The Marvel Cinematic Universe just debuted its newest hero in Iman Vellani’s Ms. Marvel. One of the foundational premises of Ms. Marvel is that young Kamala Khan aspires to be like her hero, Captain Marvel. When she learns she has powers, she dons a Captain Marvel-themed costume in her journey to become her own superhero. But in the MCU, Captain Marvel has truly never been much of a hero to Earth, so the connection is not as meaningful. Basically, the MCU’s Captain Marvel is not a great role model.
In the comics, the notion that Kamala is inspired by Carol Danvers is more poignant for several reasons. On one hand, Danvers had been a prominent superhero on Earth for a long time and the public witnessed her save the day many times. Captain Marvel had been a major member of the Avengers, and so she was easily a household name. Her first moniker was, in fact, “Ms. Marvel,” which is why Kamala adopts the title when she does in Ms. Marvel (2013). But the adoration does not feel as earned in live-action.
The MCU has not spent as much time with Captain Marvel. She has been established as being incredibly powerful and potentially a major ally to the Avengers. In reality, though, Captain Marvel has—from what we know—never really been a superhero to the people of Earth. Her 2019 solo movie takes place in the 1990s, and it is revealed that after the moment she gained her powers, she was no longer on Earth. She returned to Earth in Captain Marvel by accident, the events of the film were very isolated and secret to the rest of the world, and then she left Earth again afterward. She returned when Thanos snapped and briefly seemed to help the Avengers, including saving Tony Stark’s life. But early on in Avengers: Endgame it is shown that she was nowhere near Earth, would not be for a long time, and presumably had not been there much since the first few minutes of the film. Obviously, she returned late in Endgame’s Battle of Earth with impressive strength, but even Ms. Marvel’s opening sequence describes how Captain Marvel once again “abandoned the people of Earth” since the battle.
Going out on a very safe limb here, the MCU likely wants Captain Marvel to be a more prominent character in its universe than she is right now. She has not been given many appearances or a presence in the franchise at this point, so there is no reason Carol Danvers cannot become this much bigger and more important character in the future. In theory, to be fair, she could have been around for a small period of time after the events of both Avengers: Infinity War and Endgame and become known to Earth then, but otherwise, she seems to be known exclusively as the superhero who came in and put up a good fight against Thanos in the Battle of Earth.
Carol Danvers could be the greatest person that has ever existed in the MCU and the strongest hero of all time, but it still makes little sense that the people of Earth would consider her one of their superheroes, an Avenger, or a household name. Obviously, the MCU version of Kamala Khan is going to be inspired by Captain Marvel, because Kamala was always going to be Ms. Marvel. But other than what she knows about the Battle of Earth from her own research, the connection between the two at this point is based on a very small portion of one major event. The future for The Marvels is bright, but in terms of being a superhero, Captain Marvel simply has not been one on Earth. It will be interesting to see how Kamala even take on the mantle of “Ms. Marvel.”
Even still, the fact that Carol has been very absent could be embraced. In WandaVision, Monica Rambeau seemed actively disappointed or upset by the mention of Captain Marvel, likely because she resents how Carol was not there to help her mother, Maria, when she died during the Blip. Whatever the exact reason, it definitely seems like it is connected to the general absence of Captain Marvel. Perhaps during Ms. Marvel or early in The Marvels, Kamala comes to feel as though Captain Marvel is not the hero she thought she was—a sentiment that would also echo events in the comics—and that would bring some unity to her and Monica. Or, maybe Carol makes an appearance in Ms. Marvel, Kamala loves her even more, and Ms. Marvel is the one who ends up making Monica have a change of heart.
Whatever the ultimate connection to Captain Marvel may be, fans can meet Kamala Khan in Ms. Marvel. The first episode is now streaming exclusively on Disney+.
The newest installment of the Marvel Cinematic Universe, Ms. Marvel, has made its debut on Disney+. While there is plenty to unpack about the first episode, the charming opening scene brought back questions that have been on the minds of MCU fans since 2019. What do the ordinary people of Earth know about the events of Avengers: Infinity War and Avengers: Endgame? It is something that has never been directly dealt with, and we have received bits and pieces about it since Spider-Man: Far From Home. But the first episode of Ms. Marvel gave viewers a few more answers.
The animated opening montage features Kamala Khan’s own reenactment of the final battle of Endgame, apparently termed the “Battle of Earth.” So clearly, the citizens know a good amount about what transpired there—the Avengers fought Thanos, who was trying to use the stones. Even the detail as to Captain Marvel coming in last minute and punching Thanos in the face is common knowledge. How did people even come to learn those kinds of details?
Far From Home offers one answer to that question. From glimpses of airplane movie options, there were documentaries about “The Snap” floating around. So the Avengers must have made some of their knowledge of the Battle for Earth available to the public. It also stands to reason that those who did survive the Blip would have been given some sort of explanation as to why half of Earth’s population disappeared all at once. So half of the planet post-Endgame likely already had information about Thanos and the stones for years.
The Battle of Earth took place without warning and out of the public eye, so it did not seem observable. It is possible that there could have been satellite imagery or that Stark Tech could have recorded parts of the battle, which would make the most sense in terms of the public knowing precise details of the battle, as noted in WandaVision. But Kamala revealed that Scott Lang, aka Ant-Man, is a frequent guest on podcasts where he would be interviewed about the battle. So, details about who did what during the fight may make their way to the public from things like that as well. Still, if Scott Lang is a major source of what the public knows, it might make us question the accuracy or version of the main version story circulating.
So there are some obvious ways that citizens of Earth came to learn some of the information, but just how much do they know? This might be a little trickier, because they certainly do not know every detail of Infinity War and Endgame, and there are good reasons for that. On one hand, they clearly seem to know about Thanos and the Infinity Stones, so information on basic Infinity Gauntlet assembly is probably out there. The public deserved an explanation of what had happened, so this makes sense.
But they probably were not told in detail about how there are universal threats that could annihilate them at any moment. Do they know what happened to the Stones after the Battle of Earth? This is unclear. Considering it would be worrying to think that the Stones were all still floating around, the public was probably told they were destroyed. But past that, it would be surprising if they knew much more.
For them to know that the Stones were returned to their original timelines, ordinary citizens would have to know that the Avengers invented and used time travel, which is knowledge they almost certainly do NOT possess. If time travel was common knowledge, there would surely be more interest in it. And if they knew about it, they would have to completely understand the mechanics of it for there not to be a segment of the population demanding it be used to fix certain events, like the Blip. Plus, it was not fully understood by the Avengers themselves, and a true understanding of it would lead to discussions of the multiverse. Peter Parker, who surely has a bit more information about how the Blip was reversed than others, was shocked that the multiverse was real in Spider-Man: No Way Home.
The public knows that Natasha Romanoff and Tony Stark sacrificed themselves, but questions would seem to linger about the fate of Steve Rogers. No one seems to believe he is dead, and Sam Wilson was asked in The Falcon and the Winter Soldier if the rumors of Rogers living on the moon were real. Ordinary citizens likely do not know that he aged dramatically, either, as it has never been mentioned and that would potentially require them to know about the time travel.
Lastly, will the public learn more as time goes on? The easy answer is yes, as naturally more information comes out over time. But will anything major or of consequence be revealed within the MCU to ordinary people? Probably not, with the exception of Steve Rogers. The MCU does not seem to be wrestling with the concept of keeping certain things from the public. But considering the viewers have yet to find out what happened to Rogers after Endgame, it is possible that the greater reveal (if ever) of that could be simultaneous to the real world and MCU people. For example, if we find out he died or has been dead, we might learn because the public learns and mourns. However, if we find out he has been a secret moon agent, that might remain a secret.
You can watch Kamala’s reenactment of the Battle of Earth in the first episode of Ms. Marvel, now streaming exclusively on Disney+.
The first episode of Ms. Marvel has been released, ushering in the seventh Marvel Cinematic Universe Disney+ series. Whether you like them or not, the first episode brought with it a post-credits scene that teased an interesting development for a so-far minor MCU organization. While the role of the Department of Damage Control has not been well-defined since its introduction, the Ms. Marvel post-credits scene teased an expanded—and darker—role for the group that may be a lasting consequence of Captain America: Civil War.
Damage Control was first mentioned in Iron Man, where Phil Coulson explained to Tony Stark that the S.H.I.E.L.D. team controls messes like the one left behind at the end of the film’s final battle. Following the events of The Avengers, Damage Control became a department of the United States government in a joint venture with Stark Industries, as learned in Spider-Man: Homecoming.
While the DODC does clean up super messes like the Battle of New York, it also has quite a collection of technology and other items beyond the normalcy of ordinary society. Peter Parker gets stuck in the Damage Control Deep Storage Vault in Homecoming, where the department has everything from Chitauri technology to the black hole grenades from Thor: The Dark World.
While Damage Control has been a background entity at best in the MCU, Spider-Man: No Way Home saw a new focus for the organization, and Ms. Marvel looks like it is going to dive deeper into that aspect of it. In No Way Home, Agent P. Cleary arrests and interrogates Parker over the death of Mysterio. The change to investigating and arresting superpowered or otherwise extraordinary individuals was new. But Ms. Marvel’s first episode post-credit scene makes it seem as though the new show will build heavily upon that new Damage Control reality.
In the brief scene, we see Agent Cleary along with Alysia Reiner’s Agent Deever. Deever shows Cleary a video of Kamala at AvengerCon using her new powers, and he says, “Ok, let’s bring her in.” So at least part of the agency is now dedicated to tracking down those with super-abilities and bringing them into custody. So far, the DODC certainly feels like an MCU-ified U.S. Homeland Security. But the agents apparently did not decide to find Kamala because of the damage she caused, but purely because she had powers. So how did Damage Control get here?
Several things have happened since we saw Damage Control in Homecoming. The Blip is the most obvious example, and it makes sense that governments would be a bit more alert to powerful beings wandering around unchecked. But something happened just before Homecoming that is almost certainly behind this. The Sokovia Accords became international law in Civil War, and they essentially outlawed superhero/superpower-related behavior if not explicitly allowed by the government. Because Avengers: Infinity War was so soon after Civil War, Phase 3 never really dealt with much of the specific aftermath of the Accords.
It looks like Ms. Marvel might be the first MCU project that actually does just that. While No Way Home definitely demonstrated that even superheroes could be held legally accountable, there was no evidence that the DODC was rounding up individuals at that point. Here, that clearly seems to be the case. The Accords have not been mentioned, but it was confirmed that they are still in effect in WandaVision. Considering Stark was on the government’s side in Civil War, the fact that Damage Control became a Stark Industries joint venture for the purpose of enforcing those laws makes sense.
In any event, the DODC so far seems to be an adversary to Kamala rather than anything helpful. In just a short scene, the two agents we see are portrayed fairly menacingly—it certainly brings to mind the very negative views on certain governmental agencies that target immigrants or people of other cultures. Kamala could be the first hero we’ve seen who has to overcome this darker Damage Control, the Sokovia Accords, and the legacy of Civil War.
The first episode of Ms. Marvel is now streaming exclusively on Disney+.
As Marvel Studios’ newest project, Ms. Marvel, debuted its first episode, fans can now officially experience the first chapter in Kamala Khan’s Marvel Cinematic Universe journey. The new hero is also relatively new to Marvel comics, but the charismatic character has a strong following among fans. Fans are excited for Kamala to join the MCU, but one major change to the character has been hotly debated: her live-action character has significantly different powers than she has in the comics. While even star Iman Vellani, creators of the Ms. Marvel comics, and Marvel Studios President Kevin Feige have all expressed their support for the changes, some remain unconvinced. Now that the Disney+ series has formally introduced those powers, let’s dissect the differences between the comics and live-action powers and the debate surrounding them.
In the Ms. Marvel comics, Kamala’s Inhuman lineage is activated by the Terrigen Bomb. When she was exposed to the Terrigen Mist, she became able to stretch her body in pretty much any manner. Not only can she extend limbs, but she can grow or shrink, as well as shapeshift. These same abilities allow her to rapidly heal from injuries and effectively grant her super strength and speed. Kamala refers to her powers, particularly when she enlarges herself or parts of her body (such as her fist), as “embiggening.” Interestingly, it was later revealed that she is able to do this by time-traveling on a molecular level, meaning she is borrowing or giving her cells to past or future versions of herself in order to add or lose mass which allows her to embiggen or shapeshift.
MarvelMarvel
While we will learn more about her live-action powers over the course of all six episodes of Ms. Marvel, there is no doubt that Kamala’s powers in the MCU are substantially different. First, the MCU has not officially introduced Inhumans to the live-action Earth-616, so no connections between the Inhumans and Kamala can currently be made. Instead, the bangle gifted by her grandmother unlocks powers that we can infer are related to her family history and lineage, at least in some way.
In terms of her actual powers, she seems to be able to project crystal-like light structures that are solid yet breakable. From what we saw at AvengerCon, she can shoot the projections away from her, suspend them in the air, or even use them as extensions of herself. Many have pointed out that these powers seem similar to the DC comics hero Green Lantern. The shot where she projects an extended arm and large fist to catch Zoe is clearly an homage to her comics abilities.
Marvel StudiosMarvel Studios
The debate goes beyond general disappointment that Ms. Marvel’s powers have been changed. On one hand, her embiggening powers are just cool. They look extraordinary on the page, and while shapeshifting and elongating are not exclusive to Kamala’s character in Marvel comics, something about the way Ms. Marvel uses her abilities always feels unique. Some fans have expressed disappointment purely on this front, but many also speculate that the MCU did not want her to have similar powers to the someday-introduced (to Earth-616) Reed Richards, aka Mr. Fantastic. Others guess that the budget for a Disney+ series may not have allowed for her comics powers to translate well to the screen. Both may be true (or false), but the main factor cited by the series’ creators is that her new powers are better suited to connect Kamala to Monica Rambeau and Captain Marvel in The Marvels.
In addition, plenty of fans are upset that Kamala does not seem to be Inhuman. As noted, though, establishing her as an Inhuman is not particularly practical in the current MCU. Even if Marvel Studios wanted to introduce the group through Ms. Marvel—which does not make the most sense—Kamala’s connection to them would not carry much weight. But the fact that her powers seem to still be linked to her own genes and family lineage is functionally similar to her Inhuman origins in the comics, even though it may not connect her to a larger superhuman group like it did in the comics. Still, it has yet to be seen if or how the ultimate source of her powers may relate to the greater MCU.
However, the biggest debate centers on how integral Kamala’s shapeshifting powers are to her story in the comics. Much of Kamala’s journey as a Pakistani teenager in Jersey City in the age of superheroes centers around her self-identity. Early on, after she discovered she had powers, she shapeshifted to look like Carol Danvers in the retired Ms. Marvel costume, because she struggled to reconcile how she viewed herself with what she thought superheroes looked like or should look like. Kamala’s story resonates with many, and her powers were the perfect conduit for her self-expression as well as an easy metaphor for self-consciousness. When she was afraid, embarrassed, or felt defeated, she could shrink to hide; when she felt confident, she could embiggen. Many fans are concerned that without her comics powers, that aspect of her and her story will be diluted. However, many people who worked on the series have openly given reassurances to fans that those worries are unnecessary and that Ms. Marvel does justice to Kamala Khan’s character.
Fans can judge Kamala’s new powers for themselves, as Ms. Marvel‘s first episode is now streaming on Disney+.
As the 7th Marvel Studios Disney+ series and 14th project of the Marvel Cinematic Universe’s Phase 4, Ms. Marvel’s first episode manages to shine as the beginning of an origin story that, so far, feels distinct from the constant influx of MCU content throughout the past couple of years. In other words, Ms. Marvel stands out, and it does so despite not teasing fans that the series will be a game-changer for the franchise. The character of Kamala Khan makes a triumphant leap from comics to screen, and the way the episode is shot, edited, and visualized gives the start of Ms. Marvel a texture that makes it arguably the most unique-feeling project of the MCU in years.
Of course, at the heart of the first episode and series is Iman Vellani’s Kamala Khan. Kamala is a Muslim American-Pakistani teenager from Jersey City who is obsessed with the Avengers. The character has been a comics favorite for nearly a decade, so Ms. Marvel exceeds in Vellani’s seemingly flawless portrayal of Kamala. The first episode treats Kamala’s family and cultural background like any other; for the casual viewer, Episode 1 does not subtitle basic phrases spoken in Urdu and does not baby the audience or other the Khans by explaining every detail of Pakistani- or Islamic-influenced element in Kamala’s life. She is noticeably different in terms of her background from the heroes and characters of the MCU thus far, but her culture is not treated as something mysterious or otherworldly—Kamala Khan is Kamala Khan. And her inclusion into the MCU makes Earth-616 a bit more real and a bit richer.
Speaking of richness, the mechanics of this episode are mesmerizing. The inclusion of animation, the fast-paced editing, and the quirky shots give Ms. Marvel a visual but intangible texture that genuinely feels unique in the MCU. To achieve this, it does not have to be on the same terrain as Guardians of the Galaxy or Thor: Ragnarok. The subtlety itself is brilliant, as it feels like the viewer is in a new world without having to leave the old one.
Plenty of fair concern was levied against Ms. Marvel in advance due to the fact that the series changed her power set from the comics. What we see in Episode 1 is not enough to begin to truly decide whether the changes are a true downgrade. But an undoubted positive to the change is that now her powers and their origins are a mystery. In that way, the series moves into uncharted waters—even the viewer doesn’t know where the journey will ultimately take Kamala and how she could connect to the greater MCU.
Fans have also never truly seen the MCU from the angle Ms. Marvel has created. Kamala is all of us—obsessing over the Avengers, wishing she had superpowers, and living in an age of heroes. This “regular citizen” angle has never been explored before and Kamala’s coming-of-age and coming-of-superhero story takes place in a world fully aware and mindful of most of the events of the MCU. So seeing how Kamala works her way into the overarching MCU will surely be something special.
The premiere episode of Ms. Marvel achieved something miraculous—standing out while fitting in. Vellani is a perfect casting and driving force for Kamala charm, and the series’ placement in the MCU feels natural. Still, between the charisma of Kamala herself and the texture of the episode, Episode 1 feels uniquely Ms. Marvel, and so far Ms. Marvel has built a world for itself that can’t help but make the future of the rest of the MCU look brighter.
The Marvel Cinematic Universe’s newest hero Kamala Khan has arrived in Ms. Marvel. There has been plenty of discussion about the changes made to the character’s origins and powers from the comics. But one of the positive outcomes of the changes so far is that they allow for a mystery to play out in the Disney+ series.
It’s already been pointed out that her bangle that seems to have activated Kamala’s powers may actually be similar to the Quantum Bands from the comics. Using evidence from Episode 1, we can theorize about her powers and their implications in the MCU even more. Of course, in the comics, Quantum Bands derive energy from the Quantum Zone—MCU fans would recognize its live-action parallel, the Quantum Realm. Established in the Ant-Man franchise, the Quantum Realm was the key to time travel as seen in Avengers: Endgame. But other than the Quantum Bands theory, what evidence is there that Kamala Khan has anything to do with the Quantum Realm or time-travel in the MCU?
In the comics, Ms. Marvel’s powers function because her molecules time travel when she embiggens and shapeshiftes. Ms. Marvel comics revealed that Kamala has access to some sort of temporal vortex that allows her to borrow and lend her atoms across time. While her MCU powers in Ms. Marvel are significantly different, there’s no reason that this connection to time travel would need to be removed from Kamala’s powers’ characteristics. Considering she projects some sort of crystallized light from nowhere, a similar explanation could easily work for her new powers.
An important moment in Episode 1 occurs when her bangle appears to activate when she first puts it on at AvengerCon. After she is surrounded by some glowy energy field, her eyes change color and there is a cool shot where she seems to fall backward in a circle through a strange purple-hued environment. There are human-like figures there, though they appear to have large glowing eyes and it is difficult to make anything out. This could have been some type of vision, but it also could have been Ms. Marvel’s first trip through time.
Considering her family history is at play, it could have been a very stylized depiction of an event her ancestors went through. Considering her Pakistani heritage and the fact that the scene looked like a large group of people traveling in one direction, Partition in 1947 may have been a major event that affected her family. Perhaps an ancestor with a connection to Kamala’s powers is trying to pull her back for some reason or the connection itself is doing so. A further stretch could be that she passed through the Quantum Realm itself, and the reason the figures looked odd is that they were not human. If you want to stretch it even further, the purple is reminiscent of the iconic color of Kang the Conqueror. The future Ant-Man and the Wasp: Quantumania villain is a time-traveler and some fans believe he may rule a city in the Quantum Realm called Chronopolis.
To be fair, the fact that no one around her experienced that wild moment suggests that the easy explanation is that it was a vision or hallucination. But, considering the fact the Kamala in the comics was always connected to a temporal vortex and constantly time-traveled without even trying, a connection to the Quantum Realm or quantum energy could allow for her to look like she had not left AvengerCon. As Scott Lang himself said, “time works differently in the Quantum Realm”. Or, more simply, she could have essentially been in two places at once. While some of these thoughts are bit more technical and complex than Kamala or Ms. Marvel seems so far, it is worth noting that the Disney+ series hired a theoretical physicist who worked on Endgame’s time-travel elements.
The first episode of Ms. Marvel is now streaming on Disney+.
Chris Hemsworth is returning as the titular superhero, Natalie Portman will reprise her role as Jane Foster after almost ten years, Tessa Thompson is King Valkyrie this time around, and Christian Bale will make his MCU debut as the villainous Gorr the God Butcher. Members of the Guardians of the Galaxy will also have a role in Love and Thunder. It has been described as both a romance and a “midlife crisis”, so it will definitely be an interesting addition to the MCU.
There are 17 total recommendations, and they are listed by likely importance. First, there are projects that are essential to watch before the fourth Thor solo film. Second, there are projects that we would strongly encourage you to watch but likely are not strictly necessary. Third, there are extra stories that could heighten your Love and Thunder experience but may ultimately have very little impact on the film itself. You have until the film releases on July 8, 2022, to get prepared. Let the god butchering begin.
Essential
There are seven films that will undoubtedly be directly important to Love and Thunder: Thor; Thor: The Dark World; Thor: Ragnarok; Avengers: Infinity War; Avengers: Endgame; Guardians of the Galaxy; and Guardians of the Galaxy Vol. 2. But some are likely much more important than others—below is the list of these in essential films in order of how important they will be to understanding and enjoying Love and Thunder.
1. Thor: Ragnarok
Marvel Studios’ ‘Thor: Ragnarok’
The third installment of the Thor solo franchise tops the list of what you should watch before Love and Thunder for several reasons. Probably most influential is the fact that Thor: Ragnarok is the first and only other MCU film to be directed by Love and Thunder director Taika Waititi. His eclectic, colorful, visually stunning, and humorous style is unmatched in the God of Thunder’s franchise in the MCU as a whole. There is very little question about which MCU film will be most related to Love and Thunder for that reason. Many important Thor 4 characters were also introduced in Ragnarok: Tessa Thompson’s Valkyrie, Waititi’s Korg, and Korg’s best bud Miek. This film also explains why New Asgard exists on Earth, Thor’s loss of his father and homeworld, and the destruction of Mjolnir.
2. Thor
Marvel Studios’ ‘Thor’
Considering Love and Thunder is the latest installment in the character’s solo franchise, taking it back to the beginning is always important. Thor, of course, introduces the superhero to the MCU and explains his origins, Mjolnir, and generally lays the foundation for all things Thor-related—Asgard, Loki, Odin, Frigga, Heimdall, you name it. To be fair, all of those are dead now. But it also introduces Natalie Portman’s future Mighty Thor, Jane Foster. Most of what we know about Jane in the MCU comes from this movie, as the sequel does not expand on her personal story or background all that much. Of course, their romantic relationship begins in Thor as well.
3. Avengers: Infinity War
Marvel Studios’ ‘Avengers: Infinity War’
Avengers: Endgame is arguably more important than Avengers: Infinity War, but in terms of watching order, it makes the most sense to watch the third Avengers before the fourth. Infinity War shows the immediate aftermath of Ragnarok and Thor’s grief stemming from those events. As was made obvious in Endgame, this emotional journey was pivotal for the character. Stormbreaker was forged here, and this is where he first met the Guardians of the Galaxy. Lastly, absolutely vital to any enjoyment of Love and Thunder is Infinity War’s explanation as to why Thor no longer has an eyepatch after Ragnarok.
4. Avengers: Endgame
Marvel Studios’ ‘Avengers: Endgame’
We last saw Thor in Avengers: Endgame, and Thor’s whereabouts, physical state, and mental state in Love and Thunder are coming directly from the end of Endgame. The Love and Thunder trailer showcased the notorious “Fat Thor” working out before we see a return of Thor’s more traditional physique. The character’s interest in settling down we see in the trailer is also likely a result of his processing of the events beginning in Ragnarok and continuing through Endgame. The fourth Avengers film also introduces New Asgard, Valkyrie as the new King of New Asgard, and ends with Thor going off with the Guardians of the Galaxy. Essentially, Endgame is the immediate predecessor for Love and Thunder, even if Thor is not the main character.
5. Guardians of the Galaxy Vol. 2
Marvel Studios’ ‘Guardians of the Galaxy Vol. 2’
While it is unclear how much of a role the Guardians of the Galaxy will play in Love and Thunder, Guardians of the Galaxy Vol. 2 is the last outing of the team other than Infinity War and Endgame. It also introduces Pom Klementieff’s Mantis who we see in the Thor 4 trailer. In general, it highlights the most recent roster of the Guardians, including some work with developing Karen Gillan’s Nebula. The Guardians’ journey will undoubtedly be explored more in next year’s Vol. 3, but it is safe to assume Vol. 2’s team is the best foundation for what to expect of them in Love and Thunder.
6. Thor: The Dark World
Marvel Studios’ ‘Thor: The Dark World’
If you have ever existed, you probably already know that Thor: The Dark World, the follow-up to Thor, is one of the least-loved films in the MCU. Nevertheless, it is a Thor film, and watching it will round out your Thor franchise viewing ahead of Love and Thunder. It is also the last time we see Jane Foster, so The Dark World is pretty significant to her character considering she was only in two movies about a decade ago. It shows the death of his mother, which is significant to his character and I suppose could be referenced in the upcoming movie. But needless to say, if you skip any Thor movie, this one is a good choice.
7. Guardians of the Galaxy
Marvel Studios’ ‘Guardians of the Galaxy
Since the Guardians likely may not have a huge role in Love and Thunder, getting acquainted with their first outing is not as vital as the other films. Still, they will be there and Guardiansof the Galaxy introduces most of the main players and is fundamental to who they are in the MCU. It also is a great survey of some cosmic MCU elements that have otherwise not been explored extensively, even by the Thor franchise. Judging by the Love and Thunder trailer, the cosmos will get some more attention soon.
Encouraged
These next five projects have a strong chance of being directly relevant to Love and Thunder. But even if you are not familiar with them, their potential influence on the Thor outing should not be so important that you would be missing something. Still, if you have the time and you want to be totally prepared, these encouraging films and series are great additions to your watchlist.
8. Black Panther
Marvel Studios’ ‘Black Panther’
While the bulk of Black Panther might not be all that helpful to the Love and Thunder experience, the film lands at the top of this section because there seems to be one specific connection. The Goddess Bast had been rumored to be part of the movie and looks to have been spotted in an official still from the film. According to Wakandan legend in the MCU, Bast led Bashenga to the Heart-Shaped Herb, granting him the power to become the king and the first Black Panther. Outside of the MCU’s current lore, Bast or Bastet is a member of the ancient Egyptian pantheon, which is explored a bit further in Moon Knight.
9. Moon Knight
Marvel Studios’ ‘Moon Knight’
Much of the rest of this watchlist centers around Love and Thunder‘s villain, Christian Bale’s Gorr the God Butcher. As his title would suggest, he probably likes to kill gods. Thor 4 is set to introduce more MCU gods than we currently know, but we did recently meet a whole gaggle of new ones. The Disney+ series Moon Knight introduced ancient Egyptian gods to the MCU, including Khonshu, Ammit, Osiris, and Taweret. There is plenty of room for Gorr to butcher some of these or related gods without it having a major effect on the MCU or even any potential Moon Knight follow-up, but it would allow Love and Thunder to give Gorr some credits to his God Butcher name.
10. Eternals
Marvel Studios’ ‘Eternals’
This one is a little trickier, but the Celestials introduced in Eternals could be relevant to Gorr’s journey. Celestials are sometimes known as “space gods”, but they are not the traditional types of gods as we are used to—Asgardian, Egyptian, Greek, etc. One major fan theory floating around believes that Gorr may have killed the Celestial whose head is now known as Knowhere (as seen in Guardians of the Galaxy). So if Celestials (or even the Eternals) could be “gods” to Gorr, there’s no reason why he could not target them at some point in Love and Thunder.
11. Avengers: Age of Ultron
Marvel Studios’ ‘Avengers: Age of Ultron’
If you want to get the full scope of live-action Thor, you will need to watch or rewatch the first two Avengers films as well. While neither seems like they will be overly relevant, Avengers: Age of Ultron is a bit more important because Mjolnir gets a little time to shine. When the Avengers try to lift the hammer and when Vision actually does, there is some focus on what makes someone “worthy”. This is a concept that will presumably play into Jane Foster’s Mighty Thor and her use of the repaired Mjolnir.
12. Avengers
Marvel Studios’ ‘Avengers’
There is not much for Avengers to add to the rest of the list other than that is part of Thor’s story and journey in the MCU. If you’ve watched everything else so far, watching Avengers will finish up your viewing of all things (live-action) Thor. Although, if you do plan to watch these all, doing it in chronological release order is probably the way to go.
13. Loki
Marvel Studios’ ‘Loki’
Loki is somewhat like Eternals in the sense that it could be relevant. Unlike Eternals, though, the Tom Hiddleston-led series does not have any obvious gods for Gorr to butcher. But the reason it is on the list is that the introduction of Jonathan Majors’ Kang the Conqueror Variant likely sets up one of the MCU’s next big bads. While Love and Thunder does not have any known major multiverse connections, it cannot be completely ruled out in the Phase Four project. Also, if Gorr the God Butcher is roaming the universe killing gods, it is not too wild to think that he could come across another villain that is acting as a universal conqueror. If Marvel is going to build Kang up more ahead of his lead role in Ant-Man and the Wasp: Quantumania, he could have a brief appearance in Love and Thunder or even in a post-credits scene. In any event, Loki obviously showcases Loki, Brother of Thor, even if he is no longer on the same timeline as Thor.
Extra
These last few recommendations really speak for themselves. With the exception of What If.. ? they are not even related to the MCU, but they’re a love letter to the Love and Thunder experience and are perfect to get into if you still can’t get enough prep for the fourth Thor.
14. What If… ?
Marvel Studios’ ‘What If… ?’
If you want to make sure you have seen every single appearance of Thor in the MCU in its entirety, you’ll need to check out What If… ? “Party Thor” makes an appearance in Episodes 7-9, which includes his own episode (with Jane Foster) and the final two episodes of the season.
15. Hercules (1997)
Disney’s ‘Hercules’ (1997)
Hear me out. We know Love and Thunder will feature the Olympians, and we got a hint of Russell Crowe’s Zeus in the teaser trailer. There is no MCU foundation for this group of gods yet, so if you’re already watching all your Thor content on Disney+, you only have to scroll a bit to find the ’90s animated classic, Hercules. You will get some sort of survey of Greek gods including Zeus and Hercules, and Love and Thunder might hit harder if you feel like it’s some sweet singing cartoons that Gorr is butchering.
16. The Dark Knight Trilogy
Warner Bros.’ ‘The Dark Knight Rises’
Speaking of making Love and Thunder hit harder based on unrelated films, get your Christian Bale fix and get the ability to picture Batman the God Butcher if you’re so inclined by revisiting Christopher Nolan’sDark Knight trilogy.
17. Titanic
Paramount’s ‘Titanic’
Director Taika Waititi has described Love and Thunder as a full-blown romance film. It is hard to picture an MCU movie featuring a “God Butcher” as a true love story, but maybe that’s the point. Waititi has the skill the bring a completely unexpected film to the table, and he has several times teased the “love” in Love in Thunder. If you think you might have trouble getting into the mindset for a romance, watching the most financially-successful romance movie of all time could help you out.
Thor: Love and Thunder hits theaters on July 8, 2022.
Marvel Studios’ Ms. Marvel will soon debut the Marvel Cinematic Universe’s newest hero, but plenty of eyes are still on She-Hulk: Attorney at Law which will premiere later this summer. The 9-episode event is set to focus on Tatiana Maslany’s Jennifer Walters aka She-Hulk, a lawyer who specializes in superhuman law. The series will include several notable actors such as Mark Ruffalo, Charlie Cox,Tim Roth, and Jameela Jamil. Entertainment Tonight just confirmed another addition to the cast. Actor Griffin Matthews, known for his role in the Emmy-winning The Flight Attendant will reportedly join She-Hulk in a recurring role. The actor revealed his excitement to join the series:
Never in my wildest dreams did I think I would join the Marvel Universe! This was never a genre that I thought an actor like me (in my package) could fit into…The most exciting part of joining the MCU was being told by our director and writers: ‘Do not try to fit. Just be you.’ And that gave me the freedom to run wild…
Griffin Matthews
Matthews will star opposite Maslany, though his exact role has not been revealed. There are numerous options, but the fact that he will be a recurring character may mean his character is fairly significant. He could play one of the other lawyers or workers at Jen’s law firm, or he could even be someone she meets on the dating app we see in the trailer who sticks around some.
Matthews’ role will be confirmed when She-Hulk: Attorney at Law premieres on Disney+ on August 17, 2022.
Long before Marvel Studios started creating series set in the MCU for Disney+, there was Marvel Television. Marvel Television is now under the Marvel Studios banner, and the effects of that have been pretty clear. The Disney+ series, such as WandaVision and Loki, have been wholeheartedly welcomed into the greater MCU family. It only emphasizes how the previous Marvel TV’s connection to the universe is definitely unclear.
Marvel Studios had consistently steered clear of establishing television series outside of Disney+ originals as canon, the recent news that a “new” but “continued” Daredevil series is in the works at the streaming service. The often bitter debate about which or whether Marvel TV shows are canon is likely only about to get more heated. The easy answer is to enjoy the shows you like (if you like any), consider them headcanon if you want (or ignore them completely), and move on with your life until Marvel Studios ever wants to make it more clear.
But since many will still wake up every day and choose violence on Twitter instead, here are the Marvel TV shows ranked from best to worst. Marvel Studios can make any of these canon at any time (yes, I can hear those of you already yelling that some are), but will they? This list does not include the few shows originally made as part of the old Fox X-Men universe, nor the animated M.O.D.O.K. or Hit Monkey series.
1. Daredevil
Marvel’s ‘Daredevil’ (2015)
It is no surprise that Netflix’s Daredevil tops this list. The #SaveDaredevil crowd is celebrating the announcement of a Disney+ series for Matt Murdock. It certainly seems like canon territory for the original series, but it really is yet to be seen how the upcoming show might actually adapt the previous one so as to be formally part of the MCU.
But the fact that Daredevil is the first “revival” of old Marvel TV on Disney+ is a testament to the quality of the series. While never entirely consistent across its three seasons, the show features exciting action, violence that generally surpasses that in the MCU, solid performances by Charlie Cox and Vincent D’Onofrio, and a gritty emotional layer that films struggle to achieve.
2. Jessica Jones
Jessica Jones was made with the type of quality that Daredevil brought to the table. Krysten Ritter’s Jones was one of the first leading women in Marvel TV (Agent Carter premiered months before) and would have been one of the first in the MCU as well by years. She was not forced, and her struggles and traumas related to David Tennant’s chilling antagonist hit a tone that many were afraid to explore—especially at the time. The series also had plenty of upbeat notes with Jones’ personality, and the street-level detective work was a fresh addition to the Netflix Defendersverse.
3. Luke Cage
Luke Cage may not go down in history for nailing all of its storytelling elements, but the action-packed and star-studded show is a solid watch. But the series truly excels at putting the spotlight on Black experience and culture through both its subject matter and in the way the show was made, especially with music. One thing that Marvel TV was able to accomplish before the greater MCU was pushing boundaries of representation and actually developing a character within that perspective.
4. Agent Carter
Marvel’s ‘Agent Carter’
Yes, Agent Carter was canceled after two seasons on ABC due to low viewership. And the show was not particularly phenomenal. But where it did succeed is that it made sense as a piece of the MCU puzzle. It has been by creators more recently that the show was made specifically to be canon to the MCU, while others like Agents of S.H.I.E.L.D. may not have necessarily had that same attention. But the series kept Captain America: The First Avenger’s 1940s story going. It was fine. It had its charm and it stayed consistent. It never tried to do too much, which is a major problem with some other series on this list.
5. Runaways
As noted above, Runaways definitely felt like it was trying to do too much at times. The Hulu show came at a time when MCU fans started to get a bit tired of keeping up with shows that were beginning to feel less and less relevant to the film universe. But Runaways also felt like it was exploring a corner of the comics that Marvel TV and the MCU had not touched, and the focus on younger heroes certainly gave it a fresh perspective. Like other shows on this list, it pushed representation boundaries—particularly with LGBTQ+. The whole series might not be the most enjoyable experience, but the first season or so isn’t too bad.
6. Defenders
Something about the story and writing in Defenders really felt like a flop, but plenty enjoy Marvel TV’s first crossover event. It definitely came across as the Avengers of television, but it was nowhere near as cool. In any event, now that Daredevil is eyeing Disney+, that just begs the inevitable question of whether the Defendersverse as a whole is headed there with it.
7. The Punisher
I’m sure many would argue that The Punisher should be higher on the list. Marvel TV got arguably its darkest and most violent here, and it brought a very popular character to the screen. Plenty were not fully satisfied with the portrayal of Frank Castle, but some really appreciated the character development the show afforded him. But the show overall felt like a drudge through a relatively one-note anger fest with lots of guns. While maybe the point of the show, it could still be much better.
8. Cloak & Dagger
Cloak & Dagger has some meaningful moments filled with heart amongst a pretty forgettable series overall. Where it shined, it did well, but at the end of the day, it felt like another victim of ABC mediocrity, albeit on Freeform.
9. Agents of S.H.I.E.L.D.
Marvel’s ‘Agents of S.H.I.E.L.D.’
I will start by saying that Agents of S.H.I.E.L.D. has a dedicated fanbase that loves the show. I am very happy for them, enjoying stuff is fun. But listen, as someone who has watched the show due to the fact that it was the first Marvel TV show that half-promised it was in the MCU, it is so bad.
Of course, some moments across the bloated 7 seasons are naturally better than others. But watching this show was work. It fell prey to the ABC network television level of “meh” before the writing and story made it so nonsensical and ridiculous to the point where it is extremely difficult to understand how someone would like it. Considering where the series took itself, the likelihood of the show itself being canon to the MCU is so incredibly low. But if it is, I like the MCU less.
But there is no strong reason to think that none of the AoS characters or actors will make actual MCU debuts. The fanbase is odd but strong, so the MCU would naturally get some boost of morale if someone like Chloe Bennet’s Quake got a firm reboot somewhere.
10. Iron Fist
Iron Fist basically failed before it even tried to fail. But at no point did the series feel like it was trying to succeed. Jessica Henwick’s Colleen Wing managed to feel like a positive at the end of the day, but overall this show is known as one of the worst across the board. Still, it exists within Netflix’s Defendersverse, so it has some staying power.
11. Inhumans
Marvel’s ‘Inhumans’
Inhumans is Marvel’s most infamous failure. From premiering the first bad episodes in IMAX theaters to releasing the rest of the horrible episodes on television was just absolutely unredeemable. But Anson Mount’s Black Bolt made a multiversal cameo in Doctor Strange in the Multiverse of Madness, so the series is getting some renewed attention it does not need.
12. Helstrom
Honestly, does anyone know about this show? Apparently, the Hulu show suffered from a severe lack of marketing as well as not being good. It definitely debuted in that awkward space of late 2020 when Marvel Studios was gearing up to premiere its Disney+ slate. Marvel Studios took over Marvel Television while Helstrom was filming, meaning it was the last cry of Marvel TV that was too late to stop.
Only time will tell how Marvel Studios intends to use (or not) these shows, and Daredevil‘s “continued” series will be quite the eye opener as to how these properties could be formally integrated into the MCU.
This trailer is going to blow your mind! It is something that I am so so proud of… [the film] is the greatest thing I have ever had the pleasure and honor of working on.
Chris Hemsworth
That is high praise coming from a prolific actor who—just in the MCU—has starred in 7 major movies between the Thor and Avengers franchises. So, Hemsworth is hyping up Love and Thunder as, in his experience, greater than films like Thor: Ragnarok, Avengers: Infinity War, and Avengers: Endgame. Of course, the marketing push for the fourth Thor film is ramping up, so naturally, the stars and creators are going to say things to get fans interested. Still, it is poised to be quite an interesting film that could live up to Hemsworth’s praise. Check out the actor’s full video below:
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