Author: Hunter Radesi

  • THEORY: Wonder Man Will Make His MCU Debut in ‘Thunderbolts’ 

    THEORY: Wonder Man Will Make His MCU Debut in ‘Thunderbolts’ 

    Wonder Man is coming to the Marvel Cinematic Universe, and his arrival might be a lot sooner than expected. The Hollywood Reporter revealed on Thursday that Community writer Andrew Guest and Shang-Chi director Destin Daniel Cretton will team up to give Simon Williams his own series on Disney+. Cameras are reportedly set to begin rolling in 2023, meaning fans can likely expect the character to make his live-action debut sometime in the following year. Although, should Marvel be inclined to have a little fun with the character’s origin, it’s possible audiences actually see Wonder Man in theaters by the end of next year.

    Early reports indicate the Wonder Man series will focus on his well-known career in Hollywood, an aspect of the character that has been a staple since it was introduced in the early 1980’s. At the time, after years of internal conflict and uncertainty about his future, Williams took his talents to Los Angeles and began an acting career, becoming known for performing dangerous stunts that only his invulnerable body could withstand. Despite this intriguing turn of events, however, Wonder Man has decades of material to work with pre-Hollywood. The character has existed since 1964, when he was introduced in The Avengers #9 as a new member of the Masters of Evil.

    Before he was a hero, Williams was the son of industrialist Sanford Williams, a rival of the world-famous Tony Stark. After his father’s death, Simon is outmatched by Stark and fears he’ll lose his family’s business, an anxiety that results in an ill-advised embezzlement scheme brought on by his villainous brother, Eric (a.k.a. the Grim Reaper). As it goes, Williams is caught, and is sent to prison with a hatred for Stark and his “bodyguard” Iron Man. Seeing an opportunity, Baron Zemo and the Enchantress, the two leading members of the Masters of Evil, spring Williams and offer him a deal – they turn him into a being with enough power to vanquish Stark and the Avengers, and he saves his company and gets revenge on the man who wronged him. Williams accepts, and an experimental procedure turns him into the ion-fueled superbeing known as Wonder Man.

    Of course, Williams quickly sees the wrong in this and reforms, but the brief antagonistic period of his life is perhaps among his most compelling eras. It would be a shame for the MCU to skip over this origin and jump straight to his days on the big screen. Luckily, a major project announced just days ago could very well be hiding its own Wonderous secret that allows for Simon’s story to be told in full. Thunderbolts, a film based on the team of supervillains who masquerade as heroes, was announced as being in development last Thursday by Variety. This is relevant to the Wonder Man conversation for one big, charming, fan-favorite reason: Baron Helmut Zemo, bad guy extraordinaire.

    As previously mentioned, Zemo played a big role in the creation of Wonder Man. He was the man responsible for the whole ion-human ordeal, and decades later, he would also be the person responsible for founding the anti-heroic Thunderbolts. It’s expected that Daniel Bruhl will reprise his role as the MCU’s take on Zemo in Thunderbolts, potentially leading a team comprised of members recruited by Julia Louis-Dreyfus‘ Contessa Val over the course of multiple Phase Four projects. The names linked to the Thunderbolts thus far give away a possible link to another team of Marvel characters assembled in the late 2000s, known as the Dark Avengers. That group, formed by Norman Osborn, was also a team of supervillains pretending to be good guys, but had each member take over the mantle of a pre-existing Avenger. For example, Venom took on the Spider-Man role while Bullseye wore Hawkeye’s classic costume. With Florence Pugh‘s Black Widow and Wyatt Russell‘s U.S. Agent already on the payroll, it seems completely believable that the MCU’s Thunderbolts might be some kind of amalgamation of the original comic book team and the Dark Avengers concept.

    Running through the potential roster, the MCU Thunderbolts already have their own Captain America and Black Widow, a Hulk in Tim Roth‘s Abomination, and probably even a Vision replacement with Hannah John-Kamen‘s Ghost. Regardless of all this, they lack an equivalent to the most powerful current Avenger, Brie Larson‘s Captain Marvel. In the same way the Masters of Evil once had Simon Williams infiltrate the Avengers with malicious intent, the MCU could have Zemo and Val offering a disgruntled Williams the chance to shine by succumbing to a new, experimental procedure that might turn him into Captain Marvel’s equal. In case anyone is confused at this point, the suggestion here is that audiences may very well see Wonder Man’s origin play out in Thunderbolts before he makes the jump to his own spin-off series.

    The timing of the two projects’ filming lines up well enough. It’s not confirmed when Thunderbolts will start production, but if Jake Schreier‘s project starts filming in Summer 2023, it would be on track for a mid-2024 release. As is often the case, the turn-around time on television projects tends to be quicker than with film, so if Wonder Man also begins filming around this date, or even slightly after, it could work out that the latter releases just after Thunderbolts and acts as a direct spin-off. The two could even film in tandem, as a way to more effectively utilize the time of some very busy leads like Bruhl and Pugh.

    This could also be a way for Marvel to include more characters from its larger repertoire. Wonder Man’s comic origin heavily features the original Enchantress, and if Marvel Studios wanted to follow suit, they could bring Sophia Di Martino‘s Sylvie into the fold as the Thunderbolts’ Asgardian representative. On top of this, Wonder Man will almost certainly feature Eric Williams in a supporting role, and the baddie brother of the Williams family could pop up alongside Simon in Thunderbolts initially, before terrorizing the world as Grim Reaper later. Maybe it’s an encounter with Zemo or Val in Thunderbolts that gets those Villainous wheels turning in the first place. Either way, the potential for an easy, world-building crossover is there, and it seems too good for Marvel Studios not to capitalize on while the getting is good.

    Special shoutout to Maggie from Collider for helping to build out this theory!

  • Exploring ‘Avatar: The Last Airbender’s Potential Film Trilogy

    Exploring ‘Avatar: The Last Airbender’s Potential Film Trilogy

    What started as a cult success on children’s television has grown into one of pop culture’s most exciting new franchises. When Avatar: The Last Airbender debuted in 2005, it was chock full of potential. While that series focused on the adventures of one Avatar, in particular, it also set up an entire universe to play in. Not only is the future of the timeline unknown and full of possibility, but a long history of characters and eras exists for creatives to explore in any way they choose. The latest storytelling avenue was just revealed by Paramount and Nickelodeon Animation to be a theatrically released animated film trilogy.

    Lauren Montgomery, who worked on multiple episodes of the original series, is set to direct the first entry in what could be the next major chapter in the story of the Avatar cycle. Yet, there is no word on what this new journey might entail. Rumors have circulated in the past about the potential plotlines of a film series, but nothing has been confirmed one way or the other. With so many canon incarnations of the Avatar, and a world full of intriguing side characters and environments, it’s awfully difficult to narrow down all the options. So, to help everyone out, we at Murphy’s Multiverse have strung together a list of plausible storylines that could end up being the focus of Avatar‘s return to the big screen.

    The Kyoshi Trilogy

    Avatar Kyoshi

    The produced animated series set in the universe of Avatar have mostly focused on the last two Avatars to inhabit the original life cycle, Airbender Aang and Waterbender Korra. However, significant chunks of each show, including full episodes, have been dedicated to uncovering the events surrounding former incarnations.

    One of the most popular, and most frequently mentioned, is Kyoshi, the Earthbending Avatar who existed two lifetimes before audiences met Aang in The Last Airbender‘s pilot. She is renowned for her lethal tactics and strong personality, never backing down from her opinions or a fight. Her legacy even includes a group of the world’s most elite warriors, named for her and donning her signature makeup and apparel.

    While The Last Airbender only gave fans a glimpse into the later life of Kyoshi, a duology of novels from author F.C. Yee took a dive into her troubled past. The Rise of Kyoshi and The Shadow of Kyoshi explores the titular character’s earliest days as the Avatar, starting with the discovery of her abilities and ending with the moment she discovered who she really wanted to be. The books are brilliant, and while they have yet to receive their own third entry, they could be the basis for a trilogy of films adapting Kyoshi’s origin to animation.

    Some of the aforementioned rumors have hinted at the first film is a prequel to the original series, but the Avatar preceding Aang already had most of his story told by the time of that show’s finale. It would make sense for Paramount to go back one Avatar further, and bring to life a series of books that deserve more recognition than they get.

    A New Cycle Begins

    Avatar Korra’s Past Lives

    Perhaps the biggest universal development to come out of The Legend of Korra was the ending of the original Avatar cycle. After learning of its origins with Avatar Wan, a dastardly plot by cultist Unalaq and the powerful spirit Vaatu permanently cuts off Korra’s connection to her past lives and forces her to start the cycle anew. When the show ends, Korra is still very much in her youth, and the world has a long way to go before another Avatar takes center stage. A handful of comics have continued Korra’s adventures with her trusted companions, but they haven’t done much in the way of establishing what the distant future may hold for the Four Nations or the Spirit World.

    If the new film trilogy wanted to be completely different from anything else in the Last Airbender franchise, it could tell the story of whoever comes after Avatar Korra. The culture, and society, established in the series are shown to be evolving quickly, much in the same way the real world began to develop after the Industrial Revolution. Where previous Avatars operated out of a planet that looked a lot like ancient Eastern civilization, Korra was forced to deal with problems in landscapes that looked more like major Western cities from the turn of the century.

    At that rate, it’s likely the Avatar after her would be facing off against computers in a universe with vengeful spirits and people who can manipulate the natural elements. If that wasn’t enough, they’d be doing it with only a single previous life to guide them. What would that even look like? Maybe Lauren Montgomery intends to find out.

    A Non-Avatar Story

    Prince Zuko

    Essentially all of the major projects in the Last Airbender franchise have been centered around the Avatar of their era and for good reason. The struggle of balancing duty with personal life, the mystique of communing with the Spirit World, and the pure coolness factor of bending all four elements is a hard subject to resist. However, if the stories told in animation and writing have proven anything, it’s that sometimes the supporting characters can be just as interesting.

    Every Avatar has their team of friends and family ready to lay it all down for what they believe in, and those lovable sidekicks have a tendency to develop their own fanbase outside of their respective protagonists. If the creatives behind this new series of films wanted to expand this universe from a different angle, they could use the trilogy to tell tales of important figures who changed the world without being the Avatar.

    There have been hints of a Zuko solo project in the past, which could end up being part of Montgomery’s new project. The character has a devoted online following and can certainly draw a crowd. He’s also among the best characters ever created for Last Airbender or its many spin-offs and sequels, so Paramount could do much worse than to tell a tale of the legendary Firebender. Although, if this doesn’t turn out to be the case, there are plenty of others who also deserve a chance.

    In fact, the films could even create a new lead with no relation to their era’s Avatar. Imagine a movie that tells the story of someone with undervalued abilities, rising to the occasion and saving their people as the Avatar deals with a separate danger in the background. It’s a concept that major franchises should explore more often, and something that worked wonders for Lucasfilm in Star Wars projects like Rogue One and The Clone Wars.

  • Tom Hardy Teases ‘Venom 3’ With A Tease of a “Last Dance”

    Tom Hardy Teases ‘Venom 3’ With A Tease of a “Last Dance”

    If there’s a superhero franchise from the last two decades that’s managed to truly surpass expectations, it’s Venom. Many fans assumed the goofy, gritty Spider-Man spin-off would be dead on arrival, but instead, the duology has become a massive success with a third entry on the way. Tom Hardy, the charismatic star behind both Eddie Brock and his symbiote partner Venom, recently took to Instagram to share that he is now in possession of the threequel’s script.

    Written by Kelly Marcel, based on a story by Marcel and Hardy himself, the new film does not have an officially revealed title. The image on social media features a little doodle of Venom in the title’s place.

    https://www.instagram.com/p/Ce3bvgWseUK/?utm_source=ig_web_copy_link

    On the actor’s Instagram story, he shared the script cover with an added sticker from Michael Jordan‘s popular Last Dance documentary. It’s a curious inclusion, and while there is still very little known about the plot of Venom 3, it would indicate the film may be the character’s final ride. It would be a surprising decision for Hardy and the folks at Sony to make, should this be the case. Venom is currently one of their biggest cash cows, and fans have been clamoring to see the alien antihero interact with more characters from the larger Marvel Universe. Most specifically, of course, Tom Holland‘s Spider-Man, who has been hinted to be on a collision course with Hardy‘s Venom for some time.

    A few false-alarm post-credits scenes seemed to put the iconic arch-enemies on a oath toward each other, until more tinkering with the multiverse prevented it from happening. However, there is currently a bit of symbiote goo left in the mainline MCU, and it’s yet to be revealed how that will factor into the futures of Venom or Spider-Man.

    Source: Instagram

  • Paul Reiser Joins ‘The Boys’ as Stan Lee Parody

    Paul Reiser Joins ‘The Boys’ as Stan Lee Parody

    The Boys isn’t done surprising fans with major guest stars.

    It was revealed today that veteran actor Paul Reiser has joined the series’ cast as “The Legend,” a parody of real-life icon Stan “The Man” Lee. The character originates from the Garth Ennis comic books, where he is a former employee of Vought-American’s Victory Comics who is now living underneath a comic book store. “The Legend” was responsible for writing many of the stories that made Supes famous, and as a result, possesses an encyclopedic knowledge of Vought’s superhuman roster. This proves to be helpful when he later becomes an unofficial member of The Boys.

    Viewers won’t have to wait long to see Reiser take over the role. Amazon teased yesterday that the character would appear in this week’s episode of the hit series, titled ‘The Last Time To Look On This World Of Lies.’ It’s currently unknown if the former Mad About You star will play a version of “The Legend” recognizable from the comics, or if his live-action take will be something new for streaming audiences. Amazon’s press release for the announcement does refer to “The Legend” as “an iconic fan-favorite character from the original comic book series”, so perhaps there is hope that this iteration will stay true to his graphic origins. Either way, the role marks another big step in Reiser‘s recent return to the spotlight. The actor is also currently starring as Dr. Sam Owens on Netflix’s smash hit Stranger Things.

    The Boys Season 3 is now streaming on Amazon Prime.

    Source: Variety

  • EXCLUSIVE: ‘Lightyear’ Creatives on Possibility of Sequel

    EXCLUSIVE: ‘Lightyear’ Creatives on Possibility of Sequel

    Lightyear is yet to hit theaters, and fans of the character are already wondering if we’ll see more of Chris Evans‘ intergalactic hero in the future. Director Angus MacLane has described the film as the Star Wars of the Toy Story universe on multiple occasions, and even stated his belief that the animated series Buzz Lightyear of Star Command was a spin-off of the Lightyear movies within the world of Andy and his toys. This would imply that the film audiences are getting ready to see in our universe spawned an entire franchise in it’s own universe.

    Murphy’s Multiverse got the chance to ask the Lightyear creatives about the possibility of potential sequels and spin-offs happening in the real world during a recent exclusive interview. Producer Galyn Susman expressed her belief that a second movie would be possible, but that she and MacLaren were simply focused on ensuring the successful release of the first one until further notice:

    I would think that we could tell a second movie from all the ideas we rejected from the first movie, but that’s usually the case with our movies. Um, maybe? How’s that for a very definitive answer? We’re really sort of just finishing this up and launching this baby and we’re so excited to see this film out in theaters and see how people respond. And then I think we’re both going to go home and sleep for a couple weeks. We’ll think about it then.

    Galyn Susman

    The film’s director was far more open to discussing future installments, but admitted that Lightyear was conceived as a stand-alone adventure within a series of adventures in Buzz Lightyear’s lifetime:

    The movie was designed to be a snapshot in a moment in time. It’s not the first adventure of Buzz Lightyear and it’s not the last… I wanted to do something where we weren’t beholden to a timeline that was necessary to do all things. Because what I found as an older fan, explaining everything is not satisfying. Actually, leaving some stuff for the audience to fill in is really a way to involve them and is an engagement with the fans in a way that allows them to make their own choices. So that’s part of it, is a need to be a snapshot. So it could go on, we’ll see.

    Angus MacLaren

    The gist of this answer seems to be that, while nothing is currently planned and Lightyear will work perfectly fine on it’s own, the door isn’t necessarily closed on more missions down the line. A sequel will probably depend heavily on the first film’s box office success, but if it proves to be a hit, Lightyear just might become the animated Star Wars that MacLaren has previously stated it was.

  • EXCLUSIVE: ‘Lightyear’ Creatives Reveal Keke Palmer and Taika Waititi Almost Played Siblings

    EXCLUSIVE: ‘Lightyear’ Creatives Reveal Keke Palmer and Taika Waititi Almost Played Siblings

    Pixar’s Lightyear has spent years in development. As a result, it went through quite a few changes from its original conception to its eventual release. In an exclusive interview with Murphy’s Multiverse, some of the film’s lead creatives revealed that two of the project’s main characters at one point had a much different relationship than they do in the finished movie.

    When asked to discuss a few unused ideas from Lightyear‘s development process, producer Galyn Susman mentioned that Keke Palmer‘s Izzy Hawthorne and Taika Waititi‘s Mo Morrison were initially thought of as siblings. Director Angus MacLane then chimed in to explain that Uzo Aduba‘s Alicia Hawthorne, Buzz’s first partner before he gets lost in time, was not in the first drafts of the story. As a result, Izzy and Mo were made to be family so the film would have the same emotional anchor:

    They were originally siblings because Alicia didn’t exist. We wanted to show Izzy has a family, and Buzz doesn’t. Alicia got to be the personification of home that Buzz was after, and then connecting Izzy and Alicia was kind of like “oh, of course, that makes perfect sense.” But it wasn’t always that way.

    Angus MacLane

    MacLane also revealed that this version of the script had Waititi‘s Mo as a dentist. Apparently, the comedic relief character would have spent a good chunk of the movie attempting to give other characters dental check-ups, making a plethora of dental puns along the way. It’s unknown if this idea was dropped before or after Palmer and Waititi were thought of for the roles, but one can only imagine the kind of hilarious comradery that may have come out of their sibling relationship.

    Lightyear lands in theaters June 17th.

  • REVIEW: ‘Lightyear’ is More Than Just Science Fiction

    REVIEW: ‘Lightyear’ is More Than Just Science Fiction

    In the words of director Angus MacLane, science fiction is a mustard. This is simply to say that, when applied to the sandwich of storytelling, genre is just the condiment you spread on top of a meatier center to spice things up. Lightyear, the latest creation from Pixar’s acclaimed kitchen, is absolutely coated in mustard. It’s an unabashed love letter to every space-faring, reality-warping, robot-fueled adventure that came before it. Science fiction is seeping from every corner, a preparation which only serves to enhance the spread’s flavor. However, a movie cannot survive on aesthetic alone. The dish needs something else to make it really worth consuming. Luckily, Lightyear is a fully nutritional meal.

    Let’s run through the recipe. First, as with any good sandwich, you must select a satisfying bread. This is important because the bread functions as the face of the whole platter. It’s the first thing people see when they look at the art, and when they take a bite, it’s the initial majority of what they’ll taste. In film, this would be the production value. It’s the look and feel of the movie, not just in genre, but in cinematography and score as well. As it turns out, the team behind Pixar’s first major Toy Story spin-off can bake one heck of a bread. MacLane and his crew of animators have designed what might be one of Pixar’s most gorgeous projects yet. Massive set pieces give the film a surprisingly large scope, and colorful designs give life to beautiful environments. There are moments where animation gives way to a visual perception of reality, and Michael Giacchino delivers with yet another awe-inspiring score. Truly, a gift to the senses.

    Next comes the meat. The main event. It’s what fills people up and leaves them wanting more. It’s where teeth sink in and don’t want to let go. As previously stated, a common mistake is to believe that science fiction would be the element that fills this area. It is not. With Lightyear, that honor belongs instead to its encompassing theme – love, or more specifically, family. There is no part of this movie that isn’t about family. Of course, Pixar has a long history of playing with humanity’s heartstrings, but something about the way it’s handled in this project feels different. It’s not showy, or too blunt. Here, it’s earnest, kind, and raw. It takes a movie about a man who prefers solitude, in the cold recesses of space, and injects it with a warmth that must be experienced to be believed. This is what makes Lightyear such a triumph. For all the amazing sequences and pulse-pounding action, all eleven herbs and spices, it’s the tear-inducing moments of tenderness that really bring the whole meal home.

    Obviously, none of that magic could be accomplished without an incredibly talented cast. These fine folks act as the cheese that binds meat and bread together. They add to the warmth of the dish, diversify it’s texture, and make the sandwich believable as a cohesive unit. It’s their performances, and understanding of the project and their characters, that allow for everything around them to fall deliciously into place. First and foremost, Chris Evans is the perfect Buzz Lightyear. All the gravitas of a galactic Space Ranger, with delivery set to match his grandiose surroundings, and every bit of the hidden emotion needed to bring him back down to Earth. Uzo Aduba and Keke Palmer are similarly impressive, playing original characters who are arguably as likable and central to the plot as Lightyear is himself.

    Taika Waititi and his fellow supporting cast, Dale Soules and Peter Sohn, are included in the cheese analogy, but also factor into this next bit as well. On top of the cheese, and the last thing before the aforementioned condiment, are the vegetables. On a sandwich, the lettuce and tomatoes are there to add some crunch and some health to your lunch. So, where do they fall in terms of film? Well, it’s been said for decades that laughter is the best medicine, and therefore, it must also be the healthiest part of Lightyear. What this means is the movie is seriously funny, and Waititi, Soules, and Sohn are a big part of why. In fact, Sohn‘s Sox, a robot cat companion who accompanies Buzz throughout the film, may very well become the next sidekick sensation. If laughter is good for you, then Sox is likely a cure-all.

    With that, the sandwich is complete. A specialty meal, available for the whole family where tickets are sold, on June 17th. Lightyear is a worthy addition to Disney’s ever-growing vault, and an unexpected gem from the Toy Story treasure chest. It’s hard to imagine audiences not loving this upon release, and with any luck, it may even spawn an entirely new franchise for Pixar, and Chef MacLane, to continue playing with.

  • ‘Across the Spider-Verse’ Footage Description Reveals New Cast, Plot Details

    ‘Across the Spider-Verse’ Footage Description Reveals New Cast, Plot Details

    After what feels like a lifetime of waiting, fans are finally getting more news on Sony Animation’s Spider-Man: Across the Spider-Verse. The animated sequel to 2018’s surprise hit held a presentation at the annual Annecy Festival, where a series of new clips revealed a few more famous faces will be joining the film’s cast. Jason Schwartzman was formally announced as the main villain of the project, voicing lesser-known baddie The Spot in another inter-dimensional conflict for Miles Morales. On top of this, a few other classic Spider-Man characters were confirmed to be making appearances in his latest cinematic outing.

    The first clip played by Sony took place in the world of Hailee Steinfeld‘s Spider-Gwen. Her universe is described as being beautiful, designed with watercolors, paper textures, and layered brush strokes. There, we finally see Gwen’s father, the revered police Captain George Stacy, responding to a disturbance at the Guggenheim Museum in New York City. The elder Stacy will be voiced by veteran actor Shea Whigham. However, Gwen beats her pops to the scene, where she bumps into a couple surprise guests.

    Two other Spider-People are already there, in the form of previously announced cast members Oscar Isaac and Issa Rae. The former’s Spider-Man 2099 is described as not having spider-sense or natural powers, and instead relies on a heavily technological suit. He has claws for climbing, super strength, a flying wing suit, and “a giant laser web.” Rae‘s Spider-Woman, on the other hand, is called “a certified badass.” Jessica Drew is also shown to be pregnant, confirming the movie will lift an element from Dennis Hopeless‘ recent comic book run on the character.

    Also there is an “anachronistic” version of The Vulture, voiced by Jorma Taccone. It’s implied this Vulture is from a separate timeline, though not specified which. This will be the third character played by Taccone in the franchise, after giving life to the Green Goblin and Spider-Man ’67 in the first entry. Another brief clip played after this features Miles running late for a meeting with his parents and his school counselor, set to be played by the incomparable Rachel Dratch. Unfortunately, his day is ruined when the aforementioned Spot shows up to throw a wrench in all of reality.

    More will be revealed when Spider-Man: Across the Spider-Verse hits theaters on June 2nd, 2023.

    Source: Twitter

  • EXCLUSIVE: ‘Lightyear’ Director Reveals Sox Wasn’t Always in the Entire Movie

    EXCLUSIVE: ‘Lightyear’ Director Reveals Sox Wasn’t Always in the Entire Movie

    One of the best new characters introduced in Lightyear is the robotic emotional support cat named Sox, voiced to perfection by Peter Sohn. The little furry sidekick accompanies Buzz and his companions throughout the entirety of their mission, constantly offering helpful information and hilarious sound bites. However, in an exclusive recent interview with Murphy’s Multiverse, director Angus MacLane revealed that Sox wasn’t always planned to be part of the entire film.

    When asked if he could share one of his favorite abandoned concepts from the movie, MacLane began to explain that Sox was at one point replaced by a speaking survival kit after the film’s first act. The kit would have a personality similar to that of IVAN, the autopilot on Lightyear’s ship in the finished product, and would have met it’s tragic end as a means of keeping Buzz alive:

    It used to be Buzz didn’t bring Sox with him, and he landed in the future, and the first interaction he had was with a robotic dog. It was a Zurg Hound, and then the only weapon he had was a survival kit from his ejection seat and the survival kit had an IVAN-like personality. She would comment on whatever he selected from the survival kit. So he’d grab the flare gun, which is still in the movie, but originally the flare gun was like, “oh, flare gun, excellent choice!”. Like that kind of thing. So it was constant, but ultimately he’d have to shove the whole suitcase into the robot’s mouth and I think that’s what killed it.

    Angus MacLane

    While all of this sounds fun, especially the idea of a Zurg Hound, it’s likely most fans are pleased that Sox was kept around instead. The character is sure to become one of Pixar’s most popular new additions and brings a certain heartfelt factor to Lightyear that helps put it above a lot of the competition. If you haven’t seen Sox in action, check him out in action when Lightyear hits theaters on June 17th.

  • EXCLUSIVE: ‘Lightyear’ Director Reveals Reason Behind Zurg’s New Look

    EXCLUSIVE: ‘Lightyear’ Director Reveals Reason Behind Zurg’s New Look

    When Lightyear hits theaters on June 17th, it will introduce the world to brand new versions of a couple of iconic characters. Buzz Lightyear and his arch-nemesis, Zurg, will both appear with fresh voices, but only the latter will show up with a new design. In an exclusive interview with Murphy’s Multiverse, the film’s director Angus MacLane explained the reason behind the change and why the toy within Toy Story‘s universe looks so much goofier than the film’s more threatening depiction.

    In the past, MacLane has compared the old Buzz Lightyear of Star Command show to Lucasfilm’s Ewoks series from the 1980s. While the movies are slightly more adult, the animated spin-offs are more cartoonish and largely ignore the canon established on the big screen. Over the course of Toy Story 2, audiences were introduced to a toy version of Zurg with a skirt, cape, and humorous personality. MacLane believes this action figure, owned by Andy, was one based on the non-canon Zurg from the Star Command series and not Lightyear:

    Well, I imagine the version from Toy Story 2 is from the cartoon that the Toy Story Buzz is from. In the same way that the Buzz Lightyear of Star Command cartoon show, that Zurg looks more like the Zurg that we know from Toy Story 2.

    Angus MacLane

    If anybody were to be an expert on Zurg, it would be MacLane, who has been part of the character’s creative team since the very beginning. The director used a few anime references to explain that Zurg’s Toy Story design was intended to be over-the-top for comedic effect, while the Lightyear creation was meant to be a bit more menacing:

    Interestingly, I started as an intern [at Pixar] in January of ’97, and the first thing I got to do was actually help design Zurg the robot. That one is a little more influenced by the kind of jumbo machinder Japanese toy. It has a little more of that kind of design language… Whereas our Zurg has a little bit more influence from, I would say, more of a real robot influence from Japanese anime. It’s a little bit more Patlabor or Gundam…

    Angus MacLane

    Additionally, MacLane revealed that the old look for Zurg simply wouldn’t allow for what needed to be done with the character in Lightyear‘s story. Fortunately, the design team was still able to incorporate a few of the iconic elements from his first appearance:

    There are things that we needed to do narratively. Like, he can’t have a skirt. That was done for goofiness in movement for [Toy Story 2]. We needed him to have legs, but if he puts his legs together they kind of form the skirt. The cape we dealt with in a different way. So we wanted to kind of take that idea and bring it into our world, but still make it awesome. I go, “what would be the coolest way to make Zurg?”. So we changed the design, but kept it in the language of this film.

    Angus MacLane

    While the new Zurg may not look as familiar as some might have hoped, he certainly fits the role of science-fiction villain to a tee. Hear James Brolin take over the fearsome role and decide for yourself on June 17th.