Is it a “Logan” type of scenario where comics about these characters exist in their universe and they based themselves on that? Could it be tossed aside to a gag like it’s just the first random thing they could find and it just so happens to be their classic costumes? Perhaps there’s an in-universe connection to it, perhaps tied to their personal history.

     

    I’m betting on the idea behind the costumes to have some sort of attachment to their personal history while at the same time representing who they are. Like for example, we know Wanda’s abilities are tied to magic and as the episodes have gone on, she’s been less perceptive and more open about her magic use in public, going as far as to showcase her abilities in front of Agnes. So, maybe she dressed as a witch from Sokovia, explaining the weird choice of a headdress rather than wearing what we know as a traditional witch’s hat. Vision could probably be like an updated version of Illusion, with a cool cape and such. This also begs the question about the kids’ costume choice. Chances are that if Wanda and Vision are wearing traditional versions of their costumes, there’s a possibility Billy and Tommy could wear traditional versions of their own costumes as well. We could maybe even see Pietro donning a classic version of his costume.

     

    Map-Out

     

    In WandaVision, there seem to be 4 main storylines that branch out to the rest of the storylines. We have Wanda, Vision, Agnes, and Monica. So I do this thing called a “map-out.” Essentially, I take the scenes from the trailers as the big puzzle pieces and then try to fill in the blanks with either elements I believe make the most sense based on comics or patterns or ways that can coherently connect one story to another.

    Wanda: Wanda’s story is going to keep maintaining the sitcom reality alive. She’ll play out the episode the way she wants to by following the sitcom trope that we’ve seen in previous eras from the other episodes. With this episode being set in the 90s and coincidentally Halloween, I expect Wanda to spend the episode trick or treating with Billy and Tommy, and possibly Pietro might tag along with her so that we may get some sort of exposition as to how he’s back. I however don’t suspect to get anything clear and concrete on who he might be. Given that the kids are growing at an accelerated rate and that we’ve already seen them display powers in the previous episodes, I suspect the twins might start to show their respective powers from the comics, albeit it’ll probably be brief moments, but still a display nonetheless.

    Vision: Whenever we see Halloween trailers, we always see Vision on his own, walking around Westview. Given that Vision is a part of the neighborhood security watch from Westview (and basing myself on childhood Halloween experiences in suburbs), this could explain why Vision is on his own during this episode, as he will be looking around the neighborhood to make sure that nothing is amiss since Halloween tends to be a time of mischief in the neighborhoods during sitcoms. It will also give Vision the chance to be doing some investigative work about the WestView anomaly and try to get to the bottom of it all. This will lead him to two places. The barrier of Westview (which I’ll explain later on) and to Agnes in her car.

    Agnes: She’s been one of the most theorized characters regarding WandaVision, especially after Episode 4 where S.W.O.R.D. was unable to ID her. Up until last week, she’s served a very “nosy neighbor”/ “side character” trope in the show. But this week might change all of that. We know from the first trailer that Vision will unlock her mind, similar to the way Vision unlocked “Norm”. So, if Agnes is the personality that was created for the sitcom reality, what personality might Vision unearth the moment Agnes is broken free? Based on the trailer, she’ll clearly recognize Vision and ask if he’s an Avenger and if he’s here to help them, them possibly meaning the citizens of Westview. We also know she’ll ask him if she’s dead because he is before laughing maniacally. So, I believe that this episode will reveal Agnes’ true identity, which is possibly Agatha Harkness. Whether or not she is “locked back” like Norm remains to be seen, but I don’t think she’d want to be locked back into Wanda’s spell, so she might leave before Vision has a chance to do so. I definitely see Agnes leading Vision to the barrier as we see in the trailers, which leads me to the final storyline.

    Monica: Out of everyone in S.W.O.R.D., the only people who seem willing to help Wanda at this point are the trio of Monica, Darcy, and Jimmy. Everyone else, including Director Hayward, seems to have branded Wanda as the villain and are going in guns blazing to take her down by any means necessary. This contrast in ideals may cause some friction and arguments between them and how to handle this situation. Clearly, Hayward doesn’t seem to care much about trying to help Wanda, given he tried to launch a missile at her and her children in the last episode, so if Monica and the rest do try to find ways to help Wanda, they may just fall onto deaf ears.

    There is also the possibility that given that Vision is at the barrier of Westview, he might try to communicate with the people outside of the barrier, giving us our first interactions between Vision and S.W.O.R.D. Thanks to the trailer shot above, we know that Vision may try to penetrate the barrier to see what is outside. I do think it is possible that we may see him go beyond the barrier and see the S.W.O.R.D base outside. What might happen next could quite frankly be anyone’s guess. If he steps out of the barrier, will he look as he normally does in the MCU? Would he be the pale Vision we saw in Episode 4, with the hole in his head? And how might S.W.O.R.D. react? Will they take him away? Will Wanda be able to sense someone left the barrier since she pretty much made the barrier impenetrable in the last episode? Only time will tell when WandaVision airs tomorrow on Disney+.

  • How WandaVision’s 1980’s Episode Does The Sitcom-Meets-MCU Thing Right

    How WandaVision’s 1980’s Episode Does The Sitcom-Meets-MCU Thing Right

    After taking a break from the inner workings of Westview to explore the goings-on outside the town, WandaVision picked up right where it left off in sitcom history and tackled the 1980’s “On a Very Special Episode…”.

    I discussed at length in my “Now in Color” analysis about how the time period of the 1970s is incongruent with the episode’s pregnancy and childbirth storyline. People were still giving birth in that era, obviously, it just wasn’t as common a trope seen in sitcoms as the decades before and after it. Fortunately, this episode’s 1980’s theme works very well with the plot it plays backdrop to, and goes beyond period-accurate clothing, a Growing Pains living room replica, and a nice homage to the classic intro of that show and other 80’s sitcoms like Family Ties and Full House. This is the part of WandaVision I’d been looking forward to the most; the sitcom is in full swing but now we have the MCU mystery to juxtapose it against. The choices made in emulating and subverting tropes often seen in 80’s media are a key part of the story; they’re less fluffy and more meaty than some of the antics seen in earlier episodes.

    Kids Grow Up So Fast

    Image result for wandavision billy and tommy

     

    To start off, we get to see Billy and Tommy at three different ages in this episode: babies, young children, and 10-year-olds. The babies suddenly advancing a few years in age during the show’s cold open is a nod to how many old sitcoms would introduce a new baby to the central family unit only to age them up a few years the next season, but it’s also a key part of the plot, as is the inclusion of the “can we keep him?” trope with the dog. Hopefully, this episode made a lot of viewers understand why Marvel chose to go all-out on the sitcom stuff and that it’s more than just a stylistic choice.

    The twins are 10 years old for most of the episode, which is just the right age for them to learn one of the cheesy life lessons that were a hallmark of 80’s family media, complete with some gentle, sappy music to underscore it. But of course, despite being the one to deliver said lesson to her children, it’s Wanda who is having the most trouble applying it to her life. While Westview is supposed to be an idyllic and quaint town, there are some sad things that can’t be fixed even there. But Wanda knows there’s a world outside of Westview, and things are a lot more complicated outside her self-imposed bubble. She says one thing to the boys about not being able to revive the dead, while simultaneously doing the opposite of what she’s preaching with Vision.

    The Bubble is Ready to Pop

    Wanda obviously wants everyone in town – especially her family – to live in ignorant bliss, but the façade is starting to crack. The S.W.O.R.D. team is figuring out increasingly effective ways to break in (this week they sent in what they wanted using technology from Westview’s current era so it wouldn’t be altered upon entry) and Vision is catching on to what Wanda is doing. The biggest subversion of an 80’s trope in this episode comes when Wanda rolls the credits on Vision’s concerns about their life but he continues his confrontation anyway, and eventually, the credits stop. Sitcoms may be known for their ability to resolve any problem in half an hour, but this scene makes it clear that those days are over in Westview.

    In discussing the episode’s presentation of how sitcom tropes aren’t really true-to-life I have to mention everyone’s favorite neighbor, Agnes. Her frequent and well-timed stops by Wanda and Vision’s home are still humorous, but Vision’s comments about how she shows up with exactly what the family needs, exactly when they need it point to something being up with her. We see early on in this episode that she definitely knows what’s up to a degree, but it seems like she’s more attuned to Wanda and her family more than everyone else in Westview and Vision pointing out how odd her convenient behavior is means we’re going to find out more about her down the line.

    WandaVision only has two more decades to cover (well maybe three if the 2000’s and 2010’s are combined). If these kinds of parallels between the era and the situation continue, the cynicism of the 1990’s and beyond is going to play a role in these next episodes and things are going to break down even further.