Murphy's Multiverse

Category: News

  • ‘Top Gun: Maverick’ Speeds Towards Record $142M+ Memorial Day Weekend

    ‘Top Gun: Maverick’ Speeds Towards Record $142M+ Memorial Day Weekend

    It looks like Joseph Kosinski is about to make quite the splash in cinemas, as Top Gun: Maverick is on its way to pull in $142.4M over Memorial Day weekend. The 4-day weekend will put the film on its path to beating out the record held by Pirates of the Caribbean: At World’s End for 15 years ago. Currently, it’ll likely nab $117M over a 3-day period with Friday potentially ending at $50M. That puts it above its initial $100M prediction, but The Numbers does potentially see it also reaching a high of $150M.

    Maverick will now be the second-best opening for Paramount only behind Iron Man 2‘s $128.1M, which also holds the record of the highest opening day since 2010 that the film could overtake if it beats its Friday expectations. This also makes the film Tom Cruise‘s highest-grossing film ever after already pulling in a great $19.3M, which is a new record for Paramount Pictures.

    What makes the Top Gun sequel stand out is that it pulls in an older demographic that has been quite hesitant to return to theaters. Marvel Studios and most modern blockbusters focus on the younger crowd with its four-quadrant approach, Maverick shakes things up in an interesting way to highlight the potential of other non-IP blockbusters finding their footing in the market once again. Diversity further pushes innovation and could also be a

    source: Deadline, Variety, The Numbers

  • Bryce Dallas Howard Confirmed to Direct an Episode of ‘The Mandalorian’ Season 3

    Bryce Dallas Howard Confirmed to Direct an Episode of ‘The Mandalorian’ Season 3

    In a surprising twist that probably everyone saw coming, Bryce Dallas Howard is returning to direct an episode of The Mandalorian‘s upcoming third season. The Hollywood Reporter has confirmed what was first hinted at by Discussing Film’s Jacob Fisher back in January. Howard has become quite popular as someone to take on a film in the franchise after bringing some of the franchise’s best episodes to life. This makes her fourth episode, as she worked on the first two seasons with “Sanctuary” and “The Heiress.” Though she made quite the impact with her work on The Book of Boba Fett‘s “Return of the Mandalorian.”

    It’s unclear if she may also be tackling an episode of the upcoming Ahsoka spinoff series, but THR can confirm that a “handful” of episodes will be tackled by director Dave Filoni, who made his mark on the franchise with his work on The Clone Wars. It’s unclear if it may also act more like an in-between season for Din Djarin’s story, who kind of took over Boba Fett’s after a few episodes.

    Howard has become quite a popular choice to work on quite a few different projects, as she’s also Colin Trevorrow‘s pick to tackle a Jurassic World film. So, it’s clear that she has nothing to worry about in the future as she’s a fan pick for many to tackle some massive franchises. So, it’ll be exciting to see where her future will be and what other directing jobs she might be interested in taking.

    Source: The Hollywood Reporter, Twitter

  • SWCA: New ‘Star Wars’ Series for Kids Titled ‘Young Jedi Adventures’ Revealed

    SWCA: New ‘Star Wars’ Series for Kids Titled ‘Young Jedi Adventures’ Revealed

    It looks like the long-rumored Tales of the Jedi has been unveiled with a new logo and title. What was hinted at potentially being a kid-focused Star Wars entry is now confirmed as Star Wars: Young Jedi Adventures. The series will be set during the High Republic era as a group of Younglings study to become Jedi. It’ll not only release on Disney+ but also on Disney Junior, and will be the first entry in the franchise to focus on a very young demographic.

  • Disney+ Adds a New Warning for ‘Obi-Wan Kenobi’s Opening Sequence

    Disney+ Adds a New Warning for ‘Obi-Wan Kenobi’s Opening Sequence

    After a long wait, Obi-Wan Kenobi has finally arrived on Disney+. Yet, the opening sequence had some a bit nervous as it surprised many with a rather dark return to Order 66. The entire sequence saw a group of younglings flee the attack of the Clone Troopers. Given recent events, the episode may have been ill-timed as the United States faced another tragedy just recently. So, the lack of a warning was a rather curious oversight going into the series, which has now been corrected by Disney+.

    Yet, the message only arrives under a note in the “details” area and is not available through all Disney+ accounts. It also doesn’t appear onscreen before the episode airs, which is a curious decision. They may have added the text after some people pointed it out online.

    Although this fictional series is a continuation of the story from Star Wars movies filmed many years ago, some scenes may be upsetting to viewers in light of the recent tragic events. Warning: Contains violence involving children.

    Stranger Things has included a message ahead of its latest episode premiere, which also includes children being killed. While the opening scene in Obi-Wan Kenobi doesn’t have any blaster shots hitting children, it still hits too close to those that are going through the tragedy that happened in Texas. So, here’s hoping they add it in earlier on to let people know before watching it.

    Source: The Hollywood Reporter

  • SWCA: ‘Star Wars Jedi: Survivor’ Takes Place in the Same Year as ‘Obi-Wan Kenobi

    SWCA: ‘Star Wars Jedi: Survivor’ Takes Place in the Same Year as ‘Obi-Wan Kenobi

    Star Wars Celebration has given us a lot of teases of what’s to come for the franchise in television and books. Now, we also got a first look at Star Wars Jedi: Survivor. The title has been teased for some time, as it leaked earlier in May, but we even got a trailer that confirms a 2023 release for the new entry. While we don’t get a good look at the game’s updated gameplay, a tease of whatever the hell the story is going to be, the official press release offers more insight.

    Turns out, the game takes place five years after the original, which places it in the year 9BBY. The reason that is significant is that it’s the exact same year that the Disney+ series Obi-Wan Kenobi takes place. Not only does it open the floodgates on Cal Kestus showing up in the series, but also confirms that the teased villain is very likely now who we think it is. Respawn’s Stig Asmussen also offers some insight into how they approached the story and why it got the subtitle Survivor.

    That’s the purpose in the tone of it, is to leave the player with a lot of questions but they’re very intrigued. The game is all about survival. That’s why it’s called Jedi: Survivor. They are in dark times, and Cal and the crew are doing whatever it takes to stay alive. That might mean that they are making connections with people that, in other times, might be considered unsavory. Some of that is portrayed in the trailer, and again, I don’t want to give anything away, but there’s definitely a sense of… I don’t want to spoil anything, sorry! [Laughs.]Stig Asmussen

    Speaking of how the timeline confirms the absence of a character. We see a member of the alien race known as Pau’an. Most might remember the character due to the character’s appearance in the animated series in the form of the Grand Inquisitor. He also just recently appeared in the live-action Obi-Wan Kenobi series where he is played by Rupert Friend. As it takes place around the same time, that means the one we meet in Star Wars Jedi: Survivor is likely a new Pau’an, as he also lacks the iconic markings.

    The trailer is quite promising, especially how it gives us a tease of a story that seems quite disconnected from the events of the first. Most of the supporting cast is oddly absent in the trailer, but with that title, it makes sense they want to keep us guessing on what exactly is heading our way.

    Source: Star Wars, Business Wire

  • ‘Doctor Strange 2’ VFX Team Worked on a 40-Second Scene for Over a Year

    ‘Doctor Strange 2’ VFX Team Worked on a 40-Second Scene for Over a Year

    There are always highly discussed takes on how Marvel Studios handles its VFX and CG work on their films. While some point out aspects that seemingly stick out for some, there’s a lot of work that goes into these projects over the many years of production. In an interview with Variety, VFX artist Alexis Wajsbrot (Framestore VFX) offered some insight into just how long they worked on the various sequences of the film.

    He worked on the iconic 40-second travel through the multiverse, which even included Doctor Strange and America Chavez turning into paint. Wajsbrot started working on the moment back in September of 2020. As such, he worked on the sequence for almost an entire year and a half before it released in theaters.

    Fellow VFX artists Olivier Dumont and Michael Perdew from Luma Pictures worked for several months on the film’s iconic Gargantos sequence. The MCU’s version of Shuma-Gorath was quite a special challenge to tackle as his unique anatomy adds a equally unique challenge.

    When you animate a human and you have two legs, it’s easy. But, when you have eight legs to animate, it’s a challenge. And then you have to animate that in the middle of a street that is very busy with a lot of things that it’s going to interact with. So it’s like, how far do you go in terms of work.

    Olivier Dumont

    They worked on this sequence for six to eight months to bring the creature to life. Perdew highlights that “time is the single most important thing” alongside “having. really clean and clear path.” It looks like they certainly got a lot of time to work on aspects of these sequences, and they also highlight how they had a say in what they would include, as well as received some active feedback and ideas from Kevin Feige.

    Source: Variety

  • SWCA: ‘The Mandalorian’s Volume Was First Used on 2018’s ‘Solo’

    SWCA: ‘The Mandalorian’s Volume Was First Used on 2018’s ‘Solo’

    The Mandalorian was a landmark project that pushed the technology known as The Volume. Instead of using a green screen, they create digital assets put on actual LED screens surrounding the actors and their performance. Since its first use, the technology has evolved quite a bit and even became a staple for big-budget films like The Batman and the upcoming Thor: Love and Thunder. Yet, it turns out that the initial version of the technology has its origin back in 2018, as it was used in Solo: A Star Wars Story.

    Our very own Hunter Radesi has shared some insights from a press conference with Ron Howard during the Star Wars Celebration event. There, the director revealed that the technology that would eventually become one of The Mandalorian‘s hallmarks was briefly used in that film. The only difference was that they didn’T use it for a 360° shot but rather just in the Millenium Falcon’s cockpit.

    It seems that they wanted the actors to experience what it was like going into hyperspace while sitting in the cockpit, which was the first use of the Volume within the Star Wars franchise. It definitely is an interesting surprise and it’s crazy to think just how far the technology has come since those days. It’ll also be interesting to see what the future has in store for it as it continues to evolve and potentially become an essential tool for modern filmmaking.

  • ‘Doctor Strange 2’ VFX Artist Confirms Savage Land Easter Egg

    ‘Doctor Strange 2’ VFX Artist Confirms Savage Land Easter Egg

    While Doctor Strange in the Multiverse of Madness kept its word by exploring the multiverse, surprisingly, it held back quite a bit. The main story mainly focused on two dimensions, but we still got a short little romp through the multiverse after Strange catches up with America Chavez. we got a lot of teases of dimensions that we can only speculate on what exactly they mean. Luckily, VFX artist Alexis Wajsbrot of Framestore VFX offered an insight.

    In the interview with Variety, he not only confirms that Kevin Feige actively supported the VFX teams in creating the different dimensions, which they were given complete freedom to explore whatever they could think of. As they pitched their ideas, it turn out that the Marvel Studios CEO was the one that had the idea to include the Savage Lands, the brief second when we see the dinosaur in the multiverse travel.

    One was an Incan statue world, which ended up in the movie because Kevin Feige thought, ‘Well, that could be a great world to put the Living Tribunal in.’ So that world became the Living Tribunal world. We proposed a jungle and Kevin Feige said, ‘Well, it could be cool if it was Savage World.’ It’s a world that exists in the Marvel Universe, so we had to add dinosaurs.  We had to model and texture and render and animate dinosaurs for two seconds, which is extremely not cost-efficient.

    Alexis Wajsbrot

    It definitely was something that comic fans were excited to see, especially as many were wondering when we might actually see it get added at some point to the MCU. It’s been quite the experience to see the many Easter eggs that were included and who knows if we may get a chance to revisit them in a future entry.

    Source: Variety

  • Taika Waititi’s ‘Star Wars’ Film Gets Tentative Release Date

    Taika Waititi’s ‘Star Wars’ Film Gets Tentative Release Date

    As the Star Wars franchise has focused very heavily on the side of streaming with a slew of shows for Disney+, questions have been raised about what’s in store for future theatrical releases for the franchise. Some were under the impression that news about this would be revealed during the Star Wars Celebration panel, but the focus remained solely on upcoming shows. However, fans now have some indication for what Lucasfilm has planned for Star Wars films. 

    In an interview with Total Film, Lucasfilm president Kathleen Kennedy confirmed that the upcoming Taika Waititi-directed film is currently slated to be the next theatrical release for the Star Wars franchise. Lucasfilm is aiming to have the film released in late 2023, but Kennedy made note that nothing was officially locked in during the interview. This marks a change in plans for the Star Wars film slate as the Patty Jenkins-directed Rogue Squadron film was originally slated to release for December 22, 2023. However, the film has been moved to the back burner for some time as the script continues to be written. With all this in mind, fans should still bookmark that date as the potential release for the Waititi film as it moves up the release order slate.

    Taika Waititi currently has Thor: Love and Thunder with Marvel Studios slated to release on July 8, 2023. Beyond that, the popular director should have ample time in 2022 to focus on a potential production for this developing film. There will be many exciting questions to be answered about the nature of this film that will hopefully be revealed in the coming months as we move towards a return of Star Wars to the big screen.

    Source: Total Film

  • ‘Hollywood Stargirl’ Originally Wasn’t Going to Take Place in Los Angeles

    ‘Hollywood Stargirl’ Originally Wasn’t Going to Take Place in Los Angeles

    The title might have you confused as the film is literally called Hollywood Stargirl, yet it turns out that the film wasn’t originally going to film in Los Angeles. The first entry, simply titled Stargirl, explored the valleys and deserty-location of Arizona. Yet, while the sequel ended up bringing the character to Los Angeles, director Julia Hart had other plans for the film.

    In the film’s official press event, the director talked about how they originally were going to film somewhere else but the pandemic ended up changing their plans quite dramatically. Sadly, she doesn’t reveal where the original location was going to be, but it looks like being stuck at home definitely inspired a new direction for the sequel.

    It’s funny, originally we were gonna set it somewhere else and then the pandemic happened. And my husband and co-writer, Jordan Horowitz, and I was gonna go on a trip and go to where we originally were gonna set the movie. And then the pandemic happened and so we were here.

    Julia Hart

    While plans changed, it inspired them to “write a love letter to both LA but also all of the people we missed while we were all stuck at home.” It also worked in their favor, as the sequel is not adapting the Love, Stargirl novel but took its own direction. It gave them more creative freedom on how to tackle the project and create the love letter as a result.