Category: Features

  • EXCLUSIVE: New ‘THE FALCON AND THE WINTER SOLDIER’ Set Videos

    EXCLUSIVE: New ‘THE FALCON AND THE WINTER SOLDIER’ Set Videos

    Just as we get word that filming on The Falcon and The Winter Soldier is set to restart in Prague this Fall, we have gotten our hands on some videos of prior footage. Filmed last year by James Brown, the new videos give us another look at a familiar scene and the different angle provides a closer look at one of the female villains and a better view of Bucky’s hostage rescue that raises an interesting question.

    The first video is more of a behind the scenes look at Sebastian Stan and his stunt double preparing for a scene and Stan gregariously shaking hands and hugging crew members on set. While it doesn’t give away too much, fans always love to see this kind of BTS action!

    Another behind the scenes video which shows either Wyatt Russell or his stuntman preparing for action as John Walker, aka U.S. Agent, preparing to jump in and help out with what we believe is a hostage situation taking place around the 2023 G20 Summit (you can check that out more here).

    This next video shows Stan working on some of those moves he was practicing as he takes on one of what we believe to be a hostage taker before heading towards the SWAT vehicle where the hostages are held.

    https://youtu.be/aR8jG0E8TuE

    The next video gives us a look at U.S. Agent fighting one of the female villains we first saw in our earlier post and suspected might be the Grapplers. Though it’s really hard to see, it’s possible that the female taking on U.S. Agent could be Erin Kellyman, who we believed joined the production, possibly as Thunderbolt member Melissa Gold, aka Songbird.

    The final video is the most interesting. While we’ve seen another angle of this scene before, this look provides a clue that one of the hostages being released from the vehicle might be more important to the plot than the others. Around the 9 second mark, a hostage stumbles and falls. After she’s helped up, you can clearly see the crew lower a boom mike over her head so that her conversation with Bucky and Walker can be recorded. Given the situation at hand (hostages taken at the G20 Summit), it’s highly unlikely this is casual, “thanks guys type of comment and more likely that this unknown character is someone of significance in the series.

    It’ll be incredibly interesting to see just what these set videos turn out to be when we finally get to see The Falcon and The Winter Soldier when the Marvel Studios production airs on Disney Plus!

     

  • How ‘SHANG-CHI’ Connects the Mandarin to Genghis Khan

    How ‘SHANG-CHI’ Connects the Mandarin to Genghis Khan

    Since the Ten Rings first appeared on screen in 2008’s Iron Man, fans have eagerly anticipated the arrival of Iron Man’s nemesis, the Mandarin. While Ben Kingsley’s impostor in 2013’s Iron Man 3 didn’t sit well with many, Marvel Studios All Hail the King One-Shot set the stage for the true Mandarin to make his way to the MCU one day and, as we learned at last year’s SDCC, that day is coming soon with the Mandarin set to appear in Shang-Chi and The Legend of The Ten Rings played by Tony Leung. A film with the word “legend” in its title certainly seems to give the promise of a trip through history and we’ve come across some information that indicates we will see just that and the implications of WHEN we’ll see could be pretty interesting.

    Ben Kingsley Wants to Execute a New Mandarin Twist | CBR

    While the biggest rumors surrounding the plot of Shang-Chi and The Legend of The Ten Rings surround a martial arts tournament taking place in the present day, we’ve found evidence that the film will be partially set during China’s Song Dynasty and the Turko-Persian Seljuk Dynasty both of which shared the interesting fate of being invaded by the Khans of the Mongol Empire. It’s possible that these connect to a casting call that circulated in 2019 which indicated Marvel Studios was looking for “the ruler of a distant ancient kingdom.” That casting was rumored to be a call for Namor, though given this new information that seems unlikely. For those wondering what might connect Shang-Chi to some ancient dynasties and the Khans, the answer, at least in the comic books is, The Mandarin, himself a descendant of Genghis Khan.

    Genghis Khan, warlord and conqueror — Adam Smith Institute

    Khan’s place in China’s history remains controversial as does the the traditional interpretation of the Mandarin, so it will be interesting to see how Marvel Studios handles these in the film. One possibility is tying the invading Khan armies to the acquisition of the Ten Rings themselves and tying the Mandarin’s motives to his ancestors. Further speculation here benefits nobody, so we’ll stay away from it, but there’s certainly some interesting connective tissue here between the Mongol Empire, the Ten Rings and the Mandarin.

  • The Real Story of Sony’s ‘SILVER AND BLACK’

    The Real Story of Sony’s ‘SILVER AND BLACK’

    In 2013, Sony Pictures began development on a female-centric Spider-Man spinoff set to feature Felica Hardy, aka the Black Cat, who was played by Felicity Jones in 2014’s The Amazing Spider-Man 2. The original script, written by Lisa Joy, survived the Sony/Disney deal and evolved over the years as new writers put their own spin on it until finally, in 2017, Gina Prince-Bythewood, who had been hired to direct what had now become Silver and Black, went to work on finalizing the script. Production on the film was set to begin in March of 2018 in preparation for a February 2019 release, but was delayed as Prince-Bythewood continued to tweak the script to her liking. By August of 2018, Silver and Black was dead with Sony planning instead to make two films, one for Felicia Hardy’s Black Cat and one for Silver Sable. In April of 2020, Prince-Bythewood indicated that Sony had, once again, shifted gears on the project, now hoping to develop it as a limited streaming series which she indicated might be headed for Disney Plus (I’m not entirely sure that’s possible). Alas, here we are, in June of 2020 with neither a Silver nor a Black and no indication that we’ll ever see one, the other, or both. In it’s place, I offer a look at what the film might have been had in gone into production in March of 2018.

    This information is based on conversations with people who had knowledge of the film’s direction as of early 2018, so while it may not have been the way the film ended up working out since the director was still rewriting it, it is the best we are going to get right now. I will also attempt to determine who and what was removed and added based on conversations with people who were privy to info about the film’s direction before Prince-Bythewood began her rewrites.

    The film would have centered on Silver Sable’s pursuit of master thief Black Cat with Sable working as a bounty hunter for the U.S. Department of Justice. Hardy had volunteered to undergo experimentation at the hands of Dr. Mendel Stromm, who would have also gone by his comic book alias, Gaunt, in this film. The procedures were meant to enhance Hardy’s skills by installing AI tech into her body; after receiving the upgrades, Hardy escaped Gaunt’s lab with her new powers not entirely under control and headed for South America. Silver’s motives for taking the job aren’t entirely professional, however; Gaunt was responsible for the death of Silver’s father, Ernst Sablinova, and the torture and death of some of her fellow Symkarians, and she wants Hardy to lead her to Gaunt so she can extract her revenge.

    Fans of the comics might be familiar with the Wild Pack and they would have had a presence here as well. Brought together by Silver’s father, Ernst, the comic book group took on the task of interfering with international crime and though this group is a little bit of a mash up, its goals are the same. The headliner of the squad was set to be Dominic Fortune. Fortune originally worked for Ernst and Sable before going to work for the U.S. DoJ and is now reunited with Silver here under the direction of Korean-American DoJ Agent Mark Sim and working with Agent Klein. Sim’s character has always been interesting to me given his comic book counterpart is the NuHuman known as Haechi who first appeared in 2014’s New Warriors book. Earlier versions of the script saw some other members of the Wild Pack as well and it’s unclear how many of them we’d have seen, but the setup remained the same: Silver and Fortune would lead a DoJ team in pursuit of Felicia Hardy with Silver never intending to bring her in and, instead, use her as a means to her own ends. To aid in finding Felicia, Silver uses one of her contacts located in the Tri-Border region of South America (an epicenter of organized crime and the working title of the film): Dmitri Smerdyakov, the Chameleon. A man on the run from his own past, Dmitri has made quite the reputation for himself at the Tri-Border as the guy in-the-know. Though he only has a handful of scenes in the film, he does show off his skills as a master of disguise and helps Silver locate Hardy.

    Black Cat': Amy Pascal Says Sony Is Still Working On 'Spider-Man ...

    Unfortunately for Felicia, Silver and DoJ aren’t the only ones out to get her. After undergoing her experimentation, Felicia ruined Stromm’s plans to add her to his gang of experimental goons, so he sends a couple of them after her: Mac Gargan (Scorpion) and Anton Rodriguez (Tarantula). Like Hardy, they’ve been experimented on and upgraded as well with Gargan wearing a full exoskeletal suit and Rodriguez sporting an boot with some sharp exo-upgrades. Additionally, Hardy’s past as a criminal has another player in pursuit of her as well as Lonnie Lincoln, aka Tombstone, is out to kill the cat as well. Sadly, Tombstone didn’t have much of a role in the film, appearing for little more than an elongated cameo. Fortunately for Felicia, Silver catches up with her first.

    Scorpion (Earth-1610) | Marvel Database | Fandom

    From here you have the duo on the run trying to evade everyone that they’ve betrayed, double-crossed, stolen from and pissed off. Rodriguez catches up with them in Rio with Rodriguez trying the James Bond approach before being taken out courtesy of Felicia’s new powers and a train car. Gargan also has a tough time dealing with the ladies as he’s roughed up considerably as well. Eventually, however, Hardy is recaptured by Gaunt and taken back to his lab where she’s tortured by Gargan. The final act of the film saw Silver team back up with Fortune and infiltrate Gaunt’s lab to liberate Hardy. You might also remember the rumor that one of the film’s final scenes would see Silver assemble an all-female squad of characters like Spider-Woman, Jackpot, Stunner and Dusk to join her and Felicia on what was described as a “female version of the Dirty Dozen.”

    One of the most interesting parts of the changes to the 2018 version and something I’ve reported on before and talked at length about on Twitter was the apparent removal of Norman Osborn. In 2017, Sony was set to have Osborn in the film as the man behind the curtain funding Stromm’s work. While we would see Charles Standish work as Osborn’s messenger, Osborn himself was to be heard, not seen, in the film but he was absolutely a part of it. Following the success of 2017’s Spider-Man: Homecoming, rumors started to swirl about Marvel Studios interest in getting Osborn into the MCU down the road. Following those rumors and Prince-Bythewood’s rewrites, I was unable to find any information about Osborn’s appearance in Silver and Black. To be clear, that doesn’t mean beyond a shadow of a doubt that Osborn would not have appeared in the film (it’s just as easy for them to remove him from the script or any casting calls and keep it close to the vest), but it was an interesting development to say the least. Additionally and on a related note, I was unable to find evidence of the role of Charles Standish surviving the rewrites either.

    Though Prince-Bythewood hopes to see this script survive and be adapted to Disney Plus (given the fact that Keaton’s Vulture is in Morbius, who knows what the deal is that Sony and Marvel Studios have at this point and how possible a co-op with Marvel might be), the creative log jam caused by COVID-19 makes that prospect fairly dubious at this point in time, casting even further doubt on whether this project will survive in any form. To my knowledge, despite being in preproduction for years, nobody was ever officially cast for the film as the script was always undergoing changes. As of today, it really looks like this one might end up in the scrap pile on top of Nightwatch, but stranger things have happened.

    Would you guys have been in theaters on day one to see this version of Silver and Black? Let us know via Disqus!

     

     

  • We Need To Talk About Joe Carnahan’s ‘DAREDEVIL 1973’ Movie Pitch

    We Need To Talk About Joe Carnahan’s ‘DAREDEVIL 1973’ Movie Pitch

    If you’ve been in this pop-culture news space for as long as I have, then you probably remember A-Team director Joe Carnahan‘s sizzle reel (proof-of-concept presentation meant to give an overview of a project) for a Daredevil film set in the ’70s from 2012, around the time the rights were reverting back to Disney. If you’ve never heard of it until the piece, then it’s something you must absolutely see.

    The A-Team director’s sizzle reel is a beautiful mishmash of iconic New York and Daredevil imagery. Carnahan uses scenes from classic 70s films like Dirty Harry, Taxi Driver, and The Warriors as an inspirational backdrop for his superhero period piece. These scenes, spliced with some of the most iconic Frank Miller Daredevil panels and underpinned by Curtis Mayfield‘s Superfly, paint the perfect cinematic picture of what a film starring the Man Without Fear would look like set in the era that defined the character’s legacy.

    When this came out 8 years ago, I remember being vehemently against the idea of setting Daredevil anywhere but the present day. The MCU at the time was in its infancy. No TV shows had been produced yet and the first Avengers had just come out. The idea of Matt Murdock returning to Disney’s fold was beyond exciting. I had just come off reading the entire Volume 2 run consisting of Brian Michael Bendis‘ and Ed Brubaker‘s work and in my naive nerdy brain, I was hopeful that he’d be one of the next characters in line for a new movie.

    Sadly, no new Daredevil movie ever happened. Just a year after Carnahan’s pitch was released, Marvel announced a huge partnership with Netflix which, in the end, gave us 3 full seasons of the Man Without Fear. The films never acknowledged the existence of such a show, leaving a void in this tapestry of diverse heroes. And with all the ground the Netflix shows have covered, and the growingly cramped space of present-day stories in the MCU, a part of me has opened up to the idea of Daredevil as a vehicle to tell stories in eras untouched in the MCU.

    I’m a firm believer that the next iteration of Daredevil has to be something we’ve never seen from the title, regardless of whether they decide to reboot the cast or bring the Netflix stars. In my book, they can either take the opposite route of what the shows have done and tackle the bright and fun Mark Waid-era of Daredevil or maintain the tone that made the shows a huge success but with a twist: set it elsewhere like Carnahan’s idea.

    The same way Captain Marvel filled some gaps on what the MCU was like 25 years ago (has it really been that long?!), a period piece Daredevil set in the 70s or 80s could switch things up for the MCU. Visually, that era has its own language. Contrary to what the Netflix shows did where they did their own take on what a broken-down Hell’s Kitchen looks like in modern-day, you get to maintain the authenticity of what New York actually was like 40 years ago.

    You can also do some cool stuff with Matt outside of New York and Hell’s Kitchen. The comics has seen Matt away from his hometown multiple times throughout the years. He’s had a notable stint in San Francisco back in the day, which was revisited by Mark Waid in his run. Occasionally, the character gets to go to a crazy place like Latveria or Alabama, as seen in one of the most underrated Daredevil stories ever, Daredevil: Redemption. There’s so much you can do with the existing dark tone just by simply changing up the setting. REwatching Carnahan’s reel after 8 years is a nice reminder of that.

    Tackling the Mark Waid is a whole different discussion. It’s honestly my preferred route between the two for a slew of reasons but that’s another article for another day.

  • ‘Wonder Man’

    ‘Wonder Man’

    Premiere: December 2025

    A June 2022 trade report announced that a Wonder Man Disney+ series was in development over at Marvel Studios with Destin Daniel Cretton (ShangChi and the Legend of the Ten Rings) as executive producer and Andrew Guest (Brooklyn Nine-Nine, Community) serving as head writer.

    Little else is known about the project besides the fact that it’s seemingly looking at a 2023 production start, possibly hinting at a 2024 release. Considering both the subject matter, and the team Marvel Studios is gathering to develop the project, it would perhaps be fair to expect a show with a lighter tone similar to She-Hulk‘s, with similar episode lengths and numbers.

    Following persistent rumors in mid-October, Yaha Abdul-Mateen was finally confirmed as being the MCU’s Wonder Man through a trade report later that same month. Production on the project kicked off in 2023 but was delayed due to the WGA strike. Following some time to reframe the project, production restarted in January 2024.

    The Marvel Television series will debut on Disney Plus in December 2025.

    Cast

    • Yaha Abdul-Mateen as Simon Williams / Wonder Man
    • Ben Kingsley as Trevor Slattery
    • Demetrius Grosse as Eric Williams/Grim Reaper
    • Ed Harris as Neal Saroyan
    • Lauren Glazier as a to-be-confirmed character
  • Victor Mancha: Hulu’s ‘RUNAWAYS’ Reject, Future MCU Big Bad

    Victor Mancha: Hulu’s ‘RUNAWAYS’ Reject, Future MCU Big Bad

    Going back through some old notes recently, I came upon some info I had collected about Season 1 of Marvel’s Runaways, a show which recently concluded its run following its third season. Those notes, accompanied by an early project breakdown and casting grid, indicated that one of the most interesting characters from the comic series was intended to be a part of Season 1 and, according to the notes, the studio may have even had an actor lined up for the role. That character, Victor Mancha, never physically appeared in the Hulu streaming series and his presence in the show was reduced to his last name appearing on a note in the final episode of the series. How did a character, who during pre-production in 2017 was, apparently, supposed to play a significant role in the series, end up being a being an afterthought? I’m not sure and I’m not really here to think too much about that. I am, however, interested in how Marvel Studios might now be able to use the character now that Runaways has ended.

    A little background first and I do mean a little. Victor Mancha first appeared in Runaways Vol. 2, #1 in 2005. A cyborg combining some cloned DNA with some of Ultron’s metal bits, Mancha was destined to become one of the Avengers greatest villains (there was a lot of time travel in Runaways) but, for the time being, has mostly stayed on the heroic side of things showing up in Avengers A.I. and Tom King’s solo Vision series among other places before returning as a head in a box in the recent Runaways book.

    We know that Marvel Studios The-One-Above-All, Kevin Feige, isn’t big on panel-for-panel remakes from the comics and, in Victor’s case, that works to everyone’s advantage. Keeping Victor who he is at his core (basically Ultron’s sleeper agent, but a hero at heart) makes him the perfect big bad to square off with the Young Avengers in their first big team outing. Whether it’s in Ant-Man 3 or the solo Young Avengers project currently in development, having the Young Avengers come together by taking on a villain with ties to the villain who tore the Avengers apart would be poetic. Maybe they destroy Victor; maybe they find a way to reprogram him and add him to their ranks; maybe he lives to fight another day. Whatever way it goes, the resonance is intriguing and very “comic booky.”

    I have no idea what the Runaways show runners had in store for Victor, neither in his season one appearance that never was nor with the neat little note they left as the show went off the air; however, what is clear is that Feige has an opportunity to put a new spin on an intriguing character and who could be a powerful, teenage villain who fits the Goldilocks model for the MCU adaptation of the Young Avengers. Sure, people want to see Kang and Iron Lad, but I wanted to see Starhawk and Vance Astro. We don’t, every time, get what we want but in some cases (not Starhawk, definitely not Starhawk), the version we do get is an upgrade. Victor Mancha might just do that for the Young Avengers. 

    There is, of course, another way for Victor to make a splash in the MCU: turning up in the upcoming Disney Plus streaming series, WandaVision. If Victor were to become aware of his unique nature, he would certainly seek out Vision, as he did in the comics. If you’ve read King’s run, you know that Victor was sent by the Avengers to spy on Vision and, though his intentions weren’t evil, he was responsible for the death of Vision’s son, Vin and met his “end” at the hands of Vision’s wife, Virginia, who is kind of a serial killer. While this particular story is unlikely to unfold, it’s entirely possible that we could see Victor introduced in WandaVision, a project we know to be a central hub from which the stories of Phase 4 and beyond will be spun, acting, as he was in the comics, as a sleeper agent of Ultron’s sent to wreak havoc on Ultron’s great dissapointment: his Vision.

    As always, it’s far more likely we don’t see Victor in the MCU at all or, if we do, it’ll be in some way altogether different from either of these options. It’s interesting, nonetheless, to think about how a character like Victor, who checks an awful lot of MCU boxes, might be used by Feige as he expands the universe.

  • What I Heard This Week: Ms. Marvel Auditions

    What I Heard This Week: Ms. Marvel Auditions

    Every now and then I come across some information the veracity of which can be confirmed by a second source. What happens FAR more often is that I come across some information that while believable and from trustworthy sources, cannot be confirmed by other sources for various reasons. Typically, when the second scenario occurs, I move on and forget about the information unless, in rare instances, it turns out to be proven true somewhere down the road. The news about Peyton Reed working on Season 2 of The Mandalorian came from an article just like this, but I’ve also heard some pretty wild stuff of which we have no proof, like Doom showing up in Black Panther II. Over the past week, we’ve seen unions give guidelines for safely returning to work, plans start to come together for projects to resume filming and an increase in the number of actor/actresses who are signing on to new projects as the film industry attempts to get the big wheel spinning once again.

    It’s been mostly quiet on the Marvel Studios front, however, as we still don’t have any definite timeline for when they will finish production on The Falcon and The Winter Soldier (though yesterday did bring some good news on that front), Loki or Shang-Chi and The Legend of the Ten Rings. And while we heard that Spider-Man 3 is aiming to start up in late-September or early-October, we still don’t know when other projects which missed their intended start dates, such as Ms. Marvel and Doctor Strange: In the Multiverse of Madness, will get the green light. However, there is another glimmer of hope that was shared with me and that I’m happy to share with you now… MCU Will Eventually Introduce Kamala Khan, A.K.A. Ms. Marvel ... What I heard this week: after shutting the process down due to the pandemic, casting has resumed for the role of Kamala Khan, aka Ms. Marvel! The casting process for this one has been wild and taken a long and winding road but I was told that actresses were recently being called back in to continue the auditioning process. The casting of Kamala Khan is certainly one that is of great interest to many (my Twitter DMs are proof as they are filled with questions about when and who and if) and one that Marvel Studios is clearly taking great care to get right.

    The timing of the resumption of the process is also of note. As the state of Georgia begins to open back up and film and TV production gets rolling again in and around Atlanta, where Ms. Marvel is slated to film, it’s possible that an imminent casting could lead to cameras rolling on the Disney Plus streaming series before the end of Summer! This is one to keep an eye on over the next several weeks. Should Marvel Studios land the actress for the role, a casting announcement via the trades would be major news and lift the spirits of fans who have had little good news the past few months.  

  • Our Pitch For IRON MAN 4: What Happened After Civil War?

    Our Pitch For IRON MAN 4: What Happened After Civil War?

    A couple of weeks back, Charles and I did an episode of Murphy’s Law where we pitched our ideas for Iron Man 4, inspired by my bestie’s dedication to producing dumb fanfiction with his Nova series. My idea, as I presented it verbally, was nothing short of confusing and lackluster. But after weeks of sitting down with the idea and fine-tuning it in my head, I think I’ve come up with something that’s worth sharing in written form.

    SETTING

    One glaring omission in the first 10 years of the MCU is the 2 years where the Sokovia Accords were in full-effect. It’s a worldbuilding device that would have radically changed the direction of the MCU if they had chosen to explore it. This year’s Black Widow is bound to give a glimpse just what superheroes on the run actually look like but that’s just one side of the coin. The other side is what the Accords are like for people on the side of the law. How do things look like from the vantage points of Tony Stark, and Thunderbolt Ross? This story is set in the time period between Captain America: Civil War, Spider-Man: Homecoming and Avengers: Infinity War.

    PLOT OUTLINE

    With the Avengers gone, the UN organizes a think-tank to figure out what the world’s emergency response force should look like. The resulting decision is the Ultimates Treaty, a coalition sanctioned by the UN and its supporting states to develop and train enhanced individuals from all over the world. Leading the program is one Henry Peter Gyrich, a U.S. liaison handpicked by General Ross. And at the top of the group’s agenda is the enforcement of the Sokovia Accords.

    News of this program has worsened unrest in parts of the world. A guerilla movement led by superpowered Carlos Creel and his son, Matias, has surfaced in South America, inciting political and civil unrest against the idea of South American governments developing state-sanctioned heroes for their own agendas. However, several skirmishes of Creel’s movement group are thwarted by Arthur Parks, a disabled soldier wielding alien technology.


    With the emerging threat in South America and the urgent need to track down all unregistered enhanced individuals, Gyrich decides to bring in Tony Stark, who in classic form, has locked himself up in his laboratory developing tech that would go on to be his Infinity War nano suit. Being destroyed by Cap was a wake-up call for him; the effectivity of his suits is now obsolete.
    Tony agrees to track down Arthur Parks, convinced he can bring Parks in without inciting any trouble. Rhodey is tasked to help quell the South American unrest but is unsuccessful as Creel’s guerilla forces overwhelm his own.

    Tony successfully convinces Parks to sign the Accords. He also takes a liking to him, seeing some of Steve Rogers in the former soldier. Tony is convinced this friendship can make good on his failed friendship with Rogers. He takes Parks under his wing and upgrades Park’s weapon with a nano-tech prototype.

    Mounting political pressure from the UN and South American governments force Gyrich into a corner. Gyrich haphazardly masterminds a desperate operation to stop Creel’s forces in Bolivia. The operation goes haywire when the showdown between Creel and Parks creates a blinding explosion, resulting in the deaths of several civilians and rebels, including Creel’s son, Matias. Both Creel and Parks are reported as MIA.

    Despite the damage and casualties, Gyrich insists that the mission is a step in the right direction as several of Creel’s people are among the casualties, crippling Creel’s rebellion. Tony nearly comes to blows with Gyrich over this.

    In a hidden location in South America, Parks wakes up from a week-long coma, only to discover that his body is no longer in the same form it was. Fatally wounded after the explosion due to the nanites and alien laser tech, Creel saves Parks’ life by imbuing him with his absorbing abilities. The two later have a discussion on their ideals and past experiences with institutions.

    Tony reconciles with Pepper since their split. Pepper convinces Tony to bring Parks and Creel in safely and to fight for the reformation of the Sokova Accords and the Ultimates Treaty. Tony and Vision fly to Bolivia to investigate the remnants of the last skirmish. Vision tracks down traces of Parks’ signal to a small settlement in a southeastern province in Peru.

    Tony and Vision sit down with Creel, who concedes his rebellion’s defeat due to a lack of manpower. Creel is asked to register by Tony. Insulted by the proposal in the wake of his son’s death, Creel attacks both Tony and Vision and is assisted by Parks, now disillusioned with the Ultimates program. Vision manages to subdue Creel while Tony and Parks reluctantly face-off in the big third act fight. Parks manages to escape capture.

    With enough lobbying, Tony successfully dismantles the Ultimates Treaty but not without resistance. Thunderbolt Ross files an injunction prohibiting the Avengers from operating without his permission. Vision quietly goes AWOL. Gyrich is fired. Creel is placed in The Raft. Pepper shares with Tony an idea to rename Stark Industries into Stark Resilient.

    CHARACTER ARCS/THEMES

    TONY STARK

    One of the main reasons of setting the story post-Civil War and pre-Infinity War is to help bridge Tony’s arc between the two films. When we meet Tony in Infinity War, he seems mostly resigned to the fact that his dreams of keeping the peace have not worked. Vision is AWOL and he’s making excuses for it when asked by Banner. Of course, this changes once Thanos’ invasion begins but I’ve always been curious about what the road was like for him.
    In this story, Tony is reeling in from his defeat and guilt over what transpired in the Siberian Bunker with Steve. The whole ordeal with the Accords has made him rethink his ideals, relationships with people, and his legacy. Part of him is still convinced that oversight is the way to go but part of him wonders if the only hands worth trusting are his own. This, of course, becomes a big thing in the story when he personally witnesses this abuse of oversight. His legacy is put into question; will he be remembered as the man who created Ultron, disbanded the Avengers over a piece of legislation, and had nothing to show for it at the end of the day? By the end of this film, Tony overcomes those hard-hitting questions and regains the trust he used to have for himself.
    He’s back to being an obsessive tinkerer; experiencing defeat at the hands of Cap has convinced Tony that his suits will soon be rendered obsolete by a larger threat. So begins his venture into nanotechnology that bridges the jump from his appearance in Captain America: Civil War to Avengers: Infinity War.

    JAMES RHODES

    Like Tony, Rhodey is recovering from his last appearance. If Tony’s transformation in the film is emotional, Rhodey’s is physical. He’s sort of on-the-fence on whether or not he should be deployed in the field to help out. Tony helps Rhodey with this dilemma by integrating the War Machine suit with prehensile propulsion technology seen in his Mark 42 armor in Iron Man 3. Problem solved for Rhodey as he can now remotely pilot the suit without worrying about getting into another accident.

    This eventually poses a problem for him as he finds out that remotely piloting the suit isn’t as efficient as manning it physically. When he encounters some of the baddies in this film, he finds out how disposable the suit without a person behind it. This forces Rhodey to overcome his physical and somewhat psychological hurdles. By the end of the story, Rhodey is back to being in tip-top shape.

    PEPPER POTTS

    For the first time in any Iron Man film, this story is going to give us a glimpse of what exactly the company has been up to. No longer the weapons manufacturer, the company has pivoted to more humanitarian and environmental efforts. However, public perception has damaged the company’s reputation thanks to the catastrophic incidents involving Iron Man. We learn that the damaging effect on the company and to Pepper’s name as a CEO contributed to their split as a couple. Pepper, being the fighter she is, is doing her best to keep the company afloat. Pepper is seen spearheading the Charles Spencer Foundation, a Stark-funded organization focused on continuing the humanitarian efforts of the late Charlie Spencer by rebuilding Sokovia from the ground up.

    Pepper’s role in the story won’t be as prominent as her previous Iron Man appearances but her role in the movie is key as she serves as Tony’s moral compass during his times of doubt. She’s not afraid to call Tony out on his bullshit and keeps things blunt. Their relationship starts off strained when the story begins but their wounds are slowly mended as it progresses.

    HENRY PETER GYRICH

    If you thought General Ross was tough, wait till you meet Gyrich. True to his comic roots, Gyrich is a nasty thorn in Tony’s side. An authoritarian who wants to get things done, no matter the cost, just so as long as it serves the greater good. I’ve been contemplating what kind of backstory to give Gyrich to justify his ruthlessness. I thought about giving him a story similar to Ross who has experienced some form of loss due to a superhero-related incident but I feel like that’s a bit overplayed in the MCU nowadays.

    ARTHUR PARKS/LIVING LASER

    A former soldier who is discharged after getting into an accident that severs his hand. He’s a kind, well-intentioned kid who wants nothing else but to help. But because of his disability, he’s forced to find other means to fulfill his intentions of doing good so he undergoes a black-market procedure to install an alien prosthesis that allows him to do all sorts of things. He eventually finds his way to South America, helping locals fight the civil unrest.

    His characterization is a spin on Steve Rogers. He’s more distrustful of institutions so it takes a lot of convincing from Tony to get on the Accords side. It’s later revealed that the military accident that severed his hand was the cause of poor oversight from his commanding officers. Parks later experiences a similar scenario when he is pushed by Gyrich into a botched mission which that ends up changing his physical form permanently. This compels him to side with the opposition at the very end.

    CARLOS CREEL/ABSORBING MAN

    A Peruvian guerilla leader responsible for the unrest in parts of South America, Creel is vehemently against the idea of state-sanctioned heroes funded by the widely untrustworthy governments of South America. With his son Matias, he begins an armed-movement opposing this dangerous law. The idea of setting a big part of the story in South America is to show what the rest of the world looks like in the MCU.

    The Iron Man franchise has a track record of having their big bads be just straight-up assholes. For once, I wanted a defacto antagonist who had values and ideals more admirable than the people Tony worked for. So like a lot of the characters in this story, the notion of mistrusting institutions continues with Creel. He’s not a flat out villain here. He’s an anti-hero in his core.

    He becomes a prime target by the UN when he reveals his abilities to the public. The source of his abilities is not explicitly revealed in this story but it will be alluded to through hearsay by the locals. In the comics, his powers are magic related so I like the idea of the locals forming a myth on how Creel gets his abilities. But unlike his comic version, this version of Creel has the added ability to morph the physical properties of those he touches, provided he himself is in that particular form. So if Creel turns himself into metal, he can turn some people into metal through contact. This change, I think, makes for a more interesting challenge for his opponents. Also, it ties in well with the creation of the Living Laser.

    VISION

    The damage done to the Leipzig Airport and towards Rhodey has prompted the UN to assess Vision as a weapon of mass destruction and therefore cannot be deployed to the field unless absolutely necessary. So Vision is benched in the first half of the story. When he is finally deployed by Gyrich, it’s during a Hail Mary operation to apprehend Creel. During the third act of the story, we’ll get to see Vision’s newfound ability to disguise himself in human form.

    Continuing the themes of recovery, Vision’s arc in this story is accepting his flawed nature and getting in touch with his humanity which of course, is a huge part of his journey towards Infinity War. In Civil War, we see him act righteously as he spouts infallible rhetoric about the law and order. Here, he gets a better understanding of the human condition. That even within its most astute laws, the system can fail horribly. In the end, this realization compels Vision to make a big decision for himself: runaway with Wanda.

  • ‘SPIDER-WOMAN’ and ‘MADAME WEB’ Will Be Two Separate Projects

    ‘SPIDER-WOMAN’ and ‘MADAME WEB’ Will Be Two Separate Projects

    For the past several years, Sony Pictures has not been shy in its development of the Marvel properties under their jurisdiction. Some of these have come to bear fruit (Venom, Morbius), others have fallen apart (Nightwatch) and many still remain in development (Jackpot, Silk). The last category is the most interesting and it contains a couple of properties in Madame Web and Spider-Woman that seem to have generated a lot of attention since it was revealed in February that the latter was being developed. In that times, a common conception has, apparently, become a shared “truth” among fans: that Sony is developing one Madame Web/Spider-Woman film featuring Julia Carpenter, a character who has borne both those mantles in the comics.

    Madame Web: Here's How Sony's Next Spider-Man Spinoff Could Work

    This conjecture, while understandable, seems to be based solely on fan speculation centered on making the connection pointed out above. Evidence, however, seems to suggest that this very popular fan theory, while sensible, isn’t the direction Sony is taking. By now we all know that plans change all the time at studios (I mean Sony had Cheo Hodari Coker and Spike Lee on Nightwatch and then STOPPED developing the project!), so it’s possible that, since February, Sony has changed its course. However, evidence exists that clearly indicates that Sony was developing two projects, not one.

    Madame Web is the longer gestating of the two projects with documentation dating back to April of 2019. Sony executive Palak Patel was hired to oversee the development of the film and hired the team of Matt Sazama and Burk Sharpless to write the film.

    The development of Spider-Woman is a more recent project with documentation first appearing in December of 2019. Like Madame Web, Patel is overseeing the project for Sony; however, unlike Madame Web, Rachel O’Connor is also overseeing the project with Amy Pascal producing.

    Women red comics Marvel Comics New Avengers comics girls Spider ...

    As I first mentioned back in February, O’Connor’s association with Spider-Woman is very interesting in that her only credits on Sony films have come on the Sony/Marvel Studios collaborations on the recent Spider-Man films but that piece has already been written. What needs to be clarified here is that Sony’s Spider-Woman film, whether it’s a Sony project or a collaboration, absolutely and beyond a shadow of a doubt was a Jessica Drew story as of February. The same documentation that shows Patel, O’Connor and Pascal working on the film clearly explains who the film is about and indicates that Sony was actively searching for an actress, 25-35 to play “Jessica Drew AKA Spider-Woman.”

    As stated in the open, plans change and Sony changes plans with the best of them. That being said, it’s time to put the fan speculation to rest and, instead, focus on hard, evidence-based facts: Madame Web is its own entity and the Spider-Woman movie is a Jessica Drew vehicle. Full stop.

     

     

  • ‘SHANG-CHI AND THE LEGEND OF THE TEN RINGS’: How The Tournament Could Really Introduce Everybody

    ‘SHANG-CHI AND THE LEGEND OF THE TEN RINGS’: How The Tournament Could Really Introduce Everybody

    Shang-Chi and The Legend of the Ten Rings is my most-anticipated MCU movie coming down the line. I’m a big Eternals fan, cannot wait to see sequels to Black Panther and Captain Marvel, am curious where they take Spider-Man, but Shang-Chi is the only MCU movie (that we know of) that is set in the aftermath of The Blip. The Avengers were essentially disbanded for five years, with Iron Man hanging up his suit, Captain America leading support groups, Thor drinking himself into a stupor, and Hulk merging him and Banner into one person. It stands to reason that other threats popped up during this five year gap from when Thanos first snapped his fingers to 2023, where the Avengers eventually brought everybody back. Keep in mind: Thanos’s snap disintegrated half of the life in the universe, and it also stands to reason that were some pretty serious consequences. With Tony’s snap at the Endgame, I’d wager there were some other unintended consequences too, though I will save that for another article.

    During the five year time gap, my thinking is that Shang-Chi is one of the heroes that popped up during that time. I, also, believe that the time gap they implemented in Endgame was deliberately implemented in order for Marvel to use Disney+ and other feature films to fill in those gaps. One of the things we did not see a lot of in Endgame was how the rest of the world was dealing with the Avengers disbanding. The Sokovia Accords most likely remained in place, and it is a very different world than when the Avengers first fought Thanos in 2018. That means whatever heroes and villains popped up had to do so in secret. Wakanda had no King, as far as we know. The Defenders vanished (even if Feige wants to pretend those Netflix shows did not happen). Ant Man learned the Quantum Realm, and who knows what other fantastic things he ran into while he was trapped in there. Needless to say, there is a lot of story to tell, and Shang-Chi’s tournament feels like the right place to start re-populating this world with heroes and villains alike.

    Backstory:

    Shang Chi #112 revolves around Shang-Chi fighting in an underground martial arts tournament. While Marvel has been loose with the adaptations, this feels like something that could directly translate into making this movie very different compared to other Marvel movies, and our own Charles has found evidence to support that there will be a tournament in Shang-Chi. The basis of the film will most likely see an exiled Shang-Chi is trying to do whatever it takes to get to the Mandarin, aka his Father, and stop the reign of terror he has inflicted with his 10 Rings of Power. With no Avengers to lean on, especially on this side of the world, he enters this tournament to go after him himself. The tournament is held in Madripoor, an island in Southeast Asia that is shrouded in mystery. This island, we already know, plays a role in the upcoming The Falcon and The Winter Soldier Disney+ series, but I do not think Kevin Feige would use such an iconic Marvel location one time. Looking through the comics, there are countless characters that have crossed paths with this location and Shang-Chi, and they’d do well to make up the other participants of this tournament.

     

    Who Fights?

    Let’s kick this off with Wolverine, but he’s not known as Wolverine but as Patch during this time. The ageless X-Men has very often been depicted as the same age as the other X-Men, but he is actually 103 years old when he first encounters the X-Men in 1993. I think Feige honors this part of Wolverine’s origin and doesn’t let him cross paths with the X-Men until much later in his story. For this story, I believe Wolverine is on a mission to hunt the man responsible for blowing up the embassy during the signing of the Sokovia Accords and starting Civil War and after attempting to visit Wakanda and not finding any answers as to Bucky’s whereabouts, he travels 4300 miles East to an island in Asia and ends up in Madripoor, where he falls in love with a mutant operative named Leiku Rose Wu, and befriends a daywalker named Blade.

    Blade is in Madripoor for two reasons: Blade has heard that one of the Mandarin’s 10 Rings, the Remaker, can rearrange the atoms and molecules of a substance, or speed up or slow down their movement, so as to produce various effects. With Blade refusing to feed on human blood, he believes this ring can help him speed up the effects of the animal blood he has been feeding on. The other reason he ends up in Madripoor is that he felt this could be the safest place for him to be given General Ross and SHIELD’s interest in his blood. This is a storyline, at least SHIELD’s hunt for Blade’s blood, derived from the 8th issue of Blade.

    You, then, have a master archer by the name of Bullseye, who after killing Hugo Kostas Natchios and his wife Christina Natchios in 2018, leaves the United States and ventures to Madripoor seeking refuge. He enters the tournament because the Mandarin has offered to keep him safe if he wins, provided he kills Shang-Chi in the process.

    Following Bullseye to Madripoor after he murdered her parents, we have Elektra. Elektra first went searching for Bullseye in K’un-Lun and, believing that he was being hidden by monks, slaughtered everybody except one fighter and left. She uses her family’s resources to track Bullseye to Madripoor, where she is convinced to enter the tournament by a mysterious character.

    Danny Rand aka Iron Fist (after ascending to Iron Fist) leaves K’un Lun in search of the female assassin he saw murder his family. He believes it was Elektra, and receives a message from the Mandarin that leads him Madripoor.

    King M’Baku, who ascended to the throne in T’Challa and Shuri’s absence, ends up in Madripoor when T’Challa vanishes after The Snap: he ventures there because Patch tried to enter Wakanda looking for Bucky. M’Baku wants answers, as he is frightened after the alien invasion in Wakanda and wants to keep his people safe. He enters the tournament to fight Patch and get answers from him.

    Lastly, a mysterious fighter named Mister X, also, enters the tournament, though his intentions are a bit unclear. He is, later, revealed to be Taskmaster, who worked with Zemo to orchestrate the events that led to Civil War and who actually survives his fight with Black Widow in the upcoming Black Widow movie.

    Tournament Results:

    First Round:

    Wolverine beats Mister X pretty soundly but, while sleeping, is captured by the Thunderbolts, who want to hand him over to Weapon X

    Blade defeats Bullseye but is stopped by Elektra before he can kill him, and Bullseye escapes. As Blade goes to kill Elektra for stopping him, Iron Fist stops Blade from killing her with the thinking that he wants to be the one to kill Elektra.

    M’Baku beats Iron Fist, who is still reeling from earlier fight with Blade

    Shang Chi and Elektra fight to a draw, Mandarin orders there must be a winner, they escape once Elektra confirms she wasn’t in K’un Lun.

    2nd Round:

    Blade advances because Patch is gone

    Shang-Chi defeats M’Baku and tells him what happened to Patch

    Finals:

    Shang-Chi defeats Blade and shows him how to escape Madripoor.

    The End

    Mandarin descends and fights Shang-Chi, revealing that he was the one that turned Wolverine into Weapon X because of Wolverine’s relationship with Shang-Chi’s sister. The Mandarin, Taskmaster and Zemo are revealed to have orchestrated the events that led to all the fighters in the tournament ending up in Madripoor in order to capture Blade to steal his blood, torture Iron Fist for the location of K’un-Lun, kill Elektra to ensure she receives the blame for the killing of the monks when it is revealed that the new Black Widow was really responsible, rescue Bullseye so he can join the Thunderbolts, and capture Shang-Chi if he happened to take possession of the 10 Rings. Shang-Chi and the Mandarin fight and Blade, M’Baku, Iron Fist, and Elektra fight the Thunderbolts while Shang-Chi and Mandarin fight one on one. Shang-Chi defeats the Mandarin and, not willing to let him live, kills him. The Thunderbolts escape.

    Post Credit Scene:

    Zemo returns to Madripoor to recruit a wounded Bullseye and Bullseye joins Thunderbolts (who now have Zemo, Red Hulk, Taskmaster, Black Widow, and Bullseye)

    Post Credit Scene 2:

    Wolverine in a tent washing his wounds, after escaping from Weapon X, when he hears a voice in his head say “Logan”